Terre Haute Weekly Gazette, Terre Haute, Vigo County, 13 January 1881 — Page 2

THE DRAMA

Lical and General Amusement Notes of Interest.

A Brief Resume of the Doiigs of The atrical People for the Past Week.

Tragedy, Comedy, Minstrelry Burlesque-

and

Genevieve Ward and Eben Plymton "have returned from England. Mary Anderson contemplates making a professional trip to England.

It is said that J. B. Polk will abandon "A .Gentleman frouaNevada."

Fariry Louise Buckincham-Pcttit is playing in Han Francisco-in "Mazeppa."

Mr. J. B. Studley is starring in the East in a dramatic version of "'Monte Cristo."

Ben Dodge, the impromptu vocalist is managing the Gaeitv Theater in Leadville.

John Pcndy and MUs Jeffreys Warner joined Leavitt's Rcntz Santlcy party in 8j. Louis last week.

VYood and Beasley have withdrawn from Leavitt's Specialty Company, and have joined the San Francisco Minstrels.

Joe and Ada Ledmond (Ada Clifton) suffered the loss of their little daughter, Pauline, by death, in Buffalo, recently.

""Buffalo Bill played against Bernhard in Boston, and received the most applause, which satisfies him that he is the best artist.

Tiie French opera company which appeared lor a season in New Orleans, recently, is now performing at Havana, und will go thence to Mexico.

Kit Clarke, recently manager of Mme Rcntz's Minstrels and Vienna Lady Or chestra. has assumed the management of Leavitt's Specialty company.

"A Fool's Errand" has been dramatitised, and was produced in the East last week The play is said to be a weak production, altogether unworthy its source.

It is said that Uaverly has offered George Wilson a big bo«us to leave B., W.. P. & W.'s company and jqin his new minstrels also, that Wilson has accepted the offer.

A Boston journal states that there is on exhibition in that city a Mexican lady without arms who plays the piano with her feet. Thus are the beneficent plans of nature thwarted.

The many friends of Mr. W. H. Leake in this State will be pleased to learn that lie is winning golden opinion in Australia by his masterly impersonation of Joe Saunders in "My Partner."

Miss Nellie Calhoun, who made a successful debut in San Francisco recently is now in Baltimore and will make a tour of tin South at an early day under the ananagemert of John T. Ford.

Digby V. Bell will resign from the Com ley-Barton Company early in the present month, and will join Augustin Daly's company, to take part in the pro •duction of Genee's new opera, "Nioida.'J

Miss Jean Delmar, who -was with the Goodwin Froliques at the beginning of the season, was compelled to resign "her position on account of ill health, and is eow resting at Bloomington, 111.

It is expected that Mr. Daly will pro duce Genee's latest operetta, "Nisidia," earlv in January, with Hindu dancers amf jugglers. The woik has been eminently successful in Europe, particularly in Vienna.

Miss Georgie Cayvan has abandoned lier proposed reading tour and has rejoined the company at the Madison Square Theater in New York city, and is now assuming the role of Hazel in the drama "Hazel Kirke."

Little Zoe Tuttle is playing the part of Eva in the revival production of "Uncle Tom's Cabin," at Booth's Theater, in New York City, and is receiving high •praise for her very intelligent and charming performance of the part.

Mr. George Fawcett Howe's new comedy, "The Beauty," will bo given its first presentation on any stage in Ottawa, Canada, during the present Week. Miss Mabel Jordan will have the leading female part, and Mr. Rowe the comedy role.

Tho New York Times, an eminent authority in musical matters, gives its estimate of the Emma Ablxtt Opera Company, in noticing the withdrawal of Mrs. begum-Wallace, as follows: "Mrs. Zelua Sequin lias left the Emma Abbott Opera Troupe. The condition of this company without the one artiste to give it any claim to musical consideration may be better immagined than described."

Eugenio Matiricio Vengremont is the patriei.ua came of a violinist, but 14 years Of age. who arrived in New York city last week from Brazil, South America, his native, country. He will make a tour of the United States, giving concerts Willi 4 company which he has brought wi him. He has already made a tour of E'-.r-ipr, ai his performances on the vi Hivhave Ikoh hi :hly praised.

There are two clashes of four actresses each who are antithetical mysteries. They are Funny Davenport, Maud Granger, Kate Claxton and Hose Etyngc on one hand, and Charlotte Thompson, Mrs. D. p. Bowers, Sirs. CHaufrau and Janauschek on the other. The mystery is how the former quartette has made so much money with so little- talefit. And tlie

"latter four so little money with so much "talent. Sam Colville threatens to bring Lydia

Thompson back to this country next season, not as an anatomical subject, but as a comedienne, in the regulation long sskirts and trails of femininity.

^*Oi.

Nat

Goodwin, of the "Froliques," enjoyed a

Cincinnati frolic one night

recently by winning $1,500 and sleeping off the effects in a

local dungeon cell.

Fritz Emmet thinks the press has not treated liim well because ho treated himself too often.

Before the war C. W. Couldock, the veteran actor, riding in a Tennessee stage, gave his shawl to two little shivering girls among the passengers, and last week the father of those little girls gave Couldock a gold watch in token of remembrance of his kindness.

A grim story is told in connection with the late revival in Paris of "Hose Michel." The original Pierre Michel was a certain M. Charly, and the manager of the Ambigu was anxious that he should resume the part, but could not succeed in discovering his whereabouts. One day just as the piece was being put in rehearsal, Gil-Naza, the original coupe«u of "L'Assommoir," came to tho theatre to ask for two places for the premiere. "You are the very man I want," cried M. Chabrillat, "You must know where Charly is—you and he were great chums." "Of course I know where he is," was the reply. "I've just left him." "Where?" asked Chabrillat. "At the cemetery. I've just come from his funeral.

The Oshkosli, Wis., aldermen not only collect a license fee from all traveling shows, but exact twenty-live free tickets for their own use. This has been re garded as an outrageous imposition by all managers. Last week a Mr. Schwartz engaged the Boston Ideal Opera Company to play in Oshkosh, and appealed to the noble city fathers to forego their custom ary demand fordead-heaa tickets.

This after

Mr. Schwartz

proved in vain, so paying his license money, obtained an injunction restraining the Common Council from interfering with his entertainment. This has made the dignified council so mad that they threaten to raise the show license and render it almost impossible for showmen to show in Oshkosh. This is all wrong. Showmen should go to Oshkosh and invite the Mayor to act as doorkeeper, then the Common Council could enjoy an unlimited dead-head banquet.

Mrs. Jean Davenport Lander has returned from Germany, where she has left one of her adopted sons for dramatic study.

Eugene Maurice Dengremont, the Brazilian violinist, only fowteen years old arrived fr®m Iiio de Janeiro on the 29th'

The Bernhardt wants some American city "wizz intellek" to get up a torchlight procession in her honor. Sal is awful mad because she could not attract attention in Boston by having herself driven around the town in a gilt circus bandwagon, drawn by eight horses. A wicked stable-man assured her that it was General Grant's state carriage.

Sara, the high kicker with the Soldene Burlesque Company, has been honored by having several mules named after her

Edwin Booth has made a great success in London, as Bertuccio, in the "Fool's Revenge."

A riot between the gallery »and the orchestra occurred some nights ago at the Theatre des Nations, Paris. "The play was "Garibaldi," and the gallery gods, fearful of its condemnation in the morning papers, opened a fusilade upon MM. Franccique Sarcey, Vitu, and other cities, the munitions of war consisting of beans and brickbats, decayed vegetables and defunct quadrupeds, arguments to which M. .Tarcy complains he was unable to reply. Tho police, as uaipires of the contest, finally decided against both parties, and cleared the house.

Herrmann the magician, claims that he recently inherited $27,000 by the death of an uncle in Germany. "The Western press clamor for a view of the cash before circulating the little "ad."

The Alexandra Palace and Park, London, is to be sold at auction on Feb. lltli next. The grounds cover about four hundred and fifty aeres, one hundred and seventy of which are assigned to the immediate uses cfpalaco and park.

The benefit given in London, Dec. lGth, in aid of the family of Charles Harcourt, who lost his life by falling through a trap in the Drury Lane stage, a great success, and its proceeds, added to the subscriptions, raised the memorial fund of something over §8,500.

Jpnge A W. Tourgee is at work preparing a dramatizationof his novel, "AJ Fool's Errand," and warns the public against other dramatic adaptations of that work. The author providently reserved all rights, and will make it legally unpleasant for all concerned in presenting any illegal dramatic version. This bears especially hard upon Alf. Newton Field, an Ohio man, who dramatized the work and organized a company for the production of his version.

A member of Koster & Bial's orchestra, New York, bavins refused to play a violin obligato to a lady about tb sing Gounod's "Ave Maria," on the ground that he was not engaged to accompany a singer, the remark was overheard by Wilkplmj, who, promptly saying, "It the part is not good enough for him, it is for me," led the bdy to the platform and played the obligato. But then the orchestra man is a violinist, and Wilhemj is only a tiddler at $500 a night.

The losses of the stage in (lie course of last year have been uncommonly heavy Several of the moat cherishi-d names that ever were written on the theatrical roll of honor are now inscribed in the book of death. The list hicludts Felicite Vestvali, Henry Wicniawski (famous musician), I?Irs. 31 ary Chapman, George Honey. J. R. Planche, John Brougham, Tom Taylor, Adelaide Neilson, Mrs. Charles Kcan (Ellen Tree), Charles Harcourt, Hairy Beckett, William U. Floyd, J. B. Om.-vhnndio (Texas Jack), T. Rmatily, Mrs. E. Wright, Charles Louis Mestayer, Jacques Offenbach (the composer), Nina \arian, and the widow of fcysander Thompson.

Mr. John T. Raymond, the favorite comedian, relates the followiug anecdote, which happened during the performance of the "Gilded Age" at one of the small towns of Iowa: It is with difReulty that the requisite number of "supers" is obtained to do service as the jury in the trial scene in the last act. It so happened that on the occasion referred to a fair was in progress in the village, and the rural population was attending in force. The manager went to the market-place and selected a "jury" of a dozen grangers, most of whom had never witnessed a

THE TERRE HAUTE WEEKLY GAZETTE.

theatrical performance in their lives, and were consequently utterly at a loss to acI count for the eocentricities of "Colonel

Sellers," and the killing of "Colonel Selby" by "Laura Hawkins." They were seated in the audience until called for by the stage manager to come forward, between the acts, and assume their pl:ices in the "jury-box." One ancicnt specimen from the "out townships" seemed particularly interested in the development of the plot, and evidently regarded the whole affair as a matter of the most serious importance and of the sternest reality. He bent eagerly forward while the examination of the witness, "John Peterson," was being conducted by the counsel for the prosecution, and drank in every word of the testimony with as much interest as he could have displayed had he been a genuine juror at a bona fide trial. He managed to keep quiet, however, until tfe witness was compelled to acknowledge that he had seen "Laura fire the fatal shot, when, unable to contain himself any longer, he sprang to his feet and fairly shouted to the judtje: "Yes, by gosh, she did kill the cuss, and she done him jes' right, too, Jedgc. I sot right thar and heern the whole thing." The curtain fell.

On one occasion Raymond and E. A. Sothern, "Lord Dundreary," were travel ing companions in a journey through the country shires ofEngland. "Each of these gentlemen has justly earned the reputation of being an inveterate practical jker, and on this particular occasion devised a plan by which they were to reap the benefit of a joke at the expenes of a pair of gruff-looking E«»itishers who chanced to occupy seats inj a first.class compartment on board the train. The two actors seated themselves in the same compartment, and, by preconcerted arrangement, conducted themselves towaid each other as perfect strangers. It had been agreed upon that Raymond was to open the ball in some manner, at which Sothern was to join in and fill cut his part of the programme. All were silent for a few miles, when Raymond produced a cigar, bit off the end, and inquired of the Englishmen, each in turn, if they objected to smoking. Each answered, gruflly: "No, no smoke if you like," and lapsed back into the silence thus broken. Turning to Sothern, Raymond repeated his question: "Do you object to smoking, sir?" "Yes, sir, 1 do," fairly snarled Sothern, "and I consider it a damned piece of impertinence for a man to ask a gentleman such a question in such a place." "I beg pardon," meekly responded his companion, "ho offense, I trust." The Englishman looked up in surprise, but said nothing. Silence reigned again. Sothern finally broke out with, "Damn a man who will dare ask a gentleman such a question," at the same time crossing his legs impetuously and looking as fierce as possible. Once more Raymond timidly ventured to beg pardon aud suggest that "he meant no impertinence. The Britishers were bewildered. Here was a man who permittid himself to be insulted by a boor without even venturing to assert himself, and the English idea of what was demanded under such circumstances could not reconcile his quiet acceptance of such insults with the exigencies of the occasion. Raymond sank into contempt and Sothern was regarded as little less than a brute.

Finally, Sothern arose fiercely and closed both the cab. windows, (it was sweltering hot), and taking a cigar from his pocket, lit it, and in an instant the compartment was black with smoke and the occupants fairly choking. At this juncture the train stopped. "Come, Johnnie," said Dundreary, "let'sget out and the friends alighted arm in arm. The Englishmen stood aghast. Tlicy sprang Irom the train and demanded of the station-master that "those tricksters be arrested immediately,'' and while they were expostulating with the guards and gesticulating wildly, the whistle sounded, the train started, and the irrate individuals desisted, only to see the jokers waving them an affectionate adieu from the windows of another car in which they had seated themselves.

The light on the "Murcross Head" sheds its lamlent ray over every Irish drama that originates in Amcrica. Every reproduction of the melodramatic Irishman suggests tho character of Danny Mann. The standard is in the mind of the critic rather than in the mind of the playwright, and because all conventional attempts to reproduce the Irishman result in about the same sum total, every playwright is accused of plagiarism.

It is amusing to hear Bartley Campbell, who, if he is nothing else, is at least Bartley Campbell pure and simple, accused of stealing from Dion Boucicault, who as far as his dramatic record goes, never conceived an original thing in" his life, but rests, with a brazen defiance, his whole claim to immortality on his adroitness in using and defacing other people's property.

However let me be not understood as endeavoring to write up Bartley Campbell at the expense of anybody else. He has done as have all playwrights, a great deal of slop work, and I tell him so now. after having done good work, as I told him years ago, before he was successful, aud not because I never knew square and sincere criticism to offend him, but because success is the worst enemy a playwright has to fight-

An interesting account of Bartly Camp^ bell and his new play "Geraldine" is given by Nytu Crinkle in his Feuillton last week. It will bear reprinting. The Feuilieton says:

Bartley Campbell's play of "My Geraldine" did not disappoint me, for I had read the manuscript and knew in a me as ure what to expect. In the first place, Bartley Campbell is not Irish himself. Like a great jaiany oilier Irish men he is essentially American, and I think it extremely doubtful that an American can write an Irish play. Boucicault who is only a fraction Irish, never did write one. Hc'always got hisstorv and local color from an Irishman and his stage effects from France.

The peculiarity of the American Irishman of the second or third generation is the absence of the national feeling which is preserved in almost all other races. His love for his mother-country becomes a sentiment rather than a feeling, because he so rapidly adapts himself to the place of his adoption.

To expect, therefore, an Irish play which bears evidence of Irish origin of a man like Bartley Campbell is son what preposterous. "My Geraldine" is not distinctly Irish in anything but its scenarium "and its names.

mm:

V"3t ^^+.,r^n H~ .*

t«

said all this to Bartley Campbell when I read the manuscript, "and he took it Kindly.

I did more: I told him flatly that, in my opinion, he was allowing the" pressure of the theater to push him from his natural position as dramatist to that of a play wright.

I even went further than this, and said to him that, if I had my way, I would take him out of the theatre entirely and put him in a study for one year, where, unembarrassed by the mnrket, he could do his best work according to his best convictions.

There is a charming bonhomie about Bartley that makes YOU admire him in spite of yourself, ite seems at times to me to be a mixture of Artemus Ward and Henry Bergh, both in his character and in his manner. He preserves the humor of one and the enthusiasm of the other, and there is a vein of poetry down deep in him, a sad, plaintive strain that more than anything else betrays his Celtic oricin.

Years ago he was abused and derided when he produced his first pieces. I recall now with very little satisfac t'on my own share iu that derision and abuse, but I also recall with genuine pleasure how little it affected liartley Campbell. "You're right, old fellow," he would say, "it was rubbishy, but thought when I wrote it that it was it spired."

And that was when the enthusiasm of the man bedimed his judgement. He hammered away. Play after play was turned out of his foundry. Failure never disheartened him. He believed in his own talent, and, having patience and pluck, he succeeded in making the world believe in it.

His latest play is, I suspcct, a hurried sop to the insatiate maw of the theater. It does not bear on its surface any evi deuce that he had it in him to write it but, on the contrary, it seems to be an effort to adjust his talent to a popular demand

If it should fail'utterly, which I very much doubt, I will not be displeased, for it may in its failure throw the playwright back upon his own native resources and make him cut loose from the market. "My Geraldine" is not a bad play, as plays go. Its story is at least interesting, although it is not startling or novel, and it deals with the subject of tenant eviction in a timely and even pathetic manner It is true the characters are Irish only in their brogue, but they avoid some of the glaring mistakes which have the Irish personages in Boucicault's dramas.

A play written as this one must have been, cannot avoid similarity to other Irish plays. The "Collen Bawn," which embodied Gerald Griffin's romantic story, ha* become the standard and type of Irish plays, by which all subsequent efforts in that line are somewhat unjustly measured. "My Geraldine" lacks the strength of legend th^ is in "The Virginian," .the dist.inctivwes of character" portraiture that is in "My Partner," the freedom of treatment that is 'observable in that pot boiling 'Risks," and the poetry and sen timent that is in "Clio."

It is an endeavor to meet a popular demand with situation and not with persons. Every successful playwright that ever lived lias made the same endeavor, and there are not many of them who have succeeded even so* well as Bartley Campbell.

There used to be a much"used sayina that an artist's work should be judged by his intention I don't take any stock in that unorthodox canon, for I have never yet seen a work of art that was not judged by its result and its result only, but I am perfectly willing to measure Mr. Campbell by that rule, for it seems to me that he intended to do exactly what he has done—that is, to produce a melodrama with Irish trimmings that should be applicable to the moment and appreciable to the crowd.

There are touches of genuine pathos in "My Geraldine," as when the mother is separated from her child, and ther are bits of genuine humor, but the principal effect aimed at is one of situation, and no playwright ever aimed at that exclusively and made a good play in a literary sense. Its workmanship is compact, symmetrical, cohesive and climacteric indeed I think that Bartley Campbell is at this moment the best artificer of plays that we have. I was particularly struck with this in his third act. The material was exactly adapted to the instant comprehension and sympathy of the spectators, who did not stop to ^k for literary ability, but were contentTo be carried by the action. None of the incidents appeared to be lugged in, and everybody in the house was, for the time being, intensely interested in the fate of the heroine. In fact, Mr. Campbell had the house with him, and that was what lie had worked for. The enthusiasm over the last act was very marked, and the author was made ha'ppy by a vociferous call.

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We have it on the authority of the Boston Post that Thomas Jefferson was fond of cats, yet we see no mention of it in the President's message.

The Albany Journal say3 the great and good canal-boat "Samuel J. Tilden," loaded with wheat, lies "stuck fast in the ice ou Section 5 of the Erie."

As a Mr. Bird was recently married to a Miss Worm in Michigan, it is about time for the paragraphs to say sooiething about the "early bird," etc. .*" Mi,-

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vou£uc siM^e-'Ksc ujiticidijr Feraue Coci .^:uts. 8SOOO COLD. I Will be paid for s. case they will not care orl help, or for anything Impure or injurious found in tbuzn. [Arityowr drnfrgist for Hop Bittcra c.nd try! [them before you sleep. Take no Other.!

|D. J. C. is »n absolntefti'^rresistlMecure for* Drankeness, use of. am, lobucce and narcoiica.

SENT* FOB Cibctlab.

AII *bo»« ld by Ai ujjtlibu iHop Bilten Uff. Co., Koch«l*r, N. V., & Toronto,On1.1

ftadame Levieux's Luxuria

Restores and enlarges the female bust. The only warranted remedy in the market. Ladies send for circulars free.

Miller & Co., 170 Race st. Cir pfnrrli.O

BANKERS A BROKERS,

19 Will St, New York,

of th« New York Stock and Mm changes. Buy and sell Stocks and strictly on Commission for cosh, or

ibers ftxchi Isstri

thl arreat*Serein

Bullion, Specie, and Foreign

NoteS-

mght drafts .on aU parta

Ifljfi

Lowest prlcos ever knowk on Bnsch Loaders HI flea, and ISTOhen JWMJUWAMIMi IKO WTO CURB

Consumption, Coughs,

COLDS, ASTHMA, CROUP.

All difcasc? of the throat, lungs and pulmonary Organs,

Use According to Directions.

Allen's Lung Balsam. SHARP & SMITH,

rareon*' for Uct'oriniUc^

manufacturers of ments, Apparatus of every description, klasticsto kicjs Varscofe Veins and Weak Joints, ckutcui^ shoulder braces

with steel back,

and

invalids,

for Bed Bores,

arti

ARMS, WHEEL CHAIRS

fori

rubber air pillows

and

CUST"'

trussks

of every var

ty, 100 Randolphst., Chicago. Trufi.sc \i— ted by tt thoroughly competent pcison ..iid warranted.

Executors ale of 8e^J £:aie The undersigned exccutors of tho lab) will of Cbauncy Rose, deceased, «ill on the 22nd day of January, 1881. at the office of Milton S. Durham, No. 507)-, Ohio street, in the city of Terre 1 .'-rite, sell at private saleIhe following kcribed real etn'o in the city of Terre Haute, in yigocounty, audStateof Indiana, to-wit: fr-' number twenty (20) and lot number tw jjty.ui (21), except ten (10) feet oil, tv,. flits south side, in Cbauncy Rose's su^dlvLsioa of that part of section twenty-two (22), township twelve ('.-V north, of range nine (9) west, which iiu-. between Chestnut street and the canal,,4 and bctweeen Eight street and the canal. Also lot number fifty-seven (57) in Clisuncy Rose's subdivision of real estate formeily occupied by the Wabash and Erie canal, between Seventh street, and Chestnut street and of realty del::.) ealed within said limits.

TERMS OF SALE:—One-half cash, &nd the remainder in one, two and three years with interest at seven per cent, per annum, payable annually.

December 22,1880*