Indianapolis Times, Indianapolis, Marion County, 6 January 1948 — Page 6

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Recording Ban ‘Czar's First Blow A ‘of Three “Articles

By , DOUGLAS GILBERT NEA eh Writer NEW YORK, . 6—The trucu-

fent James Py Petrillo, presi-| dent of the American Federation of | Musicians, is trying to brigg the re-| cording cempanies, the radio chains

and the music publishers cowering,

= to his heels.

~

- the broadcasters expires, he is-ex-| peoted to pull all his bands off the | air, unless his demands for. more and

Sapa...

His double-lashed whip. is two astonishing challenges that may + well ‘disrupt a two- billion dollar]

business, Mr. Petrillo’s ban of all,record-|

ings of instrumental music in this, country and Canada began with the ‘Vocalists are _not at-|

New Year. fected by this order.

$2 Billion Musical Industry Shudders As Petrillo Tries to Bring It fo Heel

|

4 On Feb. 1, when his contract with FEC SILENCER Fre fart

Since all professional musicians fect:

are Federation members,

| are met, “If you want to stay ir¥ busi-

from ness, you figure out a way to pay us thus get the royalties the Taft-

Toscanini’s -longhairs to the guy these royalties that the law, for your |

who blows a piccolo in a gag skit,

such an order would mean there

would be no “live” music broad-

restraint of trade action.

Few realize even yet the pos-

~ sible effects of Mr. Petrillo’s action,

last to early summer.

$ oy ~ A i from So A . 0 Ballerina, Jungle Rhumba, Played” by ! 19 Boric Madriguers ........... %oeeee eesgscscssistsennene 0 ‘Near You, How. Lucky You. re. 15¢ Elliot Lawrence and his Grchestra ..........eiiiueieenes - Please Dont Play Nusfber Six Tonight, 1 May Be Wrong I Gene Krups. and hand .. LARS ARA 16¢ — The Too Fat ha, 2 1 1 only Had a Match, 63¢c “Bung by Louis PERRIN [} Aue Fun and Fancy Free, Tot Pioning Sisters SINGIN... ion shesenane eseens 63¢ Quan Get a Girl, 1 Never 13% Anyone, 19¢ S DOrey Binge roo Ee errr ervey rrereereve i So Far, A Fellow Needs a Girl. 15 a Prank ‘Bihatra™ Cees eeEs EERE sera Erbe TeY Q.... » Micky, Is It Too Late? li O The Brooks Brothers play and sing .....ceeeee seven . .. 63¢ So Far, A Fellow Needs a “Girl. 19¢ 0 Guy Lombardo Plays i... ...,...eceerrrriiresrnes NT) An Apple Blossom Wedding, Love and the Weather, 19¢ "Bung by Kenny Baker |... eeeeiiiirasiiisrratnaene Kate, I'll Be There. 63¢ Tommy Dorsey and his orchestra .......i cio 0 With the Roses in Her Hair, That's All I.Want to Know, 19%¢ Dick HAYMES: SINKUME $. loon ii iii iieiaannidbaran Put Me ia Bed, ¥ Like My Chicken nt Size. 15¢ Johnny Bond sings . ener The Song Is Ended, Do You or Don't You Love Me? 63¢ Nelile_Lutcher on the BS . Nowhere, Pagan: Ninny's Keep ' or Gor Stomp, 63¢ Red Jogle plays and sings . sass: The Emperor Waltz, I Kiss Your Hand. 19¢ Bing Crosby SINGING ........... 0 + ceiieinrianns “ee 1 Still Get Jealous, Poppa, Won't. You Dance With Me? 19¢ +Euy Lombardo and his orchestra .........00 cc ervieennes , ¥ Pass That Peace Pipe, Suspense. 19¢ Vocal by Bing Crosby TITER TIT TET A Porter's Love Song, Ding Dong Daddy. « 15¢ Arthur Godfrey sings sesscesberienianes Lene Star Moon, Forever Amber, 15 Harry James and his orchestra 0... ..00uuee vesensenens ¢ Made for Each Other, El Cumbachers 63 Played by Desi Amez . er “er ¢ Polka Dots and Moonbeams, Liebhestraum, 63¢ Tommy Dotsey and his orchestra ... ........oeeeee ee 0 Love for Love, Baby Be Good 63¢ Vaughn Monroe plays and sings ..........¢eeeesnsanessess Your~Red Wagon, A Man's Best Friend. 19 Ray McKinley plays © CL iiivesessassenees ¢ Out of Nowhere. Stairway to the Stars ELA Fitzgerald Sin@S.... ... .. . _ isssesissasasssscs 19 You'll See What a Kiss Can Deo, If I'm Lucky. 19 Eddy Howard singing = «© i ieesessss ¢ Dream Again, I'll Hate Myself In the Morning; 63 Bammy Kave and his orchestra ............0cc0iieennsns ¢ Fool That I Am, Wiggle Worm, Erskine Hawkins , © iaieveeees seenens 630 They're Mine, They're Mine, They're Mine, 63 Td Hate to Lose You, Sammy Kave pPIAVS .ovivvernne.. " ¢ wiwsseencn Without. Yeu. Sihoney.. imran $3 Dest Amez and. his orchest ™ Cettesshesananssneanss c ™ —MAIL ORDER COUPON ¢ Minimum Order, $3.00— Pearson's Record Library, 128 N. Penn. Indianapolis Please send the records checked above or on attached list: | Check or M. O. Enclosed Send C.0.D. | | (Add 25¢ on C.O.D. Orders Less Than $5.00) | Name ....... Creme riitu rats benttratbataans TI In - TUNE Ii “PEARSONS RECORD i LIBRARY" alc wine

\ . =» »

PETRILLO'S EDICT is expected to cost his 233,000 members at least #5 million In wages this year. Why

did he do it? - Two factors influenced him—one . law; the other, a nuisance.

The law is the Taft-Hartley Act, which forbids royalty payments to unions beginning Jan. 1, unless they are co-administered. That wipes out about $2 million a year the Fed-

PESSIMISTS think the music czar will try, by some $ois. of

up huge backlogs of popdiscs—enough, probably, to

benefit, forbids.”

The nuisance is disc jockeys, those curious fellows who have enraged)

— Mr. Petrillo while carving them-|

{selves a unique and highly profitable; niche in the economic phase. of SSneratmmnt ”

3 MIN t st that he will not go -that far. for] LOITER FIVE M UTES a hi

fear he may be slapped with a

Ave. and 50th St, where members of Local 802, AFM, hang out, and you'll hear something like this: “Why should we wax ’em (records) for some little punk to shove on a studio turntable who draws down 40 grand a year—and for what? Nothing, except “plug his sponsors and annoy the listener with his silly chatter.” In fact, 40 grand a year is peanuts in the jockey. profession. The| earnings of Martin Block, over a secondary metropolitan station, approximate $25,000 a week. There are hiplenty of others who work more

than they do for themselves.

Neither side would benefit, and the public, as usual, would pay the pills.

James Caesar Petrillo on Jan. | sent shivers through the recording radio industries by prohibiting instrumentatists from making employment and more money. are| any further discs until his demands for more jobs and mdre money et.”

ours. for the Income Tax Collector

There is one ‘way out of the im-° passe which Mr. Petrillo is creating.

Hi Traubel's 'Isolde’ Put

In New Contemporary Opera -

“Those who heard and enjoyed last Saturday afternoon’s Metropolitan | | Opera broadcast of “Tristan und Isolde” will be interested to learn of| recent Columbia recordings by Helen Traubel, who sang “Isolde” so superbly, and Gian-Carlo Menotti, who was a guest oh the between-acts “Opera Quiz” program’ with 3igmund 3paeth. Menotti-is--the- talented young Italian-American . composer whose

Broadway sucéess, . “The Medium,” and’ its curtain raiser, “The Tele-| Philharmonic-Symphony Orchestra

| Sonlempotary bers ever » ne py Walter. A first compléte recordon records. ey will be issued two albums in the near future.! ing of this. monumental symphony, [They will include a total of 20 sides. {Both operas have: been playing to {packed houses since last April. The! |same casts which created the | Broadway roles take part in the Columbia recordings.

| when first performed in 1904, be‘cause of its imposing structure and length and because of the tre-

which it was scored.

| Hearers should be foreworned WAGNER: TRISTAN . OND. that this is not music for those

| ISOLDE, “Love Duet” from Act. IL! who prefer. the simple and

Scere 2, sung by Helen Traubel, s0- melodious. Though written 45 years | prano; Tors'en Ralf, lenor, snd ago, Herta Glaz, contralto,” with Pritz modern style. The exordium has a Busch conducting the Metropblitan definitely cacaphorous - quality to | Opera Orchestra, 3 This is the first recording ever ‘to be made from the stage of the Metropolitan Opera. It is a fine | interpretation of the most fiery "and impassioned of all operatic, love music, although Ralf ‘can't!

(which the ear may or may no!

|stood ‘why the work has been .he| subject. of violent controversy, with | {passionate partisans equally opposed. The great work is divided into |

!the tenor role and tends to be Sisting. of two movements, overshadowed by Traubel. The al- second of one, and the third of| 2 bum opens with Isolde's passionat Wo. Best known are the famous | signalling to Tristan, includes the Adagietto which begins the third of the AFL's musician's uni ion, glowing duet in the garden, and Section, and the final Scherzo in| {Mark and his discovery of the Whimsicality and satire, (Columbia, guilty lovers. Frits Busch, who MM-718, MM-718, conducted last Saturday afternoon, records.) leads the ‘Metropolitan Opera Or-| SCHUMAN: KREISLERIANA (Op. chestra throfigh an accompaniment 16) and “Arabesque in C Major” of great eloquence. (Columbia, MX-' (Op. 18), played by Claudio Arrau 286, two 12-inch records.) MAHLER: SYMPHONY {in C- Sharp Minor.

levy a tax on that increase, and

| Hartley Law has forbidden?” __Next—The Studios’ Gamble.

Petrillo Makes Ban Matter of Record, But Record-Makers Still Make Records

“By DONNA MIKELS to good ‘effect on a clever blues WELL, it's almost Bne week after Petrillo’s much talked of “record | ban” and nobody seems much worried.

Head.” Her second side is “But sideline and Petrillo himself, who's having more trouble than you can of them.

shake a baton at, which with congressional investigators et al. nipping at RC A-Vi ctor

ii companies are — An unusual album is “Harpist| gos jones has a: platter that what comes naturally—turning out| | Holiday,” featuring Robert Maxwell should sell like hotcakes in “My, records. ‘They have the mA pia and sn Sversitien. sidesrol Old Flame.” It's his usual madcap) # tak nt mss ec, ee 0 oe," ar a rah. se Po p quences for Harpo Marx in lhe into vent on. They have vast libraries |goes into a hysterical imitation. The hich I movies, demonstrates his capabilities |reverse is a comie calypso “ of old masters w ean always on several Jerome Kern tunes, uiszt, Are Funnier Than Anybody.” " be revived. And they can always | Ghopin and some original arrange: perry Como #hd. The Satistiers Wake secopds oy uy the Sounbey and ments. present another .Como oldie “Ive main permancnta. very uniikeyy| Buddy Clark and Raj Noble do/Got a Feeling I'm Falling” The! supposition, another top notch job. .on. “Twe coupling is “Pianissime,” a new oe! Loves Have IL” Mr. Noble takes an with promise. . : instrumental first “chorus with an| The lanquid type blues that mace] Reissuance Stressed unorthodox background reminiscent Erskine Hawkins ' a favorite is RCA-VICTOR is already putting|of the “Grand Canyon Suite” (Phi- demonstrated on his recording of | emphasis on the reissuance of. old |lip Morris theme song to the unini-

Composer Gian-Carlo Menotti Also Featured **. a. Sos 2

phone,” from thé ~ first ~complete of “New-York; conducted by- Bruno'of the keyboard; which Mr. Arrau.

| which critics named “the Giant,” |

| mendous - array of instruments for.

it is music in the dissonant

5t| works of modern music. As Proko- and Reformed Church.. Dr. Baum|adjust itself. It can well be under-|

and Others)

quite measure up to Melchior in three huge sections, the first on the

|¢loses with the entrance of King Which Mahler showed a gift tor |

eight 12-inch]

{the South American piano virtuoso | NO. 5 who, since his New York debut n| Played by the 11041, has been acclaimed d by critics critics!

k 1 rE ” erie wi Be

A _ TUESDAY, JAN, 8, 106 Legion Commander ‘Names Economic’ Head

on n Record by Columbia

“one of the technical ‘glants of temporary musical idiom. The Phil- | WASHINGTON, Jan. 6 (UP). |adelphians give it a crisp, spirited! James F. O'Neil, national coms

''mander of the American

"today appointed Elbert

I an takes it name, not performance. (Columbia, MXANCE, by Champaign; Til, to be director

from. Prita Kreisler as one would tg 12:irich records). natuarlly think, but from the ce. ppp on ‘centric. character of Johannes |Kreigler, the conductor who appears in some of Hoffman's tales. It and the C Major “Arabesque”! are compositions of romanticism and tenderness by another master

‘album of songs which ‘have been!girect the Legion's "high points on Miss Pons’ concert’ programs... | Included are Johann Strauss’ tivities. “The Blue Danube” and “Voices of - | Spring.” Delibes’ “Les Filles de Ca-|

verre

How To Relieve

Bronchitis ue it SE Cs Lb

|finds to be an idead medium for his uhique musicianship. (Columbia, - " MM-716, five 12-inch records.) fie ne. 1 mela, a es iTOKorEY: CLASSICAL SY, of .Summer.” They are sung. with J Lily's customary brilliant vocalism played by the Philaceiphia Orente | and interpretive grace. (Columbia, |. tra conducted by Eugene Ormandy. apinf.720 four 12-inch records). |As those who heard the Boston “HW. ML | ‘Symphony's concert at Indiana

University early in December will recall with pleasure, this composi- Dr. Soemeard to Talk Dr.. Howard J. Baumgartel will

tion opened Dr. Koussevitsky's pro- ge soothe and heal raw, Sap ine |gram, and was the best number on gpeak Thursday noon at a luncheon flamed Jronchial mucous In me {it, in the opinion of some. meeting of the Women’s Guild of branes. your druggist you [- It is one of the most .brilliant the. Carroliton Avenue Evangelical derstanding vou must ike the way

Ee gh ar it is the sort ot witty, gartel, executive secretary of the In- to ada yo n

sham |

| fiev' intended, sparkling music that Mozart or dianapolis Church Federation, will [Haydn might have written if they speak on “The Church Is a World

| had been acquainted with the con- Movement.”

ave at the TTR, FURNITURE STORE |

| % Terms You Can Afford!

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THE INDIANAPOLIS TIMES A

a.

PERFORM; Lily Pons, soprano, with orchestra the Legion's new og a conducted by Andre Kostelanetz. An nomics Commission. Mr. Burns wily

SSaglorme, - Veterans’ preference and sericutura aCe

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eration has been receiving from re-But . A cozy covey of lawyers is studios.

¢ording {thinking The act was designed to protect | legally. employers.- - But Mr. Petrillo has tossed it right back into the record- sicians more money,” they.

over ->- its implications, records. In the past reissues were| tiate). | mostly of unreleased tunes or very chorus and again takes honors on| “If we pay the artists and mu- popular numbers of prominent art-|the lip, “Sierra Madre.”

ave ists and were the ‘exception rather |

“Ain't T Losin’ You,” sung by Jimmy | Mitchelle. Anything but languid. is the torrid. instrumental “Sammy’s Nightmare” on the second side.

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than the rules Now RCA. announceé |“My - Rancho Rio Grande” with

ling recordings which have not been «Green Dolphin Street” on the flip. Pearl Balley uses tha} “tired” beat | : |

The public ate up earlier album’ reissues such as “Glenn Miller i Masterpietes 11” and Benny Good-| man's “Let's Dance” which featured top drawer numbers of both maes-| tros. ’ |

In the next few months the ‘Re-| isgued by Request” stamp will appear on RCA labels of such artists |as Tommy Dorsey, Larry Clinton, | Rudy Vallee, Eddy Duchin, Coleman | | Hawkins, Fats Waller, Abe Ly-| man, Hal Kemp, Waring's Pennsyl-|} | vanians, Bunny _ Berigan, Shep! Fields; Charlie “Barnet; Jan Savi't;! Coon Saunders Orchestra, Vincent Lopez, Jan Garber, Den Bestor, Bob Chester, Guy Lombardo, Johnny Hodges, Billy Daniels, Tony Pastor, Spike Jones and Earl Hines. Other new releases include:

Columbia Columbia has three exceptionally [nice album releases for late Decem-| ber and January distribution. Two standard favorites, Eddie Duchin ‘and Tchajkovsky, are brought together in an album of *“Duchin Plays Tchaikovsky.” A choral group

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