The Daily Banner, Greencastle, Putnam County, 31 July 1965 — Page 8

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V T ' - f* ‘i-A* ~ «»Wfa*~s * * '■* » ♦ , ' ,i <> • V/ i i THURSDAY, AUGUST 5,1965 ' MONDAY. AUGUST 2,1965

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warned him not to try that wood’s trend to dirty, sexy again, and he repeated it. She pictures continues.

told him once more and he would get a spanking. He still

‘Fifty per cent of the pic-

sassed her, so she spanked tures being made today can’t him. I was in another room be shown to a family. If the and heard all this. I went in pictures continue this way. we and asked him what he had are going to have censorship, done to deserve a spanking. I am bitterly opposed to cenHe just shrugged. ‘You mean sorship. but I am also bitterly you don’t know why you were opposed to the pictures being spanked?’ I asked. He nodded shown. I proved, in Wutherno. ‘Well, maybe if I spank jng Heights' that it is possible you, you’ll remember.’ to do a great love story with-

J out having your lovers go to

So I gave him a good on jh e SC reen.”

spanking. A few minutes later

he came into the room where Goldwyn was one of the last I was sitting with Marcie. I holdouts in the matter of sellsaid, ‘Now do you have any ing his films to television. But idea why you got two spank- he gave in early this year and ings?’ He spread his hands sold his films to the CBS wide and said, ‘Because that’s owned and operated stations, the way life is.’ ” Among them are several * • * Danny Kaye films and the

award-winning "Best Years of

Samuel Goldwyn. the pink- Our Lives.”

cheeked, 81-year-old Holly-

wood legend, says television Goldwyn was persuaded to moguls will soon be hurting release his films to television for movies to show on Early, as the result of a conversation Mid, and Late shows if Holly- he had with the manicurist in

the barber shop of the hotel he patronizes when in New York. “She told me that she worked until 7 o'clock one night, and went home tired. She cooked dinner, made herself comfortable in front of the television set and watched two old movies, one with Fred Astaire and Ginger Rogers and the other ‘For Whom the Bells Tolls’ with Ingrid Bergman and Gary Cooper. Those films were like a breath of fresh air,’- she told me. ‘I haven’t seen such good pictures in a long time.’ I said to myself. ‘That’s where my pictures come in’ and I decided to release them to television.”

The "Diary of Samuel Pepys” was not a work of fiction. but a genuine chronicle of the author’s daily life from 1660 to 1669.

SAM GOLDWYN “/ decided to release”

fornia, and because she has family back East, it has been decided that she will stay in New York until after the baby is born. So she preceded her husband to New York. “I don’t like to fly, and I can never sleep on a train. So. when I left Hollywood. I decided to take some sleeping pills along. In the medicine cabinet I saw a bottle of red pills, and they looked right. So I boarded the train, had dinner, took a pill and never closed my eyes. So I took another one. My eyes popped open wider, and my tongue got all dry, and I got very thirsty. I never got any sleep. “The next night I decided the pills didn’t work one at a time, so I took two at once, and the symptoms were worse than ever. When I got to Chicago, I called Dorothy and told her I hadn’t slept. ‘You should take sleeping pills,’ she said. T did,’ I said. ‘Where did you get them?’ she asked.

‘In the medicine cabinet,’ I told he. Were they red?’ ‘Yes.’ ‘You were taking my pregnancy pills,.’ she said. "Then I got on the train in Chicago to come to New York. Now, I like room to move around, so I take adjoining bedrooms. I got on at night and the porter had made up beds for an army. Everywhere I looked, there was a bed and no room to move around.” A man from NBC came over to say hello to Don. who couldn't remember his name. When he left, Don said, “That wasn't my father, was it? Dad gets so upset when I don’t remember him.” 0 ❖ $ S k i t c h Henderson, composer, pianist, performer and sportsman, decided he would also like to be a business man. So he formed Clef 10 Productions, to turn out music for radio and television commercials, a field he feels has retrogressed. “Cinema-

tography is on an elegant plane, but the music is the last thing the producers think of. And when they do think of it, they want the kind of music that won’t get in the way of the message.”

Despite an initial disillu-

sionment — “when you are close to something, the scraggly side shows, although my major disillusionment is myself. I thought I knew what the business is all about”— Skitch and his firm are doing very well. A commercial filmed in Greece, using harmonics and rhythms from that country, will hit the television screens shortly and— hopefully — sell the product

(Noxzema) all summer. “Doing commercials exer-

cises you, and most times, it is a pretty clean challenge. However, I thought I would be a great creator, and I find I have become a great manipulator. In the field of com-

mercials, no one ever says, S wer, to everything, ‘I like it.’ The standard an- don’t know, but . . .’

SKITCH HENDERSON “Scraygly side shows”

is T