The Syracuse Journal, Volume 17, Number 36, Syracuse, Kosciusko County, 1 January 1925 — Page 2

Classified List of Goshen Firms Who a S' Offer You Special Inducements

AUTOMOBILES Goshen Auto Exchange Easy Terms on Used Cars. Tires and Accessories for Less. 317 W. LINCOLN AVENUE SEE JAKE AND SAFE PAINTING QUALITY PAINTING is Our Motto All Paints and Varnishes hand Bowen, which assures you full measure for your money. SMITH BROS. CO. GOSHEN •IS S. Fifth Street Phone 374 autq4ops Rex Winter Inclosures, Auto” Tops, Slip Covers, Body Upholstering, Truck Tops, Seat Cushions, Tire Covers, Radiator Covers, Hood Covers. Goshen Auto Top and Trimming Co. BATTERY SERVICE Agency for Permaiife Batteries Phone 134 ► / 0-K Battery Service B. C. Dougherty, Prop. BATTERIES OF ALL MAKES REPAIRED AND RECHARGED AR Work Guaranteed. 11S W. Lincoln BEAUTY PARLORS ALLIECE SHOPPE Phone 933 for Appointments Spohn Building Goshen Bicycles and Motorcycles WE WANT YOUR PATRONAGE Our prices and the quality of our workmanship justify you ( tn coming to us for your Bfcycles and Bicycle Repair work. Buy a Harley • Davidson Motorcycle. C. C. AMSLER/ tit N. MAIN ST. /'GOSHEN CHIROPRACTOR Acute and Chronic Diseases Respond Readily to Chiropractic* Adjustments. Examination Free. A. S. AMSBAUGH (Chiropractor) South Main St Goshen HOURS 1 tn S and 7 to S p-wK, except Friday and Sunday, by appointment only. CLOTHING SHOUP & KOHLER The Clothiers and Tailors k 108 N. MAIN ST. Drugless Physician Massage ami Electrical Tiestiiieiits. Electric Blanket Sweat Baths. Heavy. Sweat—without heat—l hour complete bath. . Minnie L. Priepke Butte 38 Bldg. RHONE 1« GOSHEN, IND. (Elevator Service) - DENTIST DR. H. B. BURR Dentist ’ General Practice : 'A-' ■•' . X • ' - • ' ■ ■ Dental X-Ray *

Eye, Ear, Nose and Throat DRS. EBY & EBY H. W. Eby, M. D. Ida L. Eby, M. D 3urge ry and d iseases of Eye, Ear, Nose and Throat ' Glasses Fitted GOSHEN, INDIANA •* e> ’ - FURNITURE Williamson & Snook FURNITURE. RUGS and STOVES We Furnish the Home . for Less Money. GOSHEN, IND. LEATHER GOODS THE LEATHER GOODS STORE HARNESS AND ROBES 5 Trunks, Traveling Bags, Ladies* Hand Bags and Small Leather Goods Phone M 115 East Lincoln Avenue, Goshen, Ind. PHOTOGRAPHS Somebody, Somewhere Wants Your Photograph The SCHNABEL Studio Over Baker's Drug Store Phone 31# Goehen, Ind. PIANOS ROGERS & WILSON Headquarters fcgSCj for xcx-S' 7 Vlctrolaa Victor Records, Pianos and Player Pianos. ESTABLISHED 1371 SHOES 'Keens ths root wiu.* NOBLE’S Good Shoes — Hosiery Too 131 B. MAIM ST. GOSHEN TYPEWRITERS — — Adding Machines Office Supplies Check Writers HARRISON’S TYPEWRITER SHOP AB Make* of Mac h 1 net SOLD, REPAIRED OR EXCHANGED ftdMMM 3MI ID Lad an Phone ISS Goehen. Indiana UNDERTAKERS E.CULP&SONS Funeral Directors Unexcelled Ambulance Service Itos. Phone Office Phone 54 53 WALL PAPER, PAINTS Paint Your House with Our Guaranteed Colored LEAD PAINT. ■ ■ rwj w MB* ME.

Simplicity Marks New Evening Wear

Carefully Elaborated Details Feature Milady's Formal Clothe*. Restraint has never been the portion of the evening mode, although, in the broadest sense. It does conform to the canons of fashion, observes a fashion authority In the New York Herald-Tritan* This conformity la so elemental and unorthodox that It la seldom apparent to the casual observer. It does not mean that the narrow silhouette and the bouffant robe de style may not both be simultaneously modish, nor does it indicate that In a season >wben white and gold have become a vogue, antithetical colors may not also be en regie. It relates, rather, to the fundamental effects produced by robes qAd -wraps du solr —to one season smart society may show a predilection toward so phtotlcated types, In another their preference may be for simple, youthful gowns. The ways of producing Frock of Fleeh Pink Georgette, With Girdle at Waistline. whatever effect is desired may be dlveree and numerous, but the end must fairly approximate the accepted genre of the season. A briet review of the types of robes du solr seen at smart continental resorts Is needed to explain tike paradoxical base upon which the present •venlng mode Unfounded. At the new tb< Casino tn consistent note has been the color theme which placed a decided emphasis upon pastel shades, notably white, flesh, faint green and gold. Black was conspicuously missing. and so for the most part were the more exotic hues. Degrade tinttags were prominent among the Jeune fllle frocks. Chiffon, tulle, lame, crepe de chine, velvet and all-over beaded fabrics were the outstanding materials. Bobbed coiffures and short skirts accented the youthful note, and the latter called particular attention to ■ flesh-hued stockings and slippers of gilt and silver lame. The outlines were many—they were fairly straight from shoulder to hemline; they flared, moderately or decidedly st the extreme bottom of the skirt; they were

Slim Bodice and Bouffant Shirt )

Another figure, alao clothed by Lanvin, shows aa elaborate model of cream-colored taffeta with big ffiaqoea of black velvet, edged with artificial peart beads, appliqued as a border. The bam es the akin makes four targe •cailopa. The sleeveless bodice opens at the front with wide revers, and emergfag from the frost is a huge triple looped bow of cerise velvet There to a marked similarity st type in both of these Lanvin saodefa each exploitinc the slim bodice, bouffant skirt and comparatively high decolletag*. The stmple effect to obvious, particularly In the bridenmaid model, yet each frock conforms to fashion’s dicta by arriving at ataspUeity through skillfully elaborated details. A moderate flare, whteh to sure anpaient when the wearer is tn swt km. to exploited by Captain Uoiyneux te hto moat snccessTul Btarrits asodaL The draos proper to of white tulta. over which W Uld a One black ‘aca. The tunic of white tulle to ornamented with dangling tubes as white tulle weighted with Jet brads.

Purse of Striped Silk With Tailored Outfit

no flat purse of striped Mik to a agnrt acctraory to the present-day tailored costume. Black and white, black and dull red. Wack and green wrripings are shown. Usually there la an enameled clasp, to match the although the long far coat M tn vogue today, the fur coat of Mp length to comet with a street or sports froek. Some of the fur Jackets have plaid silk linings. / Checked crepe de chine to a new material for ttngeriji. The crepe de chine is woven tn sudt a.way as to give a self-checked aM, or It to definitely checked with another cotor. Among the noteworthy features es a matenuc or we Ooe Omi sbcmm edOtiboa Be .a,. | . a

THE SYRACUSE JOURNAL

> bouffant from the waistline down and slim above it; they confined the flare to a single side, generally silhouettes were dominated by the Spanish influence, and even when perfectly straight, included intricate details. The decolletage Inclined toward a ’ higher neckline and a low-cut back. Bright Coters In Evidence. At Paris, on the occasion of the • Initial performance es BaUeff*a new Cbauve Bouris, evening gowns followed similar lines. There were * more bead embroidered costumes in t evidence than at Blarrlt* and the pastel shades were generously supplemented with brighter colors, principally red and green. Very few of the anticipated colored wigs made their appearance and the sleek bob I was the leading type of coiffure. 811i houettes were quite as diverse ss at the Pavilion Royal—flaring moderately or widely, but never simple. An analysis of these details is sufficient to Indicate that the evening mode la headed in two directions. As far as color, fabric, skirt length and coiffure are concerned, the tendency la entirely toward a rather Ingenuous simplicity. The silhouette, on the other band, and the accompanying Jewelry replace youth and simplicity with ornate elaboration. The general effect is a collaboration by Greece and Spain—an evening mode which pays homage to both youth and sophistication. It may be best characterized as elaborated youthfulness, as the shortness of the silhouette militates against its otherwise mature tendencies. Elegant Simplicity Is a literal translation of the French description of the new formal fashions. A charming robe de style is designed by Callot Soeurs and developed in cerise and gold. Ths material la chiffon and there la a succession of ruffles on the wide skirt, which has a taffeta foundation, this being stiff enough to give the swaying motion of the crinoline. Heading the five flounces is a gold galon and posed at intervals are groups of half-blown roses In three shades of pink and red. The belt, which marks the normal waistline, la of gold galon and there is a corsage bouquet of roses. The decoilette bodice to cut straight under the arms and edged with an orange violet ribbon, which tie* in the back to form a quaint, flat bow with long “follow-me-ladsf’ floating ends. The striking point of another winsome gown to its dual color effect, combining turquoise blue and a deep rose pink. The dress Is of two shades of rose and the blue to Introduced In a jabot-like shoulder scarf and further emphasised by a headdress of blue paradise plumes. The outline of this gown is comparatively simpla, but the color note atones for the unexpected simplicity tp stressing deep shades and opposing ifßes. Jeune Fllle Dreaara. The most celebrated designer of Jeune rille evening dresses Is Jeanne Lanvin. A wide skirted dress of ivory taffeta to trimmed with old blue velvet.ribbons and applique petals of roses done in velvet of a deep rosy pink. These petals are posed on a pink tulle foundation and are strung together with bine ribbons. The yoke of the iong-watoted bodice to of pink tulle and there to a single flat roes appliqued on the fronL from which point a floating band of blue velvet ribbons falls to attach itself to a similar ornament on the hem of the skirt. A group of dresses copied from this model has been made by Lanvin for a fashionable wedding. The four bridesmaids will wear them in old Ivory taffeta with a variation only la their trimmings.

The combinatioa of wbgt tbs Parisienne calls “elegance ot simpilclte” to particularly happy this season in that tt has curbed a misdirected tendency on the pert of the Jeune fllle to neglect fashionable and formal evening draas. An adolescent sort of liberalism, which bad Its inception in unisrgradunf dreiea caused Its few sponsors to aCect a general disregard of fashion and formality. with results that *«re neither pleasing nor esthetic. The complementing at shnpticity with detailed elaboration has so augmented the contrast between formality and infonoaltty that the tetter types are now bopolessiy btsarre. even at aeml-foraai affaire. The moral to-Be smart, sweet maid, and let who will be clever. Tbe advent of the social season In ■ New York and tbe opening of the opera, with its brilliant display of pm Bo ua caused sophisticated society to reflect that while once It was samelart to suit tbe jewelry to the oceaatoh and to tbe costume.

velvet evening frock to its trailing tulle scarf, of self-cotor shade. Other features are a bright flower on one shoulder, and a godet front Anklet and Armlet A Bttie diamond anklet to asaang the new things which help to keep tbe cooti,me from becoming too somber. The anklet Is worn chiefly with the dull gray or blaek evening frock and to matched by an armlet Scarf That b EZii7 Made One of the loveliest scarfs to ot black satin-finished crepe wiui ths border at each end made of a doubled piece of flarae-color crepe de china The border to about a toot deep. — Distinctly m Style Mesh bags are ***■««? "toT The merit to more piffle tIMUa ***** Thk

MIDSEASON DAY DRESSES; LUXURIOUS MIDWINTER COATS

Mid-winter brings tts heavy coats, and heavy coats are worn ever day-dnsses, so that these are the days when stylists concern thumsslvMl with frocks for street, traveling, business and informal afternoon wear. 1 The tunic and sheath styles find themselves rivaled by silhouettes In which plaits, side phnels, flares and draperies Indicate a movement toward lees dominance of the straight line. Besides this diversity in silhouettes, interest is added to new day frocks by variety of materials used and by the introduction of smartly tailored modeia For these bwdness, or traveling.!

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Tailored Model of Hairiins TwilL

•r utility frocks, the choice of designers falls upon wool fabrics —poiret and other twills in plain or hairline stripes, plain and checkered flaunels and other wools —while dresses that are to serve for informal afternoon wear add to the plain wools a choice of crepe-satin, flat crepe, canton and novelty weaves In wooL But the variety In fabrics is. far less than that in designs, which are so much varied by little differences in decoration. These dresses are all long-sleeved, but sleeve finishes and neck treatments know no end to individual touches. Some idea of the diversity in designs can be gathered from the Illustration, which emphasizes < tailored model of hairline twill. This

oa (PUL Tvo Coißf<Mrt>M< Bliodkrfh» • ■ ■ - : -1*

dress Mi stoptag panels at the rides, round collar and band cuffs. Black braid and Uttie bens buttons in gray, effectively used wttb black or dark blues, striped In gray. Black silk braid and been buttons uro logical adorn aMSta, but good me has been made of rntto round gunmetal buttons m similar designs. Many taesMU In dark wool materials are made with frost panels of silk crepe in bright colors, as dark blue with red, dark brown with redorange, navy with henna, os Mack with any of these shades. When only touches ot bright color are wanted, pipings, collars and cuffs usually contribute tt Mid-winter cents establish one thing Acceptable Gift for Bride The traveling bag with Its fittings of tortoise or ivory to an indispensable aetmwnry. One of medium rise fa flue grained leather In such shades as rose, violet, green or French blue would gift to Utilixe Old Colored Printo Old Frewch or Spanish prtatn may be used to make a fasrlnatlng screen.

to a certainty—and that to th< insistence of the mode in the mat ter of the straightline. T’here is vai i riety in style of sleeves, collars, fasb enlngs, but no departure from th< “ straight and narrow way in the silhouette. In sports models mannish types form a distinct class—roomj and very smartly styled but stiD straight To make up for uniformity of line fashion favors us with much variety in colors and fabrics, countless trimming ideas both tn fabrics and fura. Even inexpensive qgats are rich and tasteful In appearance. Nearly

all of them have some touch of fu. if only a band on the full collars at made as to muffle up the neck whes they are needed. The care with which furs and fabrics are matched up in color tones —using shades that blend or sharp contrasts that are attractive—to an outstanding feature ix tbe styles. The two coats pictured disclose the management of fur trimming sue cessfully, either when It Is lavishly or sparingly used. In the coat at tbe left scallops of the material are placed over an underlying strip of metallic braid. One can imagine tt in gray oi beige pile fabric trimmed with squirrel fur tn natural color, or in brown wttk a brown fur or black with black fur

The handsome coat at the right N brown doth, has a trimming of dyec muskrat resembling mink. AH the warm wood browns In coat tags look well with brown fur that shades from very dark to lighter tones Cranberry and burgundy reds, with the rust and henna shades, combine beautifully with Hudson seal or with black fura. Natural red fox finds place on very dark and on light cloth. A new fad has appeared In fur bandings, in which furs in strong color contrast* are fashioned into plaid or striped designs, but the more conservative com binations of furs that tone in with tbs color of the doth are handsomest. JULIA BOTTOMLEY. ISM, W«ac«m Newspaper Unlea.) colored linen and the prints, three ot each side, are pasted on. To hold then teggether and give the effect of a de sign there are decorative motifs star died in colora. Goday prints are used In the same way. Boots Make Trim Ankles The eonriant wearing of low shoes tends to increase the size of ths ankles, and women to France have j adopted, as a fad the wearing of high [mTostelo anw^*trim

ZAARY OWiAZA BOwfeß —n ,1 ~ WMBBrnr 38 WOIUH nmwi uswom — M TICK-TOCK EXCITEMENT "Tick,* said the first clock twin. “Tock,” said the second clock twin.

And they talked to each other in the great big old clock In the halt The hall was just outside the living room, or rather the living room was just off the hall. And the clock’s face was turned so the living room could be seen whenever the door was left open—w’hich was usually the ctfse. Now you know

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“Take a Look ‘? ey at Us.” that others could not understand them very well. Every other word Tick used was "Tick.” And every other word Tock used was “Tock.” They liked to use their names over and over like that, and besides It is the way they have always been taught ■to do, and the way they must do. Bat they said other things, too. Tick would say: . “Tlck-Christmas.” And Tock would say: '' ‘Tock-Christmas.” Then Tick'would say: “Tick is—” And after Tock had spoken Tick would say: i “Tick-cbtning.” What he was saying if we translated Into our language would be: “Christmas is, coming.” , So they talked, but- as it would sound very confusing If we wrote down their talk just as they had It, we will leave out all the •‘Ticks” and the “rocks” and just put together all the other words they used. If you like you can put in the “Ticks” and “Tocks” wbeh you repeat it to yourself. ’ “Christmas is coming,” Tick said, and of coursT Tock said .the same. They always perfectly agreed about everything. “What fun It is,” Tock said. »-“I can hardly wait,” answered Tick. , “Every year I get so excited.” said Tock. “And then we see Santa Claus when he comes,” said Tick. “He always takes a look at us,” said / Tock. | I “Yes," said Tick, and be always j says: t { “ ‘Dear me, dear me, I must be off in a burry f “But he never says that until he has fixed everything and filled the stockings and put his presents about,” said Tock. “Never until everything to. done,” agreed Tick. “And then,” said Tock, “he always takes a peep at the children. He just has time to do that he always says.” “I wonder if when they are all sitting around just before it is time to go to bed on Christmas eve—this evening—they know bow hard it is for us to keep steady and not rush ahead,” said Tick. ' “I don’t believe they know that," said Tock. t r “Os course,” said Tick, “It wouldn’t j really do any good, as Father Time Just won’t hurry more than he is supposed to hurry. He says his Job is one about which he must be very particular.” “Yes," said Tock, “even if we hurried along, the time would not be really further on. It would simply mean the clock was fast, as they’d say.” “Father Time said once, ’’ Tick added, “that if he hurried up for Christ- *

*mas, as often people wished him to do, that Christmas would be over before a-n yo n e realized IL It was much better this way," he said." “And the exclteme n t is fun.” said Tock. “Yes. but it is hard to keep steady,” said Tick, i “Very," said Tock. -When Christ-

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mas is almost Th .„ H . Filled bore." said Tick. stockings. •Ah," said Tock, “there comes Santa now." They went on repeating their names as Santa undid his great pack and spread the presents about under the tree. Then he filled the stockings. And then. Just as the Tick-Tock twins had said, he looked at the clock and said: •Dear me, dear me, I must be off in a hurry.” But he added: “I Just hare time to take a peep at the children though." He was gone again. Tick spoke. “Now to wait until morning comes." “Oh, the excitement, the excite* m-mt.” said Tock. And ail they could say from now on was “Tick-excitement." and “Tockexcitement,” and they had to say the last word quickly. Gets Late Too Early Hilly enjoyed her visit to the country but did not like the early bedtime which her grandmother insisted on for ~ her. g She wrote her f4*her: “The only thing I don't like W grandma's is tiiat it gets late so ‘7 " . presents “This," said she. is a ■regent from papa: It bap a ft .* w