Indianapolis Times, Indianapolis, Marion County, 19 February 1950 — Page 19

19, 1950

pre.

‘net

se Tt cagnot he mud, but

sical laws did lé of them.

o SE must not 1ere to defend that the true British char. ing attention at character e through the has done, I advance the ldren, among a’penny bit of nvestment in thing I have le fact that the law; nor that the Govhim to his

areless of my for that pure [ should have ech. And then ave cited the at a cat may

ave been left rgument with he boy—save ain the voice penetrating: a conspira ed, then that . against the the boy. But I pealed to his should have 3 justice.” sat down. tinued)

ieodore Bonn eday & Co.

~Hyosier I sey Plays Cole Porter” and -Also good vocal listening Is,

PER We eed

rT a

: - eo

SUNDAY, FEB. 19, 1950

Off the Record—

~ Carle-RCA Contract

Hermes aunt

Sets Off Nation-Wide

E... for Arranger

Victor. Wanted Recording Sessions to Tie

In With ‘Here Comes

the Band’ Promotion

By DONNA MIKELS

THE INKING of bandleader Frankie Carle to an RCA-Victor'

contract during his appearance in Indianapolis last week, set off a

coast-to-coast man-hunt.

“Viktor. wanted quick recording sessions with Carle, to tie in

with their “Here Come the Bands”

State police were called for

“help and the arranger was finally caught in Alburquérque, told!

to ‘rush Carle’s music to Chicago 80 that recordin start immediately. Victor's hoping for an early release of first Victor waxes by, Carle, formerly a Columbia recording artist. : The aforementioned Come the Bands” be built around 15 albums tied in with the current swing of public favor from - vocalists to d~ ce bands. Two of the albums will tepture. -COMpOSsers:

“Here

“Tommy

ey Beneke— Plays Ho arm’ ~hael.” other which should provide an interesting contrast between bop and earlier jazz forms is “Charlie Ventura Plays Duke Ellington,” featuring the boppish I1°~. Sax ‘on the old smoothie E’''ngton’s compositions.

Best news from Capitol is the’

signing of piano’ master Art Tatum to a recording contract. Coanitol, incidentally, is planning

a big push on Dixieland music. |

Good news for the LP player owners. Savoy and Regent plan! another Erroll Garner series on LP. Decca subsidiaries Coral and Brunswick also scheduled to

enter the LP field in March, with!

some old gems by Duke Ellington, Bing Crosby, Jelly Roll Morton and other jazz eminents|

promotion. But his arranger was somewhere between here and California, motoring cross country.

leases. Recent record -releuses include:

RCA VICTOR A" St. Patrick's’ 8 sessions could day natural is Perry Como’s “Did | | Anyone Ever Tell You Mrs. Mur- |

phy?” teamed with oldie “Please Believe Me.”

Tommy Dorsey, a bandleader! id (with a star-studded history of| has another winr ner in newcomer Johnny AmoroPromotion: will $0, “who sings “Just For Old]

vocal “greats.”

Times” and “When.” ” » -

MERCURY—Vic Damone still

urns out very listenable vocals.

rt instance his “Kiss Me” and

“In the Still of the Night.”

ing Dutchman” Hi “My Foolish| Heart.” Like Dinah Washington? You'll like “I Only Know” and “New York, Chicago and Los Angeles.” Toe-tapping music by the Harmonicats on “Tea For Two” and " Ttarmonisats Nagle. n

| scheduled to be among early’ re-

| |

plant here. Carle the process by which: the turning out Frankie Carle discs.

Record Review—

Stevens Kostelanetz, Pons © Offer Good Light Music

Favorite Concert So

Numbers Appear on Long-Playing Discs

by Rise Stevens, by Andre Kostelanetz and His Orchestra, and ° COLU MBIA— Pearl Bailey does| by Lilly Pons, are three Columbia LP (long-playing) records (12wonderful things on “Mamie Is inch) that should appeal much to people who like good music, Mimi” a hit from “Gentlemen Pre-| find themselves a bit allergic to what they call *

“Sincerely Yours”

fer Blondes,” backed by another classical stuff.”

goodie, “For You My Love.”

Frank Sinatra is very oibree

8 8 Ld

“SINCERELY YOURS,” on one

sive op “God's Country,” authored side of record No. ML-4179, is a

by composers of “Lucky Old Sun” {program of Rise Stevens’ Likewise ' familiar

and “Master Painter.”

most

and popular concert

on the flip “Chattanooga Shoc songs. Her arranger, Alan Shul-

Shine Boy.”

|man, put them together in sort

One of Dinah’s finest of recent of “hit parade” style, guided by

months is the Shore recording of requests in the Stevens fan mail. “It's Nice to Have a Man Around| They include those perennial tav-

the House.”

| orites, “The Rosary,” “Somewhere

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BEECH GROVE, 524 Main St.

Frankie Carle, who switched from Columbia to RCA.-Victor labels here last week in one of the biggest recording artist deals

ever swung in Indianapolis, examines a record in the RCA-Victor Lucille Saxe, 235 E. Vermont St.,

29900046004:

cusssssessorsrrosussancorsses

shows Bandleader : Indianapolis plant will shertly be

ngs, Victor Herbert

“Music of Victor Herbert”

‘Repeat Performance

”

but ‘that real longhaired

lA A Voice Is Calling,” “At Dawning,” “Trees,” . “The Sweetest Story. Ever Told” and ‘Love's

Old Sweet: Song.” On the other side, Miss Stevens has recorded a group of “Love Songs,” also arranged by Shulman. Sweetly sentifhental all, they include “Dearly Beloved,” “Lover Come Back To Me,” “The Man 1 Love,” “Love Walked In,” “Falling In Love With Love” and “I'm Falling In Love With Someone.” Both @ sroups of songs are accompanied by orchestra conducted by Sylvan Shulman, and are sung as oniy Rise Stevens can sing them.

= " a MUSIC OF VICTOR HERBERT, played by Andre. Kostelanetz and His . Orchestra, fills both sides of record No. 4094 with about 40 minutes’ worth of some of the best light opera music ever written. Nineteen selections . in all ‘are played, and among them are “Ah! Sweet Mystery ot Life,” ‘March Of The Toys,” “Kiss Me Again,” “A Kiss —In—The—Dbark:"—‘Hattan— Street Song,” “Thine Alone” and “Gypsy Love Song.” Victor Herbert died in 1924, but his music continues to enjoy unabated popularity. People over 40 are apt to suffer attacks of" romance mixed with nostalgia- as they listen to this excellent record.

su ” ” REPEAT PERFORMANCE is a record (No. ML-4087) of fa*vorite concert songs by the great coloratura’ soprano, Lily Pons. She is accompanied by orchestra conducted by her husband, Andre Kostelanetz. The seven songs she Sings. in-the briliant- Pons style

are: “Blue Danube Waltz,” “RKstrellita,” ‘Voices Of Spring,” “Le Bonheur,” “Ay, Ay, Ay,” “The Last Rose Of Summer” and “Les

@ Filles de Cadiz.” Ld ” n OTHER COLUMPBIA LP's that go well with the preceding three are: °° ’ KREISLER AND ROMBERG USIC, recorded by Andre Kostelanetz and His Orchestra on 12inch LP No. ML-4253. This is more of ‘the music with plenty of “schmaltz,” the kind that most of us go for. Kreisler and Rombeg are both in the great Viennese tradition, and there is the authentic Viennese lilt and romantic. warmth in their music. Kreister— compositions on this ® oa include such favorites as “Caprice Viennois,” “Tambourin Chinois,” “The Old Refrain” and “Liebesfreud.” Romberg hits include “Thé Desert Song,” “Deep InMy-HeartyDeari=*Song-of Love” and “Auf Wiedersehen.”

on n ” GREAT TENOR ARIAS, sung by Richard Tucker, tenor, with Fausto Cleva and. Emil Cooper conducting = the

letier conducting the Columbia Opera Orchestra. (12-inch LP No. MI1.-4248). "A remarkably rich record on which are assembled no less than 10 of the best operatic arias for tenor ever written. They are sung by a great tenor, Richard Tucker, whose voice. is often compared to Caruso’s. H.W. M.

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