Indianapolis Times, Indianapolis, Marion County, 17 October 1948 — Page 38

PATRIARCH OF PAINTERS—Adolph Robert Shulz walked the earth of Brown County seven years before any other painter of the now famous colony.

CULMINATION-<This is the : canvas foward which Mr. Shulz portrait. It is a new approach in|painting grew on the canvas an| : has been working without realiz- | which the various shades of violet, aura appeared about her head. ‘ing it. The mystical study is his |the highest color in the painter's When finished, X named it, ‘Hucanception of Christ. 1 is spectrum, predominate. There is man Being Purified,

: called "The Master Presence."

Adolph Shulz Recalls | He calls the painting, “His worked on the head of Chrjsf, I! |Master Presence.” have felt I would live to see it

bd ’ . Seer’s Prediction | Mr. Shulz was a young Dele- completed. Now it almost fis

By VICTOR» PETERSON (van, Wis, painter on European done. Times Staff

{tour when his future was fore-| “It is my conception of Christ, |

in a deck of cards. County home and studio. The fortune teller said that in| He is surrounded by his fa- ence’” Artist Shulz said. the twilight of his life Mr. Shulz|vorite scenic canvasses. “The| This might be his last canvas. would create a painting as the Master Presence” oulmination of his life's work. [them all. It hangs in the cen- peace. Mr, Bhulz scoffed. Now, after a long and {llustri- special light spreads . soft glow he said.

“Everything . the card ous career as a painter Mr. Shulz, over the surface.

phase of work at which he ht} Mr. Shulz as the founding ala Jugeten, He| father, devoted his to urin, fay ’ an artists’ ago I did a por- In the “nation’s dairyland” the|

trait of my daughter. - As the cows had eaten up the landscape

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; { THE INDIANAPOLIS TIMES. and the painters were looking for he Had forsaken portrait more fertile scenic sites. ing. He thought it : Mr. Shulz heard of the ring. {oe immortalize the human on tive cabin life of Brown County canvas * and journeyed to Columbus, Ind., where he hired a horse and wear rats in their hair. I couldn't] buggy. For three days he toured stand this affectation,” he. said. the locality. Then he spréad the| But to thé portrait he returned word of the area’s beauty. for his greatest work. Seven years later he returned| “It {s ‘The Master Presence’ on a two-week walking tour, He toward which I have been work. was looking for a place to es-|{ing all my life and didn’t realize tablish ‘his home, A few paint- fit, It is my contribution to pos-| ers already had arrived on the! terity. I hope it will hang where basis of his original report. la great many young people will

tled in Brown County. Already! said.

“Besides, women had begun to .

The next year Mr. Shulz set- see it,” the patriarch of painters]

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{a mystical quality about it, no-| “This painting supplied the! |ticeable in many of the scenes final impetus for .my greatest {he has painted in his later years. work. Through the years I have

+ NASHVILLE, Ind, Oot. 17—| told. Today, almost 80, he ad-/a purely spiritual portrayal di-| In 1802 a German haroness in/mits he is nearing the end of his vorced from the flesh. The mystic| Munich redd the future of Hoo-'career, But hé is happily secure {qualities I have attempted to pier Artist Adolph Robert Shulz and comfortable in his Brown capture in my other paintings all| {have led to ‘The Master Pres-

transcends In it, he has found serenity and ter of the .studio east wall. A| “It has been a strange life, nl

_ |reader saw in 1802 has come to)

i] eh to Nature {pass. My life has followed. the! ling TSTPRE 8 yer He Had turned His pattern she. outlin Jaca putting the ® back on Re ty drtiats of: the- colony took. §

In 1900 he was a member of| group at Delevan, Wis. |

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