Indianapolis Times, Indianapolis, Marion County, 3 October 1947 — Page 20
wil .
Ina Claire Shares Acclaim
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+} One of the many good things to (John Larson),
In ‘The Fatal Weakness’
By HENRY BUTLER Meacham),
say about “The Patal Weakness is vanced woman. that it's nol Just a ope-woman show, The George Kelly-Theater guild comedy starring Ina Claire, which opened its three-day run at English’'s last night, does depend on Miss Claire for a lot of supernervous dialog and action, But it's adroitly written. It provides foils for Miss Claire's great comic gifts, and the foils are not Just fall guys.
is practically cut off,
(fidelity is arrested development, | for example) gain
when mother.
repeated by
Concerns a Marriage velous stage material,
Others Win Acclaim review should be
As you doubtless already know the play concerns a marriage that
begins: to show tarnish not lang The
large
marital peace, has the perfect de gree of cynical and mischievous fe male meddlesomeness. Miss Meach
and underprivilege in the other woman's life is all the stronger for a B0-year-oldster © who married
Mr. Larson is solid
Real and Conic Miss Claire has the extraordinary gilt of being real and comic everal ‘levels simultaneously.
Parallel to the parental break-up is the marital crisis of Penny, the Es pe nshades’ d aught er (Anne
In all that rapid-fire chatter of English spoken like excited French. Miss Claire suggests alternate depth and shallowness, dignity and childishness. luminous face the blue eyes that can express petulance, spite and then, astonishingly, wisdom; the gestures, the sure technical knowledge of stage position and progression-—all these elements in Miss Claire's incredibly brilliant performance need to be seen and heard,
+ “Thoughtful _ laughter.” George Meredith, in his essay on comedy sald good comedy should evoke. I'd |
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THE INDIANAPOLIS TIMES
with Vernon Hassett Penny is the ad-| In fact, she's so far advanced that her supply line
Penny's hyper- sophisticated notions about marriage and fidelity
new comic, ! though not uproarious, signifitance | a her troubled |
Add to these factors Ollie’s 1n-| satiable passion for attending wed-| aings—they're so touching, so beautiful—and you have plenty of mar- |
right, and she's long since ceased plausible and being- a symbol of unattainable Slow, by excellently contrived conpurity, to use Paul's phrases. trast.
on Comedy can ne on one level (“Who was
J’ the lady 1 seen you with last 00 4 night?”)—immediate, flat and easily forgotten. Miss Claire mingles comedy with pathos,
'
-= 1 4
* 1130 KL ST. * LL as + MIGHTY TWIN.
THE 3; of ior
t,!
a
AT eg y Tusler, famed bandleader, who
SLL
after the silver anniversary. The about Miss Claire, though’1 want ill be among entertainment | ~~ — husband (Howard £t. John, excel- 5 rae others " ie geder of hs making personal ap- EE , lently cast) becomes infatuated ‘heir appearance, ary Gildea, as { I Ww earances at the tormal openwith a woman physician and osteo- Anna, the maid, Is better seen and P of Peafs t : mm + { LATE SHO path Whose chief interest for Paul enjoyéd= than described. She is 2 af 128 oily nN Pore vi TOMORROW NIGHT Espenshade seems to be that she's everything, and not ‘too much, in| *'°07® a! Si ge Pansy had a hard life. the kind of role oiten mangled. vania st, toaay. Me. Tucker will There's intelligent writing in that Kathryn Givney, as Mabel Wentz appear Mm. the recoras separ! situation. The appeal of hardship the divorcee and prime disturber of Ment at 3:45 p. m. and in the
Greer GARSON'S
GREAT in MGM'S
- special show on -| floor at 8: 30 p.m.
the second
ME
money, and whose emotional last @m, as Penny, has”the very difficult Times A + bi “§ muse Robt. MITCHUM + Richard NART fling is made more luxurious by !ask of talking at least one dozen | cl som ment benevolent and protective feelings, to Miss Claire's 13. Between moth- | oc plus SoGujar__Castadng Ollie Espenshade (Miss Claire) °F 2nd daughter, it's conversational | civic “Football Thrills needs no protection, no benevo- badminton, and one heck of a fast “First Lady," comedy, at 8:30 NEXT ATTRACTION lence. She has dough in her own $&me. ENGLISH
“Merton of the Movies"
“The Fatal Weakness,” comed y and “Boom Town"
starring Ina Claire, at 8.30
STEVE BRODEY'S MUSIC “The Drunkard,” 30
HALL melodrama, at
Goss, departn
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