Indianapolis Times, Indianapolis, Marion County, 19 February 1948 — Page 26

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By HENRY BUTLER

season’s biggest drawing card, the Budapest Quartet,’ packed World War Memorial last night. As well it might, since the! Budapest Quartet has acquired a

Josef Roismann, first violin; Ortenberg, second violin; Boris Kroyt, viola, and Mischa Schneider, cello, make chamber music more significant than solo playing. The requirements for en semble playing differ greatly from the requirements for virtuoso recital, Care, tact, restraint and

£1 [an alert ear“for all four instru-

ments, rather than just one's own —these things are not a mattet of doing what comes naturally. They take time and special effort. The quartet opened last evening’s program with Mozart's C major Quartet, K. 465. That starts with a brief adagio—one

| {

of Mozart's more profound musical utterances and the kind of thing that contrasts surprisingly with the more obvious material following.

Not Too Exciting . For. many modern listeners,

| Mozart contains too much musi- | cal architecture, too much symm| metry and too many gepetitions|. necessarily introduced to complete the formal structure, And so that C major Quartet, pleasing and easily understood’ though it

Is, may seem not over-exciting.

The posthumous String Quartet

| Movement in C minor by Schu-| bert, next on the program, is bril- |

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THE INDIANAPOLIS Tos ; Budapest Quartet Displays Perfection to Huge Crowd

{Hant and varied, with some ex-|| J

The Ensemble Music Soclety ceedingly dificult spots for alll |

four instruments. Difficulties, of course, pose na problem for the Budapest Quartet, command of any musical situation was again evident in Hugo Wolf's “Italian. Serenade”...

Not too°often heard, the “Ttalfan Serenade” has great originality -and harmonic subtlety. The alternate wilfulness and wistfulness might be expected from a writer of beautifully expressive songs. But the expert writing for strings is both a surprise and a delight.

Quartet, Op. 132, of Beethoven. For Beethoven fans, that magnificent performance must have been a great experience. Yet I can imagine some listeners may find Beethoven's peculiar modes of wrestling with musical material SEcasionally as distressing as I

“The first movement of the

"HARVEY'S HIS NAME!"— When psychiatrists question fe E. Brown about the unseen rabbit companion in

current

Brown replies, because

vey, . name!"

-English’s through Saturday.

| TREASURE d'or SIERRA MADRE

"Harvey," English feature, Mr, “I call him HarHarvey's his The play will remain at

Beethoven, for example, despite | superb skill in placing the string voices, is full of Beethoven's ur-

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gent repetitiveness. ‘A cadence, a resolution must ‘be played not just once, but two or three times, now soft, now loud, for emphasis. ~Maybe I'm suffering “from” & musical allergy, but I can’t Rel wishing Beethoven had done less horsing around with themes and more economical writing. The Ensemble Music Society's {fifth season will open April 14 {with a concert by the Juilliard | String Quartet,

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