Indianapolis Times, Indianapolis, Marion County, 15 April 1951 — Page 33

iss Doris d Kent Wil. ried May 6 Church, The re the Rev. msend, 2130 . and Mrs. , 6033 Ross.

ty. d

s for an anmembers of ollege Alumit event will in the Food

'n named by a and Miss , BEeneral lames N. J, sch, Val HorC. Rudolph, T. Clifford, . Welch and 1isses Elizaartha Engle y,

Kindred photo.

A 2 BRIDE—M iss Rosemary Moel. BETROTHED — Miss Alice s : Catherine Shea will become the ler became the bride of David bride of Donald N. Geize in a Anson Bibler Apr. 8. Parents of May 5 ceremony. Parents of the the couple are Mr. and Mrs, couple are Mrs. Catherine Shea, Raymond C. Moeller, Greens411 N. Holmes Ave., and E. N. burg, and Dr. and Mrs. Lester | Geize, Wrightsville, Pa. D. Bibler, 3821 Guilford Ave. |

Style Detail Changes By French Designers Make New Silhouet

Nearly All Widen Shoulder Line _ Slightly and Place Emphasis on Apron

By ROSETTE HARGROVE

PARIS, Apr. 14—While the French designers aren't| staging a major style revolution this spring, they have made numerous changes in detail, enough to make the new .silhouet clearly different from that of a year ago. Nearly all designers have widened the shoulder line’ slightly, | for example, dropped the back waistline, placed an emphasis on the apron. What they've done can be quickly tabulated with a fashion | alphabet like this. A for aprons, endorsed by all designers but particularly Jean Desses. | The apron may be gathered, pleated, hitched up on the sides or turned back over a pocket. Detachable, it can do double duty as! a cape. A is also for arrow. Jacques Fath’s line stars arrow collars and decolletes, arrow fastenings on jackets and basques. B for buttons that vary in size from tiny studs to Fath’s enormous “flying saucer.” Bows range from a diminutive tie to the enormous |

butterfly by Balenciaga, which can also serve as a short evening wrap. Basques, bfistles, beehive coats from Griffe, and backless coats from Piguet all belong in this category. i © for crinolines, both short and long. Coat dresses vie with spring suits for popularity. Capes, collars, chicken-leg sleeves by Dior, cutaway jackets, checked fabrics are all important C's. D for dickeys, drapery, decollete and diamonds, all in the spot-

M for mummy-draped evening sheath gowns, which look new as handled by Gres. Muffs, tufted, shirred and worn on one sleeve, are pretty. Mushroom straw hats, the enormous, crowned Edwardian kind, are from Dior. N for nest decolettes in the Mad Carpentier collection. Nest-shir-ring is used to edge skirts, to form rounded shoulder yokes. O for Dior’s oval line. Overskirts

are turned back or opened onto.

light. sheaths for daytime and evening E for earrings, in the Indian Wear. Organza and orchid mauve Chief style that covers almost make fragile dresses. the entire ear, seen everywhere P for pockets of every shape and in both flowers and semi-precious size. Rouff does double saddle stones. The evasine, a stiffened pockets; Dior and Lanvin have petticoat, is done by Balmain. {picturesque panniered eve ning! F for frills, flounces, flares, fichus 8owns, both short and trailing. and the fabulous embroideries @ for quilting used in entire from Balenciaga and Dior. Flow- dresses and coats. It underscores ers, ‘both real and artificial, are hems, sleeves and collars. massed at the front of jackets. R for raglan sleeves that remain Balmain has them peeping out of 8ood this spring. A red coat or fur sleeves. They're in sprays on jacket appears in every collection. | crinolines. Bill of Rochas puts Redingotes, ruching, revers are flower petals on a bride's muff; fashion news. Piguet bunches tea roses on the S for short sacques by Dior and toe of an evening slipper. Balenciaga. Swaggers, stoles, G for gray, by far the leading shawls, sheath dresses, strapless color in all shades. Navy and bodices, Dior's swirling pleated black follow it for daytime wear. skirts and silk shantung in all The gandourah, cloak of an Arab weights are all big S's. sheik, and the governess dress T for tufting by Desses. Tunics, from Griffe both are popular. |tucks, ties and tippets are on the H for horsehair that braids edges spring scene. or trims suits by Carven and U for ulsters in the feminine verMaggy Rouff; is combined with sion by Griffe and Dior. Umbrelglittering embroidery in allover las are pink, white and green. scroll patterns for evening. Hour- V for violets, a monster bunch on glass waists and homburg hats Paquin’s evening sheath. "y” are in. necklines are long; jackets have I for ink-spotted or ink-stroked vests and vest-fronts. fabrics. Iron-mask evening veils, W for whalebone-stiffened skirts, the influence of 1780 to 1900, are the brain children of Piguet. everywhere. White is used for both afternoon J for jersey, which has staged a and evening gowns. comeback; so have jumper dresses. X for Paquin's “X” line. K for kangaroo pockets and ki-|Y for YOU, of course, because mono sleeves, which are impor- you're the one at whom Paris detant. |signers are beaming all _ this L for long-haired, shaggy wool, finery. by | coats, beautiful in pastels. Laces|Z for a zephyr, which would dis-| are back. Linings are pretty in/place the new short evening wrap contrasting colors. Lilac mink, a made of layers of fragile, cloudy rare fur, is a specialty of Balmain.! tulle.

New St. Louis Collections | Feature Costumes

By GAILE DUGAS ST. LOUIS, Apr. 14—The complete costume appears for all hours of the day in the new collections of St. Louis designers. These designers are always conscious of trends in youthful fashfons. They watch St. Louis campuses carefully and from what they see, the youthful 8t. Louis fashion look is born. \ There are co-ordinated separates in both casual and party

wear. - The emphasis, in this new —— go : group of separates, is on wear- pPRCaT below slim, bare-arm ability rather than novelty. odices. Sometimes a mask of

St. Louis designers, highly su; | Sheer organdy in jacket shape

cessful in their handling of cot-|ends an airy look to a straight ton, use delicate fabrics — voile, | Sheath. i tissue gingham, eyelet batiste, or-| The complete costume is done gandy and tissue chambray— in cotton satin, pique and velvetwith great skill. een. The short dress has a full

rE skirt, a nipped-in bodice and wide, !

: tapered shoulder straps of the A DANCE frock, for instance, yeiyet to convert it for late-in-|

is done in embroidered organdy, ihe gay wear cut with full skirt and low bodice. > A cover-up bolero in cotton satin aaeleen Te le Yevers ang, is added, eliminating necessity = sp ther example of the comlor an evening wrap. plete costume is found in a Sheer dresses with full skirts checked gingham sheath with an overdress of sheer white organdy.| 4 ! L + + The dress is wearable with ere S a es jackets and dusters. The organdy| overdress is collared and belted

In Shampoos in the gingham of the sheath. Keeping the sheen on a silvery Riuguay Film,

crown of hair is easy with a new

shampoo just being introduced. Talk Scheduled

It's Helena Rubinstein’s SilverTone, companion to her trio of| Mrs. Ruth Poynter, Pan Amerl-|

Blonde-Tone, Brunette-Tgpe and| fan chairman for the Memorial Silk Sheen cream shampoos. Unit, Americag Legion Auxiliary, | fwill show color movies and talk)

hite | no I ay. Se] on Uruguay tomorrow at the unit |

| meeting. ing it with a silvery look. It will be at 7:30 p. m. in the

ght, frothy blue in color, the ov. 4 tjars. shampoo “has a pleasant, per- = , ,.nort on child welfare will fumed, fresh fragrance. ~~ - |pe given by Mrs. Edith DeWitte. Its development was. inspired ys." apy Terry, president, will

by Mme. Rubinstein’s belief that Tair should receive beautifying appoint a nominating committee.

efforts as complexions do. we “Just as you key face powder Use Rug Ends

to complexion color, so should] If you have ends of carpet left! you key your shampoo to your| over, use them to carpet your hair color,” she says. Colorless| closets. Carpeted closet floors are

shampoos, she adds, may sqme| easy to keep.clean with your elecday be as obsolete as white rice| tric sweeper and add that finface powder now is. ished decorator touch,

THE INDIANAPOLIS TIMES

28 Aye & Co. FR anklin 4411