The Daily Banner, Greencastle, Putnam County, 14 November 1967 — Page 7

TuMciay, Novambar 14, 1967

Tht Dally Bannar, Oraaneastla, Indiana

Page 7

THE DAILY BANNER

DAILY TV GUIDE

TTEBDAT, Navembcr U, 1M7 Evenlnc

•:BO Cb. a—News, sports, weather 4—Dennis the Menace 6-13—News, weather, sports-e 8—McHale’s Navy 10—News, weather, sports •:M Ch. 2-6—News, Huntley a Brink-ley-c 4— Perry Mason 5- 10—News, Cronklte-e 13—Combat

1:00 Ch. 3—Star Trek-c

6-0—News, weather, sports-e

10—Newlywed Game-c

f:MCh. 4—Truth or Conseauences-e

6—1 Dream of Jeannle-e

8-10—Daktarl-e 13—Garrison’s

Gorilla s-e

t:00 Ch. 3-6—Jerry Lewls-c 4—Divorce Court-e

■ :J0 Ch. 4—Hawaii CaUs-c 8-10—Red Skelton-e 13—Invaders-c

0:00 Ch. 4—Merv Gnffln-e 2-6—Movle-c 0:30 Ch. 8-10—Good Mornlns World-c 13—N.Y.P.D.-C

10:00 Ch. 8—CBS News Special-s-e 10—News, weather, sports 13—Hollywood Palace-c

10:30 Ch. 4—News and weather 10—CBS News Special-s-e

11:00 Ch. 3—News, sports, weather

4—Alfred Hitchcock

6-8-13—News, weather, sports-c

11.30 Ch. 3-6—Tonlght-e 4—Human Jungle

8—Movle-c 10—Movie

13—Joey Bishop-e

1:00 Ch. 3-6-News

13—Continental Comment 1:30 Ch. 13—University of Michigan

0:00 Ch. 13—Newa-c

WEDNESDAY. November 15, 1967 Morning 6:38 Ch. 13—Five Minutes to Live By-e 6:30 Ch. 6—Today In Indlana-c 8—Sunrise Semester-# 13—Silent Heritage 1:00 Ch. 2-6—Today-c 8—Town and Country-e 13—Of Lands and Seas-c 1:36 Ch. 8—Chapel Door-e 1:30 Ch. 4—Kartoon Karnlval-e 8-10—News, Bentl-c 1:06 Ch.8—News. Stan Wood-e 10—Doctor’s House Can 8:00 Ch. 8-10—Captain Kangaroo-e 13—Kindergarten College-e 6:00 Ch. 3—Newlywed Game-c 4—Spanish I and n 6—Jim Gerard-c 8—Movie 10—Don's Cartoon Theater 13—Paul Dlxon-e 8.30 Oh. 3—Family Game 4—Little Show 10—TV Bingo 6:68 Ch. 6—Doctor’s House Call-e 10:00 Ch. 3-6—Snap Judgment-c 4—Fugitive

TELEVISION IN REVIEW

(By RICK DU BROW) HOLLYWOOD UPI —Superlatives are really superfluous for Frank Sinatra’s television specials. By now, one expects them always to be perfection, and they always are. They su'e done with beautiful professional simplicity, adult style and matchless musical taste. And Monday night’s Sinatra’s hour on NBC-TV was another for posterity. Since the fact that he is an incomparable singing artist is well established, it might be worth looking into some of the less publicized, more subtle reasons for the peak success of the three consecutive annual specials he now has delivered to the television audience. I think the thing that I appreciate the most in these hours, aside from the musical skill itself, is the fact that he seems to be giving 100 per cent of himself. Whatever his other show business accomplishments, singing his basic art, and he doesn’t spare himself because it is what he obviously loves most. The enjoyment is contagious. Another thing Sinatra has shown on television is an appreciative, pleasant-to-watch graciousness with other performers. He doesn’t hog a spotlight. If he appears with another entertainer, he knows when to step aside. He knows how to listen to a fellow performer. He may clown around with entertainers like Dean Martin, but he is particularly

good, and proper, at handling female artists. I remember, for instance, when he appeared some years ago on a show with Judy Garland, and how tactfully he withdrew to give her the stage to herself. On the other hand, I remember when Robert Goulet appeared with Miss Garland in a show, and you never saw such mutual upstaging in your life. It was one of the funniest, and saddest, things I ever saw on a television screen. On Monday night, Sinatra had Ella Fitzgerald as a guest, and as might be expected, their numbers together—and separately—were sheer poetry. But the little thing that really helped bring it all off was the unaffected, admiring way he deferred to her at times, and let her command central attention on a show that was, after all, his—but which he let become a virtual costarring venture. Sinatra’s other guest Monday was the Brazilian Bossa Nova guntarist-composer Antonio Carlos Jobim, and he too performed precisely with the star. Technically, the hour was mainly devoted to an appreciation of rhythm, hut Sinatra also stopped the show with a rendition of “OP Man River.” Perhaps the highlight, though, was a driving, exciting duet with the elegant Ella on “The Lady is a Tramp.” The special was produced by Robert Scheerer and directed by Michael Pfleghar, and they scored a bull’s-eye.

16—Candid Camera 13—Bonnie Prudden-# 10:35 Ch. 2-6—News. Dickerson-e 8—News, Stan Wood-e 10:30 Ch. 2-6—Concentratlon-c 8-10—Beverly Hillbillies 13—Dateline: Hollywood 10:55 Ch. 13—Children’s Doctor-e 11:00 Ch. 2-6—Personallty-e 4—Donna Reed 8-10—Andy Griffith 13—Honeymoon Race-e 11:30 Ch.. 2-6—Hollywood Squares-e 4—TV Bingo 8-10—Dick Van Dyke 13—Family Game Afternoon 12:00 Ch. 2-6—Jeopardy-« 4—Cartoons-c 8-10—Love of Llfe-e 13-50-50 Club-c 12:25 Ch. 8—Tops In Fashlons-e 10—Doctor’s House Can 13:30 Ch. 2—Eye Guess-c 6—Easy Money-c 8-10—Search for Tomorrow-c 12:45 Ch. 8-10—Guiding Llght-e 12:55 Ch. 2—Farm Report 1:00 Ch. 2—Dating Game-e 4—Woody Woodbury-e 8—News, weather, and Women' Features-c 10—News, weather, farms 1:25 Ch. 6—Doctor’s House Call-c 1:30 Ch. 2-6—Let's Make a Deal-c 13—Everybody’s Talking 8-10—As the World Turns-c 2:00 Ch. 2-6—Days of Our Llves-c 8-10—Love Is a Many Splendored Thing-c 13—Newlywed Game-c 2:30 Ch. 2-6—Doctors-c 4—Wanderlusts 8-10—House Party-c 13—Dream Glrl-c 2:55 Ch. 13—News, Sanders-e 3:00 Ch. 2-6—Another Worlds 4—Billie Boucher 8-10—To Tell the Truths 13—General Hospital-c 3:25 Ch. 8—News-o 10—News, Edwardss 3:30 Ch. 2-6—You Don’t Say!-c 4—Leave It to Beaver 8-10—Edge of Nights 13—Dark Shadows-c 4:00 Ch. 2—Bullwinkle-c 4—Popeye’s Diners 6—Movie 8-10—Secret Storm-c 13—Dating Game-c 4:30 Ch. 2—Fantastic Fours 8—Movie-c 10—Movle-c 13—GilUgan’s Island 5:00 Ch. 2—Hondos 4—Mike Douglas-6 13—I Love Lucy 8:30 Ch. 13—News, Peter Jennings-# Progams subject to change without notice

DAILY CROSSWORD

ACROSS

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23. Wreck

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as day

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author

4. Ardor

24. Festers

19. German

7. Man’s

25. Land

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nickname

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11. Crowd

26. Dis-

16. Hoatel note

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13. East TnHfem

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30. Cads 3L Escape 32. Stories 33. Enemy

scout

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35. Glide 38. Candlenut tree 29. Chinese pagoda 40. Free

Scot. »GeK wean Ml Tliuoeln office SB. Stinging

M. Correct 35. Piece SB. Sip 37. Quench 2B. Sincerely 4L Man’s name 42. Assistant 43. Houston, Snead, etaL •.Beverages DOWN 1. Shadow

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DAILY CRYPTOQUOTE —- Here’s how to work It: AXTDliB A AXB Is LONGFELLOW One letter simply stands for another. In this sample A is used for the three L’s, X for the two O’s, etc. Single letters, apostrophies, the length and formation of the words are all hints, ■ecb day the code letters are different

ORL BVZDO OLAGLELV GLUGFL T’M b LMLZ ALO BLZL GLUGFL 8RU WSLB OBLC BLZL BZUSE.— BTFDTTS ATXSLZ Yesterday's Cryptoqnote: PLEASURE IS NOTHING ELSE BUT THE INTERMISSION OF PAIN.-^JOHN SELDEN tf» 1967. Kins Features Syndicate. Inc.)

ENDS TONIGHT Sidney Poitier "In the Heat of tho Night"

WED. THRU SAT.

SGIOaweAJuMBimvd-InmNMdirMuctiON

LEE MARVIN

FMMirtn'aed WtrocUr [.SSSE]

SUNDAY Jack London in "LUV"

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NATIONAL WEATHER OUTLOOK

INDIANA WEATHER: Mostly cloudy, little temperature change today and tonight. Slight chance of snow flurries late today or tonight. Mostly sunny and a little warmer Wednesday. High today 38 to 45. Low tonight 27 to 32. High Wednesday middle and upper 40s. Westerly winds 8 to 16 miles per hour today, diminishing tonight. Precipitation probability 10 per cent today, 20 tonight, 5 Wednesday. Outlook for Thursday: Partly cloudy and a little warmer.

Minimum 6 A.M 7 A.M 8 A.M 9 A.M 10 A.M 11 A.M 12 Noon 1 P.M

30* 30“ 30° 30® 30* 31® 31* 33° 35®

CONTRACT BRIDGE By B. Jay Becker (Top Xacord Holder hi Masters' Individual Championship Flay)

South dealer. Both sides vulnerable. NORTH 4QJ72 to A Q10 8 3 ♦ 8 *963 WEST BAST *964 to 853 to 975 to X6 2 ♦ A9752 + K10 4 *J4 * Q10 8 7 SOUTH to AK10 toJ4 toQJ63 * AK52 The bidding: South West North East 1* Pass Ito Pass 2 NT Pass 3 4 Pass 3 NT Opening lead — five of diamonds. The first thing to do when dummy comes down is size up your chances of making the contract. Generally speaking, when you do this, you come to one of three conclusions: 1. You’re sure to make the contract. 2. You’re sure to go down. 3. You may .or may not make the contract, depending on how the adverse cards are divided, or on how well or badly you or the opponents play the cards. The first two possibilities are presumably of academic interest only; it’s the third one that al-

most always offers a challenge to your skill, as well as some measure of excitement. For example, take this bnyid where South cannot tell at the start how he will ultimately fare. Let’s say West leads a diamond and East wins with the king and returns the ten, which South covers with the

jack.

If West makes the proper do* fensive play of ducking the jack. South eventually goes down. East is bound to come into the lead with a heart or a club before declarer can take nine tricks. Whenever this occurs, he returns a diamond and West cashes three diamonds to defeat the contract one trick. But if West slips at trick two and takes the ace of diamonds —which he shouldn’t because he has no entry card outside of diamonds — South crashes through with ten tricks. However, West should not be given the chance to beat the contract. When East returns the ten of diamonds at trick two. South should play the six on it. This ducking play insures the contract. South should be willing to let the defense win the first three diamond tricks because he can then safely lead the jack of hearts and finesse, not caring very much whether the finesse wins or loses. For practical purposes, he guarantees the contract by playing this way.

(O 1987, King Features Syndicate, Inc.)

Blondie

By Chic Young

Johnny Hazard

By Frank Robbins

Beetle Bailey

By Mort Walker

Archie

By Bob Montana

Buz Sawyer

By Roy Crane

Walt Disney's SCAMP

BARNEY GOOGLE and SNUFFY SMITH ® By Fred Lasswell

PAW-I JEST HEERED MiZ STORK FLAPPIN'HER WINGS AG'IN—

SHE'S TRVIN'

AMEN

TO TELL VE TO