Indianapolis Times, Indianapolis, Marion County, 2 November 1948 — Page 20

ABN LIE Bloc tL IW si 5.

. From Pop to Bop, Earl Bostic’s New Waxing Makes Mad Music With ‘Slightly Groovy’

- By DONNA MIKELS

There's double your money's

Doris Day disc—twn top notch artists and two hit tunes. The “Love Somebody” duo gives the same rollicking treatment fo the old standard that's currently a No. 1 pop, “That Certain _ Party.” Second side of the double feature is “My Darling, My Darling,” a sentimental ballad from the Broadway hit, Where's)

Charlie.”

Another new packaging of an “old favorite is “Back in Your Own Backyard” by the Page Cavanaugh Trio. It's a very tricky! arrangement in the mellow Cava-| naugh style, with a soft-voiced!*

vocal by the trio.

From pop to bop, Earl Bostic’ < resembling Niagara Falls more, newest King disc is recommended |

listening. The man does mad things on “Slightly Groovy” and| “Joy Dust.” Other mew releases include: - n

C COLUMBIA Buddy Clark oldie, “I'd Love to Live in Love-| adopts a ‘calypso style on “The and.” Money Song,” teaming his talents

with the Modernaires and the Bkylarks. It's typical Clark—not| flashy but good. Second side features Buddy and the Modernaires on “Gloria.” Here's a sequel to Pearl Bailey's classic “Tired.” As weary as ever, Pearl admits “I'm Lazy, That's AIL” On the second side, Pearl! warns against “friction with the diction” on “Say it Simple.” Like Buddy Clark, the Charioteers are on a calypso kick on! “Run, , Run, R Run. " Second s side of |

worth in the latest Buddy Clark-

the d disc which the boys made] recently in England is “The Tourist Trade.” More instrumentals from Les] {Brown. He teams a relaxed ver-| {sion of “Sophisticated Swing,” | with a hypoed “Blué Danube,”

than the gently flowing _s grream Strauss immortalized. Jerry Wayne and the Dell Trio| Irelease a wax of the theme song | lof Jerry's radio ‘show “Your Heart land Mine.” Second side is the!

THAT CERTAIN PARTY— Lucky Buddy Clark gets to make close harmony with Doris Day | {Bob Graham vocal on “Sunday in! (above) on "That Certain Party,” |

Del Campo sings & Spanish! lvocal on “El Lobe” (The Wolf) | with Xavier Cugat. “B” side is a|

i their latest Col lumbia release. Berlioz’ 'Requiem' Added To Choral Works Series

Another great album has been great drama, added in recent weeks to the Co- powerful

old Santa Fe. »”

especially “Tuba mirum” section.

{lumbia Masterworks series of re-|It occupies 22 12-inch sides, and |

[Sordings of monumental choral is issued in one volume with an|

vc RCA VICTOR Hit of the Week!

Say Something Sweet to Your Sweetheart and Guanto Le Seite by Eve | §C You

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orks Handel 8 “Messiah,” {sohn’s “Elijah” {German Requiem.” |

Mendels-|let. (Columbia, MM-769), and Brahm's| 2.8 Dvorak:

"| panding its long-playing micro-

in the

Disc Makers Turning Out Yule Specials

Cast Eyes On Santa Claus Sales

With Christmas just around ithe corner, the disc distilleries are \brewing up more and more spelcials for the kids.

Many are in a Christmas vein, with an eye to Santa Claus sales. {Others are for year - round {listening and {more often than (n ot, contain 8 ome Sugarcoated educa|tion. | One is an . RCA - Victor | package “The {Boy Who Sang for the King,” with Tenor iDennis Day tell|ing a heart warming tale of a {shepherd boy who wanted to sing. {for the King backs in Biblical days. Rebuffed by the rulers, he ended up in a stable, singing for {the King of Kings. The Christmas touch is there but the story |is well-rounded enough to hold {children's interest the year round.

Columbia Expands Time Columbia, which is rapidly ex-

Dennis Day

groove line, has solved one of the greatest problems of chil|dren’s records—interruptions for] changing sides — by complete; albums on one LP side. What it means is that the i tinuity of the story won't be] {broken by change of discs and!

which already included accompanying explanatory book- Péither will adults have to sort)

out the albums for youngsters | who can’t read the labels, They're

Symphony No. 4 Packaged in attractive envelopes

| It contains none other than the jn Major (Op. 88), played by and, of course, are non- break- |

{first complete recorded perform-! ance of Berlioz “Requiem,”| |by the Emile Passani Choir and Monic-Symphony {Orchestra {Fournet, recorded during the war lords. in the church of St. Eustace in|

Orchestra

(Columbia, MM-770.)

#rench government to compose, folk music of the composer's nathe music for an official cere- tive Bohemia. mony

“Requiem” was the result, and he go quite that far. |always considered it his greatest, “as |accomplishment. At its premiere | Mozardt:

Nom critics and public alike as! an extraordinary masterpiece.

formance requires such musical resources.

for a huge symphony orchestra, (Columbia MM-771.)

large | K. Scherman conducting, nd re

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{Bruno Walter and the Philhar-| of! “ conducted by Jean {New York, on four 12-inch rec-

Some authorities a, commemorating French] regard it as superior even to his soldiers killed in an attack on brilliant and better-known “New| Constantinople. His monumental) World Symphony,” but we don’t!in those days, the ‘results are]

‘c oncerto No. 7 iit received enthusiastic acclaim iin F Major (for three pianos (K.

1242), played by Lhevinne, Vron-|formance at the hands of three] The reason it is relatively un- sky and Babin, pianos, with The (notable

struments, 16 tympani and four lightful concerto in 1776, when he|

lable. The current cataldégue includes] Nursery Songs,” by Gene Kelly; ‘Many Moons,” the first recordling of the original story by|

The G Major is, actually the james Thurber, teamed with a|

Paris. eighth of Dvorak’s® symphonies, 'm i ducation cial “The! * = = jet was published fourth. It is a| Masie pe a and! Louis Hector Berlioz aa radiant and spirited work, and is the Three Béars” and “The | :ommissioned in 1837 by “the| filled with the rustic gaiety and|

|Gingerbread Boy,” narrated by | avid Allen, and “Rhumpy the] and “Kankie and the Concertina,” also by David Allen.

| Pleasing to posterity.) { The “F Major Concerto,” here| {recorded for the first time, gets a | spirited and yet sensitive ds pianists, Rosina Lhe-| |vinne and Vitya Vronsky and |

{familiar today is because its per- Little Orchestra Society, Thomas yiotor Babin (in private life Mr. |

{and Mrs. Babin).

It is scored |corded on three 12-inch records. | 8

{Ormany conducting, on five 12-

|was about 20, and dedicated it to! inch records. (Columbia, MM-772.) It is a composition of gripping | three charming pupils of his, al

soaring imagination | countess and her two daughters. (If that was the way for a

This is the well-known musjc

»ithe Arabian Nights of the Sul{tana who saved her life by recounting a new story each night for a thousand and ‘one nights. Rimsky-Korsakov gave full sway [to his amazing faculty for or|chestration, and the result is

{compelling music ever written. | There are magnificent tonal pictures, and musical Gescriptions of (wonders of an imaginary land] land its fabled people.

based on the colorful legend from |

{some of the most opulent and!

THE INDIANAPOLIS TIMES

| Rimsky-Korsakov: “Sche-| |a chorus. of. 300 voices, a a tenor| Wolfgang Amadeus Mozart perazade” recorded by the! (soloist, an organ, 50 brass in-|composed this delicate and de- philadelphia Orchestra, Eugene

La 8 ” Wagner: “Die Walkure.”| |Wotan’s Farewell and Magic Fire | (Music, from Act III, Scene 8, played by Leopold Stokowski and {the Philharmonic-Symphony Orchestra of New York, on two 12inch records. (Columbia, MX-301.) {| This is the poignant music in [the closing scene of “Die Walkure.” Wotan bids, farewell to ‘his daughter and holds her in his| arms for the last time. Then he summons Loke, the god of fire. |As the “Magic Fire Music” sounds {from the orchestra, flames enciricle the sleeping Brunnhilde; until {the hero who knows no fear shall come to claim her. Mr. Stokowski gives an eloquent interpreta(tion of this dramatic and beauti- | ful music—H. W. M.

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