Indianapolis Times, Indianapolis, Marion County, 25 October 1950 — Page 21

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UNION

| SUN., OCT. 29 __3:00 P. M,

| % % PROGRAM # +

Fugue Gives Lesson

To the Legends

In Pianist’s Strategy

|

.

By Henry Butler BLOOMINGTON, Oct. 25—Vladimir Horowitz added ® A | more material to the legends of his prowess in his piano Te cr o Samer DRIVE-IN THEATERS cital at Indiana University auditorium last night.

Looking rather worried at the outset of his concert

for a jammed house (extra chairs in the orchestra pit), Mr. “SRG IE" Willow! Fuser | Horowitz gained full command of his keyboard acrobatics TOgNT as the program proceeded.

The Bach-Busoni Organ | Toccata in C, with which he

i _! Scenes,” a nice interval of Tyrie- | | commenced, seemed a bit uncon {ism between. Bach and Barber. mV

were another achievement in the MECCA Horowitz department of expres- or

genial. Despite expansiveness and | and power and some fine piano approximation to organ-

“boom” in the Prelude, accuracy

was not up to the standard he achieved late in the evening. i

After the not - too- convincing,

ful lesson in Horowitz strategy. {Each entrance of the theme was | {deliberately retarded so as to offset the powerful instinctive drive toward speeding. that can wreck

Even so, the drive remained. And while Mr. Horowitz carried the fugue through to a brilliant ! finish, he was plainly ill at ease in

fl this kind of technique.

It may well be that the rigid

J structure and ven beat bother sound liquid. That's accomplished,

= | | Certainly the at he accomFS plished in the Samuel Barber E so that there are no harsh, pre- # flat minor Sonata, which ended |cise reminders of metre. this first group, were far more

INDIANAPOLIS SYMPHONY

ORCHESTRA Fabien Sevitzky

Conductor Presents

Blanche Thebom

Mezzo-soprano and the | Indianapolis Maennerchor of the | thenseum Turners ! Clarence Elbert. Conductor

| SAT. DOT. 28 __8:30 P. M. |

MURAT |

. Hadley, Overture. “In Bohemia Hayden, “Sym mbhony No 31" Brahms. “Alto Rhapsodie” Saint-Saens, Excerpts from mson and Delilah”

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Sun. Mos. Tues.:

OUTDOOR THEATRE

Doris - Day MacRae Errol Flynn in “Montana”

Tre [J vl 3

| Club, which hopes to promote the sport with an eye on American] tourist dollars,

idiles. When one is sighted, the!

iG | sensationally demanding than anything he did in the Toccata. ig

Bs

The Schumann “Childhood

siveness. First of all, the “Kin-| derscenen’” are ‘mis-named—pos-

|longer-winded anthologies of his |

i ” the Frontier Outpost.” = Davidsbuendlertaenze. T h ¢; E ‘The Story of S.1 on reas Sar: 1210 N. PENN. ST. Li. 1920}

slightly contemptuous title and] } {the simplicity of the ‘“Kinder-|

{scenien” have diminished their sta- be ture in professional repertoire.

‘Liguid Tone Actually, they're marvelous pieces. Mr. Horowitz certainly) |brings that out with his extra-| ordinary apparatus for expressive playing. Among other things he does is the feat of making tone

{ing” ‘the treble on top of the bass,

_ The whole ‘“fluid-drive” procedure works wonderfully in Ro{mantic music, especially in things Bf ecine Chopin F sharp minor (Op. 59, No. 3) and C. sharp minor (Op. 30, No. 4) Mazurkas Mr, Horowitz played *in his second group. ! Group II followed a longish intermission, during which the curtains were folded while the piano,

as they say at Speedway, went -

into the pits. A quick treble-tun-ing job seemed necessary after the Barber Sonata. | Generous Bonuses That's a rugged .composition, |

both for pianist and piano. It has

moments of great effectiveness

| (interesting scherzo and terrific final fugue). Whether it would

seem important with any performance short of the immense; send-off Mr, Horowitz gave it is another question. Generous as always with en: | | cores, Mr. Horowitz followed his | | Chopin, Liszt and ~“Rakoczy | March” sequence with a group of | ‘bonuses that included the Scriabin C sharp minor Etude, Op 2, No. 1: Moszkowski’'s Etude No. 6|

l}Jlin F, from the Op. 72 “Etudes de {} Virtuosite,” and a somewhat trun- | |cated and modernized version of |

* Prive in Thdatre

the Horowitz “Carmen” tran-| scription of about 20 years ago.

‘Crocoplaning’ | ‘Urged for Tourists |

ygee Australia, Oct, 25 | {CDN) — “Crocoplaning,” Snthuse| its Australian sponsors, “just; the thing to soothe the oy of | {tired American businessmen.” i It's a “more leisurely” way of {hunting crocodiles, explains the | Australian Crocodile Shooters’

In “Crocoplaning,” the tired | tourist sits in a speedboat which cruises around looking for croco-

boat speeds to it, the tourist fires at it, and dead “croc” is rammed up on the bank by the boat.

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