Indianapolis Times, Indianapolis, Marion County, 3 April 1949 — Page 33

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High Praise 1}

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The album is a collection of| |

- ns = CAPITOL—It's wonderful King

“Cole and what better could be ' “said of ‘his latest “Don’t Ory Ory

Baby” and the sparkling new tune “If You Stub Your Toe on “the Moon.” 3 ~The mad mad waxes his first one with Capitol and it's a dillie, “Lonely Street” with a wonderful soprano sax solo “by Charlie and a tram bit by Dick

“Kenny, backed by a rhythm tune

“Cu-Ba.”

Kay Starr teams with Merle]

“Travis for a little corning up on “Wabash Cannon Ball” backed by

Kay alone on “How It Lies How! don’t be surprised.

It Lies How It Lies.” yl . » = RCA VICTOR — Very weird, “Dizzy . Gillespie's “Lover Come Back to Me,” backed by AfroCuban boppish “Guarachi Guare.” Each Charlie Ventura’ disc gets

“better and better, as his latest recognized as the greatest pro-

““Whattya Say We Go” and “Body ~-and Soul” attest. " Pnil Harris tries “The Mountaineer and the Jabberwock” and “Eimer and the Bear” = The wonderfully soft and soothing Page Cavanaugh Trio make .imood music of “Bianca” and “Al“ways True to You in My Fashion.” Rose Murphy takes up where Frankie Laine left off on “Ro-

“petta,” with more chee-chee on’

~#“Gee 1 Wonder What the Trouble Be.” » 6 a =»

i COLUMBIA—Doris Day-Buddy

Charlie Barnet

- "Wonderful' on Mr. Lingenfelter, 26, has been HAT hE Toad con Recent Weeks In scculiuiating WHAT WITH | record com- {stamps of all kinds, sorting revolutions as a South American, | {them to children in 13 hospitals country these -days, it's almost over the world. { necessary to Ereate separate cate- Mr. Lingenfelter a gories for teview purposes, hospitals a lot when 1 was a kid and I know how it is to lie there bum about to be mentioned is on with nothing to do.” Columbia's LP discs. If it's avail- «nw i.

J Photo hy Liayd B. Walton, Times Staff Photosrapher, . Woody eats his words . . . What worse could happen to the | country's head man of bop, Woody Herman, than to run into | mes Record Columnist Donna Mikels who omomberad an andi interview wi cody just three years ago? And what else CO De a oh ed pic do pur sat Ha words from 3 March, 1946, file of The Times?

Woody Points Out Change In Development of Be-Bop Herman Calls. Progressive Jazz Result Of Greater Skill of Younger Musicians By DONNA MIKELS

IF THAT FAMOUS wailing clarinet’ of Woody Herman's should spout a few .paper wads on his Indianapolis appearance;

| The man who is THE man of bop music today had to eat some {of his own words—printed variety—published in an interview in {the March, 1948, Times, when/ ¥ TE ‘Woody played a benefit dance in'N, Carolina Pastor

{ { Indianapolis at that time. . . | "Back three Marches ago the| To Direct Convention. The Rev. Charles H. Webb of

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{where his contributions have st.

velopes have traveled as far as

Noted Artists Set For Goethe Fete

ad

bespectacied tarpenter says he is St. Luke's Memorial in “Ponce, Puerto Rico; General Hospital on|

g 3 i gs g i 3 :

den. 7 [Calle Ninos Heros in Mexico City; “Ordmary stamps of different Poa! Hospital, Tokyo; Radio Sta-!

an interest in collecting them,” gian Congo he says, “If they show real sion Band, Bangalore, South Ininterest, then it's time to think dia, and Oriental Mission Society, about unusual kinds of stamps.”/14 Fung Halang Cheng Ken! Most of the stamp packages Shanghai go to Riley Hospital for children) His favorite hospital outside in the city, but Mr. Lingenfelter Indianapolis is the Royal Ohilhas a list of other, farther places’ dren's Hospital, Great Ormond London. Mr. Lingenf i gone to occupy the interest of has sent stamps her ela young people. times, ® ® = A desk in the bedroom he oc) THE LITTLE cellophane en- Cupies in the home of his parents; Mr. and Mrs. Harry IL. Lingen-! | felter, 3318 K. 25th St. serves; the youthful carpenter as an of-!| fice when he isn't working at his trade. : i sts «x» A VETERAN, Mr. Lingenfelter chose carpentry as his occupa: | tion after the war rather than! NEW YORK. Apr 2—The Goe-| going 1a service 7 1 had been the music festival planned by the Goethe Bicentennial Foundation

{man who is now playing the (Circle with -what is generally) yyngton-Salem, N. C., will serve as the new national director for the National Christian Missionary Convention with headquarters in| the Missions Bldg. 222 Downey Ave. . : ~ “THERE isn't any such thing : as be-bop music,” he sald then.) The Rev. Mr. Webb succeeds {“It's a musician's shorthand, the Rev. C. L. Parks who resigned taken out of context , . . weird|to accept & position on the staff lyrics originated by some guy of Flanner House. who crawled through a crack The new national director is a on 52d St. and put that stuff out native of Oklahoma and graduate

gressive jazz band in the country today said no be-bop would issue from his bandstand. . . =

i 4

for Aspen, Colo., from June 27 to July 16 is scheduled to present some of the outstanding Artists|} of the day. - The Minneapolis Symphony Orchestra, directed by Dimitri Mi-j} tropoulos, will give a series of 10] concerts. - Instrumentalists to appear include Arthur Rubinstein, pianist; Erica Morini and Nathan Milstein, violinists; Gregor Piatigorsky,

Jilly

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las entertainment.” of Butler University and Jarvis

‘cellist, and the piano team of

tuncancelsd) condition, the alin Dale Lingenfelter . . sends stamps to hospitalized children.

kinds are enough to give the kids tion Hospital in Leopoldville, Ba M ey A Lingenfelter : Heart of India Mis- ther of them will cook now. | All they're good for in the kiteh-' | en is to criticize my cooking” 1 |

| For the Latest in Popular,

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[fice By Tuesday. The pagean ‘cludes three acts and 4 ;

“I didn't want to keep that up

any longer,” he says. “In the !. | Merchant Marine and Army I | {was a cook. | | {

“Yes, and so was his father” intervenes. |

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The ramson I remember the words. so well is that I wrote them, after a long chat with Woody about the then mueh talited of bans on be-bop in California. : x=

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ates in Tulsa, Okia.

Convention and has held pastor- contralto, John Garris, tenor, and. {

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jark’s latest duo is “I'll String “Along With You” and “Powder Z¥our Face With Sunshine.” Aand “Buddy does wonderfyl things with + «] Lave You Se Much It Hurts” -and “Love Me, Love Me, Love ~ Me” weg “= Best news from here is that “Marah Vaughan has started re~eording and that her first release, Z%A% You Desire Me,” coupled with "*“Rlack Coffee” and “Kiss Me “Kate,” will be released shortly. ~“ ¥rankie Carle couples “The Lit“fle Old Church Near Leicester ~Square” and “Sault Ste. Marie,” sung respectively by Marjorie Hughes and Bob Lochen. ; " Toni Harper, the little girl blues, does a story about a “Be Bop Pony” with “Miss In Between Blues,” with some fine Eddie Beal sacking. : « Harry James features thé Sky“Jarks on “Don’t Cry Cry Baby” and “Hurry, Hurry, Burry.” DD. M.

Hail Barnet Band As Bop Successor

NEW YORK, Apr. 2—Popular music circles are hailing the new pand of Charlie Barnet as the logical successor to the top position in modern jazz vacated by Stan Kenton when the latter quit /the band business recently. ° While. flattered at the designaBarnet pointed out that there is a certain fundamental difference between himself and Kenton regarding “progressive ” or bebop, as some people defer to it. “1 ‘honestly believe that Kenton placed too many walls around

his particular music and where There's a certain amount of good

it could be heard,” Barnet explained. ii “We hope to alternate fiexibly between concert and dance music, thereby creating a less re-

strictéd and stereotyped musical)

product.”

Barnet, of course, is no newtomer to the orchestra field. He has had several good bands since 3933 and has broken them up from time to time for various ‘peasons. His current musical library contains a liberal quantity of bop, including original compositions of the “progressive” school, but it also features all of the dance rhythms any crowd could ask. A featured member of the outfit ‘is talented Bufiny Briggs, a ‘pint-sized Negro vocalist who is a firstrate entertainer. Barnet has been signed by Capftol Records to replace its loss of ‘Kenton.

“{are more individually fine musi-

But actually what Woody referred to then as “be-bop” and the so-called bop music of today are 3 two far removed items. Then it was a form of lyrics, to jazz up questionable tunes like “Who Put the Benzadrine in Mrs. Murphy's Ovaltine?” : That's the tune that aroused all the “degeneracy” uproar and got bop | bopped off the air. Today what some people like to call bop 1s mostly instrumental, with a few lyrics thrown in now and then on the more commercial pieces. » . “BOP,” as Woody sums it up, “is just a bad title that's been hung on a new type of jazs, somethat can be exploited like ‘scat’ and ‘swing’ once were. They run in cycles over the years.” Actually, the progressive jazz is little more than the result of greater ability ‘and technical skill} among younger musicians, Woody feels. “Kvery year the kids are getting better and they're doing better and different things.” : Woody dodges any comparative evaluation of his present group { and his old Herd which pfoduced a | some of the finest records of contemporary jazz. } “You can't eompare them—they were entirely different types,” he says:

” ” » HE VENTURES far enough out Lon the limb to say, however, that iin his new youngish group there cians than in the Herd, which boasted jazz. “greats” like Bill Harris, who's still with him, Flip { Philips and Ralph Burns and Chub Jackson. : {As for whether this group will {attain the musical honors heaped {on his old band, Woody can’t say.} | “It's like with any new idea.

{and bad and you have to separate {until you come up with the best {form possible.” {| The was about the end of Her-|. {man’s views on music. But glancing back over his March, 1946, {interview I noticed there was one | question I forgot to bring up to | date, i ’ | I wonder if his then four-year- | {old daughter still claims the new ¥ = | anti-bop - Tommy Dorsey an her Hk favorite bapd leader? Ok

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