Indianapolis Times, Indianapolis, Marion County, 20 March 1949 — Page 32

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ete diol

to You in My

show tunes. The Shore

better,

ginal

. his first wax

and arranged O'Farrell, is

| Dinah Shore Handles "Porter Tune Nicely

Next to Album Disc, Thrush’s Rendition "Is Best Single Platter Available

* the best single avdilable. if you want album, is the version by the ori-|'" cast in the Columbia al-/°" , bum. “Kiss Me Kate.” [ LJ

of bopsters is a well thought out production, instead of a hit and miss bop-in-name-only effort.

“Undercurrent Blues,” composed

By DONNA MIKELS

Fashion.”

disc seems to be/l¥rics,

to buy an|

standards

with his new gang “. ru

vorite in England, smooth,

across the

danceable, yet

Even | number “I've Been Hit"; | Weston does interesting semi-bop “Bop Went the Strings,” secd side of a very fine rendition of a light Swedish concert piece, Swedish Rhapsody”; Jo Stafford . nu lane the Starlighters sing “Begin CAPITOL—When Benny Good- the Beguine” and “On the Alamo,” man does something, he does it two old right. Thus it's ro ‘accident that better with every listening.

that

SOUTHERN thrush Dinah Shore does nice things for Yankee Cole Porter, the way she sings his “Kiss Me Kate” hit, “Always True _

The tongue-in-cheek chant is slightly reminiscent of two other “fickle” tunes from Broadway musical hits, “I'm Just a Gal Who Can't Say No,” from “Oklahoma” and “When I'm Not Near the Girl 1 Love, I Love the Girl I'm Near.” | — - m— But the magic Porter touch shines bo “ ‘through in “True to You in My Fashion” and it's already a juke Smooth Pp box and radio hit, while the dther| Wild “Undercurrent. » : two were more or less just good |

th Italian and English lyrics “Ma Belle Marguerite.” It's a @ th ballad, compared to wild, |

Johnny Merder puts a new glow gfe lin “Glow Worm” with some new || 4 backed by a new Mercer Paul

COLUMBIA Peter Yorke's fa-| brings delicately molded style . sea in an album of by top bopist Chico ug ney to Remeber.” The tunes,

Rye, &lall old standards, include “SomeCrade A instrumental with 80108 | here a Voice Is Calling,” “Love

by Benny, Eddie Bert on trom-ijere fs My Heart,” “Just A-|

DM-230 DM-520 DM-431

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DM-1078 DM-1079

DM-1087 DM-1091 DM-1094 DM-1106 DM-1129 DM-1165 DM-1172 P-192

P-101 C-112

MM-719

MM-720 MM-728

MM-568

MM-477

«JCA VICTOR CLASSICAL RE

pone and Doug Mettome on|wearying for you,” “Songs My| standard vinyl plastic record and rhe. d sid Mother Taught Mes “Py the $1.25 for the shellac type. id i The second side is not only|Sleepy Lagoon,” “Intermezzo,” 3 quite cer-| . . . . fine Goodman, it also features|“Moonlight and Roses” and bi ord Takers a7e qu ? Sen Miss Betty Blatz . . . with this new ladder, hanging a picture int Duday Green. singing -Kvensong. ee “lcan be mass produced will dis is safe and easy. —f WIATP* Stars Joe {Flip} place the disc type of recorded! »

and Kiddie Albums

Reg. -

DM-312 Quintet In A, Op. 114 Price SCHUBERT, Schnabel ............ $7.25 tm DM-204 Symphony No. 4 in A, (Italian)

MENDELSSOHN, Boston Sym...... 475 Concerto No. 1 In“D. Minor,

PAGANINI, Menuhin ...... cesnes 1.28 Symphonia Domestica, Philadelphia Orchestra .....ivvvavencnncveceese 1.2 Concerto in E Minor, MENDELSSOHN, Menuhin ........ 6.00 Bolero, RAVEL, Boston Pops....... 3.50 Suite for Viola and Piano, ERNEST BLOCH, Primrose-Kitzinger ....... 8.00 Little Organ Book, BACH E. Biggs. 3.50 Trio No, 1 in B, Op. 8, BRAHMS.... 6.00 Dvorak Symphony No. 3 in E Minor, New World «.oovevnesvsnas vennsine 135 Suite for Strings in E. FOOTE, Boston Sym. ....o00vvvvnnnnn goers 8.50 Symphony No. 6 in C, SHUBERT, London Philh. ............ veeniese 8.00 Protee, Symphonic Suite No. 2, MILHAUD, San Francisco Orech.... 4.75 Conata in E, BACH, LandowskaMenuhin ........000000e cones « 4.78 Russian Operatic Arias ........... 4.75 Concerto for Violin and Orchestra, Helfetz .....,.... Besesssecerennne 6.00 Bach Arlas, Marian Anderson...... 4.715 Organ. Recital, Charles Courboin ... 4.75

Oratorio ‘Arias, Norman Cordon.... 4.75 Sonata in F Minor, Op. 120, No. 1, BRAHMS, Primrose Romeo & Juliet, PROKOFIEFF, Koussevitsky and Boston ‘Sym...... 8.50 Chopin-Liszt Album, Viadimir Horowitz Haffner Symphony, Toscanninl .... 4.75 Singing the Blues, Loule Armstrong. 4.00 Dumbo, Walt Disney .......... eee 3.25 Missa Salemnis Vol. I and II, BEETHOVEN (12 records) ........17.00

COLUMBIA MASTERWORKS

Bach Sonatas Vol. I and II, for Harpsichord and Violin Repeat Performance, Lily Pons.... 6.00 Organ Music of Bach, E. Powers Biggs Scenes from Boris Godounov, Ezio Pinza ...iiiiiiiiinnie venernnnnny . 1.28 Peter and the Wolf, Basil Rathbone 4.75

POPULAR AND KIDDIE ALBUMS

Y-881 Fan the Piper, Gudren Thorne, Thomas ....ovviivnie sovsnnnnannaos $4.50 Y-344 Pee Wee the Piccolo, WING, Russ } Case .....iiiiiienronnennnns een 3.00 Y-339 The 500 Hats of Bartholomew Cubbins ..... iiiiineiennnnnnnsans 3.00 Y-358 Rudolph the Red-Nosed Reindeer, LE 2.25 Y-858 © The Doll In the Glass, Thorne ....- 2.25 Y-608 Comedy of Errors, Charles Coburn..5.00 Y-848 Little Black Sambo ..... ......c.0. 3.00 Y-329 Peter Churchmouse, WING ,....... 3.00 Metro-Goldwyn-Mayer ’ MGM-8 Holiday For Strings, Dave Rose ....$395 MGM-8 Broadway Melodies, Mark Warnow...3.95 MGM-12 The Bear That Wasn't .......cc0.. 3.05 MGM-13 Kiddie Korncert ............. cesses 3.98 MGM-21 The Pirate, Judy Garland and Gene Kelly ....... Meester vesesse 3.25

MGM-28 Dave Rose Serenades, Dave Rose... 3.95 Goldllock’s Story Plays with Three Bears.... 2.98

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sound

rans

3 ' THE INDIANAPOLIS TIMES

[On Classics— Stepping High .

Disc Makers |=

+ « With Safety

LYRIL

‘Have No‘Fear Of Television |

See No Real Competition

} {

1/, PRICE

SALE

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LIMITED QUANTITIES ‘CHOICE SELECTIONS

From New Medium

What will television do to the record industry? Very likely, nothing. The people who make records regard television as ‘ho competitor. Aside from the fact the people who make records also make tele-! vision, one reason is television is !!less of an art and more of a) novelty. ' Record engineers say television entertainment, if not equipment, is now at the level of radio when {“A” and “B"” batteries were the source of power, Recording has reached its peak in technical excellence. But the record people have already started to streamline their product, LP and 45-rpm plastic records are moves in that di-| (rection. They save space and they! |are cheaper than standard, |Fecords. : “| Ey 1 |

+ |

Easy to Store f A single classical disc in- RCA{Victor's new 45 rpm will sell for 95 cents, compared to $2 for the

. Phillips (top) and Coleman {musie, particularly in the ppl . 0 Fe *

. . | (Hawk) Hawkins will be fea- | Popular music comes and goes,

» = x = = i Reed Builds Ladder {but the classics go on forever.

! " ® =» {tion” is perennial listening, al-| it In Its Versatility, Lightness all once FOR SOME men success is a snap. They invent better mouse- | traps. hae i The albums, each with Horo- A. O. Reed, a slim and sandy-haired man with a mechanical turn 00 S romisin lwitz at the plano, are “Piano of mind, is making his way up in world by a different method. He Music of Mendelssohn”; the has invented a new kind of stepladder.

[though three albums of these] | “Chopin-Liszt Album” and the| What makes his steplddder newer than any other? Well, says

| tured when "Jazz at the Phil. | , . . | \ d Vladimir Horowitz playing Men T S H 4 | harmonic" plays Thursday night |delsshn, Chopin, Liszt and Mous- Oo uccegess .. . H opeés |works have just been issued in| standard size, vinylite plastic. Hawkins, Phillips Moussorgsky description. Tele-| Mr. Reed, it is made of strong, bring the ladder out in lengths vision presents no threat to good | lightweight magnesium and from three to 20 feet.

at the Murat. sorgsky’s “Pictures at an Exhibi- . . . . Difference of His Invention Lies | Classics Hold On Headline Show Here music on records, since thelaluminum, .built to last a life-

dianapolis. |riage of Figaro,” sung by Licla pio jhvention truly different 1s the rear of 611 N. Illinois St. | Albanse, Metropolitan Opera S0-/yergatility, Unlike any other usually arriving there around 9

The one scheduled in at the . Marian Anderson sings Murat next Thursday night looks PT&n° stepladder known to Mr. Reed, or 10 a. m. and leaving about y nis {two songs of Richard Strauss, i..." (244er can be placed in agp. m.

DIONE ous hb Grany: worst| Morgen, Op. 27" and “Befreit,|., ner with the top step resting] s = =» fault—staying away too long. {OP 39."—(R. L.) {against the wall and still have THIS, of Joneses, leaves little] ‘ | for sleep or any other | He has his two “old faithful”! all four legs braced against the time headliners, Joe ‘Flip’ Phillips ana Trolley Patrons ground. activity, but Mr. Reed considers To achieve this versatility, the ¢Verything but his workshop

{Coleman Hawkins. It always . seems as if having the two tenor INOW Get Music {inventor discarded the conven- relatively unimportant. He says tional use of braces between the Ne has so many ideas he can't

sax greats on the same bill should . . » settle the long-standing argument With Their Rides |ladder legs. Instead, he employed find time io Hori Se them, nor of which of them is “Mr. Tenor] rotating rear legs, independently even enough time to give proper

Sax.” It should — but it never (UP) "-- |swiveled to rotate a full 360 de- Btiention to the most important does. .

CHICAGO, Mar. 19 Straphangers in several cities now grees, and indexed to lock in any © one of six positions.

) : “I have to work to get money 4 Flips fans stick by Flip; The get music with their rides. ’ > £2 |Hawk's followers say he's the The American Municipal Aseo- In addition, he set the angle De of i | greatest. - [ciation lists Iyssipgi0n, Cincin. Of rotation "with respect to the ri iched work on the market. |” The orly time they get together Houston, Tex., St. JB) ne "| perpendicular at a. constant 68 ty. '1 uid spend all my time in § ts when they gang up on the up- Dati, Scranton and hi gy are, degrees, ‘insuring stability. The “00 op 0 } |start who pipes up: “What about Pa. Huntington, W. Va. anc ,,o5 are rubber-tipped to pre-|= oF ti i” |Charlie Ventura?” Worcester, Mass, among cities os ginning and the ladder wii] 70 06 00 1S I7Vent ons, a {where bus lines have installed FM| ; on 3000 pounds total, or machine he calls the Transigraph, | Shelly Manne, who disappointed |, 4:0 (3 ppo po § ’ (resembles a movie projector ex- ac Indianapolis fans by dropping out v uu {T00 pounds on any one Step. cent that the film runs from foo 3 {of the Kenton band just before] CONTRACTS for similar tn-| "= [left to right rather than from |[# ) [its local concert, is on the bill |stallations have been drawn up! THE LADDER, in a six-foot {,5 to pottom. He hopes to de- k So's Hank Jones, a be-bop piano|in Kansas City, Mo, Des Moines, model, will weigh 16 pounds. yelop it as a new medium for man yet; Fats Navarro, Ray la, and Tacoma, Wash. Mr. Reed says his ladder will advertising. |

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iad | RI] Rey

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HIT OF THE WEEK [1 [J SUNFLOWER— Russ Morgan

RECORD. DEPT — STREET FLOOR

ob LCR

LI Ca

The inventor works a full shift N ET | It's been a long dry spell for classics has and holds its own time. It will not rust, will not be ¢jye nights a week, from 7:30 the locals ‘who like their jazz audience. ~ ) _ |expensive and will support three p. m. to 3:30 a. m., as a linot styl i N | ROCA-Vittor classicals which times the weight standard set type operator and proof reader toner: siyie, Since OMAN | hould - be available now are hy underwriters’ laboratories. (on an Indianapélis newspaper. | : Granz last brought his “Jazz atigejections from Donizetti's “Don a 8 =» He spends most of his remaining the Philharmonic” show to In- Pasquale” and Mozart's “Mar-| gyp THE quality which makes time in an office-workshop in

Our Newest Arrivals we

7 Animal Polka ................Gene Carrol

7 Deacon's Hop ....... veseess.. Jay McNeely ~] Save Your Sorrow ...... even... Bing Crosby 7) Ave Maria .. ...............Fred Waring 1 Some Sunday Morning -........ Dick Haymes [Is ittoo Late .............. Vaughn Monroe [] Once and for Always ........... Tony Martin 1 Doll Dance .........coonnunn. Blade 1] Teddy Bear's Picnic ....... «....Frank DeVol 7 The Story of My Life ..... ++... Dinah Shore "] When Is Sometime ..... vo... Frank Sinatra [7] Blue Skirt Waltz ..... ... .Frank Yonkavic [7] Johnny Get Your Girl ..... «...Robert Clarey [7] Careless Hands ........ veers... Mel Torme [].Because ............ ver.v.... Perry Como [7] Faraway Places ..... eee Bing Crosby [] Stardust ......... «+ «....Hoagy. Carmichael [7] Hucklebuck ......... Cee. Paul Williams 155 N. Illinois St. LI. 1030

Open Until Midnight Dally and Sunday “1

SUNDAY, MAR. 20, 1949

Ea dA

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Brown at bass, a couple of com-| The installation of radio sets in| weigh up to 10 pounds less than s = = parative newcomers and of course, buses is made at the expense of other metal models, sell for as| BORN NEAR Marion, Mr. Reed the headliner Ella Fitzgerald. The the broadcasting company. The little or less, and be “twice as has lived in Indianapolis since Thursday night Murat show will transit companies also get fees for useful.” : 1945. He has attended two trade be the usual one-night stand. the broadcasting privilege. Beyond patenting his invention, schools, a‘ business school and TTT TTT ’ Mr. Reed has taken no four colleges, but has never re- ’ action. When he contracts for ceived a degree. production, however, he plans to| “I never had time,” he says.

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eet PANHANDL

wore ig Symphony 0

- I've done my I tried to help t its cultural traj Funny thing with the campai apolis Symphon officially you ca imum goal still be the only wa)

Just Begged TRYING NO ger, I begged, b rowed a card t - graph; several |} sion, official pas what ‘the deal trumpet and a My location Cottage on the white clean atr all I could get. “MacNamars: a RCA Victor My call to dianapolis Sym up to $10,000 bil Namara's Band was really the A well-dresse him, hit my co: got off-to a sna it bogged down bill part out of The citizens in the symphon for a buck. Sn A few pennies at first, droppe they were falli Herbert Elli to buy a share cidn’t care for board Sam anc I was plugging when I put on Wagon?” by TI I must be quite a few peo] with a little n can’t play the plastic horn wif effect on music A big smile on a fellow wh quarter., “Would you asked. “I want Before I rea had his change

NEW YORE} radio last Sun a growing des] was on the He Fred Allen's. What you | play-within-pla, wrote a story about people w Mr. Morgar sponsors he's e program. Mr. Fred was © sponsor, and Vv cruel Allen int radio’s highest boys.” The Morga voted to the comics and rad . between CBS a Mr. Morgan ing the charac ing—character: They wound | other's standa It was a ve thing about t the major ne eminence out vision will cur one or two of |

2 Decades « BUT it alse nearly two de decayed to su building comec alive. I was talk admits an end ness. He inclu He is mere time he will 2 new, interim broader diffus

Suge

WASHING machine oper bandits) is en out the little tuting these n Oddest tah some villains, happy ending. Back befor could drop a1 and get yours: studded with chocolate, and dropped it by

"Twas a W THESE B. wonderful inn their own wel piece. When almost disapp Then. the returned to t! to have mor Crimped ruff packages. O inedible cardb it seemed lik candy bar the Soon the mechanical tr such a small even trip the ing the mach back. The despe .rack ‘a piece weight bar installed his he felt like a Candy sal pay five cent

The Is there m The Unite

three magne! formerly reco

Did Georg * Ne. ~The left this cor brother Law:

‘In a strik mark the exa The ocuste stroke come |