Jasper Weekly Courier, Volume 63, Number 41, Jasper, Dubois County, 4 March 1921 — Page 8

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fOTO BEST CLUB OFFERS

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G Ever Blooming Rose Busnea Mate your yard and garden a rosy Paradise. Thio assortment consists of the most beautiful varieties; there are a wide range of colors and . they are not surpassed by anything in the rose family. They are strong, well rooted plants, hardy as oaks and ready to be transplanted in your garden. We guarantee them to reach you in good growing condition. They will be mailed at the proper time for planting in your section.

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DEPARTMENTS FOR ENTIRE FAMILY Boy and Girl's aage Pattern Department Needlework and-Embroidery Section The Homo Maker's Club- in short you will find The Farming Business a mighty big surprise. We have made arrangements with the W. D. Boyce Co., publisher, b- which UO ?a th following wonderful club with your tubtcrictloa to th.

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By BEN ED DOANE. FAR, FRANK, FEARLtSS and FREE. The only paper in Dubois county wich a genuine editor who knows his business and is onto to his job. Fifty vears ot continued success proves that fact.

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VELVET

Si LACES,

0'!S. FURS

Dress Materials in Joyous Mingling for Milady's Dinner and Dance Gowns.

PLAITED FAN-SHAPED PANELS

Side Decoration Much in Favor; Low Waistline Bodice Is Featured; Pretty Trimmings in Gold and Silver. This winter we shall dine ami dance In velvets, laces, ribbons and furs mingled luxuriously, according to a Muling fashion writer. It was natural to suppose that women would tire of lace dresses, as so many of them were worn during the summer, but the fervor for luce continues unabated. The loveliest things Imaginable have been created In combinations of velvet and lace dyed to match the color of the velvet. In these, pray, brown and green are favored, while black lace frequently Is used in combination with white velvet embroidered in 11 nek. Many beautiful lace and velvet models are being made up for. afternoon wear, as well as for the evening. Ever so many of these show the plaited fanshnped panels at the sides and the low waistline bodice. Long, tight-fitting sleeves and straight, shallow necklines are features of the lace dresses for afternoon wear. Models of this eharncte are greatly admired and. judging from the number ordered by welldressed women, bid fair to become one of the successes of the season. An interesting frock is developed In n soft shade of taupe velvet, with lace tf the same hue. The sleeves and neckline referred to above are used. It has the apron tunic which, while not new this season, is receiving considerable attention. It is being handled in a much more interesting way than it was last suinnvr. Frequently It j of laci or, if of the material from whieh the dress is made, it carries interesting embroidery, wlm-h sometimes Is c.f wool wir' a deep wool fringe edging the tunir. Aprcn Tunic of Satin. One of the most popular models showing the apron tunic is of black s.tin. The slcexeloss bodice is long and straight, reaching to the hipline. At this point an apron tunic of Jet paillettes is attached. It falls straight to the edge of the skirt. As so many of the black frocks this year must have a touch of white, just as those of white are accentuated with Jlaek, n ladder-like pattern of rhinestones Is placed on the bodice just above the point where the apron tunic Joins it. The rhinestones appear again in a narrow band placed about two inches from the bottom of the tunic. ! On an evening frock of silver-gray chiffon velvet with a full silver lace overdress a band of chinchilla fur outlines the high neckline of the lf.ee overdress In the front and. crossing the shoulders, follows the line of the decolletnge in the hack. There is also a band of chinchilla on the narrow, foundation skirt about six inches from the bottom. The girdle Is of turquoise -lue and emerald grven brocade. A pronounced feature in evening gowns is the draped princess movement. Dresses of this character usually are cut in-one straight piece from shoulder to hem. The drapery appears across the front of the figure at a medium hfw waistline, and as the folds are rather tightly drawn into the side eams this ives n pronounced stom ach line. Long trains fall'ng from tin low vals:l:ne. j,t the back or one sid. are likewise features of these draped princess dusses. The decolletagc i medium low and of a square cut. Handsome metal brocades, dark brown and black, brocaded In gold oi silver, are the materials used. Wide Sash at Low Waistline. Again the a:ne draped effect is (I tained by means of a wide sash of tin material tied at a low waistline, tin eruls falling straight at the left side This season sashes nre not tied in large, perky bows, but instead of the long ends are tied only once and allowed to fall straight, thus accentuating the long, slim tigure line. Ilroad girdles of metal brocade ofteu finish :;t the left side with a large disklike ornament of gold or silver. All sashes :.nd girdles, regardless of their mode of fastening, are placed at a low waistI ne and are tightly drawn across the stomach. Street dresses and the more elaborate afternoon frocks frequently have the low waistline effect achieved through the cut of the long straight bdlce, which In mauy Instances is circular across the front and back, the sides being a little shorter.' From these circular cut ends hang wide,

straight panels, and fnmi the sides ; 3

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" iiiiuru.u, uMiaii; liice, em broidered "net, embroidered gold cloth or nn applique embroidery of the material. This latter may be of serge or broadcloth, two materials much used for street wear, in black and navy blue. Some of the exclusive dressmaking

bouses are showing considerable full- ö

ness In skirts. This width frequently is achieved by means of plaited fan-shaped panels that are' let hi at'

in one piece, the left side or the skirt being much raised In draped effect. At this point falls a plaited fan-shnped panel of a sheer material. Ribbons Used In Gay Profusion. t Little dancing dresses of tulle ' or lace may have full, short skirts." tight bodices of 1S30 style, and sometimes short puff sleeves. Often bright-colored ostrich of contrasting color Is used as a trimming on the skirts. Or. if preferred, garlands of gayly colored flowers may be substituted for the-iOS-trlch. Kibbons are used on dresses in every conceivable way. They make stiff loop panels which lie Hat against the skirt or fall In loose streamers from the waistline to the hem and huge ribbon sashes that lloat away Into long side trains. Poiret has a novel way of giving a bright touch of co!or to his models by adding narrow bands of velvet ribbon to an otherwise somber garment, lie employs this method even on street suits. HATS THAT DROOP

Winter Headgear Is Low About the Ears and Face.

All Sorts of Tricks Have Been Prts&ed Into Service to Lower the Lines. Advance models of hats have now gone through the weeding out, and there regain In the millinery flower garden only those which have been Judged worthy to live. Daily more and more of the winter hats are appearing upon the streets. And from the signs only the unworthy have been discarded by the high court of fashion. Everything Is drooping and low about the ears and face, writes a fashIon authority. Whatever Its angle may be from another direction, whether it be large or small or medium In sire, whether Its materials be thick or thin. It hugs the head in a peculiarly charm ing manner. Everything imaginable has been done to help in this drooping effect. Besides the fundamental shaping, all sorts of little tricks have been resorted to in the use of the trimming in the handling of the brim to lower the lines. The popular notion Is that nothing Is changed this season. One reason is because the changes are so subtle and retiring. A last year's hat won't do at all. It is stamped Irretrievably as last year's, and yet one hardly knows why. The tain is still with us, the draped turban is still good, there are still ostrich feathers falling over widebrimmed chapeaux. And still everything Is subtly different. It all lies In the secrets of the millinery designers who create and design to puzzle and allure to make one open . her eyes to the fact that we must bow to their superior art and that we cannot pass off a 1919 hat for a 1920 one. The trimming which falls down the sides of these new hats Is one of the points that add to the alluring quality. One never knows just where this

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Most Napoleonic and Dasning Is This Stunning Hat of Black Pressed Beaver With Its One Curling Plume of Ostrich in Electric Blue. downward motion Is going to occur nor what its character will be, and the Idea holds the elements of a continual surprise at least while the millinery year Is still as young ns it is today. The whole thing started with feathers'straight feathers or curly feathers. It did not seem to matter which. They were bent and twisted and turned until they took on the line of the neck and fell over the shoulders. They were found to be more than becoming. They were positively "softening," as the millinery saleswoman has IL

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üercIaaEaft Gete Protection o TS this thc5pcnccr National Bank? This J is Goodwin & Company, of Springfield, Mr. Goodwin talking. A stranger has just offered a check on your bank for $30 in payment for some goods. Says his name is John Doc. Has he an account and is he ßood for that amount? . By telephoning to the bank, the meiy chantcan always protect himself from loss by worthless checks.

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