Richmond Palladium (Daily), Volume 38, Number 289, 13 October 1913 — Page 8

PAGE EIGHT

THE RICH3I0ND PALLADIUM AND SUN -TELEGRAM, MONDAY. OCT. 13, 1913

Married Life the Second Year

By MABEL HERBERT URNER. THE sound of grating wheels on the drive way in the yard below! It was Warren! Helen half roBe on her elbow, and then, through sheer weakness fell back among the pillows. In the still night air every sound came through her open window the murmur of voices, the steps on the porch and Flamming of the screen door. Warren had come. In a few moments he would be there beside her. Still d-azed from the quieting potion they had given her, after her excited outbreak on learning Warren had been Kent, for without her knowledge, Helen gazed about the room with a strange sense of unreality. Everything seemed curiously unreal the room, the black night outside the window, the murmur and sound of voices down stairs one of which she knew was Warren's. She waited with a sort of apathy for them to bring him to ner. At that moment she seemed void of any feeling. Something trickled down her face. She put her hand to her head and found an ice cap there. Not once, since she had been ill, had Helen realized how very ill she was nor did she now know that the curious sense of remoteness, of unrealness that had come over her was only the stupor of the fever. But as she felt her forehead burning even under the ice, she was conscious of the, vague satisfaction. At least Warren would see that she was ill that he had not been sent for without cause. YES, HE'S DOWN STAIRS SHE SAID. Her eyes closed, she was becoming strangely drowsy again. Then at the sound of some one beside her, she looked up. It was her father. "Is Warren here," she seemed hardly able to form the words. "Yes, he's down stairs. I am going to let. him come up in a moment. Dr. Davis is here, too, and I want him to see you first." Helen's only answer was to close her eyes. The languor that was slowly claiming her deepened. She did not notice the increased anxiety in her father's voice and face. K!u. was' conscious only of an utter weariness against which she could no longer struggle. Dr. Davis was in the room now and her mother. She seemed to feel that lie was at the door, but it all seemed part of a dream the low murmur of voices, the moving softly about the distant barking of the dog. Nothing was clear or distinct. The glint of a shining hypodermic then a quick, sharp pain in her right arm! She moaned and turned uneasily. Was if part of the dream or was it really Warren's voice that cried "Helen! Helen!" it was two days before Helen regained consciousness as it was again night, her first thought was that she had been asleep. The shaded lights were still burning beside the bed, and the white muslin curtains still fluttered out in (he night air. And Warren Warren was lie still down stairs? Had they not brought him to her yet? Then, as she gazed about the room, she was puzzled by the many changes. Her bed had been mc ed away from the wall. A cot was on the other side of tlie room by the window. There were many bottles and glasses on the stand by her bed. The gown she had on was not the same. That, she remembered, had been trimmed with lace and blue ribbon, and this was embroidered. What, had happened? How could all of these changes have happened while she slept. THE WHITE GOWNED NURSE. Andthen. as she stirred, a white gowned nurse, who had been sitting on the other side of the bed bent over her. Helen stared at iter bewildered. The nurse smiled reassuringly. "You are all right now, aren't you?" "But now what had happened? Where is mother?" "Your mother is asleep. Shall I call her? She's been up two nights with von mid I told her she must rest tonight." Slov.lv it was all dawning on Helen. So shi- had been unconscious for two nights. 'And Warren, my husband?" she faltered. "He's down stairs. I'll go for him. I was to let him know as soon as there was any change." "Is is he asleep too?" "Xo, no: he hasn't slept since he came; he won't even lie down. Shall I k him come up now ?" i'eien nodded. "Hut ;.(in niusn't talk, lie can see vcu and stay with you for a little while, but you must promise not to talk. You are not strong enough, yet." "And again Helen nodded and the nurse hurried down stairs. Helen's heart was beating in her throat. "He hasn't slept since he came, he won't even lie down." The nurse's words swept through her like a strong reviving tonic. Did it mean that, after all. he loved her loved her as she wanted to be loved! Or was it only remorse? Oh, no. no! She IF BACK HURTS USE SALTS FOR KIDNEYS Eat Less Meat., far mahr dlaw darth Eat less meat if Kidneys feel like lead or Bladder bothers you Meat forms uric acid. Most folks forget that the kidneys, lflc the bowels, get sluggish and clogged and need a flushing occasionally, fctse "wo have backache and dull misarf in the kidney region, severe headtitrms. rheumatic twinges, torpid liver. cld stomach, sleeplessness and all sorts of bladder disorders You simply must keep your kidneys antlve and clean, and the moment you ffeel an ache or pain in the kidney region, get about four ounces of Jad Salts from any good drug store here, take a tablespoonful in a glass of water before breakfast for a few days and your kidneys will then act fine. This famous salts is made from the acid of gTapes and lemon juice, combined with lithia, and is harmless to flush clogiced kidneys and stimulate them to normal activity. It also neutralizes the acids in the urine po it no longer irritates, thus ending bladder disorders. Jad Salts is harmless; Inexpensive: makes a delightful effervescent lithia u-ater drink which everybody should take now and then to keep their kidneys clean, thus avoiding serious complications. A well-known local druggist says he fells lots of Jad Salts to folks who beUeTe in overcoming kidney trouble while it I only UouWa.

Dancing

As it is with most amusements there is a good and a bad side to the latest forms of dancing, buo-step, and can you dance the waltz?" as different from the original Turkey Trot as night is from day, contains nothing but grace and refinement cf movement when danced correctly. To those who abhor the vuloar but enjoy the beautiful side

of modern dancing is bv a pc r c. -i '. I J So W ent t il ' :' "CAN YOI' "!' N ; f V TI.Nd STKF'S?"

If you cannot djinre the nmi i lanes you m.-i.v as well learn, for they have corne to stay -and we h re til anxious to be up 10 date. Now the minute we see a clever n w step we go to some secluded corner and try if out. Hut mere looking on is not ,1 sure school fir gaining knowledge of the turns and tlide? of th.- -ianee a la mode. Joseph Santley has invented a delightful nw Tango, and he is almost as clever at describing h:s tep a he js no ful in twirling them out on the stage of Low Kiolds's Kortj -fourth Street Music Hall. 1 think you will find that ih- little dance invented by the young star of "When Dreams Come True" is exactly the thing you want to add to your repertoire of modern dancing Here is a careful description of it. and a cuide to it by the inventor himself: "To the amateur dancer I would say: In the tirsi place and in the second place and in all the places that you can count, get good, swinging music. Music comes first in ail the modern dancing. The best way to dance is to have

good, catchy music and a good partner who catches your idea, and then work out your dance by getting into the spirit of it. "The real tango the Tango Argentine is not a ballroom dance. Any way, you do not often see it danced without modi-

This little curtsey step ends the dance very gracefully. In this the inner feet are used the man's left and the girl's right. Swing forward on the inner feet, and drop the weight to the bent outer knee. The arms separate and describe a little semi-circle at waist height. fication in this country. But it makes a splendid basis, and part of its steps are used and worked into the movements of mv dance. GIRL AT THE RIGHT. "Of course 1 use the characteristic Tango position. "The girl is at the right. The steps are always begun with the outside foot 'her' right and 'his' left. The position is almost like that for the waltz, only you face forward looking toward the outstretched hands girl's right and man's left. "Now here is an attractive step made on a count of four: (1) Step forward on to the left foot; (Hi advance on to the right foot; (3) slight hop on right foot, at the same time bringing the left foot up on a line with the right knee and rather close to that knee; (4) end the figure with a pointed kick with the left foot. This means a kick with down-pointed toe. Repeat this figure three times, forming a semicircle during your progress. This is arranged according to my own steps; the girl starts on her right foot, while you are taking a hopping step backward with your right foot and following closely with the left. (4) With the feet in the same position, take another tep backward with the right foot, following up closely with the left. (5) Now

wouldn't think that it was love she : toward him. She did not even look up. would believe it was love. j Somehow she couldn't, and then WarIT WAS HIS STEP. ! ren was kneeling beside the bed his His step on the stairs! She almost arms about her. With a long shudderstopped breathing. ing sob of peace and contentment HelThe door opened. She did not look j en turned her face toward him.

Scene frcv r .i..i: '(. : -' Erma Holden. May Milton ,nd waielj 61DW5 at the Gennett theau

9

l is- a;- so

s

!-is artie'e v i'l specially appeal, described as it 3 Ji' j Jr V f.Cj

appeal, described vtItti" - n cx;r,ri Santley. u ijiiiirc the.i waltz?" before 115 today is: ANY XEW TROT;t i rut NOW

" ' " x

From "The Rose Maid"

: : -

- 1 ;

s , " el t Liliiar. James, tnree of the rCsebud g Thureday October iS. .

A New, Refined Tane;o. Invented and Described for Ballroom Use by Joseph Santley.

xtw-r is i i ; r

Swing left foot in a semi-circle from its position immediately in front of the right foot to a point well back. In this both knees are bent, the right foot on the flcor bearing the weight of the body. The toes of the left foot rest on the floor with the knees clcse to but not touching the floor. swing left foot in a semi-circle from its position immediately in front of the right foot to a point well back (This position is somewhat as if you were com tosying. ) In this Loth knees are bent, the right foot on the floor bearing the weight of the body. The toes of the left foot rest on the floor with the knee close to, but not touching, the floor. (Ol Rise erect on the right foot, swing the left foot torward in a semicircle to a standing position, bringing the-lieels together. Repeat the parts of these figures three times. Again the girl takes the identical steps, but starts on th" right foot. ANOTHER SUGGESTION. "When you have mastered these steps try combining them into figures of your own. Why, pretty soon I'll have you all inventing Brown and Smith. Tangos to rival my own Eaney Tango." But to rival Santley Tango will not be easy, for the joy of youth and the joy of life and the clean grace of young manhood combined with a real knowledge of dancing make it a very charming dance. And for the encouragement of the beginner, let me add that Joseph Santley has acquired all his grace and ease in dancing in just three years.

It was one of the rare perfect moments that life sometimes gives. Whatever misunderstandings or estrangements the future might hold for them, this moment had brought them divinely near. ' 4 Art. mm "g vy-sfi. ,e"- .v,- , r -2 arden of The Rose Maid.

E

CO-EDS PLAY HOCKEY V Miss Bassett Organizes Girl I Teams at Earlham.

C.irls' athletics at Karlham Collepo is taking on new life this year with ; the coming of Miss Bassett, the new j director.. More attention will be given to girls' gymnastics and physical cul- ' ture than hi-.s been given in the past " ir , j etjuesi or .miss tJassett, A , 1 . . - ... President Kelly has set aside grounds for a hockey field. Within a week the co-r.ls will be playing the game. They , will have to order the balls and sticks for (.laying the aame. as it is in its infancy here Miss Bassett does not! expect to accomplish mt:r;i m hockev j this season, but hopes that she may' create a love for the game so it will ! have a good start next year. She will j nor try to arrange any intercollegiate' Sames hut will devote the entire time in loathing the principals and fine. points of the game The hockey field is southwest of ' t'.annam nail. It has not been leveled I but tney will begin to play on the field as soon as the sticks come. ; Miss Bassett is also g:v,ng the girls' dr to hi gymna'ticF and is expecting velon some gnod materia! for h basket ball team this winter S' ver.il outside games will probably be scheduled. ;itui several inter-class games playc-d. Miss Bassett is er.thuFiasu over the possibilities for girls" athletics at Karlham and hopes to increase interest in that line so that girls' athletics may have its proper place in the college course. APPLES ON DISPLAY CAMBRIDGE (TTY. Ind . Oct. 13. Apples from the Purdue experiment orchard, showing fruit from both unsprayerj and sprayed tree? are on exhibition in i lor store. The orchard is .owned by H A. Whitley & Son. The varieties Include Bn Davis, Roman Beauties Grimes' Golden. Stark. White Pippin ar.d Vandever. Members of Post (' will meet at the club rooms at . This evening tri go 'o the home of Wm. S. Clendenin and view the remains. B. HKGOAR, and Reprf Committee 13-1 1 JOHN Chairman S;ck

lEli

THE HEAD WAITRESS She Hears of a Scheme to Penetrate the Icy Heart of the Cashier.

By HANK. "KI.L. I've been trvinic think out some scheme to set Marie to toreie me." said fv Ste;:!i Customer to the lUad Waitress in th,- r.ifp d'Knfant. "It s very depress n; to come ;r. here and have as pretf. a cashier as she is look 'oh!: o.-r n.y head. tsp.-:a!l. as 1 newr had .nth:::e In' the kindest rho;:i:hts about her " "You bad ?'.- bu't!es.s t accuse her of boinc d:ip ,v-r a n: 'unted op." said the Head Waitress ' -usr because she happenci to pose !e.i".:tii; as;a;:ist one of tin- police h -rscs 1 iirdcrs'and her s'est i teller. .I.nvny. Pa'l. jv f're abou' it. too." "Jmit'iv Hail?" .-eluded, the Steady 'uston;.; 'Who's lie?" I ties a !!-.. ce.ap." said 'he Head Waitress. "He's secretarv of the S:ret ir Club, or sem. "-.ii't like that Kdd:e Ma. ph. it bun Kdd;e'? was inline uie about s in t;-,, Corporate i-o?-anl he knows e.rbody. your scliemi to make up sul officlb;f what's with Mane "I have written tier a toucbin em." said the Steady Cust Miier l'o

Recover Compositions of Famous Poet Riley INDIAN APOLIS. Ir.d . Oct. IS. At-1 one might select, these poem diUv, u''li:tJnt iies-;ga'ion and re- close the secret of the pot-t's suecew search the e.litors in .haige of t lit First of all. their utter artWsness woik of compiling the rirst absolutely vvhi.h s characteristic of all hi writcomplete c oheotion of the works of ings. is bound to attract Second his James Whitcou.b Kile;., hi both prose j ability to take his audience into his ana poetry, have announced that tr.ev oontideiieo, to put himself at "You and na.e recovered what they believe to j f with the world, is a manner which ie ail oi the compositions of the fan:-is bound to win the love and svmpattar ous poer still i existence. of those who read his works.'

! Hon was bJgim with but little' hope ofl isiiet es.-. as Kilev s works acre I tered far am! wide over the land The files oi defunct newspapers, to which! the poet had at different ti.,i.. I tributed. were carefullv search d- his

correspondence was examined: his!11 ;,nllt tolerate affectation, and It friends w ere canvassed for any infor-i ,ak('s t,', interest in the classical mation they might have, and at h ngth liro,1,I tion. It demands simple sentlsome two hundted poems, which have n,ents ,hat ron'' direct from the heart, never before been published, vre I Thus I learned to judge and found. In addition a large number of jva,u m-v wO'k."

piose composiiions were brought to! lignt works of the poet of whose existence h alone knew. James Whitcomb Riley has succeeded as a poet m spite oT tfle predictions of many of the greatest literary criticis that his v ork.s were not the kind that would live. Eastern men of letters were slow in accepting his dialect verse, and it was only after he had recited before them tnat they began to realize the wonderful possibilities of dialect poetry as a medium of interpreting the true reelings and the simple philosophy of the homely people from whom the poet drew his inspiration. Accounts for Success. Time and again. Rhey has been ask ed how he accounted for his success. ! Invariably he would reply in a most typical manner. "I guess there had to be some one to do that sort of thing and the good Lord just picked me. " It was in a recent interview, however, that for the first time he told of the actual work he hac Cone In making his poetry come to possess its strange appeal. In recovering Riley's "lost" works, the editors of the complete edition found that as far back as 1873. Riley had been thinking along the line of "appeal." There were many evidences of this thought along in some of his later writings, but that he should have Been seeking for a basis of universal appeal so early in his career, was indeed a revelation. The first poem found which disclosed the poet's ideas on noetrv is one entitled. "The Ginoine Ar-Tlckle."

which was found in the files of the old 1" Kokomo (Ind.i Tribune under date of) The wm was written when Mr Nov ember S, 1879. Typically charac-1 Riley and a friend. Will S. Otwell. teristic of Riley, it gives nis views on (were taking part together In a nutnpoetry in a more readily understand- j btr of public entertainments, and was able fashion than anything that might constructed to read as much like pros be said. It follows: las possible. "Talkin o1 poetry There're few men! Sounds Like Prose yit

'At's got the stuff blled dow n so's ' it'll pour Out sorgum-Iike, and keeps i year or more Jes' sweeter ever' time you tackle , it! W'y all the jinglin' truck 'at has been w rit For twenty pore You cain't year and better is so find no sap in it anv I mnro i'x vou'd find juice in puff-balls And wants is facts, I appreNature Is the thing to I'd quit What people bend : . And raked give Your writin' basi eh? And I contend At hones' work is alius bound to live. Now thems my view s: 'Cause you kind ricommend Sic h poetry as that from end to end." Expresses Similar Idea. I Aeain in "A Tale of the Airly Days." a poern written in 16. a similar idea was expressed, in the followlns way: "Tell of the thines jest as thev as Thev don't need no excuse! Don't fetch 'em up like the poets does. Tel thevr all too fine fer use." In the poem to "Poems Here at Horn." written during the summer of whUh is the best known of ail the Riley verse in which the poet has soucht to eive utterance to his thoughts retarding poetry, the following of: -quoted lines appear: "What we want, as I sense it. in the line Yours and Mine, O" poetry is somepin

t?omepin with live-stock m it. and There is no more effective remedy outdoors. for kidney, bladder trouble and rheuAnd old crick-bottoms, snags and syca-, matism. than Croxone. because It mores: ; reaches the cause. It soaks right into Pipt weeds in pizen-vine, and un-' the kidneys, through the walls and linderbreFh. ines. cleans out the dogged up pores. As well a Jhonny-jurnp-ups. all so : neutralizes and dissolves the poisonous uric arid and waste matter, that And sassy-likel and groun' squirrls, ! lodge in the joints and muscles and yes. ar.(j We. cause those terrible rheumatic pains As sayin' is 'We. Us and Company.' and makes the kidneys filter the poison from the blood and drives it out "No Ladies' Amaranth' and 'Treasury' , of the system. ,rZ. . I Three doses of Croxone a day for a Ner 'Nieht Thoughts nuther ner no; few days is often all that Is ever need-

Laily nook. want some poetry 'at's to Our Ye taste. ! Made out o truck at's jeS a-goin' to. "Cause smart folks g ether too thinks it's

OutraEeoiwrommon Vept fer rae and!of Croxone costs but a trifle and aI whi,wc t aw r... ?pts are authorired to return the

........ . Is "bliged to rest on You and Me.' Perhaps better than aayiamg else

"It will hae to be some toucher to Isrjr.are things between her and vou"

"It is." replied the Steady Custota1 it. "I'll read it to you." "The world 's dark and dreary Because I miss your smile, i And lite is very weary - I'm sr- mc all the while; 1 didn't mean to hurt you My what 1 said or done. Hut only to divert jon By what 1 said or dorr. Hut on! to divert on And hae a litt'.e fun. 1 hope 1 am forcx en Because. tw:t ou and My heart is deeply riven. My pretty tnend. Marie " "That ir- certa.nH fiinv sob stuff." .-ait! the il.ad Waitress If I wg k girl I'd forgive vou anyihing It must be gtand lo be able to write pontes like that " "Ye. it is tjnitt- soife are." said tfin ; Steativ Customer !'i'i:'y "J hope Mj rie appreciates it I "l guess she will." replied the Hi : Waitress, "but it she ever show It to Mintniv Bail he'!! knock v our Mock cf! " Wa"tS the ,: speaking of the ma-'ter. Riley sai',: " rho public desires nothing but what is absolutely natural, and o DrM0 ,,v natural as to be fairly artless Having written his first tvoetrr nnrely for recitation, as he was con ducting a lecture tour ic.rougriout Indiana when most nf bis best early verse was written, .Mr. Riley had an opportunity to judge exactly what Impression his various poems had on the average mind. Whenever he found that a particular type of poetry failed to ti'iiko an impression or did not meet wholly with the approver of his hearers, he nought to learn the reason for his failure and rt inedied It immediately. In his work on tho loeture platform. Mr. Riley came to realize also that th easiest verse to recite was tba which was conversational, simple and direct. He did not cast about for unusual phrnses. He interpreted hl thoughts in the manner In which the most people would understand them. He did not employ inverted sentence structures. His up of dialect was careful and thoughtful. It was alwavs apropos. He us-d it when It would serve th purpose better than anythlne else. Thus be was ahle to convince the eastern critics that dialect was as ler".tlmate a form for poetry as non-dialect and that through it. one could express as fine sentiment and feeling a through classical verse. An excellent example of Riley' dialect oetry written with great forethought and with th deliberate ptirpose. on may almost say, to show tb" possibilities of dialect verso ! on of his early poems whicn he wrote for 1 recitation, entitled "Tradin" Joe bark xs reriien ny ;.ir. Hiiev, the noen i "Tradin Joe" sounds all the world like prose and by critic Is said to t one of the best proofs he offers on beI half rf Ya T ,ri.t i... 1 t 1 In the biographical notes which have been included in the Biographical Kdition. the name under which the compute works of the Hoosier poet will be published, elaborate explanations of all of Mr. Riley's compositions are given. The history of each poem is supplied as well as much Interesting and valuable information which serves to form the connecting link be. tw-een the poet's literary career and his writings. BACKACHE IS A ' -v 4 , n. DANGER SIGNAL Kidney Troubles, Bladder Disorders. Rheumatism and Serious Diseases Follow. There are other symptoms, such as I-asns in the region of the kidneys, nervousness, dizziness, tired and worn;,t feeling, weak bladder or urinary troubles, which are just as Cangerous. fr the slightest kidney derangement n negated may develop into the deadly Bright's disease, dropsy or diabetes It is not only dangerous, but needless, for you to suffer and endure th tortures of these troubles, for Croxone promptly ends all such miserv. led to relieve the worst backache or j overcome disagreeable urinarv rfi'r. ders. You will find Croxone different from j - - ---- . t. as vpai Uii C it is practically Impossible to take It Without results An nHrlnol nurccase nrice it it chnnM iFingie case. " - iy

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