The Syracuse Journal, Volume 17, Number 29, Syracuse, Kosciusko County, 13 November 1924 — Page 2

Classified List of Goshen Firms Who Offer You Special Inducements

$ AUTOMOBILES Goshen Auto Exchange Easy Term* on Used Cars. Titles and Accessories for Less. 817 W. LINCOLN AVENUE SEE JAKE AND SAFE AUTO PAINTING QUALITY PAINTING is Our Motto AU Paint* and Varnishes hand flowen. which aUures you full measure for your (noney. SMITH BROS. CO. GOSHEN 818 8. Fifth Street Phone 374 ■. 1 L. -sass! * AUTO TOPS Bex Winter Inclosures, Auto Tops, Slip Covers, Body Uphoistering, Truck Tops, Seat Cushions, Tire Covers, Radiator Covers, Hood Covers. Goshen Auto Top and Trimming Co. BATTERY SERVICE Agency for Permallf* Batteries Phone 934 O-K Battery Service B. C. Dougherty, Prop. BATTERIES OF ALL MAKES REPAIRED AND RECHARGED All Work Guaranteed. 118 W. Lincoln BEAUTY PARLORS ALLIECE SHOPPE ; Phone 933 for Appointments Spohn Building Goshen Bicycles and Motorcycles WE WANT YOUR PATRONAGE Owr prices and the quality of otar workmanship Justify you ( in cnmtag to u* for your Bictyeia* and Bicycle Repair work. Buy a Harley • Davidson Motorcycle. C. C. AMSLER 212 N. MAIN ST. GOSHEN CHIROPRACTOR Acute and Chronic Diseases Respond Readily to Chiropractic Adjust* menta. Examination Free. A. S. AMSBAUGH (Chiropractor) s ttHVi 9owth Main St. Goshen HOURS 1 to 5 and 7 to 8 p. m.. except Friday and Sunday, by appointment only, ■ ' mi 1 ?"." "2Jt-._.JIL!AL..!g. I "Ii!J..! .. ....I. ?■■"■!■■■ CLOTHING SHOUP & KOHLER The Clothiers and Tailors KB N. MAIN ST. Drugless Physician Massage and Electrical Treatments, Electric Blanket Sweat Bathe, Heavy Sweat—without heat—l hour complete bath. Minnie L. Priepke Suite 38 Bldg. PHONE 188 GOSHEN, IND. (Elevator Service) DENTIST DR. H. B. BURR Dentist DontalX-Bay ■ nyrn ans sera QOBMCMI J. a-., .... i . .

Eye, Ear, Nose and Throat DRS. EBY & EBY ; H. W. Eby. M. D. Ida L. Eby, Mi D Surgery and diseases of J Eye. Ear. Nose and Throat Glasses Fitted GOSHEN. INDIANA FLORIST Love’s Flower Shop 309 South Main Street GOSHEN, INDIANA /■’ Office Phone 343 Residence Phone 983 R IL ' I ~- i FURNITURE | Williamson & Snook FURNITURE, RUGS and STOVES We Furnish the Home for Leas Money. GOSHEN, IND. b LEATHER GOODS THE LEATHER GOODS STORE HARNESS AND ROBES Trunks, Traveling Bags, Ladies’ Hand Bags and Small Leather Good* Phone 88 115 East Lincoln Avenue, Goshen, Ind. PHOTOGRAPHS Somebody, Somewhere Wants Your Photograph The SCHNABEL Studio . Over Baker’s Drug Store Phone 318 Goshen, Ind. PIANOS ROGERS & WILSON ©Headquarters x—for Vlctrolas Victor Records, Plano* and Player Pianos. ESTABLISHED 1871 SHOES psasflfp “asses ths foot wiu,NOBLE’S Good Shoes — Hosiery Too 131 B. MAIN BT. GOBHEN ■1 x - TYPEWRITERS / Adding Machines Office Supplies Check Writers HARRISONS TYPEWRITER SHOP All Maks* of Machines SOLD. REPAIRED OR EXCHANGED Room 38 Hawks-Gortner Bldg. Phone 188 Goshen, Indiana UNDERTAKERS E. CULP & SONS Funeral Directors Unexcelled Ambulance Service Res. Phone Office Phone 84 83 WALL PAPER, PAINTS Paint Your House This Fall with Our Guaranteed Colored LEAD PAINT. I Cost* but 32.30 • Gallon when mixed ready to mm. |F. N. Hascall Company.

| OUR COMIC SECTION |.

P Events in the Lives of Little Men J

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THE SYR A CURE JOVKNAL

Who Wanted to Play Anyway?

Gay Hues Feature Late Fall Styles

A mode of infinite variety has been the favorite term used by critics to describe the fashions of the last few seasons, and they have again fallen back upon that hackneyed phrase to characterize the current autumn mode. Yet. writes a Paris fashion correspondent In the New York Herald-Tribune, there is a vast difference between the artistic but aimless divertissement* of the styles of last spring and fall and the equally extensive peregrinations of present fashions. The motivating force behind the widely varied details of the last two seasons has been the utter sameness of the basic elements of the mode. Boyish simplicity and straight lines had been accepted as axioms, and it was the not simple task of the designer to disguise these platitudes by the dexterous of such details as plait, flounce and tunic. Another means/ of differentiation employed by the Paris dressmakers was the use of new and distinctive materials. But as far as silhouette. wuisQine, sleeve and color were concerned, it was patent that the timorous couture was serenely content to follow the path of least resistance and rest upon Its previous laurels. • For Jeune Fills and Matron. A survey of current fashions shows the same varied scope covered at the recent openings as in previous seasons. but with this differ* nee. Where before the numerous details represented efforts to diversify old themes, today they are significant groupings toward new style types—they are now coupled with changing trends in the foundations of the mode, and the new tendencies which have been inaugurated this autumn will become more crystallized with the approach of winter and spring. The first general tenet which the fall mode discarded was the ideal of eternal boyishness—a heritage from post-war flapperism. The new styles mark a decided step forward in dress dignity, and while the Jeune fille frocks afe quite as youthful as before, the mature charm of the matron has been granted a separate and necessary sphere. The second autumn innovation was the silhouette compromise. Not even the most radical critic believed that the slim silhouette could be dislodged from its firm stance in a single season. and the introduction of the flared hemline to partly share the spotlight with the straight outline has satisfied the most chronic malcontents. The newest Paris models pay homage to both silhouette types by continuing the straight line , snugly over bodice and hips and confining ihe flure to the lowest sector of the skirt. Incidentally. U>e typical fall skirt is about five Inches shorter than last year, reaching only to about fifteen inches off the ground. Sleeves have left donht behind them nnd have become definitely and frankly narrow and long. Except of course, in evetflng gowns. The myriad types of last year* have dissolved into thji slender genre which has become one of the decisive landmarks of autumn fashions. ° The new waistline has inherited wandering proclivities from its predecessor. but. as with other details, its mean derings seem to be in a definite direction. An idea of the diverse waistline interpretations may i«e had from the following data: The directoire waist is sponsored by I'beruit. Charlotte and Martial et Armund. The hlgher-than-nonpal line is exploited by Anna. Bechoff. Premet and Renee. > Lanvin. Chanel and Molyneux are the ; leading exponents of the low line. I while nearly every designer includes models in his autumn collection which

CHOOSE FRIENDLY COLORS FOR HAT OR GOWN

Most of us have known times of wavering about the choice of color for hat or gown, and often we have in the end chosen the wrong color. Then, though we wore what we bought bravely, we never really had the good of our money from it because pleasure and satisfaction In wearing was gone. This season almost every color shares in the array of exquisite materials. Some of these delightful colors will be becoming to some of us. but not all of them to ail, of us. Outstanding among the new colors are brilliant purple reds of the fuchsia type, ranging from a light tone d<>«u to a deep rich wiue. Wine shades occupy a position of considerable importance, and there are three new shades of the rosewood variety. Some of the greens have a l>inIsh tone >nd there is a rich, dark green. Browns are to hold sway over grays. There are soft, gold-brown tones, creamy medium tans, sandy bruaus. Straightline Is Likely to Remain Through Year Rumors of new fashoins have crystallized into definite facts, and as the new models make their appearance day by day one gains an impression of several influences that have vitally stamped themselves upon the modes of the season. There seems to be every indication that the straightline will remain, although In many Instances it is given a new aspect by the introduction of godets often so placed that the back of the gown still retains the fashionable flatness. Occasionally a frock is shown with certain details of cut and trimming that suggest a raised or normal waistline. These gowns, however. are more frequently seen on slim young girls rather than on women of more developed figures. The silhouette which' apparently is to dominate the fall and winter season demands a perfect supple foundation and women who have gone without some sort of a support during the coatIxsMM AM aFA ■»JWil r rLrs Ban frxwlnM <7l BIX UUW IV Ibelr figures back to the required sita-

suggest the normal waistlines. Thq tubular silhouette, which precludes any waistline, is also a prominent fall note. The Waistline of Today. . From which it is evident that the waistline may be low. normal, high, directoire or. on occasion, entirely out of the picture. Yet out ot these eonfused tendencies there ts a distinct trend toward the perceptibly marked waistline which will, from all indications. find a normalhaven by next spring. The tunic has intftided itself into Jhe fall mode in an unmistakable manner. An important detail last season, it has been graduated into an Influence. and. manifesting itself principally in tunic-blouse effects, it assumes its place as one of the milestones of autumn fashions Even the color note, usually more subdued in the fall, hus partly forsaken the black and white combinations which have stood out so prominently in recent seasons. Any on* who remembers the Easter procession of last spring remembers also the remarkable outpouring <>f blaek and white effectsr-easily the dominating fashion note of that day The autumn landscape has a different setting, and in place of the übiquitous black and white, browns, particularly tlx * leather shades, reds in tones of russet and mahogany, and soft greens hav< arrived to assert their importance in the spectrum. Black and white effects have not been eliminated. Materials xollow recent precedent* by differing essentially from forego ing seasons, but /here Is no significance to this fact other than to emphasize th? growing importance of fab ric styling in the realms of fashion Ribbed silks and woolens leatl the new materials—ottoman, reps and bengaline being particularly popular, whils last summer's vogue for crepe satis and kasha is again reasserted this autumn. Molyneux Offer* Changes. While he follows to a certain extent the prevalent tendency to trim gowns more elaborately than last season. Captain Molyneux has kept hit characteristic line, and tlms make* gowns that are eminently dignifiec and wean ble. He has instituted tw« drastic changes, totally eliminating both feathers and the scarf. To takt the place of the fonner ne is using tint rolled pieces of tulle, each about tea inches long and weighted with a slngls tube bead. The straight line without any circu lar movement Is the leading characteristic of day and evening gowns. With Molyneux the skirt is from 12 to 11 inches above the ground, and hit waistline 1* normal to low where it Is defined at all. More often he makes straight dresses occasionally with a long over-tunl® which readies to within a few Inches of the skirt. In these cases a coat Is made to wear over the dress, and it is of the same length as the tunic. A feature of the coats of his threept eCe costume Is the little narrow cape reaching to slightly l>elow the waistline and sewn into the side seatps of the coat, so that only the lower edge gives the faintest suggestion of a cape effect. Plaid is very successfully allied to plain woolen materials. especAlly Cumberland tweed for traveling suits. Red also figures largely in the collection, both as a trimming and as a basic color. An amusing ensemble has a straight black kasha coat edged with a three-inch knotted blaek wool fringe, under the coat is worn a straight tunic dress of scarlet kasha with a scarlet knotted fringe that peers below the blaek fringe of the coat. Visible still below that Is a plain two-inch band ot the black underskirt.

and a deep reddish henna with nasturtium tones. K properly used, color can brine bloom to your cheeks If they are pale, make your complexion lighter and fairer if It Is dark, tone it down if it Is vivid or florid, and can bring out unsuspected beauties in your hair and eyes. These are your friendly colors. ’ Matching Shade and Lamp A diminutive lamp of much charm that is suitable for a child’s room a« well as „the grown-ups’, is made of white China with a simple design upon the surface of orange birds with black Tinzs. A white shade shaped something like a pagoda is painted with the same colored birds. A Handy Traveler's Aid A thick plait of sewing silk of every possible shade is a great convenience, as single threads may be drawn out without any difficulty. Travelers will find this a much easier way of carrying mending materials about with them. ness. The old-time corset has gone, but the new affairs thnt have taken their place are marvels of cut and fit, and at the same time help to achieve a figure of natural graceful lines. The mode calls for fracks of black satin or bengaline that are worn under stunning coats. Take Place of Wrist Watch The most chic little fobs are ornamental things to take the place ot the wrist watch. The most populai ones are made of ribbon attached to a bar set with brilliants, smartly showy on black. Others are jeweled in colon or.finished in gold and platinum designs. and some wbmen affect a ribbon fob marked with their monogram la *' metal or enamel Wristbag Novelty The latest wristbags, which often an dainty little affairs of chiffon lace, have a brightly colored ring stur pended from the bottom of the bag, Through this ring a gay handkerchief is looped.