Indianapolis Times, Indianapolis, Marion County, 9 March 1948 — Page 7

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pattern and either hould please the disc-addicts who made her initial platter a

ell-out. Nellie Lutcher, the “Real Gone

uy” gal, is at the peak of her hopularity won from the “Real

‘ot likely to. detract from her opularity is her “Pig Latin Kong.” Nellie does quite a bit of rolling anyway, so just magine her injecting Pig Latin to her lyrics. Or better still, son't imagine it—go hear it. - # #

ANOTHER VOICE - PIANO ombination that's good but otally different from the MurphyLutcher style is radio’s newest comedy sensation, Abe Burrows. Decca has made an album of some of the choice comedy tunes by Burrows, the guy who p such tunes as “Oh How We Danced on the Night We Were od, 1 Needed a Wife Like a Hole in the Head.” Listeners to his radio show will ecognize such satiric bits as “The irl With the Three Blue Eyes,” ‘Hospital Type Song,” “Ron, Ron, Ron,” (a takeoff on French rooners);. “Memory Lane,” “The ello Type Song,” “Tokyo Rose,” Stationary Type Song,” and The Pansy in My Garden.” My favorite is his two-sided parody - of a movie travelog, Waukeeshaw Natural Bridge.” s s \ Other new releases are: RCA-VICTOR — Tommy Dorsey's newest is. “Sentimental Rhapsody,” a tune which grew theme “Street Scene.” Audrey Young sings the ocals and there's some flowing ee Dee tram. Plattermate is You Can't Make Money Dreamng,” a pretty tune sung by Harry Prima. and the Clark Sisters, I like “Hooray For Love,” a wingy hit that's being widely reorded. Tony Martin handles it hicely and teams it with a sentiental old tune “It Was Written the Stars.” Another new Marin disc is “For Every Man here's a Wo and “What's ood About ye.” Tony is

fort is by Charlie Spivak with

= 3 '« |VOCals by Tommy Mercer. Tommy one” recording and ensuing hits.| os “y0re Nay team on vocals on “Who Are We to Say.”

|Logan at her best.

Latest “Now: Is the Hour” eof-

Pat Flowers’ nimble keyboard and husky vocals shine out on “Save the Bones for Henry Jones” and “Google Oogle.” He's

Some pleasing refrains are offered by the Mullen Sisters, with

and his orchestra. Best recommendation for the album are the tune titles themselves: “Time On My Hands,” “Standin’ in the Need of Prayer,” “Frenesl,” “Moon of Manakoora,” “Kerry Dance,” “E Saddles,” “Basin Street Blues” and “Carioca.” ” ” - LARRY GREEN teams up two wistful tunes, one new and one old. His bright piano rhythm is at its best on “Thoughtless,” a tune with possibilities and the old but still good “Wishing Will Make It So.” * Both sport vocals by the trio. And, speaking of fine piano, Barclay Allen is no slouch on Freddy Martin's adaptation of Katchaturian’s “Gayne Ballet, Sabre Dance Boogie.” It's backed

adaptation of the Handy hit. Less sensational is the second side, Tex singing “Cherokee Canyon.” 88.8 4 |... COLUMBIA—An old Ella Logan disc reissued by Columbia is

I Dreamed Last Night” one of

boom and depression era, is a fuilfashioned vocal with a minimum of orchestral accompaniment. Plattermate is Logan in high speed on “Are You Havin’ Any Fun?” another tune of -the late Twenties,

tarred fn the film “Casbah”

hd

aken.

Advertisement HEAD COLD W1lr 4g

WHAT MAKES YOUR NOSE RUN?

finer treatment than this featuring vocalist Dinah Shore with a {rhythm section. It's backed by “Crying for Love,” a winsome little girl tune with lyrics by Broadway’s Billy Rose. || “Great Scott” is just that. It's

some “real great” vocal and piano work by Hazel Scott, collected in-

mn, [to her initial Columbia album.

Tunes include “Soon,” “Emaline,” “Mary Lou,” “Brown Bee » “Jove Me or Leave Me,” “Love

won fans on the Arthur Godfrey show, is fair on a novelty “There “They

still in a humorous vein, is the mate t old.

Goodby” Latter is sung by Jimmy Castle and the band.

backed by a good rhythm section. |¢XCl

guitar-strumming Tony Mottola dress

“Something the torchy dramatic tunes of the|,

And still “another old timer, rom which all four tunes are “Little White Lies,” could get no

Janette Davis,

Dick Jurgens resurrects two numbers, “Mama's Gone, and “Side by Side.”

= = 8 CAPITOL—Stan Kenton, due to make a local appearance in April, is in top form on “Soothe Me,” a slow blues number with a June Christy vocal and some

There's something spine-tingling about the way T-Bone Walker strums his indigo guitar on “I Got a Break, Baby” and “Mean Old World.” This record by Walker, one of the old jazz stars, was first issued in volume III of History of Jazz and issued as a single because of demand: He's accompanied on both sides by Freddie" Slack at the piano, plus bass and drums. As good as his guitar are Walker's despairing vocals on both sides. Freddy Stewart does his usual nice job on “Dream Girl” and “Pll Always Be in Love With You” with Buddy Cole's orchestra. Sam Donahue throws all his instruments into “Robins Nest.” Shirley Lloyd takes vocals on the novelty mate, “Tacos,

DY Classic -TAThr You'Ve aud Buna” ; it 1h siden: Yicie Bed ss te ow ro vio Las . | Seal albu , DM-1184. past and 148 Stoll j6asl 38 Tex : New 12-inch Red Seal single his musicianship won him a top March.” It's one of Tex's biggest PW 0 § ISC records include: ; oot With all he Phere t be a 8 = companies of that time, 14 in all fequest numbers, nis; lovely PIANO: E. Robert Schmits,( By this time the nickname

Is Spiritual Log Quartet Aids Singing Emcee Red Foley, “Grand Old Opry’s” inging emcee, has gone spiritual in his latest Decca recording. The guitar-playing redhead whose Saturday night studio audience is reported to be the largest in the land, uses the Log Cabin Quartet in. his own ar-| rangement of “Ride 'On, King Jesus.” On the reverse side, the quartet and Foley deviate from the sacred pel boogie, “Everybody's Going To Have A Wonderful Time Up There.” Rex Allen, another radio favorite, has tried his hand with “Loaded Pistol” in a recent Mercury record that has that sad “Little Boy of Mine” on the other side. Other good recordings in the latest batch of “corn” included: M-G-M--Jerry Irby and his Texas Ranchers sing and play “Roses Have Thorns and “A Cup Of Coffee And A Cigarétte;” Rome Johnson sings “Indiana Waltz” and “I Guess I'vé Been Asleep;” “Rootie Tootie” and “My Sweet Love Ain't Around” by Hank Williams; “Honest As The Day Is Long” and “Tuck Me To Sleep” by Denver DaYtling. MERCOURY-“Don’t You Want to Go To Heaven When You Die?” and *Everybody's Going To Have A Wonderful Time Up There” by Wally Fowler and the Oakridge Quartet; Tiny “Angry” Hill gets the gravel loose in his throat to sing “I'm My Own Grandpaw” and “The Eyes Of Texas.” ; RCA—"8igned, Sealed and Delivered” and “Deep In The Bottom Qf The Sea” by Texas Jim

To Please” by Ernie Lee,

Caprice”—slightly Oriental. Frederi

represented by “A Song of the High Hills,” It was composed in 1911-12 when Delius was at the height of his mature genius.

Delius uses a chorus of human Whiteman, than the new be-bop voices in this work. No words|rhythms.” - are sung. The voices blend from| Mr. DeMarcus his musi-

TR a get "New Manager Once

- fo concert music releases:| For that i : Gn | Whether they fit into your collec- aay, is ahils aa? ou ge _g{tastes. They're worth Miss Annabelle Lee" and ‘Pig Latin Song’ mune. semen semi mhmen, Bn Soe | SEN a pri wi ; ‘2 gv ug. | DELIUS: Sir Thomas Beecham many others Jamong Newest Sensations Put on Sale [arcs oo =o Papas, =n 5 iCecilia,’ ‘The Giri: With the Three Blue Eyes,’ Will Find & Way,” “Dancing on clety Set” The recordings were|ihe appointment of ‘Hospital Type Song’ Also Capture Public 2 {ono ting,” dnd NE of the Delius Trust. Sodn Sd TWO GALS ith A moth vocally and from the, [INCLUDED in that roundupiin C Minor for Plane and Dt ries are out with 8 couple of new waxes. 3 are . piano _ agios, Oe plee lian impressionist's earlier works. Out oma) WIN Loe the naw

ALSO INCLUDED is “Marche| “This is for we older younger generationers,” Mr. DeMarcus said. “There are a lot of us who| would rather hear Vinnie on

“Nola” and “Kitten On the Keys"

ck Delius at his finest is

time to time with the orchestral tonal fabric; they represent Man in Nature. This album carries on the high standard of the previous Delius recordings by Mr. Beecham; well-

cal career in his hometown of Danville, Ind. When he was five he played cornet in one of the first ‘movie houses for 50 cents a

night to pay for his “$15.90” Coan.

Record Li Played With-Whiteman, Was Known as ‘Boy Wonder of Saxophone’ Pearson's record

|

HEADS RECORD SHOP — Bradford (Red) DeMarcus; former internationally known popular musician and recording artist, today was named manager of Pearson's record library.,

performed, excellently recorded. Twelve 12-inch sides; Victor Red Seal album DM-1185.

” ” . HADES MUSIC: The Boston Symphony Orchestra plays Tchaikovsky's dramatic “Francesca Da Rimini” This is ‘a symphonic fantasia; a musical description of an episode in Dante's “Infernd.” The winds of hell, the laments of lost souls, the story of the lovers who erred—they’re all in the music. But it isn’t horrible. Recording, excellent. Six 12-inch sides; Victor Red

Takes Up Violin The strain of playing “Dixie” and “Star Spangled Banner” was too much for his baby teeth. When they went, his musical career was over, as far as the cornet was concerned. He took up the violin and cello through grade and high school and entered Indiana University about the same time as Hoagy Carmichael and Johnny Johnston (the pianist and New York oand leader; not to be confused with the crooning maestro). Onc» again, “Batty,” as he was then called, found music makes money for tuition. He took up reed instruments and. at 17 booked his own orchestra into West Baden Hotel §t French Lick. Recorded With Whiteman He admits he “studied and graduated from the saxophone”

plays Schumann's Symphony (No. 3 in E-Flat). This favorite Schumann work aed a dynamic performance, ted by Conductor Dimitri Mitropoulos. You may consider this a high spot among current recordings; sure to hear it.

pianist, plays “Pavane for a Dead “Red” had been tacked on him-—

Six in Family

wi Saves the Day

48, and 28, of Cin- ¢ Byers has igh years. said! ig The fact is the “King of Cot-/the Tectivership Hitted and the {ton” showed up in a woolen suit.iright to elect their awn officers.

suit,” he said gloomily. body told me to.”

| Operatic Ambitions Lead: to Larceny

{Ambitions to sing in the Metropolitan Opera were the downfall of Gerard Bercier, 36, an assistant paymaster of the Hotel“Barclay.

on charges of grand larceny and|from 15 to 18 per cent; toilet forgery $14,505 from the hotel. said he spent the stolen money|from a 20 per on singing lessons and making|10 per cent contacts in the operatic world.

id of Cotton's L ; Smile |"...

nnin

Landis Bill Asks Repea Of War Il Excise Taxes

“I would have worn a cotton “But no-

World War II excise taxes with two exceptions—those on liquor and billiard tables. The section on liquor also would cover imported perfumes containing distilled alcohol, Mr. Landis said. Repeal of World War II excises would reduce taxes on furs from 20 to 10 per cent; jewelry from 20 Police said today he was held/to 10 per cent; transportation

NEW YORK, Mar. 9 (UP)—

over preparations from 20 to 10 per Police/cent, and luggage and purses retail tax to a antifacturers’ tax, {Mr. Landis said,

for embezzling

* Born in March Three Indianapolis sisters are marking their mutual birthday today in the month of March in which another sister, a brother and a half-brother also were born. Two of the sisters, Mrs. Ruby Snyder, 28290 W. Ray St., and Mrs. Lucinda Deloach, who lives down the block at 2857 Ray St, are twins, 36 years old today. Another sister, Mrs. Anna Deree, 2321 Hoyt Ave. is 48 today. The three sisters celebrated their birthdays with a party last night at Mrs. Snyder's. Twentythree persons, all relatives, came to eat the cake, on which were 48 candles, and other refreshments. Tomorrow, David Lytle, a halfbrother of the three celebrating sisters, will have a bithday, and Mar. 20, Mrs. Jeanett Fletcher, another sister, wil pass another milestone. On Mar. 2, Rolland Wesner, a brother of the others, had a birthday.

for reasons still obvious—and he recorded as “Red” DeMarcus with Paul Whiteman, followed by a period of playing with every top “society music” orchestra of the

Princess,” by Ravel and “Reverie” by Deyesy. (Victor record 12-

VOCAL: George London, bass, | sings “Absalom, My Son” and

spent 10 years as radio producer, writer and actor, in Hollywood, Chicago and New York. He left radio to enter service in the Army air force. He ‘ater

time. . His recording career tock him to London, England, where he recorded for the four major coms panies there and played at the

voy: It was while with the Bavoy

“Mr. Lincoln and His Gloves.” (Victor record 12-0238.)

Col. Rossow Attending Course at Harvard

superin-

orchestra in 1923 that he took

became an instructor and lecturer on the use of instruments and radar.

As Pearson's manager, Mr. INeMarcus hopes to develop what he considers “inate Hoosier” interest in all kinds of music, classi-

What's New . . . And What's Nice

FROM AYRES' RECORD SHOP

ALBUMS BY CARMEN CAVALLARO

I'LL SEE YOU IN MY DREAMS — includes _ “Liebestraum” . . . "I'l See You in My Dreams" o + « "Sweetheart of Sigma Chi." 8 Sides, 10-inch records ee bites tivavirssrsnstsreres sitll

ALL THE THINGS YOU ARE — includes "All the Things You Are" .. . "You Are My Lucky Star" «++ "You Are Too Beautiful." 8 Sides, 10-inch records tusrssisasnsesrsnsacssnvensenia gl

SERENADE — familiar ltalian folk songs. 8 Sides, 10-inch records «vcveeeesssnsenasencenes 3,94

TOP-SELLING SINGLES

ROSE MURPHY — "Cecilia" and "Miss Annabelle Les", 790

NELLIE LUTCHER — "Do You or Don't You Love Me" and "The Song Is Ended" Cars dE r Eben serra .63¢

BUDDY CLARK —"Now Is the Hour" ,.s “Peculiar”... 150 WOODY HERMAN — "Sabre Dance" (Khachaturian)

Col. Robert Rossow, tendent of state police, is attending a seminar-on the administrative problems of homicide investigations at the Harvard Medical

in the first trans-Atlantic brosscast or a “live pop” or.

tra. Moved to Hollywood

¢al, chamber and popular. Mr, resides at 5909

and "Swing Low, Sweet Chariot" .,.....ced¥e..... 780 Record Shop, Eighth

imps

Saturday.

School. Heads of nine state police organizations also are present at the seminar which will close

Recordings of Two Modern Short Operas Now on Sale

COMPLETE recordings of those two modern short operas, “The Medium” and “The Telephone,” which have’ ereated such a furore in both musical and

be recorded in their entirety,

Major, Op. 73, played Rodzinski conducting the Phil-harmonic-Symphony Orchestra of New York. (Columbia, MM-725,

Later, as the old bands split up, he want to Hollywood where he played all the large supper clubs and drifted intd radio. He

Brahms: Symphony No. 2in D by Artur

Another

nw

Robertson; “Peepin’ Through The Keyhole” and “That Wild And Wicked Look In Your Eye” by John Tyler and the Riders Of The Rio Grand; “Tomorrow Is Just Another Day To Cry” and “Easy

theatrical circlés, were announced several months ago, and the albums are now at hand. . They are something decidedly new and different, to say the least, and must be heard by those who wish to keep abreast of the latest in modern opera. The road company presenting them has already ‘played Cincinnati and Chicago, and a number of Hoosier music-lovers have journeyed to those cities to hear them: but so far Indianapolis has not been favored. And by way of fair warning, they are not calculated to appeal to the devotees of tné “Student Prince’-“Blossom Time”-“Red Mill” type of music. “The Medium” and “The Telephone,” by Gian-Carlo Menotti, produced by the Ballet Society, with Marie Powers, Evelyn Keller, Beverly Dame, Catherine Mastice, Frank Rogier and Marflyn Cotlow, and orchestra con-

CAPITOL —

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14 Lodger 10 Claws 82 Freebooter| § 46 Meadow She thinks a lot of males will 15 Valley 11 Storehouses 34 Italian city 48 Malt drink mope for long skirts again when 16 Lounge about 12 Renovate .35 Wandering 50 Railroad (ab.) [they find out how many girls 19 Scheme 17 Bone 36 Gluts $2 Symbol for have knobby knees. 20 Silkworm 18 Any 38 Painful spots erbium pr

21 Domestic slave 22 Open (poet.) 23 Denomination 25 Again 26 Bellow 3 Disorder umbled 30 Either Type 31 Hastened 33 Prong 36 Mix 37 Auricles 39 Arrive (ab.) 40 Repair , 44 Golf teacher 45 River duck 47 Against

Little demon = 31 River

niton 43 Circular plate)

band. (W. E.)

Knees Get Knobby

In Sweet Bye-and-Bye LOS ANGELES, Mar. 9 (UP

a costume expert said today.

years to run.

be to wear them short.”

TO BUY OR BUILD

“Information 1 Please” and “The Devil To Pay” |lumbia, MM-726, ten 12-inch rec-

by Merle Travis and, his string ords in two volumes.)

— Women’s skirts will be up above their knees again by 1952,

Mrs. Louise Pinkney Sooy, art * |professor who teaches. the history of costume design at University of California at Los Angeles, said the “new look” had ‘only -four |

“By that time, everybody will be wearing long skirts,” she said. “Then the fashionable thing will,

ducted by Emanuel Balaban. (Co-

o 2 . «THE MEDIUM?” is a hafr-rais-ing melodrama about & mother and father who visit a medium in the hope she can evoke their dead 2-year-old son from the spirit world. The medium is an imposter, but in’ the midst of the fake seance, -|she seems to feel a cold hand at| her throat. Is it of natural or) supernatural origin? The medium Inever finds out, but a growing {terror takes possession of her. Marie Powers’ performance as Madame Flora, the medium, was described by Tallulah Bankhead as one of the greatest she had ever seen, while Arturo Toscanini was so intrigued by the modern score that he attended at least

)

five 12-inch records.)

vorite symphony that is loved for its sunny ‘mood and pastoral charm. The poetry the music seem to symbolize the Viefinese countryside and German lake region where it was composed.

while still conductor of the New York Philharmonic, gives it a reading that justifies his reputation as one of the foremost Brahms interpreters.

Suite, and Ippolitov-Ivanov's “In the Village,” played by Leopold Stokowski and the PhilharmoniecSymphony Orchestra of New York. records, MM-729.)

colorful Russian music in the traditicn of Borodin, Glinka and Tchaikovsky. The “Masquerade Suite” was written as incidental music for Lermontov’s tragedy, “Masquerade,” handsome, of the emptiness and pretentiousness of the czarist court.

musical traditions of that era in five entr'actes and named Waltz, Nocturne, urka, Romance and Galop. sixth side of the album is given over to.the’well-known and everpopular) “In the Village” from Ippo Sketches,” Op. 10.

three performances.

- ” “THE TELEPHONE” is a and satirical one-act curtain raiser about a man whose marriage proposal to the girl he loves is constantly interrupted by the telephone. He finally has to-take recourse to the telephone to win her. It is good fun, and quite a contrast .to the play of ideas in an eerie setting in the companion opera. ’ : . Menott! made theatrical and musical history in writing

records of Stowkowski as conductor of the New York Philharmonic, debut, as he is famed for introducing many contemporary Ruslight sian works in this country..

® sn A NEW RECORDING of a fa-

and grace of

Mr, Rodzinski, who recorded it

Khachaturian: Masquerade

(Columbia, three 12-inch

” » ” THE ALBUM offers a feast of

conceived as a extravagant symbol It employs the rich Russian interludes

MazThe

tov-Ivanov’'s “Caucasian

This .is the first appearance on}

and is an appropriate

JULY

ZOEBUCK AND CO

for

Powrenss Records Lbiary

"The Ten Fastest Fingers on Piano Keys":

VINCENT LOPEZ

in His First Album of

PIANO SOLOS

These collectors items delivered in the sparkling tempo and highly sensitized style that has always been the Lopez trade mark ... accompanied by his band that have highlighted his brilliant career in music, "Nola" "Kitten On The Keys," Mozart's "Turkish Patrol”, "Black Magic", Liszt's "2nd Hungarian Rhapsody”, and: gratulations’’ due to become as standard as Auld Lang

and featuring selections most universal recognized "theme" song,

this, Lopez's first album of piano solos; to

First at PEARSON'S Exclusive at PEARSON'S

ORDER BY MAIL

PEARSONS RECORD LIBRARY, 128 North Pennsylvania Street.

Please send .... albums of Vincent Lopez's

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IN INDIANA

‘As Featured By

WIBC's Ge

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e new "Con-

EASY GWYNN, nial Dige Jockey

them, while Columbia made re-| cording history by choosing them as the first American operas to|

® Popular. ® Classical

1)

| ost End Rooord Shor, |

piano solos at $3.15 ea

»,

1 | | I | 1 ' | 1 ' | | | i | 1 i 1 1 ' | -

(accompanied by his orchestra)

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Check Enclosed [] Send C.O.D. [1 - Add to my account []

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