Indianapolis Times, Indianapolis, Marion County, 27 July 1948 — Page 5
qUESDAY, JULY 27, 1948 of Bands Cramp Colleges -
$1500 to $2000 for just average 1g {he word from Lyman ang the University con-iking of
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: In five®dances last year at TU eventud y
which name bands awerg feafor only sure-fire, tured only two, the opening fordances. Net result—Imal and junior prom, finished out and local bands Will got of the ved, Others lost from $500
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Our Newest ArrfVals
[Jd Love to Live in Lovelapd__B. Croshy [J Kitten On The Keys Frankie Carle
day.
|years and hundreds of records Harry James—Still another Good-
|“Louise” remains a favorite.
Columbia to Release Another
‘Cream of Old-Time Cr
Paul Whiteman Selects Cross-Section |
Of Top Instrumentals, Solos, Vocals
By DONNA MIKELS There's no song like an old song. For proof of this look at the success of the Decca “Songs of Our Times” series, albums with the hits of each year from the 20's | up into the 30's, at a time when record sales, and albums in parucy-) lar, are in a terrific slump. Now Columbia issues another book of the creAm of the old-|
time crop, “Records -for the MilHos,” a collection of eight sides This version of the Gershwin chosen by Paul Whiteman from|classic is a standard best seller. the vast assortment in Colum-|Teddy Wilson, the peer of popular bia’s files. pianists whose stint with GoodThe tunes, a cross-section of man saw production of some of some of the best in material, in-/the best BG discs, is featured strumental” solos, bandwork und|along with Helen Lee, vocalist, vecalist, include: another Goodman alumna. 4 n. 4 “ON THE SUNNY SIDE OF “LOUISE,” by Paul Whiteman's THE STREET,” by Benny Good-| orchestra—Whiteman’s aggrega-\,..... Goodman was at his perHon waa i Ihe Jate To at fection-level best on this Hide. Bo And at the time he cut this Ta ana, 8 Conan side he featured a new vocalist, f the pride and joy of Spokane who night club singer by the name o Peggy Lee. was just beginning to be popular, onde one Bing Crosby. Despite the] “AIN’T MISBEHAVIN'” by
cut in that time, 'manite is this former circus band {trumpeteer who reached the top “EMBRACEABLE YOU” by of the musical ladder. The techTeddy Wilson and his orchestra. nique that carried him up, up, and (up is well illustrated on this old Fats Waller tune. | “MOOD INDIGO”—Who would {this one be by but the old Duke, |ENington band of the Cotton Club |days? It's a vigoroys and wonderful arrangement of the Duke's in{comparable original score. | “THERE'S A SMALL HOTEL,” by Claude Thornhill.’ There's a [Snowflake vocal and some
Bing has
RECORDS
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RADIO-PHONOGRAPHS ALL 1948 MODELS
Dick Haymes Evalyn Tyner [1 At The Flying “W” Tex Benekes. [1 You Cai’t Be True Dear Ken Griffin [1 Tth Ave. Express Count Basie [3 Cuckoo Bird Waltz___Ken Griffin, Vocals [J] There, I've Said It Again____V. Monres [] Tangerine Vaughn Monroe [] Bluebird of Happiness Art Mooney [] Trumpet Blues Harry James [1 Run, Run, Run Charioteers [C] When the Apple Blossoms Fall__B. Clark [J Look for the Silver Lining__-M. Whiting
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[thoughtful Thornhill piano that |makes this arrangement of the {Rodgers and Hart tune one of the best ever cut. “SOMEONE TO WATCH OVER ME” by Frank Sinatra. 7'This Gershwin brothers tune was lone of the earliest stepping stones that helped Frankie climb from “a vocalist” to “The Voice.”
“fT CAN'T GIVE YOU ANYTHING BUT LOVE,” by Louis Armstrong. Whiteman rightly |rates his vocals and horn-blowing las “marvels of styling which have influenced many a younger singler.” And Pops joins many collectors in chosing this one as one of Louie’s best. Other new releases include: ATLAS—You've probably never heard of this company before. And you probably ‘never would have if sometime 'way back in the past they hadn't tucked away {some discs by an unknown vocalis who didn’t show many pros-
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= CAPITOL Look for. great things from “A Little Corner Down at Tony's Place.” It's an original composition by Artie Wayne, former Chicago singing star. And the release also marks the first time the baritone voice of Artie has been heard on Capitol. He's accompanied by Andy
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Phillips orchestra and the Crew Chiefs. Second side is “For You,” also sung by Artie Jo Stafford sings “This Is the Moment,” and “Every Day 1 Love | You,” both tunes from new] | movies, with Paul Weston's su-| |perb orchestral backing. | Barclay Allen, whose sparkling! {piano used to brighten Freddy! {Martin's orchestra, goes on his] {own with “Barclay's Boogie,” and {“Green Eyes.” The Pied Pipers, (remember {their version of “My Happiness?) | |are heard with Paul Weston on! |“With All My Heart,” and Good{by Romance.” Julia Lee's vocal and a terrific {Vie Dickenson trombone solo |highlight “Until the Real Thing | Comes Along.” Flip is another of | Julia's double entendre numbers, | “Tell Me, Daddy.”
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‘Awful Rheumatic Pain Left Man's Body
POP PICKS 'EM — Paul Whiteman picks “Records for the Millions," in a Columbia album of the best tunes of the |
pects of ever conforming with accepted styling enough to become Sepiad an, In a Few Hours This same unknown cut a tune| “For years I had rheumatic “I May Be Wrong” with Mercury | pains in the muscles of my shoulrecords and almost overnight ders, legs and ankles, which finalFrankie Laine was a new singing ly got so stiff, sore and painful sensation. that when I walked I would flinch
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