Indianapolis Times, Indianapolis, Marion County, 16 January 1947 — Page 24

Molly Picon Due Here Saturday Molly Picon, noted actress, will appear Saturday evening at Kirsh

a Re and

1:00, re 7:01 and 9:38, a8 Tells wilh Dan Duryea,

al William Bevaix, at nie Sas Sn 8:01 and 10:40.

‘others, at

Ld » gy dueys & re Nat

Sinai epassal pir a INDIANA baum center in the first of three ter to re your blond, | mgr Begin 4 1 £0 ‘4 [Jewish Cultural committee - spon3:33, 7:30 and |sored programs. a "| Under the co-chairmanship of : george Pirent, Charles Korvin and [Ben Paller and Marshall Sherman, Pall eh gg 90 13% 34. ithe committee will also present LOEW'S Sidney Harth, Cleveland violinist,

Feb. 9 and Irving Davidson, stage interpreter of Jewish humor, March 18.

“The Secret Heart,” with Claudette Colbert, Walter and June Allyson, at wr 113, 1A, 5:43, 7:57, Te 10:12.

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38!/2 N. Pennsylvania St.

At > Concerts

‘Ful | Houses"

Both Show Classics Can Be Popular * By ‘HENRY BUTLER Last night it was typical Indi-{ anapolis concert weather, complete with. atomized drizzle. . Despite bad driying and walking Fabien Sevitsky and the! Syrophony drew an overflow house to the Murat for the annual IL. 8S. Ayres’ associates’ concert. Over at World War Memorial auditorium, where the acoustics surpass the decor, the Budapest quartet, sponsored by the Indian-

apolis Ensemble Music society, packed nearly every available seat.| ford, this year's A Bill Page New Cymbals Used "| in "The Voice of “the Turtle.” Dr. Sevitsky's program was pop- ai a three- -day run tonight ular, though not in the Jan. 7| 2! English’s. The "Turtle" will Waring-Sevitaky sense. The maes-| be followed by another return tro led his orchestra in the “Mig-| engagement, that of "Dear non* overture of Thomas, the “al-| Ruth,” at.English's Feb. 6, 7 and legro con grasia” from Tchaikov-| §, ’

sky's ‘“Pathetique,” Debussy's “Afternoon of a Faun," De Falla's “Spanish Dance” and the Popper “Hungarian Rhapsody,’ with First Cellist Raphael Kramer as soloist,| (and got called down by at least prior to intermission. {ofie correspondent) on this problem | tion Last night's performance of the|or chamber music. “Afternoon of a Faun” was, I be-| what eri me then, an lieve, the first public appearance oh — Pd. the unpliett the locally-manufactured, tiny “an< that chamber music must always tique” cymbals, described in ‘The remain esoteric. ‘The notion that Times for Dec. 9, and produced bY the common man (not you, not I! the Indianapolis Brass and Alumi- | not any of our friends) lacks the num Foundry Co. and the Reliable yi to )ike chamber music is pro- | Metal Spinning Co. |foundly offensive. Capably handled by Victor Di| Tne vexing question:

ments, and the Brahms quartet in A minor, op. 51, No. 2. & Last year I wrote vehemently

“Who is

the new cymbals, nicely tuned in| pe ndamental. I've kfiown toneB and E, were, I'd say, a great |g.a¢ people who enjoyed a warm success. feeling of superiority because they'd Cellist Shows Artistry read Romain Rolland and hence The Popper rhapsody, brief and| “understood” Beethoven. not too profound, gives the cello Repeated Hearing Necessary limited scope. Mr. Kramer, whose | a that business is vicious. Musts tone, technique and earnestness give promise of great ‘future achievement, played admirably. He | have no social- level implications. is a welcome addition to this year's They can be grasped by anybody | orchestra.

program er RE a {lard often enough. Air,” “Merry Widow” waltdes and| If the Budapest. quartet were the Dubensky theme, variations | heard on recordings, on the air, and finale based on Stephen Foster | | casually and without verbal Be One of Quartet INI {ing; if people heard that superb Meanwhile, at World War memo- Music While mopping floors or saw=

{the wonderful thing about music] Baris Kro i mesibels To Violst, oni {and electronics—you can turn on

nd go about your work’ Milton Katims, programmed as 800d stuff a solo violist with the quartet, at the and, first thing you know, you want

Instead of the annuonced program, ‘get you if youcshear them enough. the Budapest pro-tem quartet | Praise is Unnecessary played Haydn't “Lark” quartet, op-| Brahms is not easy. That A minor 64, No. 5, which I missed; the ‘quartet, played last night in a manBeethoven quartet op. 18, No. 1, of ner to make a critic's praise either. which I heard the last two move-| —w—

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OPEN MONDAY, FRIDAY AND SATURDAY NIGHTS

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Pearson's Record Library, ™ Walker Dru, Tr bor«

avs ORCHESTRA is $ A 3 4 soupy vi “socer cocci

IN. “TURTLE"—Boyd- Craw- |

Stefano of the percussion section. | capable of liking what--music?” -ia|

cal ideas are not literary. They

capable of whistling a tune, pro- ; On the second part of the printed | .., yong here's the point—they're |

last minute took Mr. Kroyt's place. ! ito say, “Hallelujah!” Musical ideas

Open 9:45 5. m. 25¢ plus tax any time |!

SINGING STAR—Ruth Terry, motion-picture vocalist, featured in the stage show opening today at the Circle, Others on the stage bill are Alvino Rey, his orchestra and entertainers, - Hal Leroy and Nonnie Mbrton with "Pansy, the Horse."

unnecessary or pretentious, is full of old Johannes’ wanton wiles. Not to seem truculent, 1 believe that the future of musical apprecia-

getic enough to turn on lots of re_cordings—not for reverent listenlog: but as an accompaniment to dally lving.

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Open 10 A. M.—25¢ "Til 6Plus Tax

, especially in these hitherto patron - monopolized fields, rests! with people prBsperous and ener’

- FABIEN SEVITZKY

——n Symphony Orobestra POPULAR WALTZ CONCERT

Soloist, Marimba

DORIS STOCKTON SUNDAY=3 P. M.~MURAT

* (JANUARY 19) *

Tales from the Vienna Woods: har {ag Beauty jenna, Waltzes From ' ‘Coppelia’

TICKETS $1.20, $1.80. $2.40 (TAX INOL) Murat-—RL 9596-—Wassen's ; Record Dept,

Victor Herbert Waltzes: Walts; Dance of the nd

Mipiatures

\==NEXT MONDAY !™=g

MARTENS CONCERTS, Ine. ENGLISH THEATER

"Monday Evening, Jan. 20th TRUDI SCHOOP

And Her Comic Ballet Seats $3.00, 53.00, $1.20 Tax Incl MARTENS CONCERTS, Ine.

Gladys Alwes Music Shoppe 120 N. Pennsylvania St. FR. 3761

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MATINEE SATURDAY, 2:99

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