The Syracuse Journal, Volume 19, Number 52, Syracuse, Kosciusko County, 28 April 1927 — Page 7
> LEADINI f d&jl LADY I GERALDINE J BONNER WtfUQtlT bf me BO6K MERRIU CO -■ "* —sf RVKE
STORY FROM THE START White despondent over the enforced hiding of her fiance. Jim I ’alias, slayer In self‘defense of Horner Parkinson, member of an .f’-Cuentlal f;>. rally, Sybil Sounders, popular actress, is engaged to play Viola In a charity performance of "Twelfth Night" on Gull Island, on the Maine coast After the play Hugh Bassett. Anne Tracy’s flam e. Tells Joe he has heard he is. spying on Sybil to learn the Whereabout* of Jim Pallas and earn the reward offered by the Parkinson family. Tse .» y denies it. Joe is arrang Ing for a vacation trip To Anne he betrays hla enmity toward Si h l
CHAPTER lll—Continued S! «• had h*-.! nothing and thought ft twld that he should he so suddenly cautious. Discretion had been the last quality he had heretofore shown. ■| ‘ ve avoided you and I’m going tn continue doing it. Please ’move awn' from the door. It’s silly to stand In front of It. for 1 can go round by t . . irden. but I’m tired and I don t want to.” He came forward. speaking. *• he advance*!. I» isn't, what yotf think. I'm dot:»- with that. You’ve matte me nnd<rstand; you’ve gotten it across. Nvbil. I'm not going to bother you to v r»- with that «pb|e«f you loathe <nd think so dreadful. But I can’t help toting you and wanting to help you.'* She give an exasperated gvs t'jr. atbf made a move Jo pass him A- -ho did so, he said: “I’ve heart! s"’jeth.tig of Jim I>allas. Just before 1 left town I met an actor who says he saw him.” "Are you telling the truth?*' "Why should I lie? What do I gain by it? I swore the fellow to secrecy am! came up here to tell you am! I've by-B trying " She broke In: “Was be sure? Where was it?" Ti.e change In her manner would have crushed the hope In any man Shunning him like a leper, she now drew close and laid her hand on his arm. ! can’t tell you here It’s too dan ire-.,us, too many people coming and going/* "It was Jim?” "It was. It’s quite a story, more than just seeing hitn. But we've go* to get somewhere away from all these <!—d doors—” *
One of them opened- that Into th" hall behind them. They heard It and wheeled round. face* sharp-set In defer ine inu-r • ••gn t !<-n. It was F!<’t£ Stokes, and Stoke*.—his senses more alert than the girl’s, withdrew his arm from her clasp. •<»h. Flora.” he said, his voice suppre mely light and easy. “Were you ! looking for me?” j Mrs Stokes said no. she had come ] to put her hook back. She walked to a table and placed her book on a comer The room was very still as site did this. “It seems I’ve Intruded.” said Mra. Stokes, each ■ syllable meticulously clear and precise. “But If you Want | to he alone I should think you’d have chosen another place." “Having chosen this Is a pretty | goocl proof we didn't want to be ; alone." retorted her husband. She gave a light jeering sound of disbelief and walked to the entrance. On the -.ill she turner! and looked at them with smoldering eyes. "l»on't be afraid I’ll May. I’m going ’ for a walk on the front of the Island. Thnt> as far away as I can get; Td g.- farther if I could.” She passed out of the door and Utokes turner! to the girl: There —that’s yhat I was afraid of. Some of. the rest of them may come In at any minute. We’ve got to -get -out of here. ->me place outside." “The Point—the sutntqgr-house. I’ll go down there now—you follow me.’ She ran to the entrance, he at her tee!*. Walking lelsufoly op the i«th > the summer-house was Shine. . She threw out h-r hands with a distracted gesture- and st-uck a foot on the floor In a frantic stamp. Stokes smothered an oath. Tell me here." she Im l-rrv-l. b’»t he answered with an ImIterative shake of the head. The garden.” -She was half-way acre s the room before he caught her <up and thia time It was he who laid IPs hand on her arm: -sybil, have some sense. You’ll get -is in wrong every way. You don’t -want any of these people to see us out there whispering together. That’s Just the place they’ll go while they’re waiting round for supper. Listen now. get a bold on. yourself. Jim’s safety ' ts more important than your anxiety. That photographer chap’s Just stroll Ing round killing time: he'll move on • from there presently. Go up to your room and wait. You can see the Point from your window. If he’s gone by seven, cwne down and go along to the summer-house I’ll watch, too. and I’ll meet you there.” . She opened her lips for a last protest. then, evidently seeing there was moth inc else for It, gave out a groaning “All right" and left the room. He followed her. saw her mount the stairs, and walked out on the balcony. He could 'see the figure of his wife moving slowly toward the ocean bluffs. a newspaper lay on a table near him and be took It op, slumping down in bls hair as one who relinquishes film read. r * g * ilied <BlereSt * W
CHAPTER IV Anne packed for a space, then gave it up. She couldn’t go on with It. she wanted to be downstairs, not lose one minute of the .last evening at Gull island. Her spirits, oppressed by Joe’s behavior, began to bubble’again, foam up in sparkling effervescence. She slipped off her negligee and chose her most bewming dTMMk leaf-greeu creye that made her look slim as u reed and turned her skin to ivory. And she figured In front of the glass, studying her reflection this way and that, trying to see herself with new eyes and judge if she was a girl a man might l>e proud of. While thus engaged she heard the chug-cliUg of the launch. It must be Joe going, and anxious to see the departure of that darkling ami uncomfortable spirit she went to the window Across the swift-sweeping current the boat came into View, skimmlng forward like a home faring bird. Anne leaned over the sill: following it with startles! eyes where was Jde? There was Gabriel in front at the wheel, but In the*back—she stretched her neck trying to see to the bottom of the cockpit. there certainly was no one on the seat.. “Oh. could he have missed It?" she groaned and cast up her eyes as if invoking the protection of heaven against such a calamity. But he couldn't have, he wanted to go. It was his holiday, thought Gull island was a beastly hole. He must have been where she couldn't see' him. It was difficult to think
IF Mw f jwS R wfrJHkL ** 'BfIS Jewish ’ B
“You’re Sure It Was Here?* where this might be—but he might have been bending down to put something lb his suitcase. A chair could have hidden him. She remembered what he bad said about leaving his baggage at the living-room entrance. If It was Mill, there then he had missed the b<»at and she ran downstairs. hoping with a prayerful earnestnes> that she would not find If. It was not tfiere. Then he Is gone.” she said to herself with a satisfied nod and drew a freer breath. The weight lifted, she went across to’ the garden, where she might find Bassett, and as she covered the space between the doors the picture of the launch rose on her inner vision with Gabriel the only visible occupant.
Irish Surnames Rank With World's Oldest
It will be news to many people that Irish surnames are the oldest in Europe except the Venetian, and moreover not a single »ne of the great Irish family names is taken from any trade or occupation—every one is derived from some noted ancestor. usually • prince or military commander. Things are tar different in England. Thu* Howard, the family name’of the duke* of Norfolk. is derived from Hog-ward, or guardian of pigs. English sur names, moreover, are extremely recent There is. for example, not a single English surname that goes hack beyond the Eleventh century, and the oldest surnames are not English but Norman-Frynch. on the other hand. In Ireland there Is not a single surname in la or O which does not go back to the Eleventh century or beyond it. Surnames in Mac are more recent. O or Ua means “grandson . Nl means ‘’grand-daughter’ ; Mac means “son." 1 believe there is not a single Irish name that has not been in its translation from Gaelic into English—the English form usually represents the pronunciation of the historic Irish form. In Leinster, howTo Frethen Wall Paper An Ingenious way to freshen unpatterned dingy .wall paper is to get about ■ quart of Bat ivory paint such as Is used for Interiors, and with a sponge daintily to dab the walla This may be done in the original color of the paper or in a harmonizing tone In the former case the use of the paint may be quite liberal, but tn the latter cat* must be used not to get too dark an effect nor yet too gaudy a one This method produces a stippled surface with a soft Mur which distinctly attractive, f
Bassett was not tn the garde*. Mt' Shtn< was, sauntering into view from the balcony end. He’d been loafing about, be said, just come up from the Point. They strolled about on th* lanes of turf between the masse*! col ors of parterre and border, the air langulsbingly sweet with the scent of the closing flowers. Then they went In, luxuriously embedding themselves in two vast armchairs. Bassett found them here and tried to look genial at the sight of Shine. They talked about the moon and moonlight effects. Shine wanted to take some photographs after supper, get the pines against the sea and the silvered bulk of the Point, and he spoke of his flashlight picture, which they’d have as a remembrance of Gull Island. Anne said that was a jolly idea, but she didn’t think they’d a picture to remind them of'their stay, and she and Bassett exchanged a smile. It was still on their lips when 8 sound came from outside, a single sharp detonation. It fell upon the evening's tranquil hush, sudden and startling, like something alien and ud related. "What was that?” said Anne. “Sounds like a shot.” Shine thought “It couldn’t be I” Bassett got up. “Nobody has a pistol here and if he had he couldn't use it —one of the special stipulations Driscoll myd* when he lent us the place.’’ He moved to the land entrance and looked out. The door of Mrs. Corneil's room opened on the gallery and Miss Pinkney emerge*!. Mrs. Corneil behind her. “Mr. Bassett,” she cried, a hand on the railing. “Where’s Mr. Bassett?” Bassett drew out from under the gallery and looked up at her: “Did jou hear that?” “I did and I told you that Mr. Driscoll never allowed any shooting on the premises.” “Do you think that was a shot?” “Well, what else was it?” Mrs. Cornell, leaning comfortably on the railing, suggested that it might be an auto tire. This drew a snort from Miss Pinkney : "Mow’d a motor get here —swim or fly?” Then to Bassett: “Mr. Dris coil’s very strict about that. He won't have the wild game or the gulls disturbed and—” Bassett Interrupted her: “That’s all right. Miss Pinkney. We were given those orders and we've obeyed them. And none of us could shoot here If he wanted to —there's not a pistol in the outfit. Don’t you know it’s against the law to carry one ?’’
“Then someone’s taken mine." she exclaimed, and straightening up with an air of battle. “I’m coming down.” She left the gallery for the rear stairs. Mrs. Cornell in her wake. “What does she mean—hers?” Anne asked. “I don’t know what she means.” Bassett looked irritated. “It’s the first I’ve heard of it." “I don’t see what there was to shoot at. anyhow.’’ came from Shine. “Looked to me when I was out there, as if al! the gulls had gone to bed.” Miss Pinkney, entering, focused tbyir attention. ’What’s this about a pistol of yours?” Bassett asked. She answered as she walked across the room to a desk under the gallery: “It's the one Mr: Driscoll gave me. thinking it might be useful when 1 was here alone, opening or closing the house. I was to keep it loaded and have It handy, but I’d trust my tongue to get rid of any man and here it’s lain with the poker chips." She pulled out a side drawer of the desk. 'There!" she exclaimed turning on them In gloomy triumph. “What did 1 tell you! It’s gone.” Bassett looked into the drawer: “You're sure it was here?” "Didn't I see it this mornlag when I put away the counters you were playing with last night?” "Vmph I” Bassett banged the drawer shut in anger. “I’ll see that this is explained to Mr. Driscoll. An J whoever* taken It. they’ll get whet's coming to them. A d—d fool performance ! To get us in wrong Just as we were leaving—" The hall door opened and Stokes entered. • Who's shooting round here?” he said. ”1 thought it was taboo." <TO BE CONTINUED.!
ever. • where tfie English first established a footing, the assumption of English In place of Irish names was compelled by law', translation being the pnx-os usually adopted.—From a Letter in New York Times. Bullet* of Light Reaching high above buildings near London is an air traffic control tower from which a wireless operator can communicate with airplane express “trains" flying between England and the continent and guide them to the airdome, which he can see from his lofty perch in spite of fogs and mists At night and on dark days .signals are sometimes given with a pistol that shoots brilliant light bombs visible at considerable distances. Standing on one of the balconies of the tower the controller fires the lights for the assurance or warning of the pilots.— Philadelphia Inquirer. IVorW Nttdi Ita Nitrogen Extraction of nitrogen from the air on a large scale might make the weath er wetter, as has been suggested, but an effect more far-reaching in another direction would result, according to scientists. It would increase the proportion of oxygen, they assert Hence, humans would mature and live quicker and die younger; everything would become dryer- hotter and foster, and eventually the world would spontaneously burst into flame Sign of Importance You aren't really an important cltl zen unless you can get out of anything by claiming that you were misquoted. —Washington Post. After a girl gets married she eats fewer pickles and more fried onions
\ THFSYR ACrSF inrRV AT,
NECKLINES FEATURED BY MODE; SOLID COLOR TRIMS DRESSES
NECKT.INES tel! a story of fascinating Interest this season. Collarless, flat, with keen rivalry betw-een square and V-shapes. this is the itm portant style message they convey. Bows of every description or else colorful bouquets are doing splendid work in the way of achieving becomingness for the new flat necklines. Especially does the sports-frock depend upon the contour of its neckline for smartness. The models in this picture tnterpr A both the square and the V-effeets as indorsed by Dame Fashion. No doubt the possessor of the trim tailored gown to the left will not lose much tin*; in acquiring a handsome ribbon b w to pose at the left of the square *"k which marks its styling.
/fa m «■' 1 i >a\ u jx I y /L/ ! Iff \ hEHSIIh i W al’ ! ■ I
for Just now “everybody’s" thinking, tn terms of bows, either of like ijiaterlal to the frock or of ribbon in matched coloring. Too much cannot be said for the square neckline. Many-latest arrivals in the way o* blouses and frocks are square-necked. Notwithstandingl the enthusiasm for these new square effects the V-shapes have not by any means passed out of the fashion picture. Certainly the mod tshness of the V-shaped neck adds a most convincing style detail to the frock on the seated figure, and the
ft
fl i ggSM 1 U l a i R V” |\ V / 1 V /
Pretty Giagham Frock. huge flower posed so becomingly adds the finishing touch. Now that kerchief squares and scarves are so fashionable the flat ; necklines of the new frocks are j doubly appreciated, for there is no interference of the collsr. It is quite the proper thing to tie a big silken square in sailor fashion about one’s neck these days. Indeed the vogue ! for the surah silk neck-kerchief is outstanding for spring. Dozens of Bangles Are Worn The latest fashion In brackets consists of wearing a ilozen. sometimes two dozen, tiny gold bangles on one ’ wrist. They give a tinkling sound that is quite charming. . Imitation Jewels Paste jewels set In oxidized silver tn imitation of antique silver settings are among the smart jewels for evening wear. Lovely pendant earrings with medslltohs of Imitation diamonds
In lauding the square and V-necks one should not lose sight of the fact that the flat, round and boat necklines with bow or flower to one side are also in good form. Mothers can afford to "spend much time and thought in the making of their children’s ginghams, fur gingham is considered an exceedingly “classy/’ fabric this season. Such entrancing things are being done with it. not only for the “kiddies’” clothes, but for those of grownups as welL One ot the likable qualities about gingham is that it always comes out of the tub looking fresher and prettier than ever. That is because gingham is never printed —the threads used for it are alwajys dyed before they are woven. This makes it absolutely sun-
Sbowing Square and V-Shaped Necklines.
fast and |tubfast —wt.ch. of course. If Just what is wanted in materials for childiei) S wear. Just b|y way of emphasizing gingham’s tones, tints and designs to their utmost advantage, designers Have taken ’to adding trimmings of solid color. The picture gives some idea of how effectively this compose scheme is being| worked out in the matter of frocks for t*»ts. This fovely tittle dress of rose and white gingham is collared and cuffed with a plain rose color. There is *
cunning applique of the solid rose fabric, which disposes dower motifs encircling a wide hemline. The kneestrap bloomers are boind in a plain color to match the dress. It may not sound* practical, but it really is, and a trial will convince—that of finishing the neckline and the sleeve edges, and also the bottom of the gingham dress with a narrow orgaudle ruffling. Have the organdie pict-edged. It Is surprising how exquisitely it irons out. A blue and white checked gingham*with delft blue orgahdle ruffling, an orange and br*»wn gingham with an orange colored trilled edge, are suggested. There Is a marked trend toward small checked and tiny plaided patterns in the newer ginghams. Colored pearl buttons are a favorite trimming for the gingham frock. A pretty idea is to outline both collar and cuffs of the solid colored material with tiny bright washable fiat buttons. The buttons are also attractive sewed on the ends of a self-fabric tie. or across a. wee belt. A scalloped- hemline also adds charm. especially if it be piped with a contrasting color or white. JULIA BOTTOMLEY. (©, iMt. Western Newspaper Colon. > from which extend numerous strands of tiny pearls are most effective. Bracelets and necklaces likewise art of paste. . Color Names seems to be in a sentWnental mood at the moment. One of the new English shades is called “love bird green,” while another attractively named color is “lido blue." A reminder of the Victorian times is a shad* known “forget-me-noL" ‘ i ... . ‘ t '
QLUNINQS PRUNING BERRY BUSH IN SPRING Folks who have only enough berry bushes for their own use will find it more satisfactory to wait until late in the spring before pruning. It will often pay to wait until the buds on the canes begin to break. One can then tell just what fruiting wood has survived from the- preceding summer. The condition of the wood cannot always be .told during the dormant season. In order to get a large, stiff cane and for the purjiose of. having them under control the new shoots that put forth from the croWns the preceding summer are cut or pinched Ijack. This is done when the new shoots have reached a height of 30 inches or thereabouts. Too many farmers and growers delay the time of summer pruning. In this case a large amount of wood growth is lost. Furthermore. the new laterals that put out late in summer are far from sturdy. This weak growth- almost invariably suffers from winter injury. On the other hand when the pinching back is performed at the proper time, the lateral branches make a more, vigorous growth and most of the tops reach the ground and pnaluce new plants. Lateral branches that are attached to the soil almost always come through winter in good shas>e. The lateral branches carry most of the buds that produce the crop of fruit later. The crop yield* wIH be in proportion to the number of healthy laterals that the cane has produced. Usually each crown will have from three to six canes that •have, ou the average, four or five g*x>d. strong laterals. In pruning these lateral branches, the amateur grower is frequently puzzled to know just how short to cut them. Ordinarily from 6 to 10 inches of each strong lateral should be left. This means that from 25 to 40 inches of wood should be left-on each cane. If one could be sure that there would be plenty of moisture during the time the fruit is ripening, more wood could be left. < U Those who h:i4e 'not practiced summer pruning will find their lateral branches farther out on the canes.*ln many cases they are too small and spindly to be of much value in fruit production. In pruning these nines it is well to cut away the main cane at a height of three or four feet. These canes should be supported with stakes or trellis of some kind. The canes that were summer pruned will be found heavy enough to support themselves.
Says Lubricating Oils Are Cheapest for Mites Some fruit growers are making a saving of an>und $3 on a 20fr-gallon tank of spray mixture through using stabilized lubricating oil emulsion instead of miscible oils, points out A. L. Pierstorff. fruit specialist, in the New Jersey Agriculture, the official publication of the state college of agriculture and experiment station. In view of the low prices received for fruit during the past season this saving is an appreciable item to those growers who must use large quantities of oil sprays in combating the European red mite vti apple, peach, and cherry trees, points out Mr. Pierstorff. The stabilized lubricating oil emulsions. as prepared by the manufacturers. he explains, are made with aid of comparatively inexpensive substances such as casein, glue, or powdered skim milk, and are diluted so that the spray contains 3 per cent actnal oil. or I’i gallops of oil emulsion to 33 gallons of water. The miscible oil sprays contain such emulsifying agents as carbolic acid, cresylic acid, and vegetable oils. Such mixtures practically dissolve in water. The drawback to them Is their expen si veness.
? Horticulture Squibs ? pruning plays a big part In protl’able small-fruit crewing. • • • Be sure you want to go into the fruit business. Fruit growing Is a business, not an avocation. • • • To assist In controlling aphids in the apple orchard it is best to spray Just as the buds are beginning to open. Old apple trees may be pruned heavier than young ones, for the stim* ulating effect of heavy pruning is not so objectionable v»ith them, but large or scaffold limbs should be removed only where necessary. • • • Peaches set fruit buds more freely upon well-drained sandy and gravelly soils than upon dense soils. Problem in orchard mathematics: If three cents worth of spraying pet tree will protect an orchard from San Jose scale, how many trees should be unprotected ? Cutting the firewood with a carpenter’s saw is just as sensible as using one to-prune the fruit trees. Buy and use a good pruning saw. Efficient tools make it easier to do efficient work. • • • Destroy all old fruit trees and small fruits in the neighborhood where the orchard is to be planted.. Wild plums, crab apples, red cedar trees and other plants which harbor the fruit diseases should be cut out of fence corners and wood lots. • • • A common inquiry addressed to the department qf horticulture is: “At what time of the year should I prune my grape vines?" The general answer to this question would be to prune them at any time after the leaves have fallen and before the sap rises.
The Road To Health! Fort Wayne, Ind.—“ Dr. Pierce’! Favorite Prescription put me on the road
to health when I was nearly down. I was bo completely played out that I could hardly get around to do my work. I was weaknervous and all tired out, could not sleep, my head ached, my back hurt and I had pains thru mv rides. I was miserable. But, after taking four bot-
ties of Dr. Pierce’s Favorite Prescription I was feeling fine, my nerves quieted down, I could sleep ana was free from all pains and distress ‘Favorite Prescription’ made me ■ like a new woman. I '— Mrs. Ada Hoehaw, 607 Lasell St. You’ll be on the' road to health if you take this “Prescription’*, 1 in tablets or liquid. All dealers. X 1 'voxir Horse has a cough or ccid or has been posed to disease give it Spohn'a X Use Spohn’s to keep your ** horses working fen time. For disie mp er, influenza, colds, St coughs, pink eye. catarrhal fever and all diseases affecting the wwWßHfl*_nose, throat and lungs give—- ' SPOHN'S DiSnMPER COMPOUND ■e and tl 30 at Drug Stores— Write for free booklet Spohn Medical Co., Dept BL Coslxn. Indiana
Special Offer to Victims of Indigestion Your Druggist Says Pleasant to Take, Elixir Must Help Poor Distressed Stomachs or Money Gladly Refunded. You can be so distressed .with gas and fullness from poor digestion or dyspepsia that you think your heart Is to stop beating. Your stomach may be so distended that your breathing is short and gaspy. You are dizzy and pray for quick relief—what’s to be done; Just one tab!espoonfpl of Dare’s Mentha Pepsin and speedily the gas the pressing on the heart ceases and you can breathe deep and naturally. Oh! What blessed relief; but why not get rid of such attacks altogether? Why have them at all? Especially when any druggist anywhere guarantees Dare’s Mentha Pepsin. a pleasant elixir, to help you or money beck. •*- J lt l wo-Manual” Piano Emanuel Moor, the English composer. lias irAented a piano whose upper keyboard has a register one t*etaye higher than the lower. It can be coupled to play with the lower. This overe<»mes certain technical difficulties f«>r pianists: octave runs can be played with single tinkers, tenths as thirds, etc. —Scientific American. It makes a woman awfully tired to fleet a man make a fool of himself over any other woman.
Takes Out CORNS Dr. Schofl’s Zino-pads stop all pain quicker than any other known method. Takes but a minute to quiet the worst corn. Healing starts at once. When the com is gone it never comes back. If new shoes make the spot “touchy” again, a Zino-pad stops it instantly. That’s because Zino-pads remove the cause—pressing and rubbing of shoes. Dr. Scholl’s Zino-pads are medicated. antiseptic, protective. At all druggist's and shoe dealer’s —35c. DiScholl’s Zino-pads PmC one on—the pain is gone/ and TheSpmt &F For a lovely skin and a sweet breath.-avoid auto-intoxication A SAFE, DEPENDABLE LAXATIVE FOR OVER 200 YEARS haarlem oil has been a worldwide remedy for kidney, liver and bladder disorders, rheumatism, lumbago and uric acid conditions. correct internal troubles, stimulate vital organs. Three sizes. All druggists. Insist on the original genuine Gold Medal. Stubborn sores w yis* to Resinol. W. N. U.. FORT WAYNE. NO. 17-IS2Z
