The Daily Banner, Greencastle, Putnam County, 20 July 1965 — Page 5

On The U. S. Farm Front

By Gaylord P. Godwin WASHINGTON UPI — An Agriculture Department summary showed the volume of farm output in the United States in 1964 declined for the first time in seven years. The total warm output last year was the second largest of record. It was 11 per cent above the 1957-59 average, but 1 per cent less than in 1963. livestock production was of record proportions, but crop production was 3 per cent less

than the peak reached a year earlier. In a summary of changes in farm production and efficiency, the department said production of livestock and livestock products in 1964 was 2 per cent greater than in 1963 and 13 per cent above the 1957-59 average. Dairy products equaled the record set in 1962. Production of meat animals and poultry products registered new highs. Larger production of cattle and calves more than offset de-

clines in hog and sheep production. Record highs were reached in production of eggs, broilers and turkeys The 1964 crop production was the second largest of record. Feed grain output was down 12 per cent from 1968 because of a 7 per cent slash in acreage harvested and smaller yields per acre. The department said food grain production in 1964 was up 12 per cent because of increased acreage and higher yields. Oil crop production was unchanged from 1963. Sugar crops comprised the only food group setting a record in production last year, 1 per cent above 1963 and 55 per cent

above the 1957-59 average.

Hollywood

By Vernon Scott HOLLYWOOD UPI — Henry Fonda turened 60 recently, an age when many men are thinking of retirement or at least tapering off. but Fonda has never worked harder. Last year he ground out four motion pictures, and this year he has starred in three pictures i so far. This summer he starts re- | hearsals for a new Broadway comedy. Why the flurry of activity?

*1 guest because I've been available,” he said, grinning. It was the noon break at Warner Bros, studio where he’s currently heading the cast of “A Big Hand for the Little Lady.” Fonda was dressed in a baggy frontier suit and necktie, apearing a dozen years younger than his age. “I haven’t been in a hit play for more than two year*,” he explained, "so I’ve been making movies. "Frankly. I don't believe an actor should make seven pictures in two years. But my money-hungry agents tell me to make as many films as possible between etage appear-

ances to tie me ever. “There was one period where I took the best part of seven years to devote to the theater. Movie producers forget about actors or figure they’re not interested in the cinema if they stay away that long.” Clearly, Fonda enjoys the theater more than pictures. “Of course I do,” he said, his blue eyes coming alive. “Every night you create from the beginning. You're in charge. That's the excitement, building the character and the story from the start straight through to the conclusion. “In movies you work in bits and pieces, a scene here, a

The Daily Benner, Greencastle, Indiana Tuesday, July 20, 1965

i scene there and then some genius puts it all together. There's no sense of continuity for the actor. “I'm not knocking movies. I like them. But there never is time for rehearsal. For me, I get my kicks creating and living a role. There are only five or six times that I can remember building up a moment in pictures. Nevertheless, ther will be a Henry Fonda film festival in New York this fall in recogni-: tion of some of his unforgetta- i ble screen performances. “It’s curious, but I never set

out to bs a movie star,” he said. “I became an actor because I discovered I got my excitement from performing. The money and stardom were incidental. And if I couldn’t have fun in this business I'd get out. “To me the Kicks are in a long-run play. The longer it runs the harder you work to concentrate. The danger is that you'll stop listening to the lines of the rest of the cast. You must look and listen as if you were hearing the lines spoken for the first time — every night.

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