Indianapolis Times, Indianapolis, Marion County, 18 March 1947 — Page 7

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TUESDAY, MARCH 18, 1047

locks

Popular

Records

“Till the Clouds Roll By," music by Jerome Kern, MGM | 000. $3.95

[J Rudolf Friml Melodies, played by Al Goodman His

Orchestra, Vi P165 rrr S33 return from the grave. [0] "Romance," with

Eddy Howard and His Orchestra, Album Maj. 15, $3.15

[0] Victor Herbert Melodies, sung by Bin Crosby, Decca Album 505.....$3.15 [] Showboat, * starri Tommy Dorsey an

But it didn't catch on. Not so long ago a Charlotte, N. C., dealer wanted to unload 400 copies of the disc which he had in stock and got a local disc jockey to plug the item. The tune caught on, swept the Charlotte counters clean and. is heing featured by all the top bands. Victor. has re- isned the Weems, Wax, back of which is “Piccolo Pete.”

Orchestrd, Vi. Al But the boy who throws heart into bum P152 ...$331 “Heartaches” is Capitol's Joe Alex[)Oreaniend S sid, ander, who waxed it as his second layed by au record. onroe & His . Another new tune we like is a chestra, Vi pA Latin-American double. feature, P160 With $3.31 “Guabina Chiquinquirena” and Beste: “You Are Everything To Me.” (Pan[J South & She's No American.) ‘The unpronounceable Trouble B enn i ° side features some startling mueMoten's—Kanses siclanship by Don Alfredo’s orchesCity Orch. Vi tra. Latin star Armando Roux sings ity Orch, Vi. “You Are Everything To Me.” 24893 .......83¢c Some other current releases worth [J] Summit Ridge Drive note are: & Cross Your Heart CAPITOL: “Speaking of Angels”

Artie Shaw & His Gramercy 5, Vi. 26763 -.......63¢

[Jin the Eyes of M Irish Colleen - Den't You Remember Me, sung Johnny Desmond, Vi. 20-1796 ..so3¢

[J Meadowlands and Limehouse Blues by Ray Bloch and His Orchestra, Sig. 15005 .719¢ [J Misirlou & Babalu, Jan August Rhythm Stylists, Diamond 2009, 79¢ [] Easter Parade & Crazy Rhythm, Harry James & His . Orchestra, Col. 36545

Record Shop

.53¢

Classical

[JAlfred Newman conducts 6 musical masterpieces, Maj.

Album M202, $3.15

DD Grieg Concerto in

-A Minor for piano and orchestra Op. 16, Col. Album MM3I13 .... $5.25

[J Oscar Levant plays popular moderns, Col. Album : M560 ......$4.20

[JRomberg The Des. ‘ert Song Excerpts, Dennis Morgan, Col. Album" X260 .......$2.62

[J The Music of Jo_hann Strauss, Eu. - gene Ormandy conducting Minn. Sym phony, Vi. Alun : M262 ° .. $6.15

Musical Comedy, ‘Favorites, Andre Kostelanetz & “His Orchestra, Col. Album M430 ..$4.20

[The Skater's Waltz rts | & 2, Arturo oscanini and the NBC Symphony Orchestra, Vi. 11.8949 .... $1.05

(JOne Alone and When You're Away sung b Richard

Crooks, 1370 be woe

0 Meditation from Thais hi esque pla y Misch Elman; Vi. 11-8950 .... $1.05

0 Intermezzo & Ama-. pola, sung by Allen Junes, Vi. 4552, 79¢ [7] Oklahoma Medley "parts | & 2, Andre iano & His . Orchestra, Col. 7417 ........ $1.05

[The Lost Chord. &. The Battle Hymn of the Republic, sung by Dennis Morgan, Col 442 $108

is a mellow tune by Peggy Lee and Hubbie-Guitarist Dave Barbour. The flip is their arrangement—and some arrangement — of “Swing Low, Sweet Chariot.” Look for some more by this pair now that Mr. Barbour is home from the hospital after a serious operation—Benny Goodman offers two new discs: “It Takes Time” and “Moon Faced, Starry Eyed,” both sung by his new vocalist John Mercer. (Not to be confused with Capitol President’ John Mercer.) The second release is “Lonely Moments” and “Whistlér's Blues,” both with superb clarinet solos.

VICTOR-The Spivak trumpet lends mellow background as Tommy Mercer sings “Why Did It Have To End So"Soon?” The flip is “You Can Take My Word For It, Baby,” sung by Rusty Nichols and the Stardreamers.

On the very corny side but fun is “There's a Big Rock in the Road” by the Ginger Snaps—Freddy Martin waxes two tunes from the New York hit, “Street Scenes.” “Moon Faced and Starry-Eyed,” and "What

‘Heartaches’ Makes Comeback on Discs All Because It Didn't Catch On Before

Tune of Late '20's Is Being Waxed, : Played, Sung and Hummed Everywhere

By DONNA MIKELS One of the biggest record hits of the nation today is the oldie “Heartaches.” The poignant tune of the late 20's is being yaxed, played, sung and hummed everywhere—and naturally there's a tale about its

Here's the story that's making the roynds: Back in 1931 the tune was made by Ted Weems. His arrangement was—and stil], is—tops.

but intimate are “J'Attendral” and “Le Fiacre,” by Jean Sablon. He's the Charles Boyer with tonsils. Victor offers a nice library piece in “Priml Melodies,” an album of eight familiar Friml favorites waxed by Al' Goodman. Tunes include “Song of the Vagabonds,” “Only A Rose,” “Indian Love Call,” and Donkey Serenade.” Leslie Scott, former singer with Louis Armstrong, sings “Stars Fell On Alabama” and Baby, Get Lost,” with the Billy Moore orchestra. That insinuating bass in “Get Lost” is all-star Chub Jackson. Herbie Fields throws in a terrific soprano sax and clarinet phrasing in “Misirlou,” and typical Pields vocals on “Baby Made A Change In Me.” COLUMBIA-—The more I play it the more I like the tune “Rogue River Valley,” by the Charioteers. The semi-folks song has a haunting tune. It sounds as if the boys tried

Six Albums, a Mixture of Old and New, Provide Excellent Evening's Entertainment

‘Gayne’ Ballet Suite Is an Intriguing

Work by Young American Composer

An interesting mixture of the old and the new in classical and semiclassical music is found in the group of recently-released albums chosen for review today. The most sensational composition since “‘Bolero” is among them, in the “Gayne” ballet suite. Appropriate to the season is the “Russian Easter Overture” by Rimsky-Korsakov. work “El Amor Brujo” by De Falla completes a trio of albums which,

when bracketed with three-others by the old masters Beethoven, Mozart and Strauss, form an evening’s turn-table program that is replete with variety, surprise and sheer musical pleasure. KHACHATURIAN: GA YNE BALLET SUITE, played by the Philharmonic-Symphony orchestra of New York, conducted by Efrem Kurtz. (Columbia, M-664, three 13inch records.) This is’ quite an exciting, breath-

Good Would The Moon Be?"—Nasal taking piece of music that will af-

some trick mike placements to obtain a weird effect from the guitars and vocals. However they did fit, it's good. Flip is the stepped up novelty “Lox and Bagel.” Charioteers also are excellent on “You Can't See the Sun.” "A nice re-release pairs Frankie Carle’s “Sunrise Serenade” and “Carle Boogie.” Two more hits from the Broadway show “Finian’s Rainbow,” are making disc fans sit up an take notice. They're “Old, Devil Moon” and “Same Old Blues,” by Geéne Krupa. Columbia has a fresh arrangement of Woody Herman's “Woodchoppers Ball,” featuring Woody's clarinet, “Flip” Phillips “bouncing “tenor sax and Bill Harris on trombone. Back is a “Flip” Phillips original “With Someone New.” Paula Kelley and the Modernairres team up on “Hoodle Addle” and “It's Lovin’ Time.” There's plenty of James trumpet and Willie Smith alto sax on “Keb1.ah,” by the Harry James Group. The other side is, by contrast, a soft instrumental, “You'll Never Know.” Last but far from least in the new releases is Claude Thornhill's pairing of “Snowfall,” the orchestra's

“TN

@

Surface Noise—

New fone Disc Is Top Seller ‘Tea for Two’ Brings Rush of Fans

If you hurry you can get the new Joe Mooney quartet disc, “Tea for Two,” backed by “A Warm Kiss and a Cold Heart.” It's now available in local stores. -Available, that is, where the “looney for mooneyites” haven't bought the

first shipment. Pressure from rec-|*

ord dealers all over the country caused Decca to push up the release date. So far, orders for the disc are at least 10 times that of the first Mooney waxing, “Just a Gigolo.” Be sure to catch the

{new lyrics Joe has tacked on “Tea.”

Free Publicity Illinois Jacquet, dynamo of the

sax, was surprised to receive a let-

ter from the Illinois chamber of commerce, thanking him for the valuable publicity his name had brought his “home state.” Jacquet was born in New York, grew up in California, debuted in New York. He has a new eight-side album for. Apollo, “Flying. Home With Jacquet,” : - All-time jazz great Louis -Armstrong is the subject of a fulllength biography to be published

this month. by Allen, Towne and Heath, Inc. Title is “Horn of Plenty.”

Record Is Collectors’ Item If you have a recording of Artie Shaw's “Gloomy Sunday,” the notorious Hungarian suicide song,! hang on—it' a collectors’ item. The | Victor waxing of the tune whiow| was banned because people kept! dying all over the place when it|

FIRST

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... + and POPULAR SINGLES . . . KATE SMITH singing "Anniversary Song" and Sy Oliver, singtassssiensusseiblc cach

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theme song, and “Autumn Nocturne.” :

The striking Spanish

fect many people like “Bolero” did when they first heard it. There is measure after measure of triphammer orchestral blows interspersed with passages of almost lyrical quality. The rhythms are stirring and powerful. The young Armenian-Soviet com-

was played is no longer available.

true gypsy flavor, and patterned them after the Andalusian folk songs. They are well sung by the || sumptuous voice of Carol Brice, noted Negro contralto. Reiner conducts the work with his usual driving, exciting force. The climax of the recording is the celebrated and well-known “Ritual Dance of

BEETHOVEN: SYMPHONY NO. 6, in F. Major (op. 68), the “Pastorale,” played by the Philadelphia Orchestra conducted by Bruno Walter. (Columbia M-631, five 12-inch records.) This great symphony got its name “Pastorale” because it musically portrays the joy and warmth of a|

elevate him to the level of Shostakovitch and Prokofiev. This piece draws on the folk songs of his Armenian people, and the mixture of oriental rhythm with occidental orchestration becomes almost hypnotic. It is named in honor of his wife, e. Should be heard for its novelty value, if nothing else.

RIMSKY-KORSAKOV: RU SSIAN EASTERN OVERTURE (Op. 36) played by the Philadelphia orchestra, conducted by Eugene Ormandy. (Columbia, X-276, two 12inch records.) The big symphony orchestra al-

|ways please their patrons when

they program this work at the East-

er season, because it is so appropriate and so pleasing and inspiring. It is music that tells’ in rich orchestral colors of the glory of the Easter resurrection. A Russian chant opens the work, then the overture proper begins with the development of the theme in the characteristic modes of the Russian church, The grand climax has been described by one writer in this manner: “The theme returns and leads into a final coda which conjures up the image of the cathedral, the dazzling splendor of the altar, and the clanging of triumphant bells proclaiming the glory of the risen Lord.” -

DE FALLA: EL AMOR BRUJO, played by the Pittsburgh Symphony orchestra conducted by Fritz Rein-

soloist. (Columbia, 12-inch records.) The pungent melodies and brilliant rhythms of the Gypsy people who have lived in Spain since the 15th century ‘attracted the Spanish composer Manuel de Falla, and he used them as the basis for this

M-633,

“Love by Witchcraft.” lyrics into the ballet to give it the

er, with Carol ‘Brice, contralto, as three

ballet, the English title of which is He put

holiday in the country. Beethoven | hated the confinement of a city and | escaped into the woods whenever possible. His Sixth Symphony describes one of his delightful excursions into the Austrian countryside. The music | doesn’t imitate birds or brooks, but has floods of fresh, soothing melody that gives the impression. This album has special interest | because it marks Bruno Walter's first appearance on records as conductor of the Philadelphia Orchestra. The latter has responded with a nearly perfect performance under

OUT OF THE PAST—Victor is re-issuing the old Ted Voom recording of ''Heartaches," half-forgottén favorite culled out of oblivion by a disc jockey.

Called in, rumor has it. Still more avid collectors would like to locate an even older Paul Robeson waxing of the tune.

Betty “I'm a Big Girl Now” Bare clay, is scheduled to leave the Sammy Kaye aggregation soon. She's 80 grown up she's getting married.

National is said to have: about a dozen Billy Eckstine recordings). which it will release soon. The releases will fit right in with publicity on the singer's te-up. with the new M-G-M waxery.

his baton, and the result is a definitive recording of one of the most’ popular symphonies in the reper- | toire.

RICHARD STRAUSS: DEATH AND TRANSFIGURATION (op. 24), played, by the Philadelphia Orchestra, Eugene Ormandy conducting. (Columbia, M-813, three 13inch records.) This is the mighty symphonic poem “Tod un Verklarung” which tells the story of a dying man, weary with struggling, who sees his life unrolled before him. Following the final stroke of the percussion which indicates that death has come, there is a triumphal song of deliverance and transfiguration—truly beautiful and inspiring music. His genius is shown by the fact that Strauss composed this great

tone poem when only in his early

twenties. * —H W. M.

20

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