The Syracuse Journal, Volume 17, Number 31, Syracuse, Kosciusko County, 27 November 1924 — Page 6

WRIGLEYS every meat / A pleasaal •na agreeable afC.....« sweet and all _ Warn U 1-a-a-t-l-a-g I] fi! TO I ■ • beset 11 asH Ul li|M| L ■ well. * I Pf ■ 6o • 4 far [fa ■ •eetb. breatb ■ and digestion. &'\ Makes the BUfl next taste better. E3 Hi I **** e I The Atlas Speaker k makes audible the I impulses of the I silent radio receiv- ’ ing set. The tones of Atlas Radio Reproduction whether , of music or voice, ire clear, true to the original, and adjustable for volume. for literature tend your to the manufacturer. y-Sw*’ Multiple Electric Products Co., Inc. 371 O«4m> S*r««* Newark, New Jersey Guarantee AT LAS Products Fort! (>**<>..—Th»rmo-V»n« teeMaaea mil*- ■<« *• to ioo% Alnuiat •liminar** choker. 1 mi* to in.loll. Price 13 M. M-day trial. Tb.rnw Voa. Co., BU I>. Boe IM. N. T. City. FLORIDA—-Keeas* bliuarda. at Hom..te.d Lear. .now. oleot. If. and pn.umonla behind yon Mak. HotnuMd your home. Fine *rav* awtlon. 30 mile, below Miami over perfect auto road*. Homa ot the Avocado or ALLIGATOR t’KAR (Ideal toed tor diabetic), from which marveloua returns realised ■ Profitable crops winter tomatoes. Pure water. Perfect all-year climate, summer temperature seldom over >*. Serious Inquiry tnwiled rvlrardtn* smvea, lands, homea Illustrated bool-let Bubecrtbe to weekly RomeMead Knterprlee. 13 annually. M. A. CAMKIWN. Homctewd. Florida "Arrant* Information an Any Subject. M)c Special rates for rowarch and statistical work. Club talks a specialty Research Bureau. J Uavldeon Bld*.. Kansas City. Mo „ Uniting Hero "I hear that Dr. Mercy Parks Is getting out til* first novel." "That so? Who'* the hero?” "The publi'licr."—Broun Jug. lany Children Hot her* have found || i SHEET POWMkS medy for children 111 Headaches, Voids, U everishness. Stom- H d Bowel Irrcgulsrl-ll] tie*. These powder* are easy and pleas- Affla, ant to take and excellent result* are accomplish- ■<’'3k ed by their use. H iU-.* K- M -oSwirwr Ise over »» 1 1V years. 1 SoMby* •v<fv- b where. jfoZCuticurlT Loveliness /\StC Clear v\\]\ Healthy Skin rKM ll\ PAXTINE IS FOR WOMEN Whs bava fomlalno ills that nsad local treat haunt Doisehsa of Paatlna AntlaepUs da Strays dtaaasa |«rmx haala Inftsunmatlon. •lesraUoa and Mops ths diacbar**. Tbs Lydia B. Pinkham Msdlelna Co. reccmmandad PutlM tor years ta their advsrItlaln*. A pure white powder to be dlaaolved fa water as needed-—one bos makes sallon. of stron< antiseptic solution that fives positive satisfaction- «»e at druse lets or po»taaid by mall. TWR COMFORT POWbKR COMP AMT. BOSTON. MASSACHXJSBTTB. ‘""ees'iron^'&a'srr*" C3a*UsßMyK*KSA*Brtll* I ISX AWbr jtw Zzr Tosraomwe <***■ - we.ee. as•uuctx, oareorn . Silly Saperetition There l» no foundation for the heFUef that phases of the moon have any effect on the nervous system or on the health of individuals. A clear conscience is the trump card tn the game of life. ’Sr oo !h p S' S ■ vßg| H 9 MBB 9 WBk

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OUR COMIC SECTION ————■—l f" -1 Off the Concrete —J L * ,g I," ■ ■ i—- —-. . i SPEED»N6~| J®] I TOUR HONOR IT" X. Z | X- TV'A k -VNEN™ | i K AA. POLLARS 1 i ANP costs) $ (Cepyr«*HW N.Oy t P <f f " V <, 5 [_ Ifs Not the Original Cost 1 \ w SJX v * o ' es ’*** Aßßwe °. I \SSV6. p VMX &EIX FOR. eoGT». - I Z- \ * htu sou awm.iaomem 0 / [vVoOftAM*! — z 1 - > SUWE'tMEkX J '• \ J / 1 r fvR J \ K Jp \</ f £g> Jx\ aHr z 4 i UA>a \T j ? MtevC *■■■ \ / wf®B» hmeres tug! \SOM . j, —- V 1 OrDAIDC t M 3 BUT HOW WM MOD, ) I SEUIMG EKK AT 7 rflßCl A v I Z/SoksCA' \ 'CT A* y ' nAyfeluW (J 4J Beam. e Western Newspapar Union And He Did so Want to Stay With the Boys s~at?e GorwtA KOPB.-I GOTTA Go.atuowg r , -m mfa<ie her anb Quit in half \ TLc wife me Th BE & 3 i ITTL E home MAPP* \ AN MOUQ - I none at ii:3o and I pr ~l keE T * '< cmgotvilt - / A CONE ON. I Like U> keep heq good J‘ -I * ND QuNN 6 A T l<s >“1 // / ST<K 7rTT| ~ IomS J— HIaI .Wz u t~Vy A I r —— I Y %ee WHAT Th« clock <AV< f . akv WHAT S TmE U<JE / ~4 - I ||; 45 /-aho nou pqomibbd to &e . m /it wouldn't have been r\ * J HOME at ii:3o WHT can't xou 7/ I ANN IF ID BEEN bveq keep nouq kmoqd?- J 2 hours Don't vol* TUink ov mb y I I .1 < ? s J . J J Zjh p-e Rji yrl 14b. zL ML <y g o | ■H99SRMH L WW) — jy\ bb'wiiihii i »ii *i an i miiiM ’ g ' w • . . -... -L ■-■ " IN AN OFFICE MIXING HIM ALMOST ON 'J BUIWI|iG. UP. VY\|.l OB THE SHELF. Nervous Man— The Sir dr- Ton fit AH r Moihar —Editl «What’s the mat- seem to be proud c 7y A.Uj h/\ thinks of spelllm «jBK ter with this ele- of your disgrace- ( ,iA fc er name E-d-y n ** ltor * ’ r ©“ keep Ml conduct at —Za'Z'aSr | i x»tbJ ti , IMJM 9IR tr Tlng to run It college. Tou VT l&ftpff |}kl p at her Oh Operator- ashamed to KL=<« M Xut the onij gS- Tea’ll have to ex- proud of it. n U W l___ >y p wee’ll evei K cuse me. I’m not The Son —Ou H K H IM have of chaLSZ . used to one of «he contrary I’m Z± |JZ=. .y— name any *=u. these little 20- ashamed of my J J Sj . story buildings. conduct and I’m 21 proud to be llfl ,

THE SYRACUSE JOURNAL

Must Pay Heed to Everyday Clothes

Students of Psychology of Dress D? Not Neglect Ordinary Attire. The woman who best understands the psychology of dress gives especial attention to “everyday” clothes, for, after all, the everyday costume, in which she is oftenest seen, is the one in which the world at large receives its impression of her. If she is wise, says a fashion correspondent in the New York Times, she will see to It that she makes her most flattering appearance. It Is a matter of comparative simplicity to create an attractive frock for afternoon or evening, to do something charming, perhaps original, with the lighter materials and the.-possible dH Versity of trimming, particularly In this day of Individual expression In style. But the very"simplicity of th? tailored frock challenges the skiff of the designer and the modiste. A cloud of tulle, a swathing length of beautiful fabric. If the color and line be right, may sene for the electric light, but the general utility dress must bear the test of daylight and rjin the gauntlet of keenest comparison. It is an old saying that anybody can make a ball gown, but it takes an artist to build a street dress. Changes seen in the latest version of the tailleur are perhaps more radical than in any other type of gown. The old-time fitted coat and skirt and shirt have been translated Into a modern version along new lines and in many ways feminized. There was a time, within memory, when any variation of that model was thought to be “fussy” and lacking In smartness, and every woman wore this tailored outfit y«o- h o iwa?w ?s H/»W—I ° vhSSt i \ I jkeiu •Ip wR® \ z-\ (yawn a Ila / / Street Costume of Penny Brown; Wide Bands of Monkey Fur. de rigueur. regardless of Its suitability to her style. The street dress of the present vogue Is most attractive, artistic, graceful, chic and cleverly adapted to almost every figure. It is no longer made only of doth, but is of any one

Fur Trimmings Are Much Used

In this type of dress the new varieties of fur are much used—the foxes dyed in lovely shades of brown, yellow, gray, taupe and blue-gray; baby leopard and leopard cat. squirrel tails, chinchilla and many that are separately described from time to time. These fur trimmings are not always added in the conventional form of bands or borders, but are often used, as Berthe has illustrated in several smart coat-frock models, as collar, cuffs and pocket embellishing a plain cloth, to which Is added also a belt of bright scarlet and gilt illuminated leather. 5 Modish street dress is now Invariably in ensemble form—one-piece frock, with a coat In material of sufficient weight to meet the needs of the season. lined with the same goods as the dress, or with something which is in troduced in some more harmonizing manner. It was the Parisian woman—the most successful economist of ..a II tn the matter of clotbee —who, after the war. devised an attire* in which she could

Red, Green, Purple, Navy, Black, for Fall Colors

The woman who lbws red and cnn wear it in its various tints is promised enjoyment of it this autumn for street and house wear. The shades will range from deep rose to the dark wine of Burgundy. Besides these warm reds there are tones of copperpenny one of ■ them is ° called —burnt •russet henna and rust, which can almost be included with the reds, and which will undoubtedly please the brunette who requires the warmth of these shades tq appear at her best For the blonde or the auburn-haired woman there are promised lovely tones of green. Shutter green Is one of the shades; It is like a cactus green, rather deep with a tinge of blue on the surface. Other tones of green range from a very dark tint to those more of the emerald order. Venetian fuchsia will be seen, too, and royal purple, especially fa bats. These pansy shades will be smart and are becoming to’ rhe fair woman and her dear-skinned dark sister. Navy and black, of course, will be *

» — ot many new materials—woolens, velvets, silks, satins, crepes, voiles, of any fabric with which the creator may establish a successful mode. The abandon with which the couturieres are using materials that one would never have thought possible for the purpose is a characteristic of the season and Is a most eloquent tribute to their skill and imagination. The idea of the ensemble prescribes that every dress built for the street or for all-day wear shall have its own particular wrap to go with it This scheme makes possible the use of the loveliest and often the frailest fabrics in building a gown along tailored lines, because the wrap, which Is the third and most essential piece, IS lined with the same stuff or something to harmonize with It. All-Day Gown Favored. Prominent houses in Paris that have been known for their skill in creating costumes of elaboration—the opulent and elegant gowns for formal afternoon wear and the handsome toilettes for dinner and the dance—are now giving of their best to the practical all-day gown, to the ensembles. From one designer, Premet, street suits of three distinct types are shown. One of leaf-brown cloth Is a one-piece coat frock, lacking trimming other than a half dozen buttons of bronze enamel sewn on the low-front waistcoat line and two of the’same on each cuff. The front of the frock is varied with an inset panel of geometric design of the same goods finished with stitching. The deep, exaggerated coat collar and revers end in a line carried diagonally across the front to a point low on one Mp. where it is emphasized with a diamond-shaped inset of ths cloth to match the front panel. The underblouse, successor of the shirt blouse, is of ivory georgette. This engaging little outfit is a version of the “gareonne” frock, and with a fur piece will serve far intq> the autumn. Another Premet success in a one piece frock is built of black ottoman, a material that is quite the rage at Paris. The upper part is in tunic form, paneled In front with a belt passing through slashes in the silk and a trimming of many buttons at each side. This frock has the smart, long, tight sleeves with cuffs matching the turnhack collar of white crepe. Departing further from the ordinary. th\ls Parisian creator presents a delightful three-piece suit—the frock of gray mousseline, laid in fine plaits, with a narrow ribbon panel down the front, outlined with two rows of small buttons. The close neckline is finished with a turn-over collar of white faille, and the sleeves, straight and full, are ornamented at the bottom with needlework and gathered into a' narrow wrist cuff. Street Costume* In New Weave*. For the first winter cold, some of j the most prominent designers in Paris I show stunning street costumes 10 new weaves—A’elours de Smyrne, lout re, ratine, sepia? kasha cloth and the Rodier materials. Some of these, quite heavily fur-trimmed, are intone piece, tunic or coat frocks, with waistcoat or underblouse giving the becoming touch of softness. Others emphasize the type of dress that is all the rage, from the very best quality created by artists of prestige to the most faithful copy modestly done. This is not a single frock but the vogue of the hour, the ensemble. Worth, Patou, Doeuillet, Caret. Germaine' Lanvin, Doucet, Renee, Lelong. in fact all of the well-known couturiers are doing Important things in ensemble costumes In which fur is introduced as a conspicuous and distin guishing part. z.

appear projterly gowned al any hour ; of the day and in any place. One saw her in the Bols during the morning at luncheon, at tea, at some Informal place for dinner and at the play, wear--1 ing the same outfit. But—attention! — always her coiffure, her gloves, her scarf were fresh. „ Among the advance winter models, when heavier wraps in cloth and fur will be required, the same one-piece gown is shown, some of the models having a touch of fur to match the coat or its trimmings, for such occasions as demand dress of some formality. Delightful combinations of color are accomplished In some of these, as the best creators illustrate. Doucet presents an ultra chic little suit in the fashionable apple-green embossed crepe, with seven-eighths length straight-line coat of wool a shade deeper. The coat is severely plain, with tight sleeves, and is buttoned down the front from collar to hem with large dull buttons. Lightbrown fox forms the collar, cuffs and, border around the bottom.

worn, as well as the many alluring tones of brown, the wood shades being particularly good. Royal blue also is shown, especially for evening, while soft dull blues are featured. Vivid orange, particularly the burnt shades, give a bright note, both in trimmings and fabrics. Again the Scarf A most beautiful scarf of white georgette has large motifs of black and white satin appllqued to the surface with rows of tiny embroidery stitches. The-white leaves are embroidered In black and the black in white, and there is also a wide fringe of long black monkey fur. hxcAter and Brown With the advent of brown as a favorite shade, amber once again comes to the fore. At the moment, the most popular sort is the clear, golden amber, the necklace being rather long and the beads oval and elaborately cut.

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