Indianapolis Times, Indianapolis, Marion County, 3 April 1952 — Page 15

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_. THURSDAY, APR. 3, 1952 rg __.___THE INDIANAPOLIS TIMES a ee pAGEMS

i Teen Music Group Plans Sunday Concert ; Te : have this much in common: They| “x : yg i ' + The Tem de Bene nn TELL a omens, Ladd, Ex-Laborer, Hits t dive. eo esp Bcigly i rd elude wasn JHckeL. 2h ° p Po ] Kell's slight vibrato, which wor- ! J orer, i S ys ac PO : ; . unday | i Bevel eevie, 3 ; ries old-school players, gives : : i ; : vi, in Riddick ‘Auditorium, 1440 N. Janet Paxton, accompanist! ; Concert Right Up © tone .a curious and refresping| . . By ALINE MOSBY (wash't uch different from cart-] Then the acting bug bit the Participants in the program, Technical High School Girls! En : ef = HOLLYWOOD, Apr. 3--Fitteen “star in .| - . timer on claripet, whose non- » Apr, 3--Fifteen| “I've heen around this business “starved for five years” while he sponsored by the recreation di- semble, Mrs. Elise ° vibrato tone sorhetimes seems to Y®ars ago. a short, blond fellow most of my life” he sald. “Act-lwent to acting school and did » work at that flim fact to-' | and lively. = : arog, hod Mr. Ladd wangled his job as| 3 An Ensemble Instrument {through the ‘a laborer, or “grip,” because he| gece (was broke. 'who'd turned agent, signed his as a tar, i Mr. Cohen on fiddle in the Mil- MONS star 1036 i north Hollywood, he said. “But % J FTL RE A \ : he punchedia 3 4 breaks, and married him, too, E hs ~—CROWTHER-—N.Y. TIMES the Ensemble Music Society a painlessly conservative pro- epsemble instrument of his clari-/time clock at NEWS § |during the depression, {Now they live In a sumptuous : et : gram in World War Memorial. net. Sometimes clarinet sounds! Warners’ and 8 | ¥ ed HANS: CHRISTIAN ANDERSEN'S Right up the Ensemble Society's dgcorous alley, the lt a depressing murader. collected $42.50 a uc ffl (Wanted to be & grip. & got & PalFlgogy and a ratt of servants. “Exquisitely concert contained nothing more it : . le . lent thought it was (Mr. Rosen's/ing a hammer, : pe ! : beautiful” startling than Milhaud’s Suite for Kell a chance for some of hisplano w b), might have nn the morning. My mother took Mr. Ladd moved to Warners. Toa chance 8 siplano was superb), might have|Today the studio lover the hamburged: stand. day they had him rehearsing for NY. News It would have taken something! TWo years or so agp 'I ob-|I've never been able to agree withired carpet and a a, 8 served that Mr. Kell bears some those who insist WWM has good fabulous 10-year alan Ladd ithe studio: A grip does everything! “I helped build this sound ost won | {ore explosive than the Milhaud x a {everybody else doesn’t want to do, stage,” said .Mr. Ladd as he The leat aa ng VA De Chi- Woody Herman. Though Mr. Acoustically, it may be better/ly $300,000 a picture for him. {You have .to be a plumber, a car- walked into stage 7. “When the ban i oF be EY Sh Kell plays far more restrainedly/than it is esthetically, but that! But Alan Ladd shrugged that penter and an electrician, I'grips weren't busy we were put NIG HTINGALE" tling around that bleak pyramid, — min on - ; yo the best its engineers could pro- 3 t : ¥ exquisite music , . . enchanting COLOR! “Journal. duce inside nearly 30 years ago ; 4 THIS WEEK : Smmm——————— Amari seems to have been a choice be- ONLY ® Added ...2 Delighttul Specials : « “An ecstatic suffocation - ; ’ : . "RODIN, “STORY : : ’ MASTER SCULPTOR" - OF THE BEES" alend ol wb i Arrives Bif 1.50 or msy: When we arrived a bit late dur- : wl : World-Tel. in B dat, Op. 11, Mr. Kell on : oh : ; clarinet, Aurora Natola on cello TTT

Finally ex-actress Sue Carol,

a , {

Meridian St. imond Guy Wilson, pianist, and thel buoyancy. Unlike the real old-| United Fress Hollywood Correspondent ing scenery around the lot. {future idol of the popcorn set. He | L o > . Pe : SW i vision of the Park Department, director and accompanist, En semble Alle aR |sag in pitch, Mr. Kell manages/Was a common laborer at War-ling is a job, too.” (bits in 80 minor movies. ; : : . : to keep his playing accurate, clear ners’ Studio. He went back ‘to| Business Bad ; ’ i. Gets Big Break ‘ ; ! * ) {day--but this time he drove "Full of poetry and magic } pn g . + . a beautiful, In rapid passage Work with|front gate as a delicate picture ... weaves a hypnotic spell. § : By Henry Butler De Spasag Earth TE Re gue ® Client, She got him his big The Reginald Kell Chamber Players last night gave, =." wv xen made a genuine business wasn't too good. Tt was “One day a man asked me If Iimansion with two children, three Th | , - cy e concluding Brahms, excel- week for swing- : he land reported to the studio at fivel - After 11 years at Paramount, ; ¢ no. (best: licks on clarinet, {sounded better i better hall, : fo ~Kate Cameron, larinet, violin and pia i t od fer 18 2 Ye rolled out the WW 40 | “I did a lot of odd jobs around his part in “The Iron Mistress." i {more explosive than the Milhaud), op personal resemblance tojacoustics. contract at near-cago-like Winds constantly whis-i,,,, chastely, the two performersiisn't saying much. being a movie star, senior grade, worked there two years," ‘on construction, tween sneezy draft and sleepy iy i Presented by Thomos Craven ~N.Y. ing the Beethoven Clarinet Trio

ESQUIRE ro and Joel Rosen on piano. were ix - OT FIRST making very superior music. Hale “ . OTH and ILLINOIS 50c—5:45 to 4 CITY SHOWING Miss Natola, a splendid musician, : A : : was wearing a low-cut, strapless : > Last times tonite ®* "OF MICE and MEN" * "SUNDOWN" | |creation. Since the .cello con- : 3 ’ icealed much of her costume, shej. 2 THREE DAYS ONLY! ‘ : ~ — presented a startling appearance * a ; . .

{from some angles.

; i. Young Mr. Rosen did far bet- , A NA (ter on piano ig the Beethoven, {the Milhaud and the Brahms

: aa J Clarinet Trio in A minor, Op. 114,| ® FRIDAY IS STILL TALKING ABOUT IT | uct enced the program. than in ROEBUCKANDCO. J esaturpay

for Pi d Strings. H d Coming Back fo Indianapolis by Popular Demand for Pian Nh nes i ® MONDAY

DONT MISS SEEING IT fio, oo Miri h NIGHTS SAT. 12 THRU WED. 16 8:30 Jana turiousty, he nit all the notes ONLY APR. | APR. D pu eft out most of the tone an

expressiveness, ; IE _ Does Good Work al ial LSU TE LAL RP | Miss Natola was the heroine of 1 |the Mendelssohn, drawing fine tone from her cello. Isidore Coi hen, violinist, did good work in the Mendelssohn and in the Milhaud, which followed intermission. The Milhaud, in the composer's customary stylistic compromise between depth and shallowness, is a pleasing item. Last night it i served mainly to offsét the usual hie Al lig hola Sess glut of 19th century blandness at

ir nn | IVETE IY QE these concerts. It also gave Mr.

CAROL LYNNE: ANDRA -McLAUGHLIN - FREDDIE TRENKLER E ERYDAY PECIALS LLL SR PTR CC A SLL BT {3 : v ys JOHN WALSH. + THE COOKS :

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