Ligonier Banner., Volume 84, Number 13, Ligonier, Noble County, 30 March 1950 — Page 7

Thursday, March 30, 1950

MAGAZINE PAGE

BROADWAY AND MAIN STREET Artls Long but Life Is Short, Full of Lumps and Black Eyes e BB ROSEL

“If you can come quick,” my Aunt Frieda said over the phone, “come quick. Your Uncle Charlie is in trouble.” Half an hour later I was in the flat on the lower East Side where Frieda has been keeping house and hearth for my uncle for the past 30 years. ; ‘“What’s up?”” I asked. ' ‘“Charlie is hiding in Brooklyn with his brother,” said Frieda. “Hiding from what?”’ “From Herman Schloomp, the butcher, who is telling how he is going to knock out your uncle’s eye.”

“What did Charlie do to Schloomp?’’ ‘““What didn’t he do!” said Frieda. “But better I should tell it to you in sequins. . ~ . ‘‘So happens last summer your uncle and me, we are one afternoon taking the- - on Delancey T emer.. Street. On the g iy sidewalk, like al- f= = @4 kinds chalk %G jof marks and 77 % scratch -ups 44 from children, which your uncle §& 0 has been seeing EBSh.. A Y9B weayy ' 7 touching,” says Charlie. ‘ls here on the sidewalks the soul of the East Side trying for some kind expression. Some day should be a real paintner to draw up the neighborhood'” * : ® *® * “WELL, LIKE YOU KNOW, with Charlie to think is to do something crazy. The next night he is going to the settlement house and joining a art class. And in the room is sitting a fat girl in a kimona on a platform, and the scholars are holding out their thumbs and squinting with the eyes. $ ‘Draw exactly what you see,’ gays the teacher. ‘“Half hour later, when the teacher comes for a to-look-see what your uncle has done, he begins making noises like busting. On Charlie’s drawing board is a picture of a thumbnail sitting on top a big pencil. ' “‘This is a class in drawing, not manicuring,’ says the teacher. ‘Take your business someplace else’ ‘“When Charlie comes home mad, I tell him, ‘Let sleeping dogs stay sleeping.” But you know your uncle —next day he is going uptown to the Museum from Modern Art, and when he gets back he is all agoggle. : “‘Frieda’ he says, ‘to be a paininer, a man don’t need perspective. What he needs is guidars. A picture can be a piece - Truit or a chair with one leg—makes no difference so long as \in the corner is a guitar. *So, for the next week he is painting guitars—Moon Over Stan-

NOTICE

Mrs. Constance O. Buckles, Welfare Visitor of the Noble County Department of Public Walfare, will be in Trustee Thomas Hite’s office which is lo-

MARY WORTH’'S FAMILY

gv-g7 T 2 T ' : e HOMER"DARL‘N'“! DARLING. WHAT A BEATING R OH,GLAD TO SEE YOU, ' [ '_.___!-/——-‘ i THAT WORD TAKES BACKSTAGE! TOET‘.LDQ’ Jﬁgﬁm PADDOCK! REMIND ME T 0 YOU SIMPLY THUH-RILLED ‘ . . YOU HANG ITON EVERYBODY FROM SWEET? SAY A GOOD WORD FOR YOU 'ME ,DARLING! WELCOME HUMPH. REMINDS ME OF e YOUR CURRENT LOVETO THE A : TO THE FINANCIAL BACKER 6 THE GALLERY OF J—< sAI BUSY DAY IN THE OIL g\_{ TR LAUNDRYMAN! - - BUT PINIE ALMOST TONIGHT! WS N MMORTALS g yiats DA ] e LENE MRI 4 ok 4ahs OUNDED 15 IF SHE MEANT IT! A i H INEW GUSHER COMES IN // ~- ﬁi oo (Gean (ST _AEPON 3’ﬁS, °0 MUCH A 7 EVERY MINUTE! 7 eW , -lu s ;“*\{é ST y % B - i ’A mﬁ?@l‘ s : '%“ /9 & . / WIAYA! /4 Z ) % R SNLSr < \‘ AN o| (D ‘ W%“’“ f/ﬁ’“ i o //, N &C\ ' | (‘»’l&/ : paes; G ‘%é % Z 3) N B 5 \ P \“‘) | o / oo\ ) BC.. T R 2 Z i | M § v PN '/ 3 B P | | e- ~ as Mk 2/ /AR N7\ ;/N J}“*\‘A’.&ﬁ %\b@ B ld-‘ SM W O s‘, i ';9‘ ’/ ‘«.\‘ \ | : 2o\ B 2 : Y .74 21 / N Ay - : z & Yool AN B ! - ( f‘i@%v iz i 1 7 ¢,_ \ N ) i/ @ | Bi) /(| 872 ) & /Y \ \ b S(§ VIR Bec WA .M ALt A 1 C i<N | FR A ‘ a\Ceain QM L . 4 LNV r 7 v‘é S <R | —— _ —Z VAR \N\C _ e

KERRY DRAKE

1 OoN'T knNow AouT Ytm pum W more LA / RAN IN i oo B SST/ KERRY LAMB! RIO. BUT ON A RAINY TUCKERED \ WORK - cAM’é"’g&’ﬁfé o):zosussso Jg%my s - ‘;@?ﬁ W WHILE TH' MUSIC 1S NOISY., g\'gg" ,:,':,%’.éé‘g gg:" - OTU};E ;'?J/'ér h%cgés ;gbvizw WEA;’I;ER ,5:5 K‘C“}’Eiik m Y ______.._.*tﬁ; TRY WIGGLIN® INTO THESE. | . ; OOK LIK s w v F s . PUIGHIER CoRgS To COATS! / HONEY- X FO' COD LIVAH OIL! Jim JuLEP! § L\V | \@% “ . | i 7Y - P Y/ E R\ ]/ @ ‘ Y SEH o X "!,,, A & 4 T t,///; , : 4{3" A \T‘,,’;' vy Sl . 3 2 (Al Wagnpl SN T Y 7 "”ﬁf/ ANV & o R~ @ A G 5 B < A| < R W 3 KRy oS S S 0 % (ETRPDIVLINE | N Y /NN Y R QN = Lo & ! g 7 N / RS ST ) 5 o / , ' e : e € ) [EINIT | S A (K Y . e Y ] - L N = — LA ; \] : Y|/ g | N B =0 el M "‘ é : q {‘,,{? : g -r_f-:;'l ~ ‘/‘ s ’ 4 v L SN .: ¥ "VM“\.Y:::‘\\

ton Street with Guitars, Baby on Pushcart with Guitars, and even a picture, Guitar with Guitars. * * ® “THEN, A FEW WEEKS later as the crow flies,” is opening in the Metropolitan for 50 cents a show from a Frenchman — Van Glick, Van Goldberg, something—"’ ‘““Van Gogh?” I suggested. ““What’s the difference so long as you’re healthy,” said Aunt Frieda. ‘““When Charlie is coming from the museum he is saying, ‘Today I find out something absolutely hairracing. This Van Cook is all his life selling one picture for few measly dollars, but now when he’s, dead and can’'t eat, his paintings is worth 30 million. No wonder he is cutting off his ear and they got to drag him to a asylum.’ “Your uncle mills and mulls for a few days and then he is making a decision. ‘Frieda,” he says, ‘it doesn’t pay a man should be like this Van Cook. Supposing I sell, maybe, one picture for five dollars during my lifetime entire, and then when I'm dead and gone the pictures is worth 30 million. By the time I am dead and gone, you will be likewise dead and gone, so who gets the 30 million? My brother. Why should that loafer get my 30 million? Let him go out and make his own 30 million. From now on, I am strictly a old-stylish realist and making pictures with cash value like Grandma Moses. Which 1 am signing Grandma Moishe.” . “Next day Charlie is going to see our butcher. ‘l'm going to paint a muriel on your wall, be says, ‘a whole panorama all kinds succulent meats. Will be good for the cash register.’ “Schloomp says, ‘What 1 got to lose,” and so Charlie paints him a muriel which he calls by name, the Spirit of Meat. When it is finished, Schloomp is saying when he sees your uncle he knocks out his eye.” “Was it that bad?’”” I asked. “A man could go bankrupt from such a picture,” said my Aunt Frieda. ““In Herman’s strictly Kosher store, your uncle is painting on the wall nice cuts Rinderbrust, chuck steaks, first-class plucked chickens. But in the middle is the Cpirit of Meat holding a 15-pound —you should excuse the expi: - o —Virginia ham.”

cated in the same building as the City Treasurer, on Tuesday afternoong from 1:00 p.m. to 3:30 p.m. This office will be open beginning March 28, 1950 and will be open every Tuesday afternoon thereafter.

P . 2PO \S\\\g\\\\\%\ . ; \ \ N 2ot NN v LN ey ' - E 3\§ i r o A FLGARNN SN TELEVISION' - RADIO - HOLLYWOODMA ¥

-~ By GEORGE LILLEY (NEW -YORK, N.Y. — Another Hollywoodian in New York to star on television is Edward Everett Horton. His new program (effective March 23*) is titled “Holiday House,” a mythical hotel of which

e ) Horton is the D mamnager. ) Among features I 1 of the hostelry: S dramﬁtic Sriises =% »* = comedy acts, a @”‘”’:@v& weekly ballet %Mﬁ% based on a musi- £ 8 cal vignette by bandsman - composer Gordon : e Jenkins, of E. E. Horton “Manhattan oo TV Bight Towers” fame. Horton, famed as the bewildered flibbertigibbet, started out in life to be a writer but found playing stock easier and better paying. He worked theaters 13 years before his first movie role 14 years ago. In a land of beauties, the actor has never married. He lives on a San Fernando Valley ranch, tenanted during his absence by 17 relatives, : *Thursday nights, ABC-TV | NOTES ON MAESTRO 1

*Paul Whiteman: Leading figure in modern music for the last quar-ter-century. -In addition to hjs entertainment duties, Paul is vicepresident in charge of music of the ABC radio network—the only one of some 52 net- . work veeps who AT, works before a mike. His “Paul £ 5 A Whiteman Re- @& oo Qo nites, U Whiteman dis- g#gB.. & coveries and |F¥ o & elaborate pro- ¢ .. R duction numbers S e played, danced Paul Whiteman | and sung by a ... displeased 50-member en- = semble. Although one of the top TV attractions, Paul refuses to view his own program (as he could via the kinescope films). He never saw his movie “rushes” in Hollywood. Paul explains: “I was never pleased with myself—even when I was young.”

| REMEMBER, NOW--- \ (. WELL BUY EASTER SEALS HELP J AS MANY ALL OF AMERICAS AS WE. CRIPPLED CHILDREN, CAN, Too! WE'VE GOT TO HELP MANY AS WE @O2 ﬂ ol » CAN! S NG S ua, ' ' /}' .\ l A Q;:'fg;{p-\' 5 ' f\‘ w%%/’v s NN/ Y P ’\‘&;s3\4 ."L%gﬁgibmwﬂtn | = '.O\)/ Cup:l‘)w. Kx'hi;: Features Syndicate, ln \ngi:" rights reserved,

THE LIGONIER BANNER

WENDY’S WINNER There has been innumerable contests for radio listeners. “Wendy Warren” (Florence Freeman), who conducts CBS’ midday “Wendy Warren and the News,” combining a news report with a dramatic show, turned the tae ‘bles. She conP ducted a contest | § for radio people. .74 “Wendy’s” con. ; %”“ f. test asked womB M ctaf members . w ME of CBS stations (. &0/ to send in —to . o win a week’s b % SR trip to New York R as “Wendy’s” Frances Jarman . guest — their ... the winner best local news story. Showing that not only listeners go for contests, members of 40% of the stations responded. The winner: Mrs. Frances Jarman, women’s news editor, Station WDNC, Durham, N. C. She told a story of a young Superintendent of a Raleigh’s woman’s prison, Antoinette Lamonte, whose personal contact and rehabilitation work with inmates helped to restore many to the stature of valuable citizens.

THE MAN? DAN Burly, curly haired Dan Seymour, long one of the country’s best radio announcers, has gone through a saga on the human interest show “We the People” ithat might make “We the People.” He came to the program as an- ST, nouncer in 1943. -MU L - When the show’s J@ g, regular emcee & . left, dozens of g 8 & candidates . for s the stint were § il gBy auditioned be- &0 . fore the produc- & =W 7/ ers realized that ¢ the fellow they ¥R @ = . oo really wanted %43 '*~-..,:;:3255355?:3';5%?;5:55?:%5%:-15"‘:i" was standing on Dan Seymour the other side of ... another job the microphone ’ all of the time. Dan took over as ‘emcee. Last month the Friday nightNBC radio-TV simulcast went looking for an editor, a man to take overall charge of guest selections, program make-up, ete. It was decided more quickly this time. The man: Dan Seymour. He continues as the program’s emcee, too.

- FAMINE IN CHINA Continued from Page 2 We should like to help, if we can. Unhappily, our previous experiences with aid to peoples in the Soviet-dominated sphere have taught us what to expect. We have no assurance that our help will extend to the points where it 1s needed and we have reason to believe that any materials we supply will be relabeled and used for propa-l ganda purposes and their crigin concealed or falsified. We wish, in a spirit of entire friendliness, to help feed the Chinese, but we certainly have a right to expect that this friendliness be made known to them and not distorted to our own permanent disadvantage. . |

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This situation suggests its own solution. We can give famine relief in China provided the Chinese Communist Government agrees that it be administered and distributed by Americans on the ground. They ecould be non-military

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2 wam REVERENCE ViR Is The Keynote Y : . . . a fitting tribute to \Y/ -the memory of the deNO~ " - parted one. In time of _ -" N ~ bereavement, call upon ~’ e ' Brown to make funeral , preparations so complete you are spared every » detail. . BROWN FUNERAL HOME ‘ Phones 115 and 120 Ligonier, Indiana . 24 HOUR AMBULANCE SERVICE

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Americans — teachers, doctors; missionaries and busi= ness men who could be called into that service. They could be persons whose basic attachment to the Chinese people was well established. , - —New York Times.

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