Indianapolis Times, Indianapolis, Marion County, 24 April 1951 — Page 6

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Scholarship Award

‘Winners Announced | The Indiana Central

throughout the state. Winners are: Miss Phyllis Terrell, Indianapolis, piano; Alfred C. Officer Jr. Indianapolis, clarinet; Miss Bonnie Twa, Camby, voice, Miss Bettie Norman, Ft. Wayne, cello, and Miss Alice Trent, Wabash, horn.

: ‘who last night was at her very best. : : | Caleb Mills Hall sometimes does well acoustically for musicians, The hall did especial- .;) orrect of a huge tonal bilge-

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College’ § music department has announced (winners of scholarship awards! iY following recent competitions! 2

A Bit Deliberate—

Soprano at Her Best for Benefit |

Clear Tone of Singing Cited

| | ! |

4 ]| REI

IIA IYLTRS

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| RecéNT—sTARTS Tomorrow |

In Feeney Fund Performance rrr ELAS TTT

| By Henry Butler | Last night's benefit concert for the Al Feeney Memorial, Scholarship Fund drew a good-sized crowd to Caleb Mills

'Hall. Principal artist was Jane Johnson Burroughs, soprano,

for Mrs. Burroughs, pump. ‘ EY . i Still worse, Valentine lace adwhose clear tone is one of the AES oF aera aad counter. finest features of her singing. noint Chopin hastily forgot to Looking quite charming. MIS. jh jude do not improve the piece. Burroughs sang with unusual jpq 5 question of taste and dissprightliness, particularly in her ,....ent.- What's good for Cole first group of Italian arias. 8he porier 5 not necessarily good was fortunate in having the as- . . Frederic Chopin.

sistance’ of Edwin Biltcliffe. the myo past Sparks-Ritter offering

ly well

2 Starfilled Action Hits

with

“DODGE CITY" Te {Symphony's pianist, who is a Debussy’'s “Fetes,” which eee PLUS——— e superb accompanist. ..., + brought forth the team's excel- "VIRGINIA CITY" wuvsn Mr. Biltcliffe has the ability, |. precision and gave a good ilorchestra. A

[rare even among the accompa- , ...n of [nists I've heard here with touring subdued. almost somnabulistic, recitalists, to realize the musical quality in their playing (warmth intentions’ of the composer: and ;¢ tepid, fortissimo is mezzothereby help the soloist. {orte), probably reflects long ex-

certain

MURAT, TONIGHT, 8:30

With all her clarity of tone— perience with radio-mike dea first-rate technical -achieve- mands. iment — Mrs. Burroughs some; Important Occasion

times seems to me a bit deliberate in her interpretations. The “Zueignung’ of Richard Strauss, for example, with, which she

This concert was important as a trail-breaker. It was a big cooperative venture with a gopd

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opened her second group, struck me as slower than need be. But the careful attention to quality made all of her singing a delight {o hear. Louise Sparks and Dorothy Ritter, duo-pianists, played a group of three substantial numbers, starting with the Baint-Saens two-piano Variations and Fugue on the trio theme of the minuet from Beethovan's E flat Sonata, Op. 31. No. 3. With tone and incisiveness, that piece can be more effective than it sounded last aight. Diminishing Returns In their second selection, Mrs.

Sparks’ own arrangement of the]

Chopin E major Etude, they

purpose. As A. J. Thatcher, chairman of the program committee, pointed out in introducing Mayor Phillip L. Bayt, it had all sorts of sponsors, including the Park Department. Mayor Bayt ‘recalled Al Feeney's interest in music and his wonderful efforts as emcee for

Fabien Sevitzky in the Symphony's LOUELLA municipal and children’s concerts. PARSONS

Dr. Sevitzky had a fine idea in SAYS...

’ | and His Famous Orchestra Tickets Now-—<Ross-Babcoek Travel Bureas, Clarpel Hotel. Prices $3.60, $3.00, 2.40. $1.80, $1.20 (Tax Incl)

starting the scholarship deal as a memorial to Mr. Feeney. Last night's concert was the most impressive contribution so far in that project.

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iemonstrated the pianistic law of diminishing returns. That Etude needs to be let alone. Mme. Guiomar Novaes can play it and make: it sound moving and

Clock

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meaningful. But it's the kind of “Perfect Woman." with Patriels thing two performers can do Roc. at T0330 a0 9:00. more cheaply than one. (I hate “Fis Mulleeh® vith Trent Dione, to mention the calamitous, Bi- at 1:45, 3:45, 5:45. 745 and 9:45 kini-kind of arrangement the INDIANA : “Onl v ~ . First Piano Quartet have perpe- Ope ind ant. taster *5i 1225. 3:40, 6:55 and 10:10

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