Indianapolis Times, Indianapolis, Marion County, 29 March 1949 — Page 8

1

In Hollywood—

Coiffurist. Seeks Carriage Trade

Hopes Happy Horse's Hairdo Will Bring Brisk Business

By Erskine Johnson

coiffurist, recently did a special coiffure job for Gene A horse, Champion. The hair stylist was dubious and complained to his press agent, Larry Gore, about the stunt. “What good will doing a horse's coffure do and how will it increase my business?” ip Larry had a quick answerdg ino Gene a chance at direct“Well.” he said, “maybe ng “On the Town." .. BARTON i i McLANE is going straight for Champion - will recommend “iret time in seven years. He you to other horses.” instead of his , 8 = George Raft's BOB WALKER will check out of a Kansas sanatorjum within a « 2 ® few. weeks but he may not see CURRENT CROP of optimistic Hollywood for some tithe. He's statements emanating from Holtalking to producer Monte Proser lywood is seen..as a reflection of about starring in a Broadway the ver? healthy condition of the ’ play to “re-establish” himself be- natién’'s box office for the first fore returning to the screen. . .. two months of 1949. Generally 3ing Crosby finally gets a win- well ahead of last year. ning race horse but it's only in a Look for a big upsurge In movie, “Ridin’ High,” and after independent production due te the race the horse drops dead. to the same factor. “

s =» nv raat . AYDN, the actor JOHNNY WEISSMULLER is RICHARD HAYI * talking to Olympic diving cham-

‘ne 't / it role LT Gor INT Secon Hon, Vicki Drv about 3 Tle I directorial job. He's billed; for a his “Jungle Jim" series. . . . Dottie gag, as Stanley Stayle. For the Lamour will do a musical at RKO bit role he played in “Miss Tat- before retiring to keep her date lock's Millions.” his billing was With the stork in October. But Richard Rancyd. There's a She'll continue to do her weekly new Hollywood record outfit air show. called aKngaroo Records with or the slogan, “They Jump.”

plays a detective usual villain In Red Light

Times Amusement

” =” » ) ) THE BOXING MANAGERS Clock Guild, which yapped about “Body | MURAT and Soul,” is getting aroused| “0 Mistress Mine” With again about the way fight pro- Loder and Sylvia Sidney. at 8 30 moters are handled in “Champ- w CIRCLE - , ~~ J oe his rehes n fon.” ..Greta Garbo and Clifton Ted Weems Ha ores

7 and 9:30

Webb have been sharing after-| - “The Clay Pigeon,” with Bill Wil.

noon dates watching pictures in}

jams and Barbara Hale, at 11:30. a projection room. 2.25, 5.20, 8.05 and 10.30 ESQUIRE

. . . M-G-M is buying Irving Berlin’s song hit, “Ch eek to Cheek,” from RKO for another Astaire-Rogers musical. The song was the hit of the old A. & R. movie, “Top Hat.” 1 v 2:25 and 5.35

x GENE KELLY is more than 3 and b3S L% grateful to producer Arthur| KEITH'S Freed, who brought in to Ho Tau o Washinsion Jouve’, Jas wood to star in “For Me an yi yrone Power. Alice Paye an olson, 2:45, 3:55, 7:15 and 10:25. jal” when all other Hollywood| Jolson st 12:45 385 producers ignored his Broadway Slave Ship.” with Warner Baxter,

“Fanny.” with Raimu and Charpin. at 6, 8:05 and 10:10 INDIANA “Family Honeymoon,” with Claudette Colbert and Fred MacMurray. at 12:40, 3:45, 6:55 and 10:15 “Miraculous Journey,” with Rory Calhoun and Audrev Long, at 11:20,

Mickey Rooney and Wallace Beery,

Lit in “Pal Joey.” Now Mr. Freed| st 11:15. 2:25, 5:35 and 8:45 has come through again and is LOEW'S | “Take Me Out to the Ball Game with Frank Sinatra, Esther Williams

and Gene Kelly, at 11:31, 1:38, 3:45 5 52. 7.50 and 16:06 LYRIO “Texas, Brooklyn and Heaven”

America’s No. 1 Orchestra with Guy Madison and Diana Lynn at 11:30. 2:37, 5.44 a 851 In (Concert 8:30 p M “Urabe.” with all-native cast, at r . Whe 1:04, 411, 7:18 and 10:25 THURSDAY—MAR. 3I ABMORY / avi vasih Tickets—83, $2.40, $1.80

ROSS W. CHRISTENA, PRESENTS

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GENERAL

Enthusiastic Audience Greets |

| Ballet Theater Performance |, TM But the liouse-down-bringer, as Ahan) wonsy

| By HENRY BUTLER

| The Ballet Theater last night'the Germans would say, was “Les 271; N. Penn. {gave this season’s most stunning p.iineurs” a big and beautiful * E —_—

display of difficult but graceful methods of human locomotion. Possibly some of the tumultuous

applause the nearly filled -Murat in Pink and Bambi Linn, as the TAL STL 121+ £75 +28 gave last night's final item on the Girl in Yellow current Martens series may have and humorous response

been wistfully envious.

HOLLYWOOD, Mar. 20.-Mark, the madcap Hollywood Complainers of the “my-feet-are- Boy in Green)

utry’s nearly-killing-me” school may virtuosity

mentally get a load off their feet by watching ballet, just as sports fans mentally get the rubber tizes off the midriff by watching basketball, Ballet dancers, like basketball Iplayers, vicaripusly perform for the spectators the exercise the spectators certainly need but lack time or ambition to take, But ballet, strenuous though fit ig, is more than exercise. All that elaborate ritual of arm-and-leg-and-torso motion gives an illusion of freedom. There, but for the fact that you're a used-car salesman or an insurance actuary, go you—gracefully and uninhibitedly, instead of clop-clopping with new leather heels on a damp Indian-| apolis sidewalk. f Traditional Theme The Ballet Theater's offerings last night were mainly traditional, like the curtain-raiser, “Theme and Variations,” with choreography by George Balanchine and music from Tchaikovsky's Suite No. 3 for orchestra. Maria Tallchief and Igor Youskevitch were the principals Against a busy backdrop of Russian baroque architecture, the leads and their 24 assistants gave in exhibition of superb classical yallet technique. One excellent eature of the Ballet Theater is the skill of every member of the

|

troupe The “Jardin aux Lilas” or Lilac = Garden, in case you

haven't been shopping for perfume lately, followed. Nora Kaye, Hugh Laing, Antony Tudor (who did the choreography) and Mary Burr {had the leads in a business about

. |“marriage de convenance,” which,

{loosely translated, i§ marriage for

“money. Completely on-stage light-

ing (no spots), good costuming,|

|beautifully managed expressive-| ~

{music made the ballet effective. Ran Them Ragged I might add here, however, that| Chausson, like the Tchaikovsky “Theme and Variations,” occa-| sionally had Conductor Max Goberman’s partly local orchestra run ragged. Any company as good as the Ballet Theater should have an orchestra as good as the Indianapolis Symphony. Maybe that's an idea, but where's the hall big enough? Nana Gollner and “John Kriza got a big ovation for their “Pas de deux,” as well they might being superb dancers.

ness and Ernest a. i |

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THE INDIANAPOLIS TIMES

TO DANCE BETTER | BETTER GO TO... |

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~~ RICHARD

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Ala | “WHISPERING SMITH” Geum “An Old Fashioned Girl"

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wacted by Srodueed by JONN'HUSTON HENRY BLANKE Berens Play by John Maven Bevad on the Novel by 8. Traven Muse by Man Signer

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vSE. VER! Marx Bros, “A NITE AT THE OPERA”

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Errol Piynn—In Technicolor ° _ “ADVENTURES OF DON JUAN" Plus Color Cartoon & News

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