Indianapolis Times, Indianapolis, Marion County, 3 August 1952 — Page 24

"PAGE 24

Stage and Music— Hypnotic Ravel

LENOX, Mass., Aug.

can convey.

ment stands—all the usual accompaniments of summer music here seem unreal Even the discomfort of sitting too close to thousands of other perspiring listeners in this recordking hot summer air is unThe

music alone has

me¢ ning The huge fan-shaped Shed, successor to the old tent where cloudbursts sometimes used to blitz the

Boston Symphony into silence, has rare acoustic properties, From the great stage and shell, the music penetrates far beyond the Shed’s borders, And it's music the like of which vou'll hear nowhere else this summer. of Stravinsky's “Rite of Spring given a tremendous send-off Saturday night by Pierre Monteux : and the orchestra, 5 * Sunday afternoon, I heard the most censational performance im-| aginable of Ravel's two “Daphnis and Chloe” Suites. Charles Munch | (some readers will remember his appearance at Indiana University several seasons ago with the French Orchestre National befors he came to the Boston Symphony) conducted.

LB J » MR. MUNCH deliberately é&mphasized the hypnotic qualities of | Ravel's score. Using the often neglected choral part, which was sung by a well trained choir of Tanglewood music. students, he built both suites into huge climaxes.’ The conclusion of the Generals” of the second reached an heard before. It won an ovation for Mr. Munch, the orchestra and Georges Laurent, first

“Danse

passages. Mr. Munch himself] Earller .in the program were the symphonic Interlude from

Cesar Franck’s “Redemption,” an|

excellent performance of BlZet's| sprightly and only symphony, |

written in his youth, and a re-| markably interesting new choral! work-by Luigi Dallapiccola, The novelty was “Three Songs | in Captivity,” consisting of imag-| inary prayers by Mary Stuart, |, Jothius and Savonarola. The|

SHRIMP |

By HENRY BUTLER Times Staff Writer

2-—The Berkshire Festival in nearby Tanglewood has a dreamlike quality no description

Big crowds, traftie congestion, chow lines at.refresh-

In an earlier piece, 1 spoke!

suite] intensity I've never| —

flutist, | who had the most important solo]

joined in applauding Mr. Laurent. hold its next full assembly mieet-!Parsifal, in addition to the world

G. and Wielhelmina Bainaka are |

Tanglewood Chorus, ably directed by Hugh Ross, ‘was accompanied by ‘two pianos (Lukas Foss and Ralph Berkowitz), two harps and percuesion,

” n ~ THAT LAST term sounds innocent enough, but when ou have tympani, bass drum, Chinese gongs, xylophone, snare drum, ; ‘chimes and, believe it or not, :vibraharp taking part, yoy have some extraordinary tonal possibilities. Mr. Dallapiccola missed

none of those possibilities in his polytonal, contrapuntal and crossrhythmic variations on the famous “Dies Irae” theme. The work has great Iugubrlous

powet. As always when I hear something new like this, I wonder] PLAYHOUSE STARS—Martha Walstrum (left) .and Jeanne hole JANE SoIpagey oy ven be Hatch, both of Bloomington, are the leads in "Arsenic and Old Iq o «imagine foreh: 2 ounlgeffects he ultimately will Lace,” Brown County Playhouse production in Nashville, Ind. The attain. Such complete distortion’ show is being staged tonight at 8 p:*m. and, ‘will be given next lof 19th-century musical patterns Friday, Saturday and Sunday, also. 4

THE [NDLsNAROLIS TIMES

Here's Art in the

By HENRY BUTLER Times Staff Writer

BOSTON, Aug. 2 — The days of private. support of the arts may be over, but?

{Boston has a fine monument fe; to them in the Gardner Museum. | On this page last Sunday I discussed the growing need for art | subsidy, now that formerly effec{tive wealth has been taxed out of the picture. ‘ The late Isabella Stewart (Mrs. {Jack) Gardner may well go down {In history as the. last American jemulator of the Medici. Her ex{traordinary achievement in Fenway Court, now officially the | Gardner Museum, 1s something levery enthusiast ought to see, On previous visits to Boston 1 had missed it—one time because

Gran

COURT—Here is the center

of the house that Mrs. Jack's

jack built,

it is open only on Tuesdays, Ski, at his peak, to play for her, | Thursdays, Saturdays and Sun-|8uests. (days. And I'd heard so much Inside, the building

is com- Jack herself,

d Manner

“the high taste’ of her time, and that naturally include some corniness. But she evidently had immense ~nergy and enthusiasm. She had,

# a knack for assembling paintings, |

sculpture and objects d'art in au-| thentic period groupings. Her sequence of rooms on the second and third floors, including the Early Italian, Raphael, Dutch, |

Veronese and Titian Rooms, rep- |

resents a terrific lot of planning, !

with more such lavish imported

jtems of decor as the painted and gilded Spanish and Italian leather panels on the walls of the Veronese Room. ” ” ” ALL OVER the place are inlaid cabinets, bronzes, aces, jades, Sevres china, Gothic choir stalls, Baroque mirrors and candelapra, and all manner of paintings. All over the place also are paintings and drawings of Mrs. the principal ones

{about it that I was prepared for|pletely and fantastically out of hy John Singer Sargent, though |

disillusionment, world,

took hold of

Instead, the place this me

{than the Henry C. Frick Gallery stucco walls, its imported Medie-|Sargent’s and Renaissance balconies| Portrait [represents a larger investment of and window frames, is an odc | fusion of Venetian palazzo with| {a suggestion of John Wanamak-| er’s Philadelphia store. Mrs. Jack| represented what the French call

{In New York, which probably| val

imillions In canvases. | » n ” | OUTSIDE, Fenway Court 1s {severely functional. Mrs. Jack was never one to waste money, \ye1 and there are stories of her little economies that offset such exteavagances as hiring Paderew- phone directory is Zeke Zzzpt.

pt Is Last DETROIT (UP) — The las

name listed in the Detroit tele- dentally,

The great’ central Anders Zorn seems to have done much more| court, with its planting, its pink his darnedest to muscle in on

monopoly... The 1888) by Sargent, now regarded | j|as the official one, shows Mrs. {Jack as.~a fascinating, vital {woman, with more magnetism {than conventional beauty. Her personality permeates the | nlace (she died in 1924) almost] lin the manner of Daphne du Maurier's Rebecca, though

t' different reasons. (There, inci-

strikes me as a superhuman accomplishment,

y Mr, opiccol Joma though ar. panopiccoln's fd y yg jap Musical Stars Are forceful, of se, th St in-| ro. " oelivgeing Prrar t| Cc OHASSET, Mass., Aug. 2

contains some even more out-of- (On the East Coast, 20 miles

this-world effects. Marvelous feat, ersons and I'm glad the composer him-| out of Boston, 7000 P

|self was there Sunday for ap- a week are applauding the |

Iphause; rtalents ot ~reveral Indiana -stu- | Add the grounds, the trees, the dents and the brilliant direction views, the air, the whole region,|of Hans Busch, associate profes-

like a superisize, really well-|gor at Indiana University. watered Brown County, and you For the past five weeks In have some Idea of this Berkshire c\ohasset, the green and white Festival “hig top” of —the—South—Shore

Great stuff, and certainly worth pmusic Circus has been drawing Mr. Piche Miss Crane

A trip before you die, [capacity audiences to musicals, - jand operettas, “The Firefly,” John Borneman, Lutherans Invited | All productions. have . Istaged under the guidance of the role of Jenkins. HANNOVER, Germany, Aug. 2 Mr. Busch, who already has won “Some Little Bug,” received such

(UP)—The Lutheran World Fed-' pational eration was Invited yesterday to annual

recognition . with local production of five encores. ing, in 1957, in the United States. {premieres of “Down in the Valley” Dr. Paul Empie of New York, [and “The Jumping Frogy' at In executive director of Lutheran diana University. In Cohasset churches in the United States, he has received praise of Boston i, gave the Invitation. q land New .York reviewers, who m———— {have hailed his direction of the {Music Circus as ', . . the finest 5 vet seen.” ! The Bainaka family will hola| Several members of the Uni membered {its annual reunion next Sunday versity Opera Workshop have in at the home of Gladys Balnaka, Deen singled out for their fine per- ro, yone » «pargifal,”

A" | 3% Fishers. All descendants of Louis formances as members: of the (Widow, ‘chorus and in principal roles,

. the audience simply couldn’

John will also play in Remberg’s The Student Prince”

Bainaka Reunioh Set "At the university,

invited. 5 8

IN THE Music Circus’ production of

fal.

recent Rudolph Friml's §

been student at the University played the university’s school of music,|j

his an ovation he was called back for

The Quincy Patriot Ledger said the second act. Marilyn, who will

get ‘enough of John Borneman.” at the Music Circus, including the

and Rod-| Prince,’ ger's and Hammerstein's “Carou- the university in the premiere per-|\p vin" Indi

John is refor his performances! “Fhe Jumping Frog,” “Parfait “The Merry Griffith,

a Hit i in the East

Music Circus this season. 4 " n ” GUY PICHE, a native the-—university; “The Abduction of Seraglio,”

the Music Circus. production of “Roberta,”

Mr. Borneman Mr. Busch

Miss Marilyn Crane, student at!

(in the professional theatre

fly.” As Sybil Van Dare she sang ductions. At

(“In Sapphiere Seas,” which opened

t also sing in the remaining shows’ ager. She is only 20 years old. ‘role of Gretchen in “The Student ’ sang the leading role at University

formance of Kaufmann's ‘“Par-

fait for Irene” adapting musicals presented

sity who is proving herself in the assistant. musical theater is Miss Diane; parpara Burnett,

she sang the role of the Music Circus.

sing in all 10 productions at the| an

ane Worley, who was ting, His 8010, had a principal role in “The Fire- designer for Music School pro-| the Music Circus, trons, artists could could write] where she started the season as/Some darn fancy acknowledg-| production assistant, she has ad- ments of favors received. vanced to production stage man- |

Mr. Ross Allen, who is working on his Doctor's Degree at the and assisted Mr. ana in editing and in “The Concert,” the round, will arrive Aug. 10th Still another from the univer-| {to become. Mr. Busch's personal collection. | | In rich Boston Irish brogue, «he who gradu- said, who did her graduate|ated from the University in June, Cash, that is-—no checks. "and other operas. He was ‘work at the University in 1950-51 ig serving her apprenticeship ii

las sistant stage director of “Parsi- ‘where

|lently, with the careful attention

{*0 background that made “Sunset ‘a distinguished pic-|

Boulevard” ture, But maybe Boston wouldn't |stand for it.) Ld IN A LITTLE ground-floor {room is a collection of autograph|

of letters from great musicians of | Quebec, and voice teacher from Mrs. Jack's era (she was born in known-for--his{1840): work as Belmonte last year in, Ysaye,

Nellie Melba, Eugene Jean de Reszke, Mme

also Marchesi, the young Fritz Kreisler| is scoring a personal triumph at and Heifetz in 1918 are examples. In the sell-out: They all write flatteringly, like) Guy | Ferruccio Busoni made his debut as Ladislaw, ging~+"‘voire_personnalite si spiritnele GAT ing “The Touch of Your Hand.” et artistique,”’

Another student making good

translation to place it

The

them are salty characters,

described the ! as most

“It cost all of $600,000.

{Kundry in “Parsifal” and Magda-|—= RN

[lena in “Rigeletto.” Diane will GOOD FRIED CHICKEN

for,

is an idea for a super-| [film Hollywood could do excel-|

speaking of

which needs no in the! bread - and - butter - letter depart-

jl patrons still were pa- The GRE TEST SHOW

museum staff speak of Mrs. Jack as if she were just laway for a week end. Some of | like| the one in the Dutch Room who Vermeer canvas, the second valuable painting in the

“And only wan to a custhomer.”|

RIT LOBSTER

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