Indianapolis Times, Indianapolis, Marion County, 6 February 1950 — Page 8

PAGE 8 — WINS $10,500 PRIZE NEW YORK, Feb. a. (UP) — ¥ Ala. supermarket manager, will Teceive prizes valued at $10,500 f for naming “Ala,” the five-week-| old mystery tune on ABC's “Stop the Music Jackpot” show.

Here's Good Luck to Your}

Gives qe Its Finest Sai

Orchestra, Symphonic Choir, Soloists and Duets Make Musical History Before Enthusiastic Audience

THE INDIANAPOLIS TIMES

Times Amusement Clock

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| Intermission

Symphony concert.

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And the wa

By Henry Butler Fabien Sevitzky's all-Bach program last night W was the exciting. deal, finest concert I've heard in the Murat. From start to finish, it was a superb achievement. And if the audience was small, that fact should not high D's Bach loved to write. Now! |dishearten either Maestro Sevitzky or the Symphony's!

chorus from the !

Woodbury, John

“Gloria in Excelsis”

q Chorale from “Sleepers, Awake,’

showed how participants were in-|

spired by the music and the conducting.

: enthusiasm was the highest I've encountered at a

quest for next year’s Bach pro) ' gram.

iter Jerome Kasin and his able sidekick, Renato Pacini, did a swell job. with the Double Con-/

Dr, Sevitzky gambled on this certo, That piece is so wonderful

still happily hum- Won a great artistic success. He certainly inspired Messrs. “Now Let Every had the Symphonic Choir singingiand Pacini—so much so, that a final better than I've ever heard them woman back of me said afteramazing wards, things from the orchestra. And he| again—right now,” and Bach made the battery of) local instrument and vocal solo-| ists do work equal or superior to!

sing before. He got

~that-of -many touring visitors. Zhe G major Brandenburg Concerto, which opened the evening, was a splendidly vigorous essay for the strings. Franz Bodfors, Pauw University's music faculty,

—certo.— Mr, Bodfors drew four ‘hugely enthusiastic curtain calls « for his excellent performance. His command of classical style, with incisive but sensitive work: -his facility in the difficult: embellishments, his dignified re- | straint ~and keén sense of--en-semble-playing -— all these qualities of musicianship went right (across to the listeners. The Symphorfic Choir, trained phony’s pianist next were heard Hn-“Jesu, Joy of Man's Desiring,”

mond console. A big surprise to me was the

“May Heavenly Providerice”

pianist of De-|

was soloist in the E major Con-|

finger- |

with Clarence Elbert at the-Ham-/|

- {members of the Symphonie Choir first all-Bach program. Though that, in Julia Ward Howe's words, came trooping out of exits after he didn’t win huge attendance; ae'it transfigures you and me. ‘the program, ming the great’ Tongue

Kasin

‘I'd. like to hear it all over

The evening's biggest vocal venture was the cantata “Sleepers, Awake, magnificently done. [Full credits would have to be serialized. But 1 liked especially Farrell Scott's tenor recitative “He Comes, the Bridegroom {Comes,” with the plaintive ora-| torio-singer’s pathos Mr. Scott always manages so well,

Newton did admirably in the ‘When Com'st Thou, My Lord?” soprano-and-baritone duet, with Mr. Kasin's beautiful playing of the violin passages,—and later in ‘My Friend, Thou'rt Mine,” with Earl Schuster’s marvelous oboe work.

Dr. Sevitzy's conducting of the| string background for the tenor

chorale, “Zion Hears the Watchmen Calling” the most famous

item, through Busoni and other [transeriptions, was simply swell, finest dramatic achieve-| ment of the evening was the can- |

His

tata’s last chorale. With tremen-

dous gestures that could have’

‘Glide, Playing Waters” contata—a wonderfully] which had Max] Colbert and {Louis Ruth of the trumpet sec-| ‘tion hitting those astronomical

I know this outfit could do. the] from the B If the same program, by some miracle minor Mass, and that's my re-

‘of management, could be re-

peated this season, it woul After intermission, Concertmas-|

It!

NDIANA “Bagdad,” with ureen a and PH fncens da hee, Mak 11:10. OR 4:45 7:30 and

15 he Blond Bandit,” Rockwell and Dorothy Patna wi

12:50. 3°40. 6:25 Bg ban

KE! “Pin with Jeanne, Feet Birymore 5 50, 1:50

with Van Johnson, at

“Battieground,” John Hodiak and Denise Darcel. 11:34, 2.08, 438. 7:13 and 9:48.

LYRIC ! The “Pirates of Capri,”

with Louis Hayward an Marieila Lotti, at 12.40 3:52, 7:04 and 10:18, oat 11:28,

“The Flying Saucer,’ 2:37, 5:49 and 9.01

mown down a dozen Golden- | Glovers on either side of him, he {got the choir and orchestra right]

on the dot in attacks.

recording, does that chorale the easy way—fast. Dr. S8evitzky took it the hard way-—slow. And he made of it the most thrilling and imoving ‘version I've ever Heard. When perfo¥mers and listeners have so much fun and so much emotion out of a musical program, you can be sure they'll all be back for more. And they'll bring their friends. Maybe Dr. Sevitzky really made musical ‘history last: night.

EX-DETROIT MAYOR DIES

: b. 8 (UP)—

troit and veteran of nearly 50 years in public life; died of pneumonia early-today. He was 88.

Spe *R0-- +

Robert Shaw, if you know the.

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