Indianapolis Times, Indianapolis, Marion County, 6 September 1952 — Page 7

. 6, 1052

Christ ~ SECOND SECTION The Indianapolis Times SATURDAY, SEPT. 6, 1952

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MOVIES

Pastor Bob" Blake

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ROOKS

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Ue Theaters Offer More Than Fun

5511 E. Wash. By KATHLEEN CVENGROS “Actors and Sins,” intriguing] The first tale, “Actor's Blood,” rs: ] i title for a film, stars Edward G./ijgs a mysterious tale of ‘the life TONE Tu IN ADDITION to being ? Robinson, Eddie Albert and Mar-l. 4 death of a Broadway star 8 HOUSER fine source of entertainment, sna Hunt. It's having its first Lak y tae, i; Axe theaters will get’ many an showing currently at the Esquire. The second, oman of Sin, hildren d te th d be Marilyn Monroe and Richard/is a take-off on an older era of oma added vote these days De-|ywigmark top the bill Thursday at|fiim-making.

ommunism,” ; 3 ’ roa yause of tele Sisscondiioning. [the Circle, in’ “Don't Bother to The two stories are combined in A 4 : L - : It's Jag, now, you say? ST jie |the manner of Somerset Maugh- CL : So ; "MODELS. IN oesn’t make any diiference to the . lam’s “Quartet” and “Trio,” and : > ; 8 ; " nay-feyet Sutfereh ARG. the one Startling Expose {are the products of the same art- : } ii In vi i ' ES place in’ town the poor guy 1S|. get against a lavish background istry that created the unforget- . . : : bound to get relief is in a nice, which includes all the glamour table “Crime Without Passion” FILM FARE—For. your entertainment this coming week, thé pollen-free theater. lof the modeling profession, “Mod-/and “The Scoundrel.” | first-run downtown theaters have scheduled Alan Reed, Trace : On th fe schedule f lels, T NS or thy pdyant Ben Hecht, author of the two y ° f the movie schedule for com-|els, Inc.” shows off the advantage| Ben Hecht, author of the two . ew : . a {ng attractions is Bing Crosby and|more than 30 of America’s most|stories, also produced and directed Roberts and Eddie Albert in . Actors and Sin (Esquire, now show- | Q votable Q vofes by Movie Folles Jane Wyman — ably assisted by striking models, points the: way|the film. ing); Marilyn Monroe and Richard Widmark in "Don't Bother to Ethel Barrymore — in “Just For to success in that field, and still] : Knock" (Circle, Thursday); Bing Crosby and Jane Wyman in "Just . ERSKINE JOHNSON at home pay for it and eliminate final, I You,” opening Thursday at the manages to bring to light with Scorching Melodrama for Y { Indi Th vk: "3 dH y D y By ERS [the ne a it's not the in BL shall MIAZFY again.i1 1 fal) ; ; or You" (Indiana, Thursday) and Howard Duff and Coleen Gray HOLLYWOOD, Sept. 6 —| e ereigls. ! | ) ourse. I am still conIndiana. the ring of authenticity, the story Concentrating on life behind the| . wu ‘wn . |actor’s business to sell commercial | vinced that marriage is a won“Howard Dutt and Coleen Gray of racket among bette girls in "Model, he." Lyre, Thursday On the Record: Dana, An|oroducts. Tics only mpposed to der thin: Struggle through lhe Jas oe citi r “Don’ |drews answering the “Why sell himself, the story and his * = & “Models, Inc.” beginning Thurs- larger cities of the nation. [York ‘ore, Don’t Bother 10/,,iontens the realistic air whichjdevelops within the space of an| 4 n't t ic ti Yl acting art.” GENE TIERNEY, on living: day at the Lyric. Backst Peck Knock” spans almost the sameiin turn adds to the impact of|evening between a single guy at| ont you try 1V I" quesuon:i Ang popcorn? rl 1k ’ ving: The Times’ preview of the week acksrage ree |amount of time encompassed by|danger and excitement made by|loose ends and the beautiful girl] “Television doesn’t have dig-| "oa ow e to swim around in a is “High Noon,” starring Gary| Ben Hecht's brilliant new film, the action. (the film. (next: door who gives him an im-| nity. The commercials are de-| CLARK GABLE, on the subject Pool like Joan Crawford, and Cooper and opening Thursday at “Actors and Sin,” is based on two This, plus the striking treat-| Briefly, the film centers on the promptu invitation to come on grading. I'll do television when|of a fifth matrimonial try: stretch out a’hand for a glass of Loew's. lof his most popular stortes. ment the picture has received, short but torrid relationship which|over. fthey find a way of making people! “Marriage? When my divorce 1s'champagne—that’s’ living.”

reaching

| In Hollywood—

scenes of a typical mid-town New!

Preview: 'High Noon’

10:45 a. m. Will Kane, the town marshal (Gary Cooper) re- 11:15 a. m. Realizing he must fight, Kane ap- 11:30 a. m. Kane's deputy, Harvey Pell (Uoyd Bridges), turns 11:58 a. m. Kane advances fo meet his enemy 12:01 ‘p.. m. High noon has ceives word that an outlaw he has jailed is heading back to Hadley- peals to the townspeople to help him—to no in his deputy's badge while drunk and meets Kane in an old. barn, who has three gunmen backing him up, It's certain come and gone. The killer is ville for a showdown. The stunning news inferrupts the festivities avail, His best friend fells him there's no use He demands that Kane leave fown. A fierce battle ends with -Kane death for the lawman until Amy, about to leave dead, Kane and Amy mount following Kane's marriage to Amy (Grace Kelly) in "High Noon," fighting, nobody cates what happens. Kane must battered but victorious—and still alone, Then his bride tells him town, changes her mind and rushes back to his their buckboard and, without a = . ort Mhteday: Fai wl face the killer and his men, alone. | - she is leaving town—with or without him. aid. * Te word, jeave town. ©

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