Indianapolis Times, Indianapolis, Marion County, 14 September 1948 — Page 7

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14, 1948

I'S

95 )

Selection

RECORDS | pms

v 15 v Dec d Tommy TRY Ht ul several

many a month and a nice bluesy

wv D5e rhythm—all that and the Page Cavanaugh Trio, too, makes

Second side is a brisk version of JANES MUSIC |=. te way ve Does 16° Be sure to listen to the Coleman COMPANY Hawkins waxing of “April in

Paris.” There's a continuous solo of that wonderful Hawkins sax. Still more instrumental listening on the second side, Strange.” It's Hawkins’ version

803 N. Delaware LI-1088

Dick Haymes’ Juk

Couples ‘Little White Lies’ With Hit

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#land Jack Teagarden.

‘How

x Rating Su Oldies

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th Issue of 2

of the theme of the new MGM]

Approximately 125 different courses will be in the fall cur- campaign Re

golf match. A riculum. meeting will be| Registration and enrollmentiAFL, CIO and o ner. began yesterday and will con-{earners groups.

film “Idiot’s Delight.” 3 You've probably hea ™d the = “Largo” from the New World|¥ Symphony but never the way it comes out after a workover by Louis Armstrong, his All Stars it's ‘disguised as “A Song Was Born,” and features some of that inimitable vocal byplay between Louis and Big Tee. Second side is “Before Long,” with Armstrong on the vocals.

SINGER HAYMES — Now

More oldies dusted off for re- “TN Little White Lies) with vival, ‘This time Perry Como and BVET Sine Jan. the Russ Case orchestra pair “My | the. qriginal music—it's just set Melancholy Baby” and “Whenito a boogie beat. You're Smiling.” The unlauded but always MERCURY — They're saying listenable Bobby True trio rings nice things about Vic: Damone's/up another winner with “Young “Lilette,” The young crooner Man's Blues,” and “Jungle Boocouples it with “The Night Has aigie.” You never hear much about Thousand Eyes.” {this group except for a small but If you'd like to hear a little|ardent group which claims the

Our Newest Arrivals wees

LYRIC

HIT of the Week

different version of Carmen” trio's “Poor Butterfly” is head than you heard. at the Butlerland shoulders over the Johnny Bowl, listen to Jose Melis’ Long version and who'll rave “Carmen Boogie.” There's ac-/some more about the True vertually not too Much distortion of [sion of “Raggedy Buf Right.”

Underneath the Arches. ...... Andrews Sisters TART TA han as oes sn Cugat BENNY STRONG BI Might and Day. ................Biag Croshy ClBoolwhip. ......... Siisaniesss Anita 0'Day C17 Be Faithful. .... Reavis Sy Scuiins [112th Street Rag...... verees.Poe Wee Hunt [1 Serulan Yob........ seviisahars Red Ingle [1 How High the Moon........... Stan Kenton [Special Delivery. ................ Cocil Gant Euphoria. ......... ria Charlie Ventura E18e Tol BY.........c.0ic 00 curs Burl Ives 71 You Call Everybody Darlin’. ......... Al Trace [Cool Waler............ Sons of The Pioneers [JEvery Day | love You ......... Dick Haymes [C1 Darkiown Strutiers Ball... .... [J Ain't Misbehavin’. .......... Louis Armstrong C]Desort Sands. ............... ASK ABOUT OUR SPECIAL PURCHASE OF ALBUMS 166 N. Illinois St. LL 1030 Open Until Midnight Daily and Sendsy

Albums Based on Spanish, Czech, French Folk Tunes

We ‘‘go geographical” in three DVORAK: SLAVONIC f the new record albums at/DANCES, played by the Cleve-

hand and Near some fine classical iand Orchestra under the baton of George 8zell, who also ar‘ompositions based upon exotit,angeq the music. Mr. Szell is colorful folk music from Spain, [particularly fitted, by reason of Czechoslovakia and France. Ha techoslvaiiay | u ’ 2 0 interpret the works of comALBENIZ: IBERIA, Book 1 patriot, Dvorak, especially the and Book II, played by Claudiojogiarey) and melodious “Slavonic Arrau, planist. Modern musicalin neac» They were recorded impressionism at its finest will bel, ot winter at Severance Hall in found in “Iberia,” the master-icioysiand, in Mr. Szell's own ediplece of the great Spanish com-f. 4 arrangements. poser, Isaac Albeniz. In this| mn. «giavenic Dances” were album is the first complete re-iy ston first as plano duets. They cording of the first two DOOKS, were not composed after actual

comprising Six of the 12 short|,, odies compositions that make up the Bale melodies. Sea ihe. Sas

PHONE YOUR ORDER TO US

MAIl:. ORDERS GIVEN PROMPT ATTENTION Please Send C, O. D. Records Checked on Enclosed Ad.

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Official Riles: Hach day (except Sundays) for the next thirty days the ARTHUR MURRAY DANCE STUDIOS will make st least three phone calls to Indisnapolis residences. A busy signal or no answer Will not be counted as a call. The numbers will be picked entirely at random from the city telephone directory. These calls will be made any time between the hours 1 of 10 A.M. and 10 P. M. To win the cash award, the person answering the phone MUST say “ARTHUR MURRAY POR POPULARITY,” not “Hello” or anythifg else . . . just those four simple words. When this response is given, a check for $35 of more will be immediately mailed to the person correctly answering an ARTHUR MURRAY call If, after three calls, the proper response has not been given, $10 will be sdded, making the following day's prise $35. $10 will be added to the current prise each day a prize« winning call is-Hot made. If the award is won on the first or second call, no other calls will be made during that day. The next day, affer a cash sward has been won, the prize money will again stand at $28.

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Huth) Morey

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ee. (which separately sound like so by Madeleine Grey, soprano,

work. Dances,” but as orginial melodies The music is inspired by dances. authentic ao Seen] the Boheand rhythms from many COrnersi ian people and their folk cul-

are never exactly reproduced. That's the impressionistic method jen reetg) . ou which Mr. Albeniz used so skill-| "Sones VERGN fully— takes ‘patches of tone color Jonas e Ea AUVER rung

much confusion; and fit them t0-iorchestra conducted by M. Ele (gether mosaic-likc - until they |cohen, Here are music and sing{form a beautiful piece of musical ing that are decidedly different. imagery. The eleven folk songs which Mlle. Grey, the distinguished French THE is anigoprano, sings in this unique alevocation to ish land,/bum superbly capture the spirit and the suite opens appropriately (of the picturesque, romantic and with “Evocacion.” “El Puerto” Jeautiful French province of is an impression of a fiesta day Auvergn . the “Laio de rotso,” a at a southern seaport. ‘“Feteéimelody fresh as water from a Dieu a Beville” describes the feast| mountain spring; “Bresairola/’ a of Corpus Christi in Seville. lullaby of shepherd folk; “MalurThe second book opens withious qu'o uno fenno,” the plaint “Rondena,” graceful music which|of 2 man burdened with a querutakes its name from a Spanish|jous wife, and others, each in the dance form. The Mediterranean|pecuiiar and fascinating dialect seaport of “Almeria” gives its|of the Auvergne, with bold, in{pame to the next work, and the|vigorating rhythms that reflect {music suggests the Moorish an-ithe robust and independent najcestry of the town. “Triana,” tive spirit of that district.—H.W.M,

of Spain, vet the popular themes|. .. (Columbia, M-T58, three 12-}

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Mr. Arrau, the brilliant South American pianist, brings astounding technical facility to his interpretation . “Iberia” is a difficult work, and his splendid musicianship makes him an ideal interpreter. (Columbia, M-757, five 12inch records.)

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