Indianapolis Times, Indianapolis, Marion County, 10 April 1947 — Page 24

IN CIVIC'S of Mrs. Dor

"LAURA"— Ruth Black, who plays the role

an in the Civie theater's production of "Laura," opening tomorrow at 8:30 p. m.

By HENRY BUTLER Stal?

Indiana university auditorium Inst night. Accompanied at the piano by Jo= seph Levine, the eminent violinist presented the kind of program he describes in his recently published reminiscences, “With Strings Attached.” . Instead of the conventional chronological parade of musical history, last night's program ed

Editor Plans to Wed War Writer's Widow

nounced

| the invasion of Leyte.

ment,

ried “within a few days.”

ESinger Dies

FRANK FEHR BREWING CO. LOUISVILLE 2, KY. |pital of a heart ailment,

mingl Beethoven, Schubert, Paganini,

HONOLULU, April 10 (U. P).— Hugh Lytle, managing editor of the Honolulu Advertiser, today anplans to marry Mrs. John

B. Terry, widow of a Chicago Daily News correspondent killed during

§ Mrs. Terry arrived here today | It is an austere rather than an ¥| from Washington, where she had! been working for the state depart-!

it] No wedding date was set but Mr, Ei Lytld said they expected to be mar-

%| HOLLYWOOD, April 10 (U. P). iy |—Singer Donna Wood, 29, formerly |

1§ | vocalist with Horace Heidt’s band, | {of thing you often hear. Sometimes 4 | died yesterday at Hollywood hos- yo

Stravinsky and Mendelssohn in pleasant, informal sequence. Mr. Szigeti understands an audience's need for variety. Shows Individualism He began with Beethoven's “Kreutzer” sonata, in which he and Mr. Levine did superb teamwork. From the very {first notes, Mr. Szigeti’'s highly individual style was apparent.

{exuberant or lush style. It differs from the school of violin-playing, more familiar to most audiences, in which tone is an end in itself. For Mr. Szigeti, tone is evidently a means to an end—it's part of his musical equipment, and not something fo stress constantly. Mr, Sxzigeti does unusual things with tone. His vibrato is relatively slow, not the intense, schmaltzy sort

he starts a long, sustained note with no vibrato, gradually adding vibrato

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for emphasis toward the end. Once {you get used to it, the effect is most | impressive.

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illuminates the book. The publisher

(Knopf) should share the delight of«last night's audience.

Times Amusement

IN JUNGLE SETTING—Joan

. |protest because their bosses took

Charles P. 8kouras, president of

Theater Moheaer

[To Form a Union:

HOLLYWOOD; April 10 (U.P).— Managers of Los ‘Angeles county's movie theaters met . ~yesterday to form a union. They intend to

SWAY Shels. Upc 4nd soda’ pop |

the Fox-West Coast theaters, has taken away one-fifth of their profits from selling popcorn and candy bars. He wanfs to use the money

Matinee 1

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jealousy is Robert Preston.

Bennett and Gregory Peck, whose co-starring film, "The Macomber Affair,” now at Loew's, takes them on African safari. Also involved in the tri. angular drama of love and

Clock

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CIRCLE “Sister Kenny,” with Rosalind d Alexander

an Knox, at 11:08, 2:40, 6:20 and 10. a westhoart of

to give raises to his district managers, Henry Pines, chairman of the managers’ group, charges, ° The 250 theater managers said they would take steps immediately for batgaining recognition.

Inglewood,

Fn Oe Seing ot by ty on

wor MARJORIE MAIN Louise auuserrros

PERCY KILBRIDE « BILLY HOUSE RICHARD LONG

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’ I 9:45 a. m. 350 plus any W x. rE Ua . rrr |W RE OPENS TOMORROW NIGHT

Elyse Kn ih Frank his oe roluan, at 1:25, 5:06 and 8:40.

LYRIC “Ladies’ Man,” with Eddie Bracken, Cass Daley, Virginia Welles, Spike Jones and others, at- 11, 1:80, 4:40, 7:30 and 10:20.

Robert Lowery, "at. 13:80, P Reed and Robe: To at 12:50, 3:40, 6:30

leton and Arthur Lake, at 3:17, 6:05 and 8:56.

| His relatively light, relaxed bowing, which makes some pianissimo

| passages sound slightly fuzzy, gets | | musically more interesting- results ‘than the heavy, continually stren- | | uous bowing of certain other violin- | | ists. He has great power when he ; needs it, as, for example, in his 3 | prodigious performance of the un- if | accompanied Paganini Caprice No.' |2¢ (famed for variations on its {theme by Brahms and Rachmani- | nol). But he always makes it clear | {to the audience that the music is at least as important as the vir- | {tuoso. Composer and performer | | ‘have a kind of spiritual partnership. Among the novelties on last {night's progragn was a “Divertl-

MURAT | THEATRE

LAST 4 DAYS

All Textures of Hair. Worth $750 | mento” by Stravinsky, with admit Twice as Much ............ {tedly strong Tchaikovsky influence. {Indeed, in the second movement, SHAMPOO AND $|25 |“Danses Suisses,” there was a fre-| FINGER WAVE ............ {quently recurrent quotation from | {the familiar Tchaikovsky “Humor- | | Experienced esque,” which began to have comic 2a Licensed etect. Stravinsky's alternate wistOperators | fulness and lively satire demand | RESERVED SEAT TICKETS NOW B OPEN DAILY |{superb performance. AVAILABLE AT BO a N, IMENT CIRCLE y ol mh Wide pte 8:30 A. M. Already renowned as an exponent || : Murat Theater Sox be 3 AN . |of modern music, Mr. Szigeti is like- | | & ® 5:3" so 5 Daily. | Reserves us a Circle—Ground Floor—Phone LL 0527 |ly to achieve still greater fame in|| Seats. $1.80, $3.40 en) . Where the Bus Stops {that field. The equipment he has: | Lo THRONE REsERy ATIONS ? ——————— great musical intelligence combined 4 EE — » - EE —————————————

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