Indianapolis Times, Indianapolis, Marion County, 17 May 1948 — Page 8

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THE TNDIANAPOLIS TIMES

IN HOLLYWOOD

HOLLYWOOD, May 17 — De- Perry Leiber a telegram reading: ‘spite a flood of fan mail, prexy “Am sending Johmny, Meyer

over to see you. Please Herbert Yates of Republic is firm him all courtesies, including the

- ‘about not casting Dale Evans as use of your desk. {Roy Roger's leading lady in Roy's future films. Yates told me: [Hughes probably will remain as | “Roy plays a strong, silent man anonymous to RKO as he hassto {of the West who never kisses his.his own organization. Most of leading lady. No one would be- gruches’ employees refer to him, illeve it if Dale played ‘opposite as Harvey-—he's six feet tall and.

{him now. They've had a great completely invisible to them. deal of publicity on their mar-| "i,

riage, Maybe I'll change my mind! , qn a year ‘or so, hen all the Autry's ballyhoo has quieted down.” | » » . Howard Hughes’ purchase of IRKO studio launched a whole series of practical jokes. One of She. best was. perpetrated by Har: | y Brand, publicity chief at ‘Fox,!

LLL euocoLATED LAXATIVE ‘who sent RKO publicity _boss|

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y use Ex-Lax than any ¢ such a § thet pleasant way! Tastes govd=like delicious chocolate. Acts food. hy. Try dev ~ pandable Ex- Lex wi you or the children need relief, Still only 10.

‘When Nature forgets" remember

Gene whi, ~. i ing for “Loaded Pistols,” Autry’s mew picture for Columbia, will read: “Co-starring Gene

It's the first time Autry has CENAYed ata Billa WIth any *t one but his horse. . » ~ Hollywood brass hats are quietly telling one another that {about one-third of movietown's product during the next couple]

lu.’ 8.~to get those blocked Jot Jars, They labor unions are. Pplenty unhappy. : #

. Constance Bennett had to tarn down an offer to tour again this summer in “Over

(CT TTR TL

21” bécause of film roles. She |

{ starred in the show for eight 29 E. OHIO oh weeks last year. She told me: cause [ love really my life.” ~ ~ ” Gregory Peck is back at work —4n ‘an office on - the Selznick | lot, plotting the La Jolla summer | theater program, He's walking! with the aid of two canes. .

that play-—it's

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EYES EXAMINED—GLASSES FITTED For Those Who Need Them ’

and let the photographers point. | their lenses at Linda Susan when she turned three months, ,’ | 1 asked Lynn Bari how she liked/ [her role in “The Spiritualist.” Ti See medium,” she sald, duck-|

Virginia Grey, who has been MERIDIAN AT A ASHINGTON trying to get away from so

many bad girl roles, will surprise a lot of people as Henry Morgan's wife in “Se This Is New York” It's bright, so- [ phisticated comedy.

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o Sok. © with Ja agney, tO Morgan, at 11:05, 2:30, 5:35 and 8:50. . ESQUIRE 7 , 5 Pe i ‘The Ba Seville) Matting ; ! 4 5 Ferruccio lia Metr, a h 3 Opera tenor, at 5:50, 8 and 10:10, 7 INDIANA

4 Iron Co riain,”. ith Dana I i ny . Ate and Tie a h hd. AE LAAN, 2.45. 8h Land, Reis w “Cary and Bishop's Wife.” on, Cy a and Loretta Young 11; 12:50, 3:10, 5:35, 7:40 and

LOEW'S

Today Thru Friday

- Open 34S PM, de 0 §

Autry and Barbara Britton.” |

|of years will be made outside the!

CUTE KID—Bela Lugosi's is no

“glamuir-puss “at the mad hep: | av "Comrade tgor Gouzenks,

| GREETING—Dana Andrews,

herd in “Son of Frankenstein. | shows plenty of enthusiasm in

one of two old-time blood-pres-

sure boosters opening Wednesday on the Lyric .screen. The | "Bride of Franken-

other BPB is stein.’

N resting’ Gene Tierney as Mrs, Somvade Igor in "The Iron Curtain,’ controversial film about |

Russian espionage in Canada |

| now at the Indiana,

Aires; Alcoa Cavalier, St, Luisa, Valparaiso,

“Arch of Boyer mn,

Tgp” AL

siani,” with Jimmie Davis -

Triumph,” with Chatles and Ing Berginan, at 2:02, 4:33, 1:07 and an

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. ui and Matyarer oLandsey, at 11:23,

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THE ENTERPRISE STUDIOS Proven

“I hated to turn it down be- i

, ./doubt that Indiana can, in some Schlemil Shirley Temple kept her promise;

« « other excellent rehearsal for the Of Linders,

¥ |tonished at how good opera can|

i Operatic: Triumphs Point [tain Ba = To New Trend in Music of State "wvin mars |

DRIVE-IN THEATER By HENRY BUTLER, Times Staff Writer aust Duk BLOOMINGTON, May 17--The Indiana University School of | | Music: spring festival, which concluded yesterday, started ome. {thing new and big in Indiana, Since last Wednesday, when the IU auditorium organ way |Gedicated, daily programs have shown what the university and} the state can do toward becoming a great American musical) Se Satuiday night's amag- William Geiser as Cochenille and ingly fine performance of Offen- Nathanael (these Hoosiers and Ibach's charming opera, “Tales of adopted Hoosiers really get

BERGMAN-BOVER

ERICH MARIA REMAROUE'S

Frchet Ti

15-Minute Drive South on

“MILANO INN

In Every Town There Is Orie Gaod Italian Restau-|

rant—And This Is It! 231 8. Note St. MA-0958 |

{Hoffman,” there's no further around); Stewart White as Earl Jones as Crespel,

{Lou Herber as Stella, and finally towering David Alken in the !triple-threat, Bela Lugosish roles Miracle and Dapper-| {Hoosier musical future. utto—the students each deserve] § la whole review, ab 1 may Rave

“Make no mistake: - In wo in| |appearance, in staging. timing! Yesterday, Dr. Bain conducted,

lahd direction, the IU “Tales of |® somewhat abridged version of | Hoffman” had the Met beat bol-| the St. Matthew Passion. : how: Soloists were Myron- Taylor, ffman. who tenor, and Carl Van Buskirk, me uugr Bens a. A German | baritone, both of the music school | sense of “earnest,” and Stage Di- {faculty; Jean Schneck, alto, and rector Hans Busch trained these | Miss Scammon, soprano, both!

IU students, both singers and or- | Students: chestra, in ways "ns can’t train] With the University Symphony prima donnas. accompanying, Dean Bain -also

ways, outdo the Metropolitan. Yesterday's version of the Bach i 8t. Matthew Passion was an-

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SUMMER OPENING FRI, MAY 21

The result was simply swell en- | Was assisted by George yosdeon; tertainment, People who attend Organist, and Bernhard Heiden, | the Met from a sense of cultural/harpsichordist. duty and then doze would be as- | Bain Knows How The performance, despite the be, once. it's free from eAYY fia: tmmenye -tectmicat difficuities-of | dition and unhampered by artistic the St. Matthew Passion, was al-| temperament, jlognther satisfactory. Beat ot all,| Budget “Jimited nk, was the music school's. == Naturally, fhe Met, has bigger Choral Union, a large group ne {voices and a professional orches- | audi many Styles from othes ja. The Met aise has ory Westminster Choir. School -tradi- I | chicken-feed - budget, Dean wil. tion and Texas choral-conducting|

today | + ed Bain's music school students fame. knows how to make the i ~ land faculty put on one of the ‘Matthew chorales—among Bach's

/most satisfactory and plausible finest— sound beautifully eloquent. operatic rformances I've ever For all its subtlety and profunSptrylle. re BY 'dity, the St. Matthew Passion is Tt should" be repeated here, and & less satisfying work in performfor a larger audience than Satur- ance than the B Minor Mass, The day night's. It should be 'Passion demands terrible things Robert Mauren brought to Indiapapolis, and per-| from the Evangelist, which role PLUS OUNG = O'HARA

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{haps would be, if Indianapolis Mr. Taylor sang skillfully and| “SITTING PRETTY"

| offered other than poor accom- Wisely. But I'd like to suggest modations at high rentals. |the Mass for next spring's 1U| “VINSIDE STORY" Offenbach’s delightful fantasy festival. of three frustrated love episodes Schnetk First-Rate in the poet Hoffman's life, pro-| It could be abridged. It could duced with an effective minimum | include local and imported soloof scenery, a maximum use of| |ists, though I'd like to say here drapes and lighting, is a beauti-/that Jean Schneck, the alto of le. ° No need for a yesterday's Bach, is a first-rate trelghn train load of beat-up set- oratorio singer. tings, such as the Met carries. Let's have Dean Bains Choral Presented in Union up in Indianapolis. How

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tainment value of a top-notch! modern musical show. with the _/poetry and profundity of serious music. Offenbach’'s score is su-| perbly written. You realize that when you hear the hackneyed _"“Barcarolle” in its original setting. "It sounds like a new piece, The cast, led by Louis Vanelle ..0f New. York in.the Hoffman role; performed, I'd say, better than

about a Christmas concert with Sei

like the “Gloria in Excelsis” from | the lujah Chorus. I used to think music was controlled from New York. Maybe! that is still sg. But we can break’ that eastern monopoly. In Indianapolis we have Sevitzky. In Bloomington we have Bain and Hoffman. A good trio. [Let's break the so- Earn)

Bach Mass and the Halle

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| veterans. They acted significantly | Monopoly. iand co-operatively, without any {absurd . operatic posing. They (made that show come alive, and {you should have heard the enthusiasm of Saturday night's| audience. Mr. Vanelle has a big. fine Iyric| (tenor voice. ' Hé must guard [against strain. Hoffman's ‘three {amorous desires: Olympia, the! _Mife-sized mechanical doll (Anne ss Weeks). so the consump: “tive singer (Vera Scammon, who | Yesterday sang creditably the.so-| {prano solos in the Passion), and | _. Giulietta, the courtesan. (Hagel! | 'Shirley)—all were splendid. , | ; ; | All Deserving. ‘ ' HT Joan Merriman, in the dual role : | J

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