Indianapolis Times, Indianapolis, Marion County, 27 January 1952 — Page 22

Olivia de-Havilland to the Murat Miss de Havilland (she's Who.” but with two in all other available reference books)

will be here Thursday

Satur

A Few Words On ‘Candida’

By Henry Butler THE COMING WEEK'S big event will be the visit of

In

Friday and

fav even with the usual

woman

spelled with one *

“Candida.”

L” in “Who's | +

caught in-a trap of Vic

Saturday matinee torian legalism, earlier had done She certainly needs no intro- lor fiction duction. Bernard Shaw's comedy Tennyson, the poet laureate of her current vehicle, mav need a 'he Victorianeera, had written in few words : Locksley Yall” (1842) Candida nroduct of 1595 Woman is the lesser man You won't believe that when vou And all thy passions match'd «ee “and hear it You'll realize with” mine the play is dated, like “Man and Are as moonlight unto sunlight Superman.” (but you won't know And water unto wine, just where to place it. And, speal That was the official Victorian ing of Mar “and Supermai f view. despite the Florence Nightyou were lucky enough to’ catch ingales and other courageous fethe First Drama Quartet (Charles male pioneer Laughton Agnes Moorehead With his unfailing ability to Charles Bover and Sir Cedric see through .pretense, Shaw had Hardwicke) doing “Don Juan in tl courage (in 1895) to portray Hell.” excerpt from the aforesaid on the stage a woman with a play, at Indiana . University or mind and emotions of her own.[ Purdue in the last couple of ses- Both “mind” "and “emotions” sons, you will know what “dated” were an affront to the official] means in Shaw terms; Victorian view Women weren't! We're too close to GBS to ap upposed to ha ve Hiner in any reciate him, The outward corni-¥iegree heyonc ie irreducible prectal Rly the vegetari- Minimum for child-bearing and anism, the teetotalitarianism, so NOUsekeeping to speak, of his habits (for health #' 2 =» or for publicity, who knows?) still. SOME 40 YEARS prior to seem vaguely. repellent. And 1 ' Candida Tennyson had de

COMING ALIVE—Some three-dimensional personalities to be

imagine GBS himself was more scribed King Arthur in “Idylls of seen on the Murat stage in the near future are (left) Elaine Fifield

than vaguely repellent to all save tl e a select few who knew him and (Guinevere The latter might have discretion. A might observe that's nice work if you can get it

joved requir But

“Don

IN

daringly for

precia

ventionality,

tomed

him. ed effort.

the clarity of vision and the

King

nobly her

“forgiving Lancelot in hardened modern

for

‘ht since in our cur thofgh

remain.

Will

years from now, we'll appreciate

Maybe

and David Poole, in "Pineapple Poll," on the evening program of the Sadler's Wells Theater Ballet Mar. 9; (upper right) the triple-

10 out most successfully, according

to bulletins from the office at 10

beauty of style vou find “in the vert, folsiore Is 19 30 : the Shav: better - W. Michigan St. If this commenJuan in Hell” excerpt are gli 0 orgive pe man), In any case, “(Candida remains tator, sitting on the fence and the great man at his best wut SURV yas Jevouuonary a classic. Miss de Havilland, with keeping his ear to the ground, can enough to have the woman not Ha =» only fargiving the: man, but also the charm she manages so well judge, the new management is “CANDIDA,” Shaw wrote understanding him and actually on the Screen, should De captl- working wonders , rT 1895. We| can’t ap- being a stronger, wiser person vating In the title role, Of all the exports from this té the extent of his uncon- ality than he. That degree of in a. 4: 8 community and ny colleague since were accus-sight may seem relatively tame FABIEN SEVITZKY and the Harold Hartley, Times Business ! to far greater frankness, today. In 1895, it was a stroke Symphony will be back in the Editor, can fill you in on the com particularly in the sexy and path- of genius. Murat Feb. 9 and 10, with the mercial end, I'd say the Symological realms, As time goes on and the aura Casadesus’ family (three, as of phony probably carries the great-

But what

9A Mte5P M.

“Candida” did for the stage “Diana of the Crossways.”

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of eccentricity, plus all the silly ; things GBS Meredith's novel of the charming lic mention,

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“soloists” did and said for pub-| (contradiction in terms?) fades, tha core of The Symphony's tour iz turning

1s

est prestige. We can't very well export the 500-Mile Race. We can and do export the best symphonic music the United States ever hears from am economically budgeted orchestra. That's no an idle boast. If you want facts and figures, I'll ask the Symphony office to mail them to you in plain wrapper. Operatling on a measly 200 grand or so Fabien Sevitzky's wildcats can {lick their weight in nearly all 500-grand budget outfits afloat. Listen and shop around. I could |name a few orchestras I find more exciting to hear, but look at the money they get. This is by way of plugging the Symphony's Maintenance Fund drive, which opens Monday, Feb. 4. It's a big deal, deserving of big support

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threat pianist family of Robert, Jean and Gaby Casadesus, who will appear with Fabien Sevitzky and the Symphony Feb. 9 and 10, and Olivia de Havilland, who stars in "Candida," opening

Thursday.

Times Amusement

Clock

LOEW'S * with

Stage Dances Are Easier

“Quo Vadis h Robert ‘Tavior Ey . and Deborah Kert at] }, 6 and 9 HOLLYWOOD (UP) — Broad- ( R » 3 “The Model and the Marriage Way choreographers who say it is

Broker.” with Jeanne Crain, at . 5, 8.50 and 9:45 Stars and Guitars’ and 8:40

much easier to

at 2:50, 3:43 routine for the

r screen ESQUIRY

1a pete Ruad't at 348, 7:15 and = [onion of Helen Taniiris. an DiADes ol Wrath” ai 10 Miss Tamiris argues the Broad“The Wit Daa oder sith wayite has a chance to find out Forrest Tucker and Wendell Corey, What's wrong with his number BY Sra 0b And 331. in tne [While there still is a chance to do Bowery Boys, at 2.45 5:45 and 8.40. something about it. No so with “I'll_See You in My Dreams.” the Hollywood dance director. with Doris Day and Danny Thom- “Xa , . : Ac. at 2:40, 6:10 and 9 40 You don't know what an au-

‘The Girl on the Bridge’ 4.45 and 8.15. LYRIC

at 1.15,

er il review,” “Dram in UF ey Roath.” with numb until the preview, James Craig and Barbara Pavion, at 1:30, 4:19, 7:08 and 957. ‘Jungle of Chang™ at 12.23, 313,

do anything about it then.” 6061 and 8:50 - a osm — -—

stage a dance than for the stage forget one thing, in the

dience thinks of a movie dance she said. “Naturally, it’s too late to

SUNDAY, JAN. 27, 1952

Direct From Broadway—

Ferrer’'s New ‘Shrike’ Has Him Chattering

® By WARD MOREHOUSE * oislit Ferrer. Broadway's. one-man theater, boug . A £ ~ - “The Shrike” three times: now he's in it at the Cort The ‘ater and 48th St. has become Ferrer Boulevard. His production of “Stalag 17" is just across the way. Down the block: a piece, ie the Avenue of Aniericas, there's maybe some confidence in {a cosy and hospitable restaurant which is very gratifying. Perhaps

Jose

near v me,

called the Ab- four shows in 13 months figured Isinthe House, into it. The backers should get which has be- their money back quickly. we'll come something have a movie sale—I hope. You lof -a . meeting just can’t even dream of such {place for theatri- inotices as we got. They Were 80 {cal folk. There 'good they were fantastic.

|I got Mr. Ferrer

| Suicide Pattern to tell me about The Suic

(“The “Shrike,” No absinthe, no coffee, no water now the town's for Mr. Ferrer, a man wha wai hewest sensa- playing “Brother Rat” when I tion. first saw him. And then—and it | Mr. Ferrer, seemed only a season or two-—

Mr. Morehouse

there he was in “Cyrano de Ber gerac,” dueling and everything— Back to “The Shrike.” “The play has always fascinated me, I thing it's deceptively sim= ple. It deals in grays, rather than blacks and whites. Jim Downs 13 repelled by his wife, but he also is attracted to her. He didn't Zo on living with Charlotte when he and his wife separated; he took an apartment alone. The suicide pattern is his; I think he’s (ese tined for a life of eternal torments I think Judith Evelyn is so right in her performance as the wife; it's right in the key of the play, which doesn’t point a, finger of accusation at anybody. . . . The part of Jim Downs leaves me limp. Those Wednesdays and Sat« urdays will be really rugged. I figure I'll be in the cast for at least 16 weeks. . . . Then to find dropped it. Aldrich & Myers t00k gomehody. This has been a season it and they gave it up. I took it of few plays; we were fortunate up again and dropped it again. in our casting that so many good Twice now. Well, Jed Harris got actors were availble. :

it and held it for a while. A couple of months ago I bought it fof the third time. We opened less than four weeks after we began rehearsing. I was ready; I had a staff; the dough came floating in. I started out with $5000 of my own in it, but now l haven't a nickel left of that share. Everybody wanted it. I don’t know how it was all so easy,

volatile extraor{dinarily intelligent, Puerto Ricoborn and Princeton can talk . @ blue streak. He's as swift in £ [speech as Gielgud ever was, and it’s good talk, too. I might have missed a verb, a noun, a past participle or a comma or two, {but his racing recital went along like this:

190 vd,

Dough Came Fast!

“A year and a half ago—no, 21 {months ago—I'd finished a picture with Cary Grant (he gave the title, but I forget movie names) when, Leah Salisbury called me up in New York and asked if I'd like to read a play. It was handed to me after I got on the plane to the coast. I read it during the night and the next day, in California, I telephoned and bought it.

“I kept it a few months and

LONG

Returned Again!

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