Hammond Times, Volume 3, Number 143, Hammond, Lake County, 4 December 1908 — Page 10
10 THE TUXES. Friday. December 4, 1908-
PADS AND FASHIONS
Hats aro a early all dark, Skirts are long, narrow and high walsted. . . - The hipless girl Is in the height ot style. The vest Is an important feature this winter. Bodices are absolutely flat and close-fitting.
Jlalds sem to pa the favorite wear for schoolgirls, both large and small. Women's calling cards have .changed slightly in shape, and are now almost square. - The fashion of bloomers for the. small girl is an increasingly popular one. The lace coat figures as a part of
LADIES' TUCKED NIGHTDRESS. This design is particularly adapted to flannel, although practical for any material. There, Is no unnecessary fullness in the gown or sleeves. The stitching of the tucks, which turn in opposite directions, give the effect of box pleats. Cut In 3 sixes, 32, 84 and 40 bust measure. Size 36 requires 64 yards of 36-lnch material and measures 2 2-3 yards around the hem. ' Price of patterns 463 is 10 cents, pattern department of this paper.
Hairpins with the open-arched tops are taost stylish. Children's white fur hats sound a wide range of style. Lines are for the most part long and flat and straight. The slipper is colored to match. or contrast with the gown. White fur of every sort and kind will be much worn the coming winter.
many of the dressy frocks this season. Anentire crown representing a great rose is one of the novelties encountered among hats. Braided cheviot and serge have retained thelr popularity for . separate coats and suits. - White coats for the street are long and hang In almost straight lines from
LADD3S' AND MISSES' YOKE SHIRTWAIST. Although plain this waist has the style of the real tailor-made waists. It Is a design suitable for thick or thin materials. Cut In 5 sizes, 32 to 40 bust measure. Size 36 requires 3 yds. of 27 in. material. Price of pattern 439 Is 10 cents. Fill out blank and send to Pattern Dept. of this newspaper.
the shoulders. Black satin, messaline, or satinfaced crepe Is exceedingly stylish in colored dresses. Sleeves reach to the wrist and mould the arm with a somewhat unflattering faithfulness. For visiting cards. Old English, Roman block and old-fashioned scrip are all fashionable. For shopping, street1 or general service, the skirt is usually plain and in clearing length. The opera bags seen this year are very elaborate affairs on which many gold spangles are employed. Tiny wreaths of flowers made of ribbon achieve the daintiest kind of decoration for girls' frocks. In fur coats one find a survival of kimona sleeve, fitted into the arm and made Into a coat sleeve. Large revers and the standing consulate collar are emphatic features of the sean's styles in coats. Winter cloaks are very much longer
and the backs are even straighter and
flatter than they were three months ago. One ef the recent touches on the ready-made white net waists is a black cord around the lower edge of the collar. Fish net continue to be much used for blouses and many beautiful models are made over a chiffon cloth or mousseline lining. Sleeves must spring straight from the armhole without any little kimono manche or mericful epaulette to break the severe effect. Sets of Jeweled hatpins are one of the gifts now bestowed upon the fashionable bride. The set generally consists of five pins. A shirtwaist of French flannel, having a small polka dot on a white ground Is attractive with 'a necktie and belt the color of the polka dot. A very exclusive haberdasher In Paris is introducing men's handerchiefs with monograms ' three ' inches long and a half an inch In width.
The raglan holds its own among long coats, as one that Is not only extremely useful, but as also possessing a certain distinctive style. Tunics of Greek inspiration, draped
now from the shoulders and again from ,
the hips, are to be seen both on evening an on afternoon gowns.
A heavy stocking In silk or lisle i
thread effect in two colors is brought out for those who wear low shoes all the year arourtd.
Many, of the season's coats have
sashes coming from beneath the vest
or from the edges of the consulaten
collar, either one adding a stylish
touch. i
The deep, narrow yoke is an insistent
feature of this season's modes and is in perfect harmony with the tendency
toward tal slender effects.
In this day of slashed skirts and
pettlcoatless ankles both slippers and
stockings have assumed a place of luxury and Importance undreamed of in other times. Muffs and neckpieces of marabout are very popular just at present, and particularly is this the case with the kind konwn as the clustered marabout. Fur is used not only for collars and muffs, but around the bottom of coats
of various lengths, especially the very long and the three-quarter length
coats.
Brother and sister are the titles
given respectivelyto tho sylpbocker and princess slip two garments of
Italian silk warranted to give the iiew
figure.
Not only are skirts sheath fitting.
but all petticoats are made in exactly
the same way. Otherwise it would be
impossible to attain the desired result
in gowns.
Bronze and olive-green, myrtle.
smoke-gray, elephant, prune, Russian blue, cadet, navy and the rich dark
blues are la made handsome ,by trim mings of black satin or velvet.
With the dlrectoire coats the sleeves
are long and come very low down over
the hand as well, while they are like
wise buttoned down the seam and
adorned with a row of braid loops.
The princess and dlrectoire skirts extending above the normal waistline retain their hold upon popular favor, and the bodice should be in harmony
with the skirt of this character.
The cossack turban sits flat on the
head and covers the forehead as well as most of the back hair. Although It is not at all becoming, their barbarous-looking turban has taken Paris by Storm. The separate collar is . a happy idea for the fvoman who likes to give a good gown good, hard wear. With the collar, she has a luncheon gown; without it, a dress for the restaurant or theater. A marked feature of the new skirts is the shifted position of the closing. They almost invariably fasten on the left side of the back, though the bodices continues to close in the center. Afternoon gowns that , are suitable
for reception, teas, and other affairs of more or leas informal nature are made of broadcloth, chiffon-velvet and silk cashmere, and are in sweep length. o part the hair In the middle is just now the fancy of the Parisienne, the wayes being brought well down over the face, while the hair is turned, abruptly back at the sides over two cunningly inserted side-pads. While no skir tat the present time can be called full, those designed for soft, thin materials are often made to fall in voluminous folds, but they have the top closely laid in tucks that produce the sheath fit.
down to the delicate littla wrist' Sad vanity bags. Each one of the puffs arranged at the back of the Psyche knot Is held In place by a large hairpin, and the pompadour is now held by a pin instead of a comb. Some girls, too, have gone so far as to add one to each side of the knot. In gowns having tha high waistline, the top .of the skirt is often tucked, but if the gown is of chiffon or anything ot this nature the gathered top permits the soft' folds of the material to cling to the figure and follow the outline becomingly.
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If
421
LADIES' . CIRCULAR APRON.
j . mis apron is pretty as wen as useiuj ana oemg wunoui gamers is very
easy to launder. The crossings or toe straps in tne oacK Keep mem irom falling off at the shoulders and the pointed bib glxes a becoming waist line. Cut In three sizes, 32, 36 and 40 bust bust measure. Size 36 requires 3 yards of 27-inch material. Price of pattern 421 is 10 cents, patterns department of this paper. -
! The shortened waist and straight, clinging lines of the skirt are features that strongly influence the wln- ! ter modes, characterizing evening gowns, dressy coat suits for afternoon
and other affairs of ceremony. Tlils is a day when bays, little tc big, ostentatiously plain or elaborately decorated, are put to a hundred uses, from the shopping and automobile bags
Boullion lace is constantly employed by French dressmakers as a furbishing. This lace in which all the metallic shades are blended with yellows, whites, reds and greens, is a sumptuous material, most effective for bits across the bust and arrotops.
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