Indianapolis Times, Indianapolis, Marion County, 2 April 1951 — Page 6

PAGE 6

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Mme. Flagstad | Is Impressive. —

Demonstrates to IU Audience | Power of Simplicity in Singing

|

| By Henry Butler BLOOMINGTON, Apr. 2—Kirsten Flagstad’s recital ‘at Indiana University auditorium. yesterday was a marvel‘ous demonstration of simplicity in singing. Mme. Flagstad does what very few singers of our time can do. She lets tone speak for itself. And since she is blessed'g

\with a voice of . surpassing| i «Iiepesbotschaft” “Die beauty, as well as range of|Post,” “Nacht und Traeume” and pitch and volume, she is the Ungeduld.” In the second item, |

the deceptive simplicity of her! living instrument of composers’ style was most apparent. It was intentions.

as if, after hearing what all the, An impassive, sometimes trag-

voice ' teachers could say, she! ic - looking countenance masks gione had come up with the right, the emotion back of her singing. |answer: Just sing it. Whatever her feelings may be,| | think she did even better they are not revealed through| with Grieg's song cycle, “Haug[grimace or gesture. They COME {555 » less profound, perhaps,

(as if she were playing viola in-|yesteq with Norwegian meaning|

stead of singing, soprano. [close to her heart. Moments of | She ‘uses art, but no arts, in jt were greatly moving. And the putting a song across. What may priijjant and perhaps defiant en-| ‘be a sensitive shyness—possib:y core Grieg's “Thanks for Your a sense of injury from the hurts) oqyice” seemed to have special

she pas siffersd in reset Jats significance. |—makes er personality se thar reproused, Needed Orchestra | Luckily, her voice isn't re- In the recital version of Isol- | pressed, and whatever critics de’s contribution to the “Liebe-

elsewhere may have written, that stod,” from “Tristan,” she was |voice still ‘Temains one of the hampered by lack of orchestra. ‘grandest we are likely to hear. Edward Hart, her attentive and! Yesterday's recital, which able accompanist, had an impos- | ‘packed IU auditorium, began sible assignment, since Wagner

with five Schubert songs: “Gany-.makes only puny sense on piano. | Mme. Flagstad's group of

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American songs, following intermission, impressed me as the P least successful, partly because none of the composers: Harl McDonald, Samuel ‘Barber, Edwin in Town Under $25 McApthur and Elinor Remick { Warren, seemed to have impor- § BISHOP'S . ..

See the FINEST

11 N. penn. | tant ideas in these songs. But I imagine Mme. Flagstad A NG Fe ——— 1s musically better geared to Geri EYE TROUBLES man and Scandinavian material, | where the language sounds are I eve trouble contirfually persists. don't a help, not a hindrance, to her

wait! Consult your eve doctor. To soothe ordinary “tired. irritated. burning. itching tone production. As a final eneves, bathe them with Lavoptik. 35 Years’ Core, however; she did beautifulsuccess. Praised’ by thousands. Money re- ly with Ernest Charles’ “When I funded if not delighted. Get Lavoptik Have Sung My Songs.” "today. (Eye-cup included.) At all durggists. 4 Full of Meaning

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That . song, like the Richard Strauss “Du meines Herzens Kroenelein” in her final group, or the same composer's “Zueignung,” an encore, carried a memSatie freight of musical mean-

og. whole essay could go to her extraordinary . musicianship, inenables her to start without a feue a new song where voice pre|cedes accompaniment, after finishing one in a different key. | The great voice, with its movIng qualities, may seem somewhat remote. Mme. Flagstad is |a ‘singer, not a performer. With all her dignity of stature and presence, she not for spectators. But the sound of her voice is, something you can’t forget.

more effective...

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DUO OF DESTINY—Rhonda Fleming and -Glenn Ford are

friendly enemies turned lovers in “The Redhead and the Cow-

boy," now at the Lyric Theater.’

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“The Wicked City,” with Maria Montez, at 11:25, 2:40, 5:50 and 9. ESQUIRE “All About Eve,” with Bette Davis and Anne Baxter, at 6:30 and 9:15. INDIANA “Bird of Paradise,” with Jeff Chandler and Debra Paget, at 11, 1:15, 3:25, 5:40, 7:55 and 10:05. KEITH'S

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CANBERRA, Australia, Apr. 2: (CDN) —Industrialists and gov-| ernment omcials who believe our rE Week to. boost or] ging national production have just been told “no dice.” This emphatic “no” comes from the Australian Council of Trade, Unions, top policymaking body for 800,000 members. ACTU. opposes any in hours above the present 40hour week as a backward step | to the trade union movement, and threatens “industrial action] against any such attempt.” Copyright, 1951, for The Indianapolis Times

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