Indianapolis Times, Indianapolis, Marion County, 7 October 1947 — Page 7
v
T. 7, 147 TUESDAY, ocr. 7 0
East Has No Monopoly
io In Recording Fine Music
“Dallas, San Francisco Orchestras Produce Outstanding New Symphonic Albums
There's fine music throughout America; fhe eastern seaboard has no monopoly. Two of the outstanding new symphonic record albums, now in the hands of reviewers, are produced by thoroughly competent musical organizations—one in Dallas, the other in San Francisco. Pierre Monteux, distinguished West Coast conductor, directs the famous San Francisco Symphony orchestra in recording an impressive album of Ravel's works. — terre Artur Rubinstein, pianist, collabo-| came director of Diaghilev's famous rates with the up-and-coming Ballet Russe. o » ~ Dallas Symphony orchestra. The| yup WALTZ ballet originated as
Texas orchestra, directed by capa-|, hain of waltzes by Ravel 1 t or the ble Antal Darati, records brilliantly 050, They were bastd on music
Bix and Tram Are Back i | With a Carmichael Favorite
‘Riverboat Shuffle,’ ‘Clarinet Marmalade,’ ‘Ostrich Walk’ in New Album
By DONNA MIKELS Bix and Tram... Two jazz immortals are at it again in the Columbia album release of records made by Frankie Trumbauer's all-star orchestra, featuring Bix Beiderbecke. . The alubum comes in response to terrific demand after the original Bix album. The new release includes the best waxes from the DamonPythias partnership of cornetist Bix and saxophonist Tram. One of the best discs in the album 1s Hoagy Carmichael's fav-| orite Jazz number “Riverboat Shuffle,” which he wrote with Bix MOZART: QUINTET for Clarinet | and his Wolverines in mind, They
ct, 7 (Uh PD, , immigrant boy 4 reen writer, died t attack. 57, came to the Lithuania when He was on the
‘ork Sun for 20 una critic, magJater turned to
Special : WASHINGTON, - Oct. 7~At this - di stage of our squalling match with the Russians it might be well to point out that the United States lend-leased nearly 12 billion dollars worth of war goods to them. While other countries were settling their lend-lease accounts on generous U. 8. terms, the Russians stalled for nearly two years after V-E day. Last April they agreed to talk it over, Sent Delegation They sent a delegation to Washington. There were several confabs. The State Department made a proposal to wash it all up. And that's where it still stands. Because the negotiations are considered to be under way, the State Department, 1s not saying what the proposal was, except that the terms in general were similar to those accepted by other ‘countries. This might mean that we are asking Russia to pay as little as a couple of hundred million. The State Department won't verify that, but that figure would fit into previous patterns. England Agrees England got nearly 14 billions in | lend-lease and agreed to settle for | $650,000,000 over a long term, with | nothing to be paid until after 1950. | But we took into account some 4% | billions in reverse lend-lease in tot-
Hansel and Gretel, Opera in 3 Acts, Holds Charm for Both Old and Young
‘Recortainer’ Replaces Familiar Albums; land . Strings, in A Major (K.581), (do this and two other Dixieland
: wo, by Schubert. The music of this Center Sp indle Permits Lifting of Discs as Unit Iplayed by Reginald Kell, clarinet, |/favorites “Clarinet Marmalade,” and | Sir a Dn Eh de are Os Wall 2 » a 85 wil you don't—but hear it. and the introduction of an improved record package called the “Recor String Quartet. Another fine" Eng (fine Bix solos, Sound engineering reaches a high |tainer” make headline news in connection with the most recent releases level in the recording of the “Daph- {from Columbia's classical department. nis and Chloe” music. The wild The “Recortainer,” Columbuia’s
ded “Poems in y Nothing,” and which is schade \ this week. Mr. screen plays for r. Hyde,” “An redy,” “Laura,” id “The Great
- . . THE colorful Liszt Concerto No. 1 in 'E Flat, as transcribed on two 12inch Red Seal records, could easily be the symphonic album of the month. It is a showy number and offers Mr. "Rubinstein full range for his sparkling technique. His interpretation, needless to say, however, does not overshadow the splendid playing of Mr. Darati's orchestra. An interesting feature of this work is the use of the triangle as'a featured instrument in a portion of the concerto. Listen for i#t when you hear this album. (RCA-Victor album M/DM-1144.) 3
lish importation by Columbia. (M-| owe 702, four 12-inch records.)
E MOST famous piece in the | | The beautiful Clarinet Quintet! oer “ ’ wl trade-marked oder ection | Singl the es, Arade-m ked name for a m ern is the oply one of Mozart's ten Rs ngs e Bin
“Danse Querriere,” the tender “Noa- (holder that replaces the familiar with Tram taking the first chorus turne,” the wizardry of a forest album, represents a decided im-|House. (Columbia, MOP-26, two ‘linstrumental quintets written for| land Belderbecke the second. This night in “Interlude”—here is dis- provement, especially for owners of {albums, 24 sides.) clarinet and strings. It was com-';,,e all but forgotten now, was & played a mastery of tone painting, [phonographs with automatic record] This is the first result of an posed in 1789, when his personal nqmark in jazs to the fans of recorded as it should be. (RCA- changers. agreement entered into some [circumstances were at their worst; {,. middle thirties. A contrast but Victor album M/DM-1143.) Iit eliminates pulling each record/months ago by Edward Johnson,|Put that fact would never be known yc as fine is “Way Down Yonder a out of a separate envelope in anithe Met's general manager, and [rom the music, which is serene and j;, New Orleans,” played as a slow NEW RCA singles include: album, stacking them for the ma-|Edward Wallerstein, Columbia’s/{Ull Of sunny humor. + His genius {ye rather than a stomp, with a hy Jirsten, Fopanc, sings chine, then putting them back in/president, whereby Columbia will jteiuniphed ger fio wreicheten solo by Bix, ' mi” (“ amano i alth and poverty, and in this a Mimi") and “Mimi's Farewell” Separate Hivsapes when the dlay issue Tw amples a Suak as in other compositions, produced lyn grip the § pals on uy . Stdge DI Mrmt) oon oe pea It is a flat, square, box-like pack the Metropolitan Opera House, New| re. oF vongériul Jam id De with two Bix choruses and “Take| age, handsomely illustrated on the York. na ell 1s Englands youre Tomorrow,” with the two IF LISTENING pleasure is your sten's debut in grand opera record- [qq foremost clarinetist, and gives a oal in collecting records, you ver as the albums have been, The choice of Hume dinck's im- {playfully combining vocal with Bix's 8 ings for Victor. (Red Seal 12-inch ang just the dimensions of the roc- o; {masterly inter Tpretation. \ should sample the Ban Francisco record 11-9694.) | ds th 1 Xin, mortal “Hansel and Gretel” for the| muted horn passages. orchestra’s Ravel album of four Red James Melton, tenor, sings “M’Ap- Sr emselves, making it smallerfirst opera to be recorded is an| BRITAIN: “HE YOUNG PER-| The thing that cinches this as Seal 12-inch records. pari Tutt’ Amor” from the opera land Moje vompast hat = album, especially happy one, the Columbia SON'S GUIDE To The Orchestra a must for jaz collections 1s | Four sides of the album record|“Martha” and “Flower Song” from stored on an a) shelf hiv people say, because its universal (Op. 34), variations and fugue on “Wringin’ and Twistin,” in which the music of Ravel's waltz ballet,|“Carmen.” Mr. Melton has Sungiihan in a special eabinet, folk-story and folk-songs hold great|a theme of Purcell, on Jive sides; |the immortal cornetist, who often | “Valses. Nobles et Sentimentales.” both says in many radio and concert| ynside there is a center spindle charm for listeners of all ages and|and on the sixth, Bach's “Air for |said he'd rather be a pianist than Three sides are devoted to Ravel'sappearances. (Red Seal 10-inch| wiih the records are pan er jpacause in this Metropolitan Operaithe G String.” Performed by Sir anything in the world, gets his ing up the British bill. “Daphnis and Chloe Suite No. L”|record)—C.W. The latter lifted e Da Association production it is sung | Malcolm Sargent and the Liverpoolichance. He plays piano throughout, he takes the second chorus in 1tal- The general pattern in offering And the remaining side is “Sara- I EE th indl are sf gh th Tom {in English by distinguished artists Philharmonic Orchestra. Another with Trumbauer on sax and Eddy | l{an. Orchestration is by a guy who| Settlements to all countries is this: bande” by Debussy, orchestrated by NAMED HANCOCR I. D. A. e Spindle, transierr @ rec- whose native tongue is English. [English importation. (Columbia Lang at guitar. Ihandles a lot of music, Toots Cam- |The United States just forgets food, rv
ord changer and loaded as wll Ravel. GREENFIELD, Oct. 7.—Miss Mil-|and ange | to the “Ri : ner+| Its annual presentation on the M-T03 three 12- inch records.) OTHER new release highlights arata. goods, ammunition and equipment
“RIVERBOAT" AUTHOR — One of Hoagy Carmichael's lesser known numbers, ''River- | boat Shuffle," is a bright spot in the new ''Bix and Tram' album. It's a Dixieland bit Hoagy turned out for Bix Beiderbecke and his Wolverines.
San Francisco's Mr. Monteux gave the “Valses Nobles et Sentimentales” their first coneert performance iri the orchestral version in 1914. He also conducted in Paris
the premier of the complete “Daph-
dred Campbell, of Leganon, has been appointed Hancock County home demonstration agent, A graduate of Indiana University, she has served as home demonstration agent
in Boone County for the past two
as a unit when finished. pul nice, we say. ” ” »
noon broadcasts at the Christmas season, is eagerly anticipated by| HANSEL AND GRETEL: Com- (children and adults alike, and has plete opera in three acts by Engel- {made it one of the best-known and| bert Humperdinck. Sung by Rise best-loved operas to millions of list-
radio, on the Met's Saturday alter Benjamin Britten, one of Eng-|
{land's most brilliant young com- | posers, wrote this entertaining and, lunusual composition for a film intended to acquaint students with
the sight and sound of each of the | vocal
{Instruments of the Sichesteg.
|
jare:
Columbia
Here's a treat
Patti Page, a . songstress. who's coming up in the world, features {a new tune “Ive oGt Some For-| for admirers of getting to De,” with the torchy | |Billle Holiday and Maxine Sullivan |standard, “Can't Help Lovin' Dat artistry. Billie combines Man.” She's all right on the first “Body and Soul,” a great standard) tune but pretty sad on the second,
|
fused up or shot up. Payments to {the United States in closing the | books, less reverse lend-lease, if any, are for usable things remainling, allowing a liberal depreciation,
nis and Chloe Suite” in 1912; Shak gear, She formerly taught school|Stevens, mezzo-soprano; Nadine ®Pers.
in Color ’-
En. Niven
“THE OTHER LOVE” “Jewels “of of Brandenburg”
fa FORE ne Andrews—Jane Wya “BOOMERANG”
* “CYNTHIA" WED. .onear warrz:
stanwyex “THE OTHER LOVE” “BLACK GOLD” i.
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Shakespeare's famous roman-
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tant export program have been ing both vocals. Th us ST PLAIN LOVE
Ohioan Divorces nobly aided. Tony Pastor offers two more of | 10"—19¢
Barbara Stanwyck—David Niven
“THE OTHER LOVE”
Richard Travis
“Jewels of Brandenburg”
» .. was a year after Mr. Monteux be-|in Hendricks and Boone Counties. |Corner, soprano; Thelma Votipka, The libretto, by the composer's| MOZART: CONCERTO NO. 4, In ballad which is the theme of a new|a tough one to tackle, considering Feeney Hits Hiring i FOUNTAIN ® G 3 ANADA soprano; John Brownlee, baritone; sister, was based on one of “Grimm’s| E-Flat Major, for Horn and Orches. Holiday picture of the same name, excellent recordings have been made A —— Raymond, soprano; with Max Ru-|Ibfluence of the Wagner of “Die groin horn, with the Halle Or:/There Eves” | Mercury's newest discovery Is 0f Architects dolf conducting the chorus and or« Meistersinger, for Humperdinck | 4 oie (Columbia, X-285, two 12. | Maxine sings two of her best, Robert Scott. He sings the oldie aa ® to ANWYCK Association. Produced by the Metro-& number of years. | Virginia,” with Claude Thornhill's Future Just Passed,” and “Hills of 6s ’y y the Metro-| Concerto was composed in F786, the + : o% | for mayor, . _criticized. City . - . CRY wo LF politan Opera Association, and re-| The opera, Humperdinck's first, same year as the first performance band. Colorado,” one his first efforts. Council action last night which peron Hall Michigan Kid Porter inings, the desire of brother and sis- ow lare terrific. Claude uses some of niece ¥ ‘ ’ lof Figaro.” There are three move- [pleces sound somewhat alike wut|draw plans for a city-county build SANDERS “iis. @ “WAKE UF AND DREAM" @ uiiirnson N CASE MILANO INN ter to arrange a children's play for, ic in this sunny, lyric piece, the men in the John Kirby band in- they all sound fine. “St. fou ing. In Every Town There Is It was first produced at Weimar |, oo, Dennis Brain, an opportunity famous names in jazz circles. | Boogie,” 18 no exception. In “Bt.|ber demanded to know why the ‘ 7 on December 23, 1893, under the, display the brilliance and beauty Gene ' Krupa features Buddy Louls” “Pops” Ammons teams for rush” Mr. Feeney said. “With the EAST SIDE | “SOUTH SIDE df rant, and This I's It. ~ ' }had its American premiere ~ two ohRemsy Sree. ant (IE Neos, Mobs mises suite aShikof tenor sax. construction af tha hufldine is. uot %08 GA 231 S. Noble St. MA-0968; years later. Now, the recording of —— the Same Mistake Again” Both plues singing by Walter Brown only years distant, but awaiting = : su ‘ » “ BHO Aind Costlle of Met artists headed by Rise Stev- Success Looms’ Fumey Free are Soy 3 With *| What more could the blues afn ask? posal to hire architects now is Susan Hayward “SMASH-UP” " ens and John Brownlee, makes an ap” and “Our Hour” (The Puppy The tunes are “Just Thinkin'” and] wasteful.” : available to opera-lovers every- and Virginia Maxey. ————————— Ted Weems, who has a mere 22 administration has been notorious where. + | “Shangra-La” has come to mean yeas to his a4 u Same Gand-) Strikers Seek Pastors’ Aid for the lavish misuse of taxpayers ader, just won a : Wed., Thurs, Oct. 22-23 WOHATKOVSKY! SYMPHONY | ae prt Ter i EeY omen from, a['Le {wo sided instrumental by Matty Times State Service just as well have been drawn by by the Philharmonia Orchestra of {1e 2d been voted “the most prom- | an ingicete bit of music which | | Asboel ice of Sales today consid-|" me Democratic candidate asked 7 Hi ght London, conducted by Paul Kletskl. | yoino new bandleader” of the year owcases the musicianship of the ered a suggestion by 'representa- if “this is & sample of the big bust. ol A couple of Hoosiers do the hon-|ica, CIO, to form a fact finding ords.) This is one of a group of|neled to bobbysoxers. The teen- spokesman speaks 80 ny The Original English-made recordings imported agers had never heard of him until| OI on Ine Did baby talk wune. Tihs yto. help yepd..a four- yori by Columbia and repressed in this| pis “Heartaches” revival skyrocketed . “Playmates.” Ray Herbeck and wife niture Co. The ministers and union ALE country. Through such a rich fm-| nim back to the top. Betty Benson, from up around the representatives met yesterday. - . y Opera Company music and Britain's vitally-impor- the novelti | Berek om on Shnweek : e novelties with Miss Benson doHAVE THE TOP HITS 5500 € 411" Cramer ae oll i FFE TONE IN STOCK ZANE " WED. 067 monEYMOON" 10"—18%¢ ane “Sunset Pass | “" MECCA A oT oe “ta | 5 Ah od PTT CY wis E hingto TACOMA Wathingisn Loretta Youn Richard Dix "SECRET or WHISTLER” TUXEDO 5. New Tork
Claramae Turner, contralto; Lillian Fairy Tales.” The music shows the i... (K-495), played by Dennis ® nd a gleeful rhythm bit, “Them by the tops of the torchers. SOUARE TONITE, 5:48 fa! 3-30 chestra of the Metropolitan Opera WAS Richard Wagner's assistant fori, \ records) The Fourth Horn “hoch Lomond” and “Im Comin’now regaining popularity, *MY| ,1 meeney, Democratic candidate 64 LB J CYNTHIA | Jean WL ittle Miss B'way” corded at the Metropolitan Opera; grew from the simplest of begin-| Mozart's opera, “The Marriage The instrumental portions also] All of Albert Ammons boogie mits employment of architects to the family in the spring of 1891. land they afford the great horn vir- cluding Mr. Kirby himself and other! Blues,” paired with “Shufflin’ the| “Even a Republican council mem _Neiahborhood . Theater Directory _ One Good lalian Restat-{ivecion ot ‘michara Sms, awa wo pen EE ro ose CUR” Aut ohms for roth Mr. Feet sis. “Wis the ; Shelby it in English by a distinguished cast are from Walt Disney's “Fun and . planistios of Jay McShann. widespread unemployment, the proAbbott and Costello ¥ authentic Metropolitan performance FOT Ted Weems Love Song) by the Modernairres! “Lovin' Beggar.” “The present Ostrom-dominated NORTH SIDE * ow |vears to his credit as a name band- .,. of this world” and that's what money,” he said, “These plans could a $30 P M. NO. 5 in E Minor (Op. 64), played | Nashville (Tenn. radio station that {Maineck's group i. SALEM, Oct. 7.—The Ministerial # high school student.” (Columbia, M-701, six 12-inch rec- by listeners of & disc session’ chan- hand-picked Malneck group. tives of Furniture Workers of Amer- ness my opponent through Me Or Ya Dotta Det Out” and week-old strike at Ri Salem PurNn New York Civie Lal} portation, both the cause of good| Elwood-Kokomo area, have waxed| i “GRY Y WOLF" “Romance of Rosy Ridge” HARMONICATS play MY GAL SAL d,; “BUCK FYTS. COME HOME” A TEE gy ed.: “SMASH-UP" LT 30¢ 3 _ oe ie CRETTY, ORD" “FARMER’ Sheridan—Za ard Scott Ann Le ©
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His second record vas ing’'s child bride of the jazz decade. | ust 0-50 but the latest one, “For|
She married Browning at the agence in Your Life,” paired with of 16 and subsequently was wed £0 “Come Back to Sorrento,” is ii
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Kletski, the Polish conductor, and Peaches Browning lis infectuous novelties: Tony and his excellent English symphony | RENO, Oct. 7 (U. P.)—Ralph N.|t}s Clooney ‘sisters sing “Tira-Lira-orchestra, have given a smooth, Willson, scion of an Ohio meat |g LL” the gondolier song, and Rose melodious, but dramatic perform-| packing family, held a divorce to-|\ary Clooney chirps “My O'Darlin’| ance of one of the most widely|day from Frances Heenan Brown- ay O'Lovely My O'Brien.” [| known and beloved works in musical ing Hynes Civelli Willson. Mrs.| Prom the archives of Columbia ~~ literature, in this album. | Willson rocketed to fame &8i.omes Eddie Cantor's traditionaily| TRIO plays I MISS YOU Tschaikovsky's Fifth tells of Peaches Browning in the early|famous “If You Knew Susie” and ALL THE INK 10" —63¢ man’s bitter contest and eventually| 1920's. “Margie.” It's a repressing in the B + + § d | T°" nak DERWIN play Ki KATE and HOME victorious struggle - with fate. It| Mr. Willson obtained a default same style that made him and the es ecoras is iene THE 0"—63 is a richly orchestrated work, vivid,| decree from his wife, whose divorce | tunes synonymous. : (HEART I8 . ¢ varied in mood and atmosphere. suit against him is on file in San M ARE AT ERSKINE HAWKING plays FOOL THAT 1 AM and "6 hie Drei, Movement Is seuiive ang Mateo €al. They were married in Sreury ; I Wi ; y/ Woot 3AM a : 10 3s ’ i ic Damone is out to cash in on 1 h (TWO - TON) | BAKER sings melodious, the third is a gracious, Mr, Willson was the fourth hus- the raves he received for his first | ¢ ile ouse 25 NEAR YOU and IMA 10”—19¢ waltz, and the fourth is vigorously band of Edward (Daddy) Brown-|qise “Ivy.” 910 Broad Ripple Ave. (E. 36rd) {| LITTLE PETUNIA triumphant. ig GOODMAN plays HI YA BR. 6411 SOPHIA and BABY HAVE Ne 830 e NY ¢ We're Here from 9 to 6 Week Bernard Hynes, Denver s theater up to his standards. . Fridays and = WILLIAMS sings. THAT'S WHAT Days—8:30 ys KE ABOUT THE WEST and owner, and Joseph C. Ofvelli, Ban| He takes it slow and easy on the Saturda: DOWNTOWN POKER Francisco department store execu- |“For Once” ballad. On “Sorren‘o, "| n tive. —— id —— I T— 1 The Newest | ( THE NEWEST RECORDS
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