Indianapolis Times, Indianapolis, Marion County, 5 April 1950 — Page 12

e- ape Bt Are His Worry Walter Saxer Frets About Fat Shanks and Big Hips

By Erskine Johnson HOLLYWOOD, Y 5—Walter Saxer isn't- worried about the shape of things to come. He's worried about the shape of things already here with movie kings and queens. wii Saxer is a nervous, well-muscled Swiss Whe teaches,

and 80 King) AUARE - iy “oonshin ne’

pnts a

a Seiad, yt gu and or

omorTow

The Tr Je Monn sll oo ian

ells pat Coronado.” rough Priday: nd ‘The Go-

OE Along !

arin “Major Barbara,” with -Wend Hiller and Rex Harrison, ‘at © INDIANA

8a * abimated carteon 3 10:15, 1:08, 3:30, 5:50,

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feature, nd 1

8 a The. Times “Cinde winners, on stage, at 11:

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FOR A FAMILY DINNER ies

Take “4 . Muscl

By H/

auto trade which has f or five year

rhythmical movements to movie stars. orton RevS FoViend, Yi and The cut He's been teaching stars how to make Renoirs and Dalis of 9 oC fog i ian g Fishing Stallion.” at 1:20, Here's a highly recommended They st out of their - hips, ribs 80d] "Cider bones and satled right “oon Bihuranst Mr] Loew's ; spot for the expert treat the legitima shanks for 10 years: Tt isn't) into it. n roten ih femoris. A Nisht] lor SonmRiIMter. wih Rove TH 3 ment of healthy appetites. “swipe his sa easy, says the torso Pygma-| Wa see” he said 1 make bn VING - Thr uch saturday: “Adam's e. hk J sua 16:19. — Cafeteria and Table Service sweating ou lion. When he gets through! ginensional. There is posture all ™ Ny 1One: Las a re on Soul via COCKTAIL LOUNGE @ COPA ROOM One of thes with a thick-hipped, stumbling over in my hafids, my chin, my A ait “Blonds LYRIC Entertainment Tuesday through Saturday into Indiana star, she's as lithe as Pavlova, opoys my feet. ‘You see, 1 do “UABd| wma Proudly We Hail with Claud. Dancing Friday and Soturdey | breed peculia but. Saxer.is-ready at a month's. oo cit’ in the middle of the. sofa! and Say.) ite Colbert and lette Goddard. |} 0 4 mm A sm AW they- oan tun

Test. and let myself spread out in an| » nit But about his wor! ugly way. You see, 1 sit on the rag “Such physical inefficiencies,” edge, thusly, with one leg pil he wails to the walls of his mir- the other and my ‘hands grace-| Eri

rored studio. h

“People on the screen do not is for background, not for sit- mit Throueh, Salurday. | mivOL J--Through Saturday: an o SANDERS..." ‘You're My Everything '

iting.” 1 saw.

know how to enter a room. They stick out in the wrong | places. And the way they sit | down—ugh! Audiences get tired |

and

THE lean Poet of million- ~dollar| throu

oy {fully arranged. A sofa, you see, | REX Through tomorrow: or

udin’ Rh

h Sa

rute.” “gvouen’ thro: "snd

Bint Inspector Geners ntry en “She * and

oh Robbery.’ * Tomorrow through | “No Minor Vices’ and “Yokel “Border Inei“All the King's “Key to the, ork.’

Sailor”

y of Moll

new Ta keh a Tomorrow mpion” and

or The Lady

h au urdny ‘Cham

“The Great

“Wake Island,” Brian Denbg! 3% Ana Matdorald" {on 2m 11,

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Johnny BRO

“FRONTIER AGENT”

William Boyd HOPALONG CASSIDY Gabby

just looking at those terrible movements.”

I watchér Saxer,, who hos

around like a ballet star, demontrate how a glamour doll should sweep into a room and park on

the sofa,

bodies .isn't sure how the movies| nel

got along without him. He arrived in the U. 8. during the New York World's Fair as choreogra‘pher for the Swiss Pavillion dance troupe. . Irene Selznick discovered hima couple of years later at Elizabeth Arden’s beauty farm.

s

AN Though Saturday Mrs. | ike” and “Dancing In the Dark. WAY" angerous Professiol "aad ‘Blonde, Sandi.” Tomorrow through | turday ot Te eason” and Aysterious ar ” STAR — Through Tomorrow: “A Becret “Key to

oar " and “Zamba ST, Cia Throush Saturday: the City’ and “Arctic Fury srRAND LT Key tof “Sergeant

the City” and ‘Montana.’ | TACOMA THT olgh tomorrow:

| “Silvae on "i Sage”

Here 19 ssa uit ia Yous heart and a sparkle in

THEIR Mi genger cars af all right, hooked on th ing a car or keeping it mc power is quite Here's ho quickie boys ¢ dealers who loaded; got t and can't get to pay for th They'll tak at a price a fleets to big | have cars so

your eye... told with all Walt Disney's

He was weary from an aftermoon's workout with his prize | pupil, Jennifer Jones, -but he ‘drew in his middle, flexed his

Jf ANTIQUES ru [EXPOSITION

‘W » js | York d “Skylin “Working ‘for Arden,” say | TUXEnQ "Through 8a Saturday: “Mrs. Mike" Saxer, “was like being In the |" nd “Valiant 5 San tn | doghouse from boi: Foie an ve Mer Se 0 down. I was glad when Mrs roug wurday 1 the Wes: ‘Carnival in Selznick sent Jennifer Jones 10. | Cost Riga. . cn | me and I had the chance to pre- ZARING ol Rew 4 a | pure “her —for—*The Song of UBU ette.’ She was awkward, hahaa p

them. They They get a ci fast, get their . Herman Sch retary of the ers Associati shook his fing

rE AR one ! “swell jo the: i 3

RB i ‘GREENWOOD DRI VE IN-—srou h tomorTow: e More jer’ and - ey iy

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Enjoy New In-a-Car Speakers, - Any smart tangled up ii

racket. And if I ren -kitchen advice ing with stran be very dang

Don't Try | EVER WAI see a pile of the teller’s wi your reach. And mayb might be eas reach through But it isn’t about money thieves, burgl would like to the cash pile, The Indian: tion says ther in burglaries So the associa of reminders ¢ cash.

LJ "IN SWAP for overstock merely dishinj loaded dealer, " They are act

Bri Peter Lindstrom and daughter | Pla in his studio. “Ingrid wants toe much to be very, very good,” he says. “Then she does things too well | | and it is bad. Her overperfec- | J tion makes her tight and tense | | She should go back to Mr. Selznick. He alone in Hollywood knows how to cover up | the inefficiencies of stars.” Greta Garbo is indexed in |Saxer's vital statistics as a star with a knockout body. “Not an| {ounce of excess flesh on her,” he | raves. And she has a sardonic) sense of humor;

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