Indianapolis Times, Indianapolis, Marion County, 26 March 1952 — Page 15

26, 1952

. CIR ca a seven-day ¢ plane will be Interantional s, Inc, at a

ng Saturday’ torlum, 1440 °

e. ITBC, the ting will be ted members r presidents n. The group ie 8 for New ort stopover jo directly to

ion and minadlines are ents are bethe Gauseve. Mrs. Joe rel chairman 1, -and Mrs, chairman. n the group ew Kingston rris formed ip there last

3 prince-ruled ng-less terri e-sized cattle

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$ Sc up kefs, 10c pkg. Fill

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den Fear.” . .

Cert Taylor in the fight for French

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WEDNESDAY, MAR.

26, 1952

> a a

Tn Hollywood— gt

No ‘Sylvias’

For Gable

By Erskine Johnson

HOLLYWOOD, Mar. 26—Exclusively Yours: k| Gable stars in the planned “Mogambo’” at MGM, the studio,

If Clark

will have to change the heroine's nanre. Right now she answers to the script name of Sylvia, a name Gables re-

membering to forget. |

Denise Darcel’s Hollywood pals are wagging their fingers and] screaming “No,” no Denise” about her newest romantic ment. His name would stagger you. | There's feud for thought

the icy chill that's developed be- the wolf-whistle bait in the new roundly criticized. tween Joan Crawford and Gloria Jeffrey Jones “private eye” TV|

Grahame. They're both in “Sud-| . Angela Lans-| bury’s cooing. She’s shed that unmeltable poundage and is back to the sylph chassis she sported when she first arrived from Eng-| land.

= ” ® CASTING call in a movie trade, paper for Stanley Kramer's next | film, “The Dirty Dozen,” a World| War II battlefront story: ? | “Dream Girls Wanted. There is’

a lack of callipygian sex appeal tion: “Tell me—is Bobbie Thomp- have any effect on youth, are we cruelty. in Hollywood. Must be the type son a boy with a soprano. voice tp think such an act

who would appear in a lonesome man's drooling dream of roman-| tic Paradise.” What is callipygian sex ap-| peal? : Look it up, I had to. s # H GLORIA SWANSON'’S denials, in the East, of plans to wed Brandy Brent were no surprise to her Hollywood pals, who know her heart belongs to a Mr. Moneybags in New York: Brent's her business manager. : The film biography of Dutch Meyer, the Texas Christian U. grid coach who put the razzledazzle into football, is in the script writing stage with Alan Ladd being mentioned to play) Dutch. Judy Canova’s shooting "her pilot TV reel at Republic studios. Boss Herbert Yates, who gave her his blessing, has changed his mind about video since his battle with Roy Rogers over his TV rights. 8 » ” OVERHEARD: “She dyes her hair “80 often she’s got technicolored dandruff.” . o » - TALKING about a movie cutie, Director Richard Thorpe said: “Her grasp of international affairs Free China is something you win at a movie theater.” ” " ” - SIGN OF the times adv. in same paper: “Movie Star's Mink Jacket— Like New. Cost $3000. Will sell for $950 CASH.” J o tJ IT'S ORSON WELLES vs. Robballet dazzler Ludmilla Tcherina’'s heart. Inside reason given by insiders for Evelyn Keyes’ decision not to wed wealthy Argentinian| Migues Angel Lopez Lucube: Too much dictation from the groom-

is masterful—she thinks|.

office take for a London engagement of her ice revue. “Honey,” she said, “I didn't

involve-/eyen plan on London for this submit “The Medium” contains

year’s tour...” : n » -

in. AN EX-RADIO announcer is was, appropriately enough, being potential dynamite, so far as im-

films. But no cracks, please—she’s a

perky doll named Gloria Henry. |

Before coming to Hollywood for stardom in 25 Columbia B films, she was a wartime feminine radto announcer in New Orleans. “The manager of the station,” she still laughs, ‘changed my name to Bobbte Thompson because he thought it sounded friendlier. Poeple were always calling the station with the ques-

manifestation of love is considWhat needs censoring? ered subversive of society? To That perennial question came raise an old question, how come to mind. last week when I was we ‘prate about “illicit love” and | looking at the screen version of yet haven't even a phrase for| |Gian-Carlo Menotti’s opera {The illicit hate? | Medium” at the Esquire Theater.) I'm not implying I would |. There's a film that presumably change “The Medium.” As a work did not. offend censorship groups, of art, it has its reason for.being. or we ‘wouldn't be seeing it. {I don't particularly like ft. I | True, “The Medium” has no don't relish some of its over[lascivious necking scenes Or tones, which are psychologically bawdy boudoir episodes. [too complex and perhaps too

But if potential damage to im-| i pressionable youth is the chier| ical fof discussion here,

criterion of censorship, then I

By HENRY BUTLER

; Mae West Is Funny

All I'm saying is that this plc[ture seems to me to contain more:

|worse stuff than the most reeskay {ventures of Mae West when she

|Pressionable youth is concerned, Full of Neurosis {than anything Mae West ever did

| Mr. Menotti's opera reeks of in her bawdiést moments. neurosis. For just one example After all, Mae always is funny. of its morbid miasma, Mme. Laughter somehow dulls the edge Flora, the medium, in a dreadful|of vice. {scene drips hot wax from a burn-| But “The Medium” is anything (ing candle on to the closed eye-|but funny. I still have to be con{lids of Toby, the mute. vinced that this vivid study. of That bit of sadism undoubtedly|insane cruelty culminating in |is true to Mme. Flora's character. murder is less harmful to spec- | After all, she is off her rocker, tators than boudoir scenes and {and Mr. Menotti takes delight in| plunging necklines.

jretsblishing the fact graphically. We have lots of morals about

Zed, LL THE INDIANAPOLIS TIMES ) We Censor Movie Sex, But Hate Runs Wild |

. . t

COMING SOON CIRCLE

HELD OVER—THRU FRIDAY

EOFTTIHTIIIEY

CECIL AUBRY—"MANON" ANA MAGNANI—"THE BANDIT"

Adults Only—All Seats 50¢ Ina, Tog.

and His New Musical

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SPIKE JONES

Depreciation Revue of 195%

Ross and Babeock Travel Baream,

INDIANA UNIVERSITY SCHOOL OF MUSIC

Fourth Annual Palm Sunday Performance (In EngHsh)

PARSIFAL.

RICHARD WAGNER

INDIANA UNIVERSITY AUDITORIUM APRIL 6, 1952

Act 1—4:00 P.M. All seats reserved 90c, $1.20, $1.80-—Tax Exempt LU. Ticket Office—Bloomington, Indiana

2k,

Act II & MI—7:15 PM. |

But if movies are presumed to gex. We have few, if any, about

goes un-

or a girr?” noticed? olge . 4 8 =n ADH | Are we to -assume that such Willing to Wait - NOT IN the script: nthony dramatic representation of cruelty| Quinn, after seeing “Vivaon the screen is less harmful than MERIDEN, Conn. (UP)—MatZapata”: “Elia Kazan has done it'prolonged- petting or bedroom thew A. Noonan, 40, always

again. He's made a bunch of New York actors look more like Mexicans than I do—and I was born in Mexico.” Vincent Price, friend for his scene-stealing techniques in “The Las Vegas Story,” cracked: “I Dever stole a :cene in my life. But I'll admit I've borrowed a couple.”

Times Amusement

Clock ;

MURAT “South Pacific,” Rodgers-Hammer-stein musical, at 2:20 and 8:20. LOEW'S “African Queen,” with Humphrey Bogart. and Katharine Hepburn, at 11:20, 2:50, 6:20 and 9:50 “The Magic Cafpet,” at 1:10, 4:30

and 8 CIRCLE “A Streetcar Named Desire,” with Marlon Brando and Vivien Leigh, at 11, 2:40. 6:20 and 9:50. ESQUIRE “Wings of Danger,” at 1:25 and 8:35. % “A Place in the Sun,” with Elizabeth Taylor, Montgomery Clift and Shelley Winters, at 6:45 and 3:25. INDIANA “Aaron Slick from Punkin Crick’ with Allen Young and Dinah Shore at 12:40, 3:45, 6:55 and 1 “Emith Meets Scotland Yard,” at 1 , 2:25, 5:30 and 8:40. KEITH'S “The Seventh Veil,” with James Mason and Ann Todd, at 12:40, 4:25 and 8:15.

“Caesar and Cleopatra,¥ with Vivien Leigh and Claude Rains, at 10:30, 2:15, 6 and 9:50. LYRIC

“Aladdin and His Lamp” with Patricia Medina and John Sands, at 11, 1:50, 4:45, 7:35 and 10:30. ‘Konga, the Wild Stallion” at 45, 3:40, 6:30 and 9:25.

RITZ

“The Mill on the Po,” Curtain 8:30.

time,

12:

-e- an - ae ab an wp @ on ao

to-be on how Evelyn should live her life. _ Sonja Henie's denying she asked for 75 per cent of the box-|

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Cocktails From the Bronze Room

MIA

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Where sevelry seigned . . . ond foy wos vecons

fined a. Mol In a geanicoLon

JAMES MASON

kidded by a

farce? (thought that “all good things Don’t get me wrong. I'm not come to him who waits.” 80 Mr. advocating bigger and better cen-|Noonan waited ‘out a 20-year sorship. In fact, I'm pretty much hitch in the Navy before going agin censorship on principle, to college. Six months before he was to get his degree, the Navy Parade of Cruelty called . Mre Noonan said What I'm beefing about is the he'll wait some more but not 20 bland official assumption that years. only sexy material is dangerous! to young people. Lots of sensible parents have written “lots of letters to editors complaining about the ceaseless parade of cruelty, mayhem and murder on screen, radio and TV. How come the mean, violent and aggressive behavior of human beings is officially regarded

See Humphrey Bogart's| Academy Award Winning Performance

All the glowing magic of young love!

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“Anything Can Happen" 2—Screwbal] Hits—2

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