Richmond Palladium (Daily), Volume 38, Number 311, 7 November 1913 — Page 10

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PAGE TEN THE RICHMOND PALLADIUM AND SUN-TELEGRAM. FRIDAY, NOV. 7. 1913

EVERYMAN

PLAYS

TO PACKED HOUSES

Miss Foulkc and High School Students Give Excellent Presentation.

SCENE TRIFLE WEIRD

to call "Everyman" on the long jour

ney, the effect is certainly uncanny.

However, the appearance of "Every

man in gay costume, v,ita nia lute

over his shoulder, is typical of life and

relieves the situation for the time being. "Deaih" delivers his message

and gives "Everyman" a hort respite.

The story from thi& pu:M on Is ex

tremely interesting ur.i., the close, when "Everyman" mus'. uo to his

grave alone.

Story Beautiful. The play, as fciven by the monks

centuries ago, must have neeta a grim affair, but it has been softened this

later day with an art that makes it

truly beautiful.

Miss Elizabeth Comstock assisted

Miss Foulke in arranging for the play. They are to be congratulated upon the success of the production. At the mat

inee the auditorium -was filled to capacity. There was also a large tendance last evening.

"Everyman," a mystery play, was presented last evening at the High School auditorium, Miss Gwendoline Foulke, taking the part of "Everyman." In preparation for the presentation of the play. Prof. C. O. Mays, of the manual training department of the high school, placed a throne on the stage as a part of the pageant effect. The stage settings were in gray. The characters appeared on the state in procession as they did In the religious pageants of the monastic actorB at the time the story was written centuries ago. The prologue of the play was read y William Dudley Foulke, the doctor, who was garbed in the costume pf that period. The prologue is an Introduction In which the playwright explains to the audience, in a general way, what it may expect In the presentation. The costumes added to the success of the affair. Braffett Sings Solo. At the opening Frank Braffett sang the solo. All the choruses were sung by high school girls, who were trained by Prof. R. C. Sloane. The difference between this play and the plays of Shakespeare is greater than the difference between Shakespearean drama and Ibsen, making It difficult to stage. "Everyman," when staged by Ben Greet, was done so well that his interpretation has be

come the standard. Miss Foulke was fortunate In taking Instructions under lr. Greet at the time he was most interested in "Everyman." He taught

her his interpretation of the play, and

last night she was at her best. Miss Foulke interpreted the difficult part of

"Everyman" in a truly wonderful man ner.

Clyde Rockwell as "The Messenger

of God," did well. "Death" was interpreted by Myron Randall. Mr. Randall knew his lines perfectly. Lucile Dodds, in the part of "Good Deeds,'" was exceptionally good for an amateur, and gives promise of much ability in this line of work. Her voice is full and rich and is especially adapted for a part of this kind. She was one of the best members of the cast. Ruth Shera as "Kindred" looked beautiful. Her gown was fashioned in the period of the day and was exquisite. Miss Elizabeth Bailey as "Knowledge" was also very good ancf added materially to the success of the play. Mary Iliff as "Beauty," Dorothy Rodefeld presenting "Discretion," and Alta Stevenson as "Five Wits," did their respective parts in a creditable manner. Mary Canby represented the "Angel," which appears after the death of. "Everyman." Miss Lois Kelly was prompter. Whitney McGuire as "Goods" was splendid. The part is rather difficult, but Mr. McGuire showed much histrionic ability. Robert Clark in the part of "Strength," was good. He wore a magnificent armor which was very attractive. "Cosuin to Kindred" was taken by Paul Underhill. Paul Lyons, as "Confession" was splendid and made a most excellent priest. Monks First on Stage. The scene presented was a trifle weird, being set without a curtain, and as one waits the expectancy is broken by the appearance of two monks, taken by Everett Gates and Harold Freeland. The monks were seated with hands folded and heads bowed. When one sees "Death" approaching with shambling steps, his drum beaten thrice in slow monotony, and ' his trumpet grasped in his left hand ready Sore Throat Wisdom. To relieve Sore Throat you must get at the seat of the disease, removing the cause. Nothing else does that so quickly, safelv and surely asTONSILINE. A dose of TONSILINE taken upon the first appearance of Sore Throat may save long days of sickness. Use a little Sore Throat wisdom and buy a bottle of TONSILINE todav. You may need it tomorrow.

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