Indianapolis Times, Indianapolis, Marion County, 16 January 1950 — Page 18

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“What Money Can Do 28 St. Louis Shows

Musical Wares

Well-Financed Orchestra Is Superb Under Fine Conductor

By Henry Butler Vladimir Golschmann and the St. Louis Symphony

the importance of adequate orchestra budget.

intelligence, precision and musical good taste, Mr. Golsch-| mann couldn't get the results he gets on the less than $200,000 Indianapolis orches-| ~~~ tra budget. As I've written before, Mr.

Golschmann’s splendid orchestra needs and gets something over

Ravel, And the Finale, where Stra-| vinsky practically writes in two, keys (C major, with a strong pull towards F) has terrific vitality,

noon intermission, was one of the

‘Orchestra yesterday gave Murat listeners two lessons in| %

That point needs first mention here. Even with all his/ %

Its tear-jerking quality beats even if i A

| "Free for. All," screen feature at | the Circle with the Xavier Cu- |

£300,000, St. Louis, of course, is Mr. Golschmann's first bassooniet *h 1 munity than o .} res i i told the and first horn-player did magnifi-/ Blyth are the zany lovers in fund-raising - campaign there is ently in we a more dynamic than what we've seen here. Business contributes THE BRAHMS Fourth -Symheavily, for the very good reason phony, which. followed the after-| gat show.

ADULT & insive!

J. ARTHUR RANK presents

| Googie WITHERS - Griffith

ROMANTIC & REVEALING!

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Robert Cummings and Ann

that the Symphony gives the com[munity prestige. All this is nécessary prelude to discussion of musical merit. Mr, Golschmann’s ensemble is strong in departments where Fabien Sevitzky's 1950 orchestra is weak. The reason is not that Mr. Golschmann is a better Svengali than Dr. Sevitzky. It's simply that Mr, Golschmann can hold the instrumentalists he's tra‘ned.

best performances I've heard. | There's lots of room for argument | about Mr. Golschmann’s interpre-| tation, especially the varied tem-! pos in the last (“passacaglia”)| movement. But the way Mr. Golschmann does things makes them seem right. He likes some novelty, as do all of us. But he doesn’t ride a hobby. 1 particularily liked the rather Ad za deliberate tempo of the symSO WHAT vesterday's listeners phony's first movement, which heard was a splendidly integrated brought out the intermezzo-like orchestra. The tonal effect is quality. In the second movement,

superb--maybe not quite so excit- Mr. Golschmann’s cellos did themling as George Szell's Cleveland Selves proud and probably damp-

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Orchestra, but still swell to hear. ened eyes with big “geruehlvoil” Strings are excellent throughout, rendition of the third theme and with cellos and basses we may! its reprise. well envy, The eternal-triangle third moveWind instruments also are good, ment, punctuated by the percusfine horn section and precise, |sion’'s broken equilateral, was 'brilliant brasses, which latter Mr. done with great understanding. Golschmann encourages in more Mr. Golschmann's strings again blasting than we're accustomed {packed meaning into the perto. formance. Yesterday's afternoon program/ And I think Mr. Golschmann opened with Darius Milhaud's Nas excellent sense in tackling brilliant transcription of ‘oup- that fourth movement in unortherin's Overture and Allegro. 1t's/0dox fashion. Brahms wrote eva magnificent piece from an era ®rYthing from “Pilgrim's Chorus” too seldom represented in current/!0 Strauss waltz into it. A splenprograms. The enormous prestige did first - flutist did beautifully of Bach tends to obscure Bach's With the capsule-concerto-andante

predecessors and contemporaries. variation.

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As a result, we don't know well The afternoon crowd gave the enough the music current in visiting musicians a tremendous Bach's time. Bach achieved his Ovation. greatness because he had great material to inspire him.

Dairy Group

say in program music with not The 32d I ndiana Dairy Prodmuch more aggressive modernity ucts Association con Ey they nl than you'll hear in Scriabin, fol- onened today in - the v lowed. A trifie longwinded, it's gote), It will continue through! good ecstatic material for a bril- | Wednesday

llant orchestra like Mr, Golsch-| . 1 Ann's. 0. E. Anderson, president of

One surprising item was a the Ohio Association, called for truncated version of Stravinsky's all dairy interests to unite with “Firebird,” beginning with the Industry to preserve the American “Kastchel” dance. I think maybe {ree enterprise system. Mr. Golschmann had a good idea Other speakers today were in cutting the suite, since he re-| |Tom Hasbrook, Indianapolis; | tained the best portions. The Prof. L. C. Thomsen, Madison, | “Berceuse,” however tame it!Wis, and Dr. R. W. Elrod, Indiseems nowadays, is one of the| ana State Board of Heaith, | greatest essays in musical pathos. Clem K. Thompson, Columbus, | ~~ 'Ind., president, gave his annual

Heres Good Luck to Youl address. Le Marvin n Sherry Heads

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