Indianapolis Times, Indianapolis, Marion County, 20 December 1950 — Page 22
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In Hollywood— i “Autograph Fons | Given Warning
They May Be Asking Killer To Sign | His Picture
By Erskine Johnson HOLLYWOOD — The please-send-me-an-autographed picture set will have fo watch it. Hollywood is mixing real criminals and actors in “The Story of Folsom"—being filmed inside the walls of California's Folsom Prison—and that lad with the curly hair may turn out to be No. 21596
hr a Agi Sa
Times s Amusement Clock
cer “Born to Be Bad." with Joan Fontaine and Robert Ryan, st 11. 1:45, 4:35, 7:20 and 10:10.
mond Walburn, st 12:40, 3.30, 6:13
and 9:05. ESQUIRE i “Torment,” Swedish film, at § and B40 “Passionnelle,” French flim, at 7:10 and 9:50 2%
INDIANA “Destination Moon,” with John Archer and Warner Anderson. at 11. 1:50. 4.40, 7:30 and 10:20 “Redwood Forest’ Trail,” with Rex Allen, at 12:35, 3:25, 6:15 and 9:05 - KEITH'S “Breakthrough.” with David Brian and John Agar, at’ 12:50, 4, 7:10 and
“Father's Wild Game,” with Ray-
in the warden’s file. I quizzed Dick Wesson, “who's in the documentary film with David Brian and
~ Steve Cochran, on how a movietown citizen feels when he rubs elbows with life termers, Killers, he found out, don’t look like Bogart or Cagney. “They look more like quiet bhookkeepers,” Wesson sald “Casting directors ought to get a load" of real prison inmates. They're not tough types. Some of them look good enough to go right into an MGM picture. Why, one's a dead ringer for Ricardo Montalban.”
= ” ” THE Lana Turner-Ezio Pinza tarrer, “Mr. Imperium,” is still
1 the rough-print stage, but 1 »ormed an advance slant on the cture out of Don Hartman, who produced, directed and collaborated on the screen play. “There's Pinza,
singing his héart out on the creen,” Hartman sighed. “But who do you look at? Lana!” Of course, Hartman, being
male, could be prejudiced. He started out giving Lana the dagger look. “She'd come in late for work and that bothered me,” Hartman cecalled. “But after five days 1 realized that she knew what she was doing with her lines and that she was doing it better than most tars who come in right on the putton. Lana looks at anything one time and gets it. She's my dream girl.” ” n ” RHONDA FLEMING, Guy Madison, Carla Belenda and Corinne Calvet are laying down their lives for the characters they play,"I found out today.
An affable cheery woman named Eda Edson, who terms herself “an actor's dramatic
counselor,” is responsible for the = drastic business. ro “They come to me with sick |
acting and I cure them,” Eda |
5 sald.
»
“The character's life should come through the actor's capacities. That's what I'm
REGENT 42 So. 1. ~~
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St.
v ’ % i5i ERY FAA Tran Fa
‘DEVIL SLEEPS’
DARING EXPOSE
tak
Senator LEBLANC cordially invites oll of you to come to his great
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a great” voice,
| fight yarn that touched off the
"teaching Guy ‘Madison now, He's going to be a great actor.” Eda’s written right into Rhonda Fleming's contracts. The studios pay her for bringing out the Duse in Rhonda. It was Eda who put Corinne Calvet through her paces as John Barrymore Jr.'s mother in “Quebec.” Corinne wasn't clicking away at the maternal feeling when Eda first watched her rehearse.
Jaias Whitmore, Gary Grey. and Nancy Davis are listening
for the "next voice” in "The Next Voice You Hear," now on a double bill with "Two Weeks With Love at Loew's Theater.
Mrs. Nichols Takes Post ‘You're supposed to be that Times State Service boy's mother, and you're acting RICHMOND, Dec. 19-—Mrs.
as though he's your boy friend,’ 1 3 told her. Corinne blinked at. me Carl Nichols has accepted the
and said, ‘Eda. when T look at a Secretaryship of the John Day But Co- Family - Association, succeeding rinne's wonderful in the picture. Mrs. Ethel Nichols. who was
She's something more than a sexy killed in an automobile accillent
girl who can do things with her Dec, 2. Regular meeting of the shoulders.” association will not be until Eda’s an ex-stage actress who July, 1951. . came to Hollywood for a vacation and was hired ny Paramount to coach a newcomer named Mary Martin.
Repeat Engagement—Now thru Thurs. ® -. ; KIRK DOUGLAS, BOLD ADULT THEMES
. Swedish Prize Winner hair in a longish fashion that “TORMENT” looks like John Barrymore's, isi "Superb — NEW YORKER - PLUS — Emil Zola's French
“PASSIONNELLE”
"Mature, a theme usually forbidden to Mast movies."
_— 2 » wearing his
holding his breath about audience reaction to his first rootin'-tootin’ western, “The Travelers.” He's glad, though, that it's not a dame-slapping part. “I get stacks of scripts about corny guys who push women around since I did ‘Champion.’ ” He admits that he didn't just
read circles around every other acter in town to land the prize- |
¥Y. WORLD-TEL. Adults Only—Tramsiatiny in English
star firecracker. He laughed: “Stanley Kramer had heard that I was a wrestler in college, but he kept staring at me, as if he were trying to see through my clothes, when I went in fo talk about the picture. That's a job J istripped for. I took off my coat and shirt without Kramer even asking.”
TIT 5 FL
10:20 “Surrender,” with Vera Ralston, at 11:20, 3:30, 5:40 and 8:50.
[LAST =
“SURRENDER” Vera Ralston
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ateee POWELL Bcarndo MONTALBAN
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JAMES WHITMORE NANCY DAVIS
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As an added attraction for the
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EAST SIDE DAISY ww wis = MA 0 : : - Greer Garson—Walter Pidgeon | “BLOSSOMS IN DUST” Color | i Robert Rockwell ‘Lonely Heart Bandits” Dana Andrews ‘SWORD IN THE DESERT “OLD TRAIL 3700 W. Wash, “Ray Bolger “MAKE MINE LAUGH BE. 2828
2116 E. 10th Ginger Rogers—Dennis Morgan 7 HAMILTON AT-3212 “PERFECT STRANGERS"
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THER FIRST IRVINGTON SHOWING ANGNTIRE SHOW BY TECHNICOLOR -- Joan Caulfield “THE PETTY GIRL" - John Barrymore, Jr. “HIGH LONESOME EXTRA! 40 Min. Color Cartoon Circus
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