Richmond Palladium (Daily), Volume 46, Number 298, 27 October 1921 — Page 2

PAGE TWO

THE RICHMOND PALLADIUM AND SUN-TELEGRAM, RICHMOND, IND., THURSDAY, OCT. 27, 1921.

Development of Art in Richmond Pointed Out as Model For State Growth of Art Association and Appreciation of Beauty in This City Forms Material For Interesting Chapter "z : in Book, "Art and Artists in Indiana".

I a'cI

I RT development in Richmond

forms material for one or the most interesting chapters of Mary Q. Burnet's new

book. "Art and Artists of Indiana," which was recently reviewed in "The Palladium. Mrs. Burnet, a

Hosier and resident of Indianapolis, in the publication of her book, has contributed the first permanent record of Indiana artists and the progress of art in this state. The art of Indiana, which for years was very meager, now promises in the future to rank with that of the best "A New York critic recently said: "The art and artists of Indiana lead all other states in number and quality of production." Introducing the chapter on "The Richmond Movement", Mrs. Burnet save- "T1i ctrr . t

grown of a municipal art gallery in a Middle West city with a population of 25.000 is also the story of the development of the artistic sense of a people touched by beauty that has reached a point of appreciation that encourages creation in its highest sense." She calls the local movement an accom"plishment which should be "embodied

in the curriculum of the entire educational system of the state." fl i A f

nctuunu urbanization. "The love for art and the possibilities of local development" the author

in the fertile imagination of Ella Bond Johnston, who with the assist- . ance of other earnest persons, estabt lishprl within their mlrlar on inetlht.

t tion whose roots have run deep into t the fiber and consciousness of their I people." I Reminiscent of the early growth of t The association here is its history l given by the author. Organized In the '.year 1897 by a few citizens interested ; in art, the association had Mrs. Ella Bond Johnston for its president for 17 ; years when she turned It over to Mrs. , Paul Comstock because of art work in wider fields which was taking her I time. "The Hon. Wiliam Dudley Foulke ? has been vice-president since 1898," , Mrs. Burnet writes "and he was presit dent the first year. Strickland Gillilan was the first secretary and served for several years. The first board ; of directors was composed of the sup- ; erlntendent of the public schools, the ; president of the school board, the supervlsor of drawing, two school teachers. two men of the local press, one ; lawyer, one merchant, one college professor, four artists, several clubwomen j r.nd the town's most distinguished citi- - zen, thus soliciting tho vital interest ; of the community from the earliest inception of the movement; and since ; the begininng the exhibitions have been open free to all as often as they f cared to come. I Start Permanent Collection "The expenses have been met by an-

nual dues from the association mem--bers of 50 cents and $5 annually from sustaining members. In 1905 the assoelation became an incorporate body, with the purpose in view' of acquiring ' by purchase and donations a permenl ent collection of works of art, of givl ing appreciative encouragement to all " local artists and of holding exhibi- ' tions of work of art by American artists and craftsmen. "Beginning with 1903, the city coun-

r cil made an annual appropriation of

: $100 for the regular expense fund. When a new state law governing cit-

ie made such an expenditure of pub

lic funds unlawful, the city attorney pleaded at some length that the wide- ; spread educational benefit derived

from these exhibitions made the matter above the law, and the council agreed unanimously to appropriate the usual amount from the public treasury for that year. "The exhibitions were first held in a central building of the public school which was furnished gratis by the school board. The exhibitions took

place in June at the close of the school year. The entire building was transformed for gallery purposes; desks were removed; backgrounds were arranged by the use of heavy burlap over the blackboards; special lighting was adjusted, and every detail planned to make the exhibition of pictures show to the best possible advantage. The greater part of the actual labor was performed by the corps of janitors in the regular employ, assisted by the active members of the Art association. From its earliest inception the exhibitions included examples of paintings, sculpture, etchings, illustrations, artistic photography, original drawings, pottery, handi

craft in metal, bookbinding, leather

textile and weaving. ' Add Other Pictures "In 1903, Daniel G. Reid, a former resident of Richmond, gave an annual purchasing fund of $500 to be used in buying one painting from the annual exhibition to establish a permanent collection. The first picture purchased was "The Duett," by Henry Mosler.

Other pictures added in the succeeding years have been "Late Afternoon. Litchfield Hills," by Ben Foster, "Old Pastures," by Leonard Ochtman;

"Hare and Hounds," by H. M. Walcott; "At the Well," by Frank Vincent DuMond; "The Hopl Mesa." by Albert L. Groll; "Peonies," by Robert Reid; "Fiesole, Florence," by John C. Johansen. "Other pictures have been bought, as there was a surplus fund from the expenses, or the gifts of interested persons, until the permanent collection numbers very many pictures." Mrs. Burnet gives a list of the pictures which have been purchased for the permanent collection and also the names of those which have been gifts to the association. These pictures included: "White

water Valley," by T. C. Steele; "Blue Spring," by J. E. Bundy; "Roses." by Mrs. H. S. St John; "Sunlight and Shadow," by John Vanderpoel; "In Wonderland." by Mrs. Pauline Dohn Rudolph; "Building the Dam," by Charles C. Curran; "In Verdure Clad," by R. B. Gruelle; "Sunshine and Shadow," by Frank Girardin; "November Day," Charles Conner. Receive Many Gifts Gifts to the Art association are: "A Summer Afternoon," by J. Ottis Adams (presented by the ladies of the Tuesday Aftermath); "The Tortoise Fountain," by Janet Scudder (presented by Warner Leeds) ; "A Corner of the Studio," by Gladys H. Wilkinson (Whitney-Hoff Museum Purchase, presented by the International Art union, Paris); "Sketch for Gossip," "Montana," "Cow Pasture," "Vermont" and "Spirit of the Lily," by Walter Shirlaw, N. A. (gifts from Mrs. Walter Shirlaw); "Still Life." by Winifred Adams; "Self," portrait by William M. Chase, purchased by equal contributions from Warner M. Leeds and the Art association. - The school board is commended highly by Mrs. Burnet, for its cooperation with the association "since the earliest inception, the school board, she says "has lent hearty assistance and cooperation to the art movement in Richmond. When the time came to erect a new high school building, the work had so justified its existence and had become such an essential factor in the school life that a gallery for the peranent hanging of the pictures was considered a potent factor in the school work. The architect, Willaim B. Ittner, of St.

Louis, conceived a working plan thai has not been equaled: a large auditorium on the first floor, the library adjoining the art galleries, consisting of three large roms with sky-lights, electric-light troughs, and a suitable background for hanging" The use of the gallery are enumerated by Mrs. Burnet, its use as a gathering place of clubs, and a study place for the children. Praiaea Richmond In mentioning the activities which go on in this center Mrs. Bornet quotes from the book by Henry Turner Bailey which says: "The Richmond people have produced a model educational institution. Think of It! A kitchen, a gymnasium,

and the oldest of the constructive arts on the ground floor and a library and an art gallery on the top. Verily the people who have turned the educational world right side up at last live in Richmond, Indiana. They have put the solid living rooms of the manual worker beneath and the chambers of the imagery of the poet and artist above; they have builded at last a sure house, fully equipped for every good work and word, a fit home in which to bring up children who shall be worthy citizens of a republic." "It is impossible," the author continues," to estimate the educational value derived from this concentrated art movement for the period of 20 years in Richmond. A definite outgrowth is an interesting colony of painters consisting of J. E. Bundy,

Charles Conner (deceased), Maude Kaufman Eggemeyer. Anna Newman, Charles Howard Clawson, A. W. Cregg, George H. Baker, Edgar Forkner. Frank J. Girardin, W. T. Eyden (deceased). W. T. Euden. Jr., William A. Holly, M. T. Nordyke and Alden Mote (deceased), who year after year have studied the works of the American masters that have been brought into their midst. In most instances this has been their only opportunity to see or study art, but they have

made the most or this advantage, making noted progress in their work. Their paintings are hung annually and a Richmond prize awarded as well as honorable mention to the best canvas by a local artist. "In 1896 was established what .is know as the Indiana Artists' exhibit, inviting all Indiana artists to send

their work. In 1906 the Mary T. R.

Foulke annual prize of $50.00 was

awarded for the first time for the most meritorious painting shown by a resident Indiana artist, selected by a jury of three non-resident artists appointed by the board of directors.

From these exhibits Mrs. Johnston

selected and organized the 1909 Indiana Artists' Traveling exhibit and sent it over the state on a circuit of the smaller cities. This was the first exhibit of paintings by the artists of the state to be shown to the people of their own state. Mrs. Johnston managed it for three years, during the time she was chairman of the art committee of the Indiana Federation of Women's clubs, and then turned it over to the succeeding chairman, Mrs. H. B. Burnet "In order to make it possible to get an exhibit for Richmond of the highest order of merit at the least expense, Mrs. Johnston induced other large cities of Indiana to join in tak

ing the same exhibit In 1911 she organized the Indiana Circuit exhibition of painting3 by American artists, which she still manages. Discusses Connor Charles Conner, one of the Richmond artists, who contributed notably, is discussed at length by Mrs. Burnet, who gives a review of his life and the list of his best pictures. John Elwood Bundy, the master painter of nature, is named as one of the best artists Richmond has and several

pages are given to his life, study and j pictures. Anna Newman is also men-

tioned in the chapter on "The Richmond Movement." The book, which is from the Century press, contains 14 chapters covering 348 pages. A large number of illustrations, includinghalf-tone reproductions of paintings and sculpture, add to the interest of the book. Among the illustrations are a number of photographs of canvases in the permanent collection here, the works of J. E. Bundy, Charles Conner, Maude Kaufman Eggemeyer, and a photoghaph of "The Tortoise Fountain" by Janet

Scudder, which stands in the third floor corridor of the local high school. Invaluable information has been compiled and placed in an addenda. A "Who's Who in Indiana Art," lists of Indiana illustrators, makers of book-plates, art schools, art associations and art clubs are among the interesting things contained in the addenda. Also a list of the portraits of Indiana governors is given and the name of the artist by whom painted. Indiana monuments and pictures of

some of the mist notable sculpture are also given. The last section of the addenda is given over to a bibliography of Indiana artists.

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"77ie Feed Man"

VOL. I

Registered RICHMOND, INDIANA, OCTOBER 27, 1921

No. 29

FEEDING HENS PROFITSECRET Government Experiments Carried on for Eight Years Give Interesting Results. Valuable results of interest to poultry men have been obtained by

the United States Department of

NOTICE

We receive daily at 10:30 a. m. the Indianapolis hog market. Anyone wishing this information may have same by calling Phone 1679.

production with pullets as where 20

or 25 percent of meat scrap was

Agriculture in experimental tests used, but with yearling hens the 16 at the government poultry farm at percent meat scrap has given pracBeltsville, Md.. where different ra- tically as good production as the tions have been fed to various higher. With the heavier breeds, it

groups of laying hens for a period

of eight years. At this time, more than 1.000 hens and pullts are used in feeding trials of this kind. The pens range in size from 30 to 50 hens, all the fowls being trapnested during the period under

is advisable to decrease the amount of meat scraD during the second

year as such feeding tends to keep the fowls in better breeding condition. Grain Aids Production. The best results obtain where

test. During the last three years, about equal parts masn ana scraicn the mash which has eiven the most! grains are fed. Feed considerably

uniform and best production has

consisted of a mixture of 4 percent bran, 4 percent middlings, 26 percent meat scrap and 66 percent corn meal. This mash was the result of experiments where the hens were allowed to select their own mash ingredients. When given free choice of these various feeds, the fowls consumed the various ingredients in the above proportions. Several pens, both of Leghorns and Rhode Island Reds, of 30 hens each have averaged from 140 to 1500 eggs apiece where this mash has been fed. The feeding mixture seems to be especially adapted for Leghorns, although it has also given good results with the Reds. Tho Wyandottes and Plymouth Rocks are inclined to accumulate too much fat when fed this mash, and one somewhat lower in meat scrap content gives better results when fed to these two breeds. Larger Types Gain Weight. The Wyandottes and Plymouth Rocks maintained on the Beltsville farm are large, standard-sized fowls and the tendency to take on fat on

more scratch grain than mash in the fall and winter to pullets and

about equal parts of each during the late winter and spring and more mash than scratch feed during the summer and early fall. In order to get the fowls to consume the mash freely the recommended practice is to suDDly grain in small amounts

during the morning and five a full feed of scratch grains in the evening as in the morning and about twice as much during the spring and summer. Where moist mash is fed, it is a good practice to mix green feed with the mash, as this keeps the hens from getting "off feed." Green feed always has proved of great value on the government poultry farm and the management recommends its use as freely as possible. The use of semisolid buttermilk or buttermilk, in any form, is particularly practical in pens not receiving any green feed, the milk apparently having an effect on the fowls similar to that produced by the green feed while it also is high in food value. During the summer months the' extensive feeding of

this mash orobablv did not occur

in the case of smaller tvnes of Plv-r buttermilk helps to shorten the

mouth Rocks, . such as commonly moulting period. In the instance of are found on commercial poultry j fowls which did not eat the dry farms. Experiments conducted dur- j mash freely during the summer ing the current year in which this months, the feeding of a small mash was modified by the addition! amount of mash once daily mixed.

of 15 percent ground oats and the wun DunermiiK was neipiui

reduction of the meat scrap by 3

percent and the corn meal by 12

n t-n cm Viaira rrt enrtwn nnv an-;

vantage. The evidences are that'war Prices

duces no beneficial results. It

pays to vary the proportion of grains in the scratch mixture from an economical standpoint according to the market price of these farm crops. At present, a scratch mixture of three parts cracked corn, two parts oats and one part wheat by weight is used with this mash. In previous years fish meal has not proved a more profitable and practical source of protein in the mash than meat scrap, but during the present year the production has been very good where the fish refuse has been used, and as the price of this material has decreased, larger net incomes result from its use. Sixty percent protein fish scrap now can be obtained for from $1 to ?2 per 100 pounds cheaper than 55 percent protein meat scrap. Innumerable varieties of fish scrap have been fed and no harmful effects have resulted from feeding even fish scrap of varied compositions, some being unusually rich in oil content. Tankage has been fed against meat scrap as a source of

protein and at this time 60 percent!

protein Tannage is avaiiauie on uie market for 70 cents per 100 pounds less than 55 percent meat scrap, conditions which justify the extensive use of tankage as a poultry feed. Tests in which only 15 per

cent meat scrap was fed in the i

Pratt's Poultry and Live Stock Remedies. Price reduced to pre-

have resulted in heavy infestations requiring special controls. Prof. J. J. Davis, head of the entomology department of Purdue university, says. Spring treatments are recommended, but if fall spraying is practiced, either alone or in combination with spring applications of the dormant spray, the application should be made as soon after the leaves fall as possible, between the dropping of the leaves and the time trees become, dormant. The light to moderate infestations may be controlled by the regular limesulphur spray, using by preference either commercial concentrate one gallon to eight of water or the home-made lime-sulphur. For heavy incrusted infestations use a standard miscible oil the first season and lime-sulphur thereafter, for while miscible oil is an effective dormant spray for one application, there is some question as to its effect on trees where used regularly year after year. The time of application has an important bearing on scale control. The best time to apply either of the dormant applications is in the sririns as soon as nossi-

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UiC LUC UUUO UUlhJL. case of lime-sulphur no injury to apple will result even if the application is not made until the leaves are the size of one's thumbnail. There is also an indication that effective control of the serious scale infestations is more or less dependent on summer spraying and it has been found that summer applications of lime sulphur to apple, using one gallon of the liquid concentrate to 40 gallons of water, has a very important bearing on scale control and that they should not be omitted if the infestation is serious. Whether fall or spring applications are made and whether limesulphur or miscible oil are used, thoroughness of. application is essential. Seldom can this be accomplished unless the trees are sprayed from two sides, spraying the opposite sides on different days, if necessary, depending on the favorableness of the wind. Thoroughness is also dependent on the operator and there seems to be sufficient evidence to warrant the use of the spray rod only, instead of the spray gun, for dormant applications.

GET OUT THE SPRAY PUMP Spray This Fall for San Jose Scale, Advises Purdue Entomologist. In many commereial orchards of Indiana, as well as home orchards and ornamental plantings, the San Jose scale has become a serious problem and one which must be given prompt and thorough attention if the trees are to be saved. Where orchards have been regularly and properly sprayed with the recommended lime-sulphur spray each year and before the ascale has be-

i come conspicuously abundant, no

trouble is experienced in holding the insects in check, but neglect and improper methods or materials

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