Richmond Palladium (Daily), Volume 38, Number 81, 13 February 1913 — Page 8

THE RICH3IOND PALLADIUM AXI) StTN-TEIiEGRAM, TIIUKSDA Y.FEBRUARY 13, 1913.

BRILLIANT EXHIBITION

Made ByMr. and Mrs. J. Ottis Adams, Who Show, in the Public Art Gallery, a Large Number of Canvases of a Variety of Subject and Treatment.

BY ESTHER GRIFFIN WHITE. Indiana ia extraordinary among the states. In a number of ways. In having evolved a distinct type in literature for one thing. But in the arts it has achieved something more notable than is exemplified in its various literary phases. That is, a distinct school of painting. The writer has animadverted upon this many times before. In the public prints of this city and otherwhere. But it is a manifestation of artistic activity which cannot be too often commented upon. For it is unique among the states. No other of the commonwealths which make up the nation can duplicate it. Many cities have colonies of painters. A number of states have sent out brilliant exponents of the art of painting. But no state has evolved a separate

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and distinctive school and imposed its painting ideals upon its generation. J. Ottis Adams, who, with Mrs. Adams, has an exhibition in the public art galleries which opened last

night and will continue until March

5th, Is one of the members of the famous "Hoosler Group" who founded this school. The others are, as is well known, T. C. Steele, William Forsyth and Otto Stark. R. B. Gruelle, often included, is not, strictly speaking, a member of this aggregation of artists. Since Gruelle paints after a different manner and follows different painting conventions. Gruelle, also, has separated himself from the art life of the state, for several years having been resident in Connecticut.

ky above. In tone this is the most moons possessing a mere theatric

attractice canvas in the exhibit and in sentiment is full of tenderness and exquisite melancholy.

Interesting is the comparison De

value. But the finesse shown in this par. ticular exposition of the fascination of the moon-lighted night, eliminates the

tween the methods of this artist's Mu- obJ'ect it8elf and suggests only, nich days and of those of the later ! And suggestion is the impetus of all period, the latter indicating the indi-1 art-

vidual, the former the academy. J But in "The Harvest Moon," this ar- j The first exemplifying tradition, j tist haa en successful in translating i The second emancipation. ! the very of that moon's season, i

"In the Fields, Bavaria," of his artistic novitiate.

"A Frosty Morning"-

others the freedom of the confessional.

illustrative

The reminiscent charm, the soft i melancholy, the golden radiance, veil-

'ing the bleak depression which suca half dozen cefrt

"""- Exquisite is "Early Summer" a '

This latter canvas, by the way, re-! painted as befits this fascinating flow- j ceived an honorable mention in the j er radiantly flaunting its brief but I International Fine Arts Exhibition, passion-ridden day brilliant, rich and j held in Buenos Ayres, in 1910. lucious. It abounds in a sort of curious and j Mrs Adams, on the other hand, has J shivering realism and yet possessed painted the poppy in its more conven-1 a certain unreality that unreality tional aspect plucked from its stem j everyone recognizes in a rime-cover-. an(i Diaced in a vase

- i

A Necessary Preliminary. Queen Marpberita of Italy ouv visited the Montessori schools In Koine and during her brief stay requested n little girl who was encased in putting in order a box of cut-out letters to sielt some words for her. The child did oor heed the request, but weut on calmly dropping eaon letter iuto the rijrbt cotnpjirtment. An older ix-rson standing near, horrified at the child's indifference, exclaimed: "Hut, Rsa. you must pay attention! This is the queen! "I know that." the child answered respectfully. "Rut the piee knows that before I hejrin t sjell I inut finish my work of putting the alphabet in order T'

Men's Christian associations of On-, The program, which extends over tctario and Quebec and the first meeting morrow, provides for addresses by a

'of the Ontario and Quebec territor-1 number of religious workers of wide

ial division of the National Council, i reputation.

Y. M. C. A. CONVENTION

Mrs. Adams one of the most de-'

lightful painters of flowers and still-;

ed atmosphere. Adams, is indeed, very successful

in depicting the phases of the winter j nfe in tne middle west has here one

landscape the color and feel of water or tne mo8t representative examples full of broken ice, the composition of 0f her brilliant art. The composition is the half-melted snow, the season's ( bizarre a blue vase on an old book earth hues, and its sentiment. I whose red-tinted ends melt into the This is seen in "A Winter Day," tone of the more vivid flower above, with its lovelv skv this nlcture hav-! The exhibition. In Rhort. ia on

Adams, Steele, Forsyth and Stark ,ng taken tne poulke prize in this city which everyone should visit and will

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were originally followers of the Mun

ich school of painting as their earlier artistic experiences were acquired abroad, the first three of these artists living for a number of years in various European centres, but chiefly in Munich. After their return they, for a brief period, carried on the traditions of the Munich academies. But finally adopted certain canons of the impressionists, and, adapting these to their peculiar locale and environ, created a style and method which has differentiated them from

their contemporaries and established a precedent which has been followed by a later generation of Hoosier artists. Adams has a certain personal quality not possessed by either Steele or Forsyth. Who are more purely technicians, story-tellers in paint. In other words, Adams is more temperamental. Forsyth, as has often been commented upon here, is more a virtuoso of the palette than an artist. For his art either ignors or lacks the pictorial quality. And Steele's later work is inclined to be prosaic. The sparkle and tang

of his earlier product seems to have de-1 parted. Although Steele, at his finest, is a wonderful artist and has painted the j landscape of this state incomparably.

Adams, also, has painted lncomparaK" " tonrornohy of his environ. But It Is with a difference. iteie nas painted anybody's environ. Adams has painted everybody's through a haze af personality. There is no discounting the temperament of this artist. It is shown in the various examples of his art seen in the current exhibition. In the luminous and delicious "The Ford," one of the finest things from his brush the writer has ever seen. The composition of this picture is alluring, with its autumn-tinted tree near the centre and the line of ivory

in 1909 and its atmosphere of the Indiana winter. For Adams paints the landscape about his present home of Brookville almost exclusively. Maintaining a summer home there for several years he finally deserted Indianapolis entirely and is now permanently resident in this picturesque village. That he is enarmored of its landscape is seen by the catalogue of the current exhibit "Morning on the Whitewater," "Summer Afternoon on the Whitewater," "Moonlight on the Whitewater" and "Autumn on the Whitewater," being a few of the titles printed therein. "Moonlight on the Whitewater," is full of the charm of this little river by moonlight a charm familiar to many hereabouts the silvery texture of the water under the moon's rays, being cleverly indicated without the depiction of the moon itself.

Nothing is more difficult than to paint a moon to present the semblance of reality. Most painted moons are painted

be commented upon further column before its removal.

in this

(National News Association)

TORONTO, Ont., Feb. 13. A large! and representative attendance marked ! the opening in this city today of the j fortieth convention of the Young I

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