Indianapolis Times, Indianapolis, Marion County, 15 May 1951 — Page 8

TUESDAY, MAY 15, 1951

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Dance Bands Picking Up

After Some Tough Times

NEW YORK, May 15 The dance band business, which had been hitting some. pretty sour financial notes since World War II began, is showing signs of perking up. But whether it will ever get back to its prewar glory is doubtful. Ralph Flanagan. who!

should know about such things, isn’t sure. “Sure, I could be optimistic and say the bands will be as big in a few months as they ever were,’ says band leader Flanagan. “But I honestly don’t know. It's pretty doubtful.” : Mr. Flanagan is leading the first new band to ¢apture public fancy since the war. Most of the other top bands of today are hold-overs from the early 1940's -men like Tommy Dorsey, Sammy Kaye, Guy Lombardo. Mr. Flanagan, who has had only a little better than a year with his own crew, is the only rookie in the top ranks. —Sparked Revival

His orchestra has sparked the band: revival, pulling it up from the depths it was plunged into by the war. But the 31-year-old former Sammy Kaye arranger and pianist thinks there are terrific. obstacles these days. which may hold back the band business. “Musicians are tough to get today,” he says, “at least, it's tough to get them to go on the road. It costs them, say $5 a day

Noha

{Frank Sinatra,

in hotels and mavbe %6 a day to eat, Over a week, that's $77. “If they've got a fasfiily to support and a home to maintain, you

can see they've got to earn a lot |

to make it worth their while.”

Mr. Flanagan points out other reasons, too, why bands may not| regain their popularity peak of} {the prewar period.

Back in 1240, he says, the big] names in popular music were » mostly all band leaders—Glenn Miller, the Dorseys, Harry James, | Benny Goodman, Artie Shaw, Sammy Kaye. Today, the big names are mostly vocalists— Frankie Laine, | Patti Dinah Shore, Mario}

Lanza.

Page,

Vocalists Steal Show “The vocalists are taking the play away from the bands, in records, anyway,” says the goodlooking Mr. Flanagan. “So are the hill-billy bands and hill-billy! singers. All a guy has to do is

get -a—cowbey suit—and—a-guitar ——

and he’s in business. In dance halls, ballrooms and college proms. however, the band is still supreme, “People still want to dance.” says Mr. Flanagan. ‘Just after the war. a lot of idiots ruined the band business by playing music that nobody liked but themselves. Nobody could dance to it, or wanted to listen to it. I'm. trying to give them some dance music.”

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