The Syracuse Journal, Volume 28, Number 34, Syracuse, Kosciusko County, 19 December 1935 — Page 7
TIIURSIIAV, DECE.MBER 1». 1
|||ir""' ' I—— 111 1.l II 111 Will ' U|l WORLD’S BEST COMICS Lighter Side of Life as Depicted by Famous Cartoonists and Humorists 111 II THE FEATHERHEADS ~ BeAhse Stoy fAT 3 A.M — You <MOW ( TrtMK OF ( • seOuth » { .r zurtoki L xbu MWO xbun m«rr—l ms f • hav»ht ”~7A To slbbp—mot ) Mow about A f. — etc— / had a wim* of «l»bip/ I £T ay awakb HALF vsaifr.■- A iWm 06i - J - might L , e., r 09 A M IWAT fWB J?#/ ■ 6TC-BTC— SLtBPf 1 vfIFE IS , —-< &; -imßl we iast >) O I JStw J l // I j| nr >'fESfSM /zczzX. ayAb /k \Z/ ( F\ .. i //Ji tsteJx Bh' i^^ l " '»i Ir rV ' —Uli ■— ■■■ IUI II ■■!! ■■■■Hl. . I ■ !„■!■■■ . — SWATTER POP— Yes. What to Do, What to Do? By C M. PAYNE | «->*. <-+. -»-■ mr raF 1 ~ JT I Yov { -*»utt.w* 'jGv» » 1 m j/r Te> * ,M TC> Wj //jf so >0? 2 tx ’ < /\* ,m **» »« JF not WI , ' r \l/iD /f/i \-4«* mout4 '\ MYFWGt >W e»uT J// i/f - , ' z "*^ u M<x/T * y Ax_ • 77 J Xllfr-V fL MESCAL IKE ml hwiuy I* Begins To Look Doubtful. — y\»Arfv or Zkv-'XFjr ■T' r«* POOH /Cm« a«uY ae«M : t 3<>o«< \/MO • tikjtoj > f siTj mot>oj«m- Um -A3\ W tm>mo. u**w aN«sBF" I wo->e »««a s«\cm\ •O ~<3 Mu*, hu 1 |»SL MCT JX M*y I S -«a YU< <O«A. M« yH MUCM OSIV*. J \ SF.UQJ J A»X> »mk y<y«« ;t.MtS J«rt«r MmSms ( o<XT M< KKj K ct» c«ft w«« I v - \ OOaSMTT LOvC w A \_ x.«v«*4 NioFcao/ xca>« o® M«a > \mo moac mm* **<▼ •cwoa./ , —> ——‘MB? . - HW \y»«OT».>« L>« ■ /' ■ 1 /*y\ \ *T y' n *mz Tjr.&n r® J > wßx A / f | I WlO'Sh* rtt'"T“z W l ■* viz' * t *' M,rt « ,rt - Mau MwhUt. Tr« 4« M*»» «•*. V. ». ru. O®y> —— Z : | FINNEY OF THE FORCE No Cause for Alarm Haa— q——■———■——a——a— —mm— ■——aww—aa—aaia—H—a—— —aaaaaa—aoaaaa——a—aa——■——aa—i aa—aaaaaa—aaaa——a— V ISZ^XljiSl^dSt 1 /IT'SS/) (wu-.w’-l sss;%? S ;•'%“« t. J Sis* s:“r»y.y.. LtISJ“ *■ ga». Sr Z“i» ««>»», 2Jpw» »«»*«■l al wax’pAwror U, vo °*— r L, , »*^ , •»* r ' 11 —' v ? ' — Max PAS«D? r . A MAGUIC T { | j I " 1 wJM t ir J ‘ aps “REG’LAR FELLERS” * . A Simplo Teat lOOKIT TMK TMS> MOT MUSHMOOMa* TMCV LOOK LIKI <v -Z 5 ? rT YOU Poorrivt _ „ ui tM an- A j ■f~a Jft S ' ) I *T”h TOAoyroota? I~ '■ouu. « >■</&"•’ wW A—-* -1 z l f I 1 • 7 fr~f ocad sure thsyH ’ -S« f ’W t.” t 4a£ ADAMSON’S ADVENTURES It’s an 11l Wind 8y O. JACOBSSON IIA ICI II |g“' es> • BRONC PEELER ~ Who’* Shootin’? By FRED HARMAN I . I 1 ’ j »toO mJ»7 “I X- Quick Pm/MUKi 4 k»2£sJ£2£ZL / M KEEP Uval- UJtIL X V wftSTO B I XS—BUT VMOS SHOtffto F 7i soon Sr OUT OF , I I** ECfttn/. J k w®tt,UHoerW AKT IJS P I I < / j <~jt ft X”" ?».«// Jr/ xHac / «& TJEa. /I. Uo ■ O|isl HWMMMMMHHM STEP ALONG, BOY n r~ n V gPKINGS <SOCO CHEgR JIM Pt C rn ' U •’*"/****• ,^-z — rk\y (V) (t) WR a SKXWUI OF SWP OXH! MDWHDT! «l*l>S SOMt waftK ib coct Mlw Ladyburr-Maybe Mr. Snail Z7\ IT — may be a good sweetheart, bat he’s N .:jh fv’/l k-"/1 too atov to m. Aflj l-Naarasr— i«idP ■ a—— JmMMWMBMIMMRMI «nt awn a erf cmamt suwb a unis twax, »*rt£ waoWwum gySBR-nBUIw ■ ■ w»w»Z* mkh. mows «m sawnm. sßuae on -aeucwiM wam 9txMru.,RMem I f InF FC I Cj* lialC T J l woctrf aaaM ir% nma hoi njQ- 'jS- jQ wnus pewa ofcMc’t ext- Rou-rn suwn<-/wr sir o:£s x K J7\ * scur cw ev saw** <r or«iM<vM»TWMaß© wsaaasiwHw < N’ WgA tn £K> WM.AH9 AkNS HMibHvaW * MgAlii I I L-Jl .„. IU
SYRACUSE JOURNAL
Modes for Mother Versus Daughter By CHERIE NICHOLAS .Mu Br* H mHHHh ■ Mi fl ;.< Bx fc: v’WHB ■ : ft I w
Better took to your laurels, daughter, for H *< mother Is about to outmode you In the matter of chic j|E|fc.' and swank in dress. At j least it can be truly said that fashion is seeing to it that older - women keep In perfect step with those younger In the style parade. The current modes all go to show that the same fashion influences are important for both mother and daughter. their difference being only in their interpretation which tunes to a nicety to type and to years or less years. , With all the world wearing metalUcs this season, mother follows suit in afternoon or dinner gowns which have discreet touches of metal for trimming. Sometimes insets of metallic silks are set down the middle of full sieves. Then again bands of gold or silver silk lame border necklines and accent deep graceful armholes or are draped, to soften the bustline. N’otlce this treat- _ ment in the handsome gown worn by the smart and attractive matron centered in the illustration. Here is a restrained, at the same time most effective, use of gold Hlk lame on a gown of black velvety silk sheer, with a group of tucks molding the gown at the hipline. ? As a rule mother does well to avoid entire gowns of metallic silk. leaving the joy to gleam from head to toes la glamorous sliver or gold to the young girl The debutant age wears dinner gowns of scintillating silver silk lames, with shirtwaist bodices softened by bishop sleeves slit underneath, as you see in the model pictured to the right in the group. Crinkled silver silk lame is used for this dinner gown, the * bishop sleeves of which are split from shoulder to wrist. Youthful, too, are the cocktail suits fashioned of heavy silk lames. These have contrasting blouses of silk satin or silk velvet. Lame jackets are also worn over harmonising silk crepe
STURDY SUEDE By CHERIE NICHOLAS fl I < flfl ■ . By all means it you are interested in roguish leather fashions you must I have a sturdy suede jacket These iackets. in rich stunning colors, are leading the field for winter sports The, model at the top has gridiron checks patterned via embossing, on the mosaic rust suede leather Virginia Reid wears this new vogue which originated in Hollywood. The jacket below, also cheeked in gridiron fashion. has triangular shaped pocket flaps which button with an all-around belt , and a trick collar that can be worn up or down.
What’s New in Realm of Women’s Fashions
Wine of ruby red accessories animate hlack Much sunburst and also knife pleating is In use. Buttons, dips, batpins and bracelets are filled with perfume. Black dresses have full peasant sleeves of soft white weave. Lovelocks, those naive little tendrils that fringe nl<»ne the forehead, point the way to fluffier coiffures.
frocks. Formal evening gowns .are made of soft silk lames which seem like liquid gold, silver or bronzjp — often with finely pleated skirts in'the Grecian manner. Stiff silk metallized brocades or moires are also quite the “last word” for gowns with slim lines that gradually flare Into billowy skirts. The draped mode Interpreted in soft, supple silks in a variety of Interesting weaves, is a favorite theme for both mother and daughter. The more mature woman usually prefers modified draped treatments. Soft fuiiness in the bodice is also favored for the older woman, and is much in vogue, achieved through shirring. soft folds and unpressed pleats. Cowl treatments, shoulders with softly draped armholes, inverted tucks at the waistline which release their. fuiiness gracefully in the bodice section, aa illustrated In the model to the left In the picture, are all modern treatments which are flattering to older women. In the softly draped gown referred to. which, by the way. is of a handsome American beauty silk sheer, unpressed pleats give the new front fullness to he skirt, also developing Into a flattering soft neckline that achieves a conservative decolletage for the older woman. The silks whlch are especially favored by the more mature woman for dresses draped and shirred are heavy silk sheers and soft velvety silk sheers. Larger women particularly appreciate the advantage of pure silk fabrics because they need the dependability of silk’s natural elasticity at points of strain such as across the back of the shoulders, around the armholes and through the bust and hips. c W»M«rn N»wst»p»r Union.
BEAUTY IS HELPED BY STYLE OF HAIR The girl what wants to make the most of her best features and to draw attention away from not-so-good ones should study her face carefully and experiment with hair styles and cosmetics. The right coiffure can make a toolong nose seem shorter, or skl extremely thin face appear plum'pe.*. If your nose Is long and pointed, never part your hair in the middle. If it Is short, by all means do wear your hair with the part in the center. If you have a long thin face, a coiffure that fluffs out slightly at the sides will be most flattering. Giris with short plump faces can very well go in for sleeked-back hair styles, perhaps even the types that show both ears. Pert curls that fly across the forehead and in front of ears generally are beet for youthful, rather small, piquant faces. Treat Furs Roughly If you are lucky enough to get a silver fox wrap, for goodness sake learn to care for it correctly. The ; fur never should be stroked with the ; hands or touched with a brush, in-4 stead, when you want to fluff It up and remove dust, shake it vigorously. Don't treat furs gently. On fox ranches where the little creatures are bred and ' reared to enhance feminine beauty and 1 In large to houses, fox pelts are I beaten with a stick to make them fluffier and more luxurious looking. Strong men shake them as hard as they can. ingenious Scarf “Personality” scarfs that can be tied seven different ways are a challenge to your Ingenuity. Perhaps you can find another way to drape them. They're made of splashing prints in the form of a V. The point of the V forms a triangle and the long ends may be tied in a bow. knotted or drai>ed tn many waya Ton can wear the V In front with a cowl neckline, tying the ends in a bow In back, or bringing them around to the front in a smaller bow.
Bleats are Important in the fashion scheme of things this year. Wings of pleated chiffon decorate many of the newest dance dresses. A few smart black crepe afternoon dresses are seen with big white sleeve*. This season’s silhouette will be slim and drai»ed. both for day and evening. Buttons have assumed a new and important place in the decorative scheme of things. ■? ■. '
[®B|of IHRREST TO 1 Ml»t MBWB Soot water is excellent for plants. Put soot taken from chimneys, furnaces and stoves into a bag and suspend bag in a pall of water. Let stand for a week before using. • 1 • • Something quite different in the way of ash trays are charming little oak leases made of hammered silver. And beside being extremely useful they have the added virtue of being in keeping with your table silver. So many ash trays look out of place if yen want to put them on the table. •* • . Grease spots may be removed from tan shoes with gasoline,' Wet sponge# with gasoline (keep away from fire), ® rub over spots, dry and polish. •i • • There is nothing like a beautiful piece of red lacquer to give the note of color that lifts a room from its state of former drabness. It may be a magazine rack or a coffee table, but the lacquered pieces we have in mind are exquisitely done with a finish as smooth and suave as an eggshell The designs in gold are ’ fine and delicate ahd the appearance of these exceptionally lovely pieces is quite different from the average lacquered furniture. Custard pies should be baked in a hot oven for the first ten minutes. The crust will then be set and filling will not soak through crust. Reduce heat after first ten minutes so that filling will not boil. • AMovlateU N«wsD*p®r«L—WNU Servlca. FIRST TAILSPIN MOST TERRIFYING TO THE AMATEUR It’s no fun when an amateur flyer goes Into a tailspin the first time. Henry 11. Winans describes this In an article, “Learning to Fly at Forty." in Harper's Magazine. “A tailspin is the result of stalling. When control is lost and the ship drops off on one side or the other, if the stick is kept back and rudder Is pushed to either side, the nose, drops almost to vertical position and the ship rotates rapidly around its axis; As the spin is entered everything becomes remarkably quiet. The ship actually shudders. the nose down toward the ground, the pilot sees the ground whirling beneath him, and feels himself compressed Into the seat. “This, of course, is the centrifugal effect of whirling. The sudden drop is apt to take the breath and, wheb followed by the whirling, a state <4 confusion may develop. It is no won der that many pilots have spun into the ground simply because of their inability to become oriented and to make the proper movements. “I knew what was required of me in a spin and even rehearsed it on the ground, but it was nearly impossible to bring myself to push the stiqk well forward and to push the rudder opposite to the direction of the spin. My arm seemed heavy and my feet leaden as In a bad dream. My movements reminded me of a slow-motion picture. “With It all. however, it was final ly accomplished. The whirling and diving immediately stopped and 1 was back in a precipitous glide from which Tt was easy to regain normal flight “in the meantime l had *tost 3uu oi 400 feet of altitude. It can be seen how dangerous tills woujd be close so the ground and how thoroughly one must lean? to recognize the symptoms of its approach. After the first spin most of the disagreeable effects upon the pilot are usually lost and there Is even pleasure In the maneuver.”
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