Indianapolis Times, Indianapolis, Marion County, 19 January 1948 — Page 15

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B minor cello concerto

passages of Dvorak with great skill. Even though Dvorak wrote - that concerto carefully, sandwiching the brass blasts in between the cello’s

prominent, Mr. Kramer a m admirably, as his en : ie audience realized,

|with Rossini’s s “Williapi' Tell” over-. [ture. at 3 pm. Sun Murat, will Bave ’ Percy Grainger, — _planist, as soloist,

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In Star Roles Few Jisiting ardsts yet the kind of ovation Leon Zawisea,

Two concertos in one evening create some problems of selection. With customary ingenuity, Dr. Sevitzky did what newspapermen would call a good layout. It was balanced, ‘symmetrical and satisfying. The program began with Bizet's “L'Arlesienne” suite, which has the Jivirtue. .of . being easily understood without being superficial. Pits Soloist Powers It continued with Lalo’s “Symphonie Espagnole,” in which Mr. Zawisza pitted his powers as soloist against those of the legendary great violinists who have popularized the composition. Mr. Zawisza does not suffer by comparison, I might add th

performances by much more publicized artists.

The terms “tone,” “technique”

THE INDIANAPOLIS TIMES

Milstein Adds | Individuality | Last : DAYS

_ {thing meaningful ' |cital as Nathan Milstein’s

-Hin this

pal turn for the privilege of listening to|

his early 19th-Century era, old Pag-| say that what Mr. Milstein does on te ee is invariably right but| anini was reputed to have sold his| also Milstein = meant that adds individu ality ef diabolical facility. Don't quote me, | Further than that, your written de. {but I have a suspicion Mr. Milstein scription is so much verbal goulash, | MUS have signed some kind of pact|—

in the Martens Concerts series, brilliance. started fascinating his near-ca city audience with the Vivaldi A Major, setting of the profoundly moving Sonata. He went on with the Bach Fr. rc" melody, “Nigun,” Sarasate’s Chaconne, possibly the most p! “ found compositipn ever written for ye} Scherzo-Tarantello.”

unaccompanied Vict, ormer Unhurried pendium of Bach's ideas about the violin’s possibilities. . about the most revealing piece a Monday, March 15H. B,

fiddler can play, since it calls for 12 MILLION BABIES A DAY at I have heard less satisfying|everything he's got.

with all that quiet command of tonal and technical miracles, Mr. —

~

To Perfection in Violin

A critic who tries to write some- ity you could scarcely expect trom |

about such- a re-{one violinist. That Kind of playing!

yesterday has to be heard and tested in your afternoon at English's is apt to get recollection of other performances. |

bogged down in the futility of words. | There's no way to render it in words, Mr, Milstein does some of “the Anes all typing and even gram. | finest violin-play! you will hear Mar and syntax are easier to learn Vio Inlay ing than the Kind of ekill Mr. Milstein has, pr About all a critic can do, in re-| : Coming Events Listed” | | Following intermission, Mr. Mil- | Me ruses, 3s use 3 hii previous! stein played his own set of varia. reviews. jslots an the famous (Brahms, | | aninoff, First Piano Quartet) | re atl Sctctibinig Such! theme in A minor by Paganini, “In

DENNIS

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Mr. Milstein, who appeared here | 10 come forth with such astounding He concluded with Ernest Bloch's ‘I bought t my

TSR RTA SS

ro- | | “Romansza-Arndaluza” and Wiéniaw-

oming events in the Martens {series will include a recital by Met- . |ropolitan Tenor Jussi Bjoerling at The Chaconne is not only a com :30 p.m. Monday, March 8. and It's also just the Ballet Theater at 8:30 p.m.

Statisticians estimate that the population of the world is increasing more re than 12 h 12 million daily.

i. block... redeemed by the blood of fearless

1] In his modest, unhurried fashion A

and “taste” are mere abstract nouns [which do not describe. They merely | {serve as shorthand expressions for | judgments a listener makes.

longed. 4 For Mr. Zawisza had communi nl cated his understanding of Lalo to | his hearers with that slightly melancholy self-effacement a musical |

has 10 lose-himself in in to find the music, in a kind of New| / Testament paradox. : Occupy Key Roles | ; Dr. BSevitzky and Indianapolis Symphony fans are fortunate .in having both Mr. Zawisza and Mr. Kramer in strategic’ orchestral positions After Cesaba’s lively “Gather ‘Round, Children,” me" intermission, the program continued with Mr. Kramer's appearance with the orchestra in Dvorak’s

Mr. Kramer negotiated the tricky

singing, it’s still hard to make ent “significantly | 2

Saturday's progra m; on ide

The final cipal concert,

, Feb, 22, in the

Milstein gave the Chaconne new | jand different vitality, }

The! Which followed, was, |best indication of Mr. Zawisza's|®$8y In tremendous volume. In! rte triumph Saturday was au-|that sonata, with super-excellent | | dience response — instant and pro- Accompaniment by Artur Basam, p {Mr. M Milstein | gave forth ‘with sonor-

.Jiartist learns. Musical interpreta. BE _ J{tion is a lonely business. The per-. fi: rl tase.

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