Indianapolis Times, Indianapolis, Marion County, 21 May 1952 — Page 19

21, 1952

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WEDNESDAY, MAY 21,1052

Red Cross Plans Party

. Parents, their babies, pectant parents who the -Red Cross Mother

1126 N. Meridian St.

Indianapolis’ most Interesting |

women's section i a part of yo Sunday Times.

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‘Cosi’ Reaches - All-Time High -

* By Henry Butler

Times Special Writer 3 BLOOMINGTON, May 21—The Metropolitan Opera's Cosi Fan Tutte” is the best show I have yet seen the company bring to Indiana.

A large share of credit for its excellence belongs to the late Wolfgang Amadeus Mozart, | a who had a good bit of ability was a wonderful choice for that along these lines, role, It asks less than she cusSeriously considered as an tomarily delivers in singing, but operatic score, “Cosi” reaches an!it gives her scope for her first-all-time high of sheer beauty of rate acting ability. Invention and fertility of melodic/ Conductor Fritz Stiedry, last ideas, ‘night impatient of ill-timed ap-

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Given such a stylish production Plause that Blanked out some esas Rudolf Bing’'s staff have put pecially beautiful orchestral writjon, with staging by Alfred Lunt Ing here and there, kept this diffi-| and superb sets and:costumes by cult enterprise rolling. Rolf Gerard, this show makes| Incidentally, the much -dis-| Monday. night's “Aida” seem Cusseéd translation does aid the heavy and frowsy by contrast. %énse, an important thing for |That’s in spite of the face-lifting| Cosi.” Ruth and Thomas Mar- | Verdi's opera has had. tin have done a fine job with Fine Output of Sound rendering the Da Ponte Libretto

| "Aside from the completely into English. charming spectacle, aided by the Handbooks Wrong beauty of Eleanor Steber, Mildred/ AS You may recall, opera handMiller and Patrice Munsel, plus| books have been saying for years {the good looks and stage pres- that “Cosi Fan Tutte” has lanlence of Richard Tucker, Frank guished because the story is so |Guarrera and Lorenzo Alvary, Silly and improbable,

|“Cosi” last night had the best| This Met production proves the loutput . of sound’ I have heard Pandbooks wrong. Sure, it has! from the Met in years. |6illy moments. So has something

All the singers were In excel- like “Charley's Aunt.” But the| lent voice. They would have to Silliness in “Cosi” is really funny, be, considering the vocal demanas| 2% the Met does it. | -§lof Mozart's score. But last night was one of those rare occasions! § {when all performers seem to bel outdoing themselves. i Never before have I been so! yimpressed by Miss Steber. She! had a raighty fine duet partner in| Miss Miller, as heroine Fiordiligi’s |sister, Dorabella. Their musical! chattering, their difficult and beautiful soaring of voice in some [of the toughest Mozart ‘writing you can jmagine, all seemed miraculously easy. Swell Pair of Comedians : Mr. Tucker in the tenor role of] §

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| Ferrando’s side-kick also were in| {fine fettle. In outlandish disguise! && {of bogus Levantine costumes, the {two made a swell pair of come- | dians, |

| Miss Munsel, appropriately cute X {and impish as Despina, the maid,’ sean rem

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