Indianapolis Times, Indianapolis, Marion County, 23 January 1947 — Page 24

ITE'S ci

SOUTH ILLINOIS STREET

(WRIGHT'S)

kamer, pianist.- * I arrived when Mr. SchatBkamer

Godounoff,” { song,

{Rob cons Voice I in Recital To Here Recalls Chaliapin-

By HENRY BUTLER = Paul Robeson has some vocal teris reminiscent of the Ite Frode

Chaliapin. At any rate, Mr. Robeson has & quality of- voce, an impressiveness. of personality, which make him much more than just another soloist.!

All the qualities were evident in his Cadle Tabernacle recital last

and by

Sang Four Selections Mr. Robeson had four selections programmed in his second group: the “Lord God of Abraham,” from Mendelssohn's “Elijah,” the death scene from Moussorgsky's “Boris the same - composer's “After the Battle” and the | Engels arrangement of a Hassidic {chant. | Among his encores was “Joe Hill,” a labor song, “which Mr. Robeson 'sang with vigorous emphasis. I wish I could find it impressive. Unfor-

(tunately, like the famous - “Roger | its. ass0d mem Young” army song, it Seems to me Bach choir for iate me

banal.

>

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_|night. Presented here by Frederick G. Schatz, Mr. Robeson was assisted {by his accompanist, Lawrence | WB Brown, William Schata-

-_tls

Accompanists are often overlooked in reviewf Mr. Brown, whose accompaniments and arrangements made a great contribution to the success of last night's program, was also vocally effective in several ‘of

the rhythmic, significant and beaytiful spirituals.

1 8 | \S

IN NEW ROLE—Bette Davis plays the part of a pianist in

"Deception," drama about music, love and jealousy now at the Circle. Also started are

Paul Henreid and Claude Rains.

Concerf Shows | Probably only an organist knows how much skill it takes to play the organ well. But even those of us who ‘can scarcely ' distinguish between the clutch and the foot-brake in the organ pedals could not fail to be impressed by E. Power Biggs’ recital at Broadway Methodist church last

night. Presented by the Indianapolis

bers, Mr. Biggs’ program was both substantial and varied. It demonstrated, for one thing, the fine tone and impressive volume of the Broadway Methodist organ. It showed also Mr. Biggs’ rare knack of choosing registration—a problem non-organists are apt to find as baffling as typists find the linotype What occurred to me, as Mr. Biggs was evoking beautiful sounds from the organ, is the fact that a concert organist must have a great margin of adaptability, an almost instinetive mastery of myriad mechanical problems, in order to achieve best results with a variety of Instruments. Opened With Concerto

Organs, like cars or planes, have idiosyncrasies. The practiced soloist must discover the quirks as well as the beauties of each new instru-

time. Mr. Biggs began with Handel's concerto No. 2 in B flat—good,

century, and yet remarkably different from Bach. He continued with Haydn's ey quisite “Suite for a Musical Clock,” which, in its china-figurine, miniature manner, . exploited . the treble tones. His third offering was Bach's] concerto in D minor, after Vivaldi, full of the St. Matthew Passion kind of musical anguish that makes Bach incomparably profound. A wonderful dominant-organ-point passage towards the end of the “larghettofugue” is not merely an example SE Hl Si I

"Have You

Cocktails For

Two As Played

by the

E. Power Biggs'

smissed Mr. Biggs' splendid perions.

ment, and do so in a minimum of [painting selected

Organ Adaptability

shadowing of much 19th-century writing—Brahms, especially, I'm sorry to have had to miss the Bach “Sheep May Safely Grase” and the fantasia and fugue in G minor, as well as the entire second half of | the program. With a true artist's independence |

“TOMORROW'S SOLOIST — Isaac Stern, young American violinist, who will be heard with the Indianapolis Symphony or chesfra in the second Wieniawski concerto at 7:30 p. m, fomorrow and 8:30 p. m. Satur day, in the Murat.

Injured Trying To End Pets’ Fight

Times Stale Service ANDERSON, Ind, Jan. 23.—L. v.

Humbert, 58, near Anderson, today resolved to think twice before becoming involved in an argument {between the family's pets. Humbert was. treated at St. John's |

and originality, Mr. Biggs has, {hospital for a perforated ear he

judge, evolved many of his own suffered when he interceded in a fight between his pet coon and a | pet monkey owned by his son. "He was bitten in the ear by the

solutions to technical problems.

Precision, staccato, quasi-orchestral effects—these things, sounding effortless, are extremely difficult. It is unfortunate that simultaneous programs elsewhere probably reduced the size of the audience. Many music-lovers will be sorry they

present its next program March 26 #t'World War Memorial auditorium. -—H. B.

School 66 to Get Oil Painting Today Presentation of an oil painting to school 66 was scheduled for 11:30 today. 4 Mrs. Ada Clark, principal, was to accept the gift from Mrs. Harriet Jeffries, vice president of the Indianapolis Art Studepts league. The by. school 66 teachers is a still life by Mrs. Pauline Hinkle.

Symphony Orchestra

Dimitri i Mitropoulos

Conducting

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Times Avistoront” * Clock

: CIROLE : “Deception, starring Bette Davis, Paul Henreld and Claude Rains, at 11, 1:10, 3:20, 8:35, 7:48 and 10, “Notorious,” with Cary Grant and Ingrid Bergman, at 11, 1, 3:8, ie 8 7:40 and 10, KEITH'S © i “Swell Guy," with Sonny Tufts and Ann Blyth, at 11.30, 1:40, 3:48, 5:05, 5:08 and 10:00.

LOEW'S “The Secret Meart,” with Colbert, Walter Pidgeon xh Allyson, at 11, 1:13, 3:27, 3, "5 and 10:13,

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ROLL ON TEXASHOON}

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STRAND ™1iIoi |ooh ood mpm oll ood CH. 1292 Cooper—Jean Arthur Cary Grant—Jane Wyman

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PIT CIT RA LB Xe [ale Tyrone Power -“ SE JAMES” Olivia DeHavilland “DARK MIRROR” - Robt, Young “CLAUDIA AND DAVID" | UPTOWN 4818 College

Cooper—Jean Arthur

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